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The celebrated, and oft-criticised, 1001 Inventions exhibition offered a particular vision of Islam and Muslims in the West that is imbedded in the postcolonial reality of the post-9/11 world. Built around the coupling of Islam and science, the exhibition and its critics negotiate the place of Muslims in the contemporary world as mapped through the simultaneous intensification of Islam and science as epistemological categories. Such intensification is built on a symmetrical epistemology that deploys science as a universal value perceivable in snapshot historiographies. The article here argues that the exhibition and connected narratives, seen as examples of producing Muslim identities in the West, use the juncture of Islam and science, written in conforming agency, to re-inscribe and affirm the definition of Islam as a core and unchanging identity for Muslims.  相似文献   

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This study illustrates the materialization of identity shifts through refined ceramic and glass forms recovered from working class Irish immigrant and Irish-American communities. The sites used in this article were chosen because of their spatio-temporal compatibility covering dynamic periods of Irish identity in the United States. Historians argue that 1880 marks the beginning of an identity shift from Irish immigrant to Irish-American. This research attempts to provide the necessary materials to begin a discourse bringing together material and historical evidence illuminating the conflict between competing ideologies of respectability and changing conceptions of Irish identity in America.  相似文献   

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