Levinas's beginnings: ethics,politics, and origins

It is commonplace in philosophy, political theory, and theology to speak of the other and the problem of the identity of the West. No one has done as much to foreground the language of the other in recent years as Emmanuel Levinas, whose works have sparked a renewed interest in ethics across the humanities. Moreover, few have advanced as forceful a critique of European otherness, not only its exclusivity (whereby the other is marginalized) but also its hegemony (whereby the other is absorbed). I explore Levinas's critique of Western ethical thought in order to try to pinpoint what exactly he offers to post‐Hegelian reflection on the other, focusing on his insistence that equality must be grounded in the asymmetry of ethics. The question is: does this take one further than Europe, modernity, the West? If so, where is one thereby going? If not, what is novel or important in these claims?     

Black male: Advertising and the cultural politics of masculinity

During the 1980s, men's bodies began to appear with increasing frequency in television, cinema and billboard advertising. The advertisers’ preferred image of masculinity has generally been young, white, able‐bodied and staunchly heterosexual. This paper explores a partial exception to these generalisations: Ogilvy & Mather's highly successful relaunch of the soft drink, Lucozade. By using selected images of black male bodies and their popular associations with sporting and sexual prowess, Lucozade was able to shake off its long‐established associations with sickness and convalescence, becoming a popular ‘in‐health’ drink with a revitalised and revitalising image. The paper places contemporary representations of black men in British advertising in relation to wider changes in attitudes towards gender, sexuality and ‘race’, arguing that the success of the Lucozade campaign depended not so much on general associations between sport and ‘race’, manliness and muscularity, as on the reader's (socially constructed) knowledge of the particular personalities represented. This assumed knowledge effectively suppresses the more threatening aspects of a stereotypically anonymous and rapacious black male sexuality, provoking desire without evoking dread.     

Environmental injustice in America and its politics of scale

Environmental burdens, such as proximity to hazardous sites, tend to be inequitably borne by poor Americans in general, and by Americans of color in particular. So argues a loose coalition of grassroots organizations and public-interest groups known as the Environmental Justice (EJ) movement. Prompted by that movement, the national government and some state legislatures have established policies to address future inequity. Those policies assume that the scope of environmental injustice spans the country, with many hazardous facilities dotting the landscape in communities of color and/or of the poor. However, various industries and also some social scientists call into question the argument that inequities occur on a national, or even state-wide, scale. Their counter-arguments typically espouse a market-based explanation that localizes the problem: any inequitable risks result from the impersonal forces of the marketplace functioning within individual communities. The politics of EJ pivot around defining the scales of inequity and its resolution. This paper examines the debates over environmental justice in terms of the tension between the scale(s) of the problem itself and the scale(s) at which the problem is to be resolved (or at least ameliorated) via government policy. The paper also sketches several theoretical and political implications of the debates. Theoretically speaking, market-based explanations tend to privilege the local scale, thereby ignoring vital factors that help us to understand environmental inequity as a phenomenon operating at a multitude of scales from the local to the national and international scales. Politically speaking, if the inequities were particular to discrete locales, then extensive governmental involvement would be unnecessary.     

Avant-garde modernism and Italian Fascism: cultural politics in the era of Mussolini

The article explores the efforts of Marinetti's futurists, Sarfatti's Novecento movement, and the Tuscan circle that propounded strapaese to shape a cultural basis for Italian Fascism. The first two movements sought to become an official art for Fascism, while the third sought to produce a culture that would remain true to Fascism's origins in 1919, but all were in different ways 'modernist' movements and they are therefore contextualized both in terms of the challenge presented by Fascism and those faced by their modernist counterparts elsewhere in Europe. It is argued that the three movements enjoyed some success in the 1920s but were effectively shut down by the rise of the intransigent Right in the 1930s. Yet it is also argued that they needed the regime because they were too weak by themselves to assert the principle of artistic autonomy in the face of an internationally ascendant commodity culture. L'articolo esplora i tentativi dei futuristi facenti capo a Marinetti, del movimento Novecento di Sarfatti, così come del circolo toscano detto di Strapaese, nel costruire e definire le basi culturali del fascismo italiano. I primi due movimenti cercarono di costituire un'arte ufficiale del fascismo, mentre la terza si protese a far nascere una cultura che rimanesse legata alle origini del movimento fascista del 1919; ma tutti erano, in maniera diversa, movimenti 'modernisti' e sono qui tra l'altro posti sia nel contesto del cambiamento, nel clima politico e culturale, rappresentato dal fascismo che in quello degli altri movimenti modernisti europei. Viene messo in evidenza che i tre movimenti ottennero un discreto successo negli anni venti, ma furono censurati da una destra intransigente che emergeva negli anni trenta. Tuttavia, è possibile affermare che tutti e tre i movimenti avevano bisogno del Regime perché troppo deboli ed incapaci di consolidare un principio di autonomia artistica nei confronti di una emergente cultura consumista nel contesto internazionale.     

James Arbuckle and Dean Swift: cultural politics in the Irish confessional state

James Arbuckle, born a Presbyterian in Belfast, educated at Glasgow University, moved to Dublin under the patronage of the radical Whig Viscount Molesworth. He arrived at the time of Swift's triumph as ‘The Drapier’. Writing under the name ‘Hibernicus’, he produced a series of essays in the style of Addison's Spectator (1725–26). They can be read as a ‘polite’ Whig critique of Swift's Irish writing, particularly on confessional division. Arbuckle was clearly identified as a political opponent of Swift in a series of lampoons from Swift's circle. He wrote more incisively against the confessional state in his 1729 work The Tribune, lost to historians because of a mistaken attribution to Swift's friend Delany. This article will study Arbuckle's critique of Swift, aiming to give an insight into cultural conflict, both Whig/Tory and Anglican/Presbyterian in a period when both Whig and Presbyterian views have generally been overlooked.     

The origins of democratic thinking: The invention of politics in classical Athens

While many (perhaps most) of those engaged in the study of philosophy would accept the continued reality and importance of an analytic/continental divide in the discipline, there has been no serious examination of the political dimensions of this rift. Here a series of political assumptions are revealed to be widely held among the British analytic philosophers who were active during the period in which the analytic/continental divide was being established. This paper will approach demonstrating the analysts’ beliefs about the political affiliations of continental philosophy in three ways. Firstly, it will produce direct evidence of the analysts’ belief in the relationship between 19th century continental philosophy and various politically undesirable regimes. Secondly, it will examine in detail one illustrative example, that of Hegel. Thirdly, it will illustrate how the political beliefs already canvassed permeated beyond the limited political critique of continental philosophy into the analysts’ writing on the history of philosophy.     

Innovations in cultural policy and development in Latin America

ABSTRACT

This essay looks at two major tendencies in cultural policy recommendations in Latin America: (1) the economic contribution of arts, heritage and especially the cultural and creative industries; and (2) cultural rights, with a focus on inclusion, access, empowerment, and the integral development/well-being of citizens. The two tendencies, which are part of cultural development policies, are not easily integrated into an all-encompassing policy because they follow different logics and management strategies. Nevertheless, both of these tendencies, which emerged in the heyday of neoliberalism (the 1990s), continue to provide the major justifications for cultural funding, although the current economic crisis has led to budget cuts. After a review of cultural development policies, this essay examines innovative strategies to compensate for scarce funding, including those that seek to bridge both tendencies. The cases examined below correspond to discussions of cultural policies in Latin American forums with hundreds of policy-makers and analysts over the past 20-plus years.

Abbreviations: BBC: British Broadcasting Corporation; CadenAgro: Centro de Apoyo para el Desarrollo de Denominaciones de Origen y Sellos de Calidad de Productos Agroalimentarios; CCI: Cultural and Creative Industries; CEDE: Centro de Estudios de Desarrollo Económico; CMD: Centro de Diseño Metropolitano; CVC: Cultura Viva Comunitaria; ECLAC: Economic Commission for Latin America; ILO: International Labor Organization; IMF: International Monetary Fund; MDG: Millennium Development Goals; MDG-F: Millennium Development Goals Fund; MICA: Mercado de Industrias Creativas de Argentina; MICSUR: Mercado de Industrias Culturales del Sur; MSME: Micro, Small and Medium Enterprises; SEGIB: Secretaría General Iberoamericana; SELA: Latin American Economic System; UCLG: United Cities and Local Governments; UNCTAD: United Nations Conference on Trade and Development; UNDP: United Nations Development Programl; UNESCO: United Nations Educational, Scientific and Cultural Organization; US: United States of America     

和平队的历史文化渊源

和平队创建于20世纪60年代肯尼迪政府时期,它是作为一个对外志愿援助机构的面目出现的.之所以在美国出现这样一个援外志愿者组织,除了肯尼迪政府对美国对外政策的调整的现实考虑,更主要是美国具有和平队所提倡的历史文化传统,如美国社会广泛存在的志愿者精神、美国历史上形成的边疆传统和拓荒者精神以及往届政府的政策实践等.     

The cultural politics of shit: class,gender and public space in India

In this article we seek to interrogate the cultural, political and economic conditions that generate the crisis of sanitation in India, with its severe implications for the poor and the marginalized. The key question we ask is how to interpret and explain the spectre of ‘open defecation’ in India's countryside and its booming urban centres. The discussion is divided into three parts. Part one examines the cultural interpretation of ‘shitting’ as symbolic action underpinned by ideas of purity, pollution and ‘the body politic’. Part two takes the political economic approach to gain further insights into contemporary discourse, performance and cultural politics surrounding toilets and open defecation in India. Part three examines civil society activities, state campaigns and media accounts of open defecation to explore the disruptive potency of everyday toilet activities, and how these interplay with issues of class, caste, and gender. Drawing on interviews and a review of ethnographic work, we seek to interrogate the idiom of modern sanitation, with its emphasis on cleanliness, progress and dreams of technology, as a constitutive idea and an explanatory force in Indian modernity.     

Ethnicity,politics, and history in Mexico and Central America

Wilson, Richard. Maya Resurgence in Guatemala: Q'eqchi’ Experiences. Norman: University of Oklahoma Press, 1995. xiv + 373 pp. including tables, figures, photographs, appendices, notes, glossary, bibliography, and index. $32.95 cloth.

Frye, David. Indians into Mexicans: History and Identity in a Mexican Town. Austin; University of Texas Press, 1996. viii + 250 pp. including figures, photographs, appendices, notes, bibliography, and index. $40.00 cloth, $19.95 paper.

Hale, Charles R. Resistance and Contradiction: Miskitu Indians and the Nicaraguan State, 1894–1987. Stanford, California: Stanford University Press, 1994. ix + 296 pp. including tables, figures, photographs, appendices, notes, bibliography, and index. $42.50 cloth.