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Christian realism is a concept normally associated with the US theologian and ethicist Reinhold Niebuhr. However, Niebuhr was not alone in warning Christians of the dangers of utopianism and trying to promote a religiously inspired political realism; thinkers from a number of countries had similar aspirations. In this context, the Russian philosopher Semyon Liudvigovich Frank (1877–1950) deserves particular attention. A Marxist in his youth, Frank became disillusioned with revolutionary ideas before and after the 1905 revolution, and was drawn away from politics to philosophy. However, he remained interested in political questions, both while he was in Russia and after he was forced into exile in 1922. This found expression in the 1940s in a form of Christian realism. Frank rejected the doctrine ‘the end justifies the means.’ But he was a gradualist in his approach to social change, believing that politicians needed to have a pragmatic attitude of mind. A distinctive feature of Frank's approach was the connection he made between spiritual inwardness on the one hand and effective decision-making on the other, although he also saw spirituality as arising in a social context. Ultimately, there was a mystical dimension to Frank's Christian realism that was absent in Niebuhr's doctrine.  相似文献   

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Public awareness of the African theatre in the Great War stems largely from C. S. Forester’s 1935 novel The African Queen, and its subsequent 1951 film adaptation. Long thought to have been inspired by British activities on Lake Tanganyika, Forester’s novel more closely resembles events in Cameroon where German missionary Alphons Hermann attempted to sink HMS Dwarf using homemade torpedoes.  相似文献   

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