The Gesta Roberti Wiscardi: A ‘Byzantine’ history?

In the last 150 years of scholarship, opinions have always differed as to just who William of Apulia was, and for which audience his epic poem the Gesta Roberti Wiscardi (completed c. 1099) was written. Many have felt that the work is not only pro-Norman, but vehemently anti-Byzantine. This article reconsiders the arguments about William’s poem. Firstly, William seems to have particularly identified with those who exhibited a marked respect for, and association with, the eastern empire. Secondly, it will be suggested that not only did William know Greek ― not an uncommon phenomenon in southern Italy ― but that he may well have drawn on sources written in that language, perhaps even the same material used by his near contemporaries Michael Attaleiates and John Skylitzes. Thirdly, despite the fact that observers normally emphasise William’s preference for the image of muliebres Byzantines, it is argued that the Gesta Roberti Wiscardi actually underscores their virtus.     

Preaching and History: The Audience of Ranulf Higden’s Ars componendi sermones and Polychronicon

In his Ars praedicandi sermones, in traditional yet rich metaphoric language, Ranulf Higden compares Christ to a fountain, a shepherd, a rock, a lily, a rose, a violet, an elephant, a unicorn, and a youthful bridegroom wooing his beloved spouse. Ranulf encourages preachers to use such metaphors while using them himself, rendering his text a performed example of what he encourages. This text is clearly linked to two others: Ranulf’s Latin universal history, the Polychronicon, and John Trevisa’s English translation of it. In the Polychronicon, Ranulf relates the life of Christ, utilizing some of his own rhetorical suggestions from his preaching manual. He also depicts a cross-section of good and bad preachers, including Gregory, Wulfstan, Eustas, St Edmund, and one William Long-Beard and his kinsman, who exemplify (in different ways) the wisdom conveyed in Ranulf’s instruction in the Ars praedicandi. This essay suggests that the literary relationship between the preaching manual and the Polychronicon supplies additional support for the idea that the audience of the latter was not noblemen exclusively, but also clergymen who preached and had responsibility for the care of souls (cura animae).     

The Norman Conquest of the classical past: William of Poitiers,language and history

William of Poitiers' Gesta Guillelmi, written shortly after the Norman Conquest of England, remains surprisingly neglected, especially by historians. He is generally regarded primarily as a classical stylist who employed classical references to decorate his panegyric of William of Normandy. Poitiers' use of classical allusion was, however, far from superficial. In arguing for William’s legitimacy as king of England, Poitiers addresses a wider audience than is generally acknowledged, and appeals directly to the fears, expectations and values of his day. The article examines his three most sustained allusions to classical heroes of naval enterprises and conquest – Caesar, Aeneas and Theseus – as key components of the memory of the Norman Conquest, demonstrating that each allusion makes a specific moral and political point. Poitiers is a case study for medieval authorial ingenuity in applying classicism to the problems of the present.     

Turning Latin into Greek: Anna Komnene and the Gesta Roberti Wiscardi

This article examines the relationship between one of the most famous Byzantine sources, the Alexiad of Anna Komnene, and the Gesta Roberti Wiscardi, written by William of Apulia at the end of the eleventh century. It shows that Anna not only had access to a substantial archive of material relating to the Normans of southern Italy, but also that the author drew extensively on William of Apulia's account of the attacks of Robert Guiscard on Epirus in 1081–5. Multiple borrowings are identified, including a crucial case of mistranslation from the Latin into Greek, demonstrating that the Gesta lay at the heart of the Alexiad's coverage of the Normans. It argues that Anna Komnene makes carefully judged variations from the southern Italian text, before suggesting that the latter was composed shortly before the Council of Bari (1098). It concludes with a suggestion that the contribution of William of Apulia is surreptitiously acknowledged by the Byzantine author.     

We are never alone: a conversation on bio art with Eduardo Kac

Brazilian-born artist Eduardo Kac’s (Rio de Janeiro, 1962) work has raised eyebrows especially for his ‘transgenic art’ projects, among others: Genesis, 1999; GFP Bunny, 2000; The Eight Day, 2001; Natural History of the Enigma, 2003/08. In all of these, Kac and his scientific collaborators realize genetic interventions into living organisms at the same time as they trigger audience reactions to these from playful kinds of interaction that is integrated into the works’ open and dynamic creative process. Yet whereas the ethical and political challenges Kac’s work poses have sparked lively debates within and beyond the realm of the arts – can and must art engage with the ‘creative’ potentials of biotechnology and genetics? Do these not in fact (as Vilém Flusser and others have suggested) hold the key to realizing the vanguardist dream of merging art and life? Or should the artist, from the vantage point of his own creative practice, not rather warn us against the ethical and political risks involved in genetic engineering? – much less attention has been paid to the way Kac’s art also continues and transforms a particular legacy of post-concretist, ambient and performance art in Latin America.

Kac himself has referred to Brazilian artists Flávio de Carvalho, Hélio Oiticica and Lygia Clark as informing his interest in open, participative forms, which characterize both his transgenic and his earlier ‘tele-presence’ art projects. Other Latin American artists of the late twentieth and early twenty-first century have been producing intriguing engagements with living materials, multispecies habitats and organic remains, including such diverse names as Luis Fernando Benedit, Nicola Constantino, Nuno Ramos, or Teresa Margolles. In a conversation with Jens Andermann and Gabriel Giorgi at the University of Zurich’s Center of Latin American Studies on March 12, 2015, Kac addressed the way in which his work might be seen as continuing or challenging long-standing representations of the New World as a repository of ‘nature’, from colonial chronicles of discovery to contemporary discourses of biodiversity and conservation. To what extent is bio art – and the questions it raises about the Anthropocene as a threshold of radical biopolitical convergence between ‘history’ and ‘nature’ – necessarily ‘transcultural’ and planetary in its extension?     

Inspecting the pious body: Christological morphology and the ritual-crucifixion allegation

The first ritual-murder accusations appeared at a time in which a theology that was increasingly invested in Christ's human body was articulated. Forms of mimetic devotion emerged across Latin Christendom, but were considered highly controversial. The Life and Miracles of St William of Norwich, this essay argues, is an attempt to think about some of the problems that arise from this theology. By interpreting Jewish actions, both real and alleged, the author, Thomas of Monmouth, deployed a Christian bodily logic in order to make a claim about William's sanctity based on his physical ‘likeness’ to Christ in suffering. While in the end this rhetorical and theological scheme was not widely accepted by the author's contemporaries, the Christological grammar of bodily hermeneutics that the Vita articulates resonated in the language of subsequent allegations.     

William Falconer’s Remarks on the Influence of Climate (1781) and the study of religion in Enlightenment England

This study argues that the English-born, Edinburgh-educated and Bath-based physician William Falconer (1744–1824) authored the only stadial history published during the British Enlightenment that analysed the influence of socio-economic context upon religious belief. A survey of the conjectural histories of religion written by the leading literati demonstrates that discussion of religion by the Scottish literati was undertaken separate from the “Scottish narrative” of stadial economic and political progress. We have to turn to Falconer’s Remarks on the Influence of Climate (1781) to see a four-stage history of religion that related belief and practice to wider social and economic developments. While heavily derivative of Montesquieu’s De l’Esprit des Lois (1748), Falconer’s Remarks has some claim to theoretical innovation and used his conjectural history to tell a story of English (not British) religious exceptionalism. Moreover, the work was received as a serious contribution to the late Enlightenment’s science of human nature and society.     

The Gesta Roberti Wiscardi: A ‘Byzantine’ history?

In the last 150 years of scholarship, opinions have always differed as to just who William of Apulia was, and for which audience his epic poem the Gesta Roberti Wiscardi (completed c. 1099) was written. Many have felt that the work is not only pro-Norman, but vehemently anti-Byzantine. This article reconsiders the arguments about William’s poem. Firstly, William seems to have particularly identified with those who exhibited a marked respect for, and association with, the eastern empire. Secondly, it will be suggested that not only did William know Greek ― not an uncommon phenomenon in southern Italy ― but that he may well have drawn on sources written in that language, perhaps even the same material used by his near contemporaries Michael Attaleiates and John Skylitzes. Thirdly, despite the fact that observers normally emphasise William’s preference for the image of muliebres Byzantines, it is argued that the Gesta Roberti Wiscardi actually underscores their virtus.     

Andrew Marvell and the Dutch fifth column: new evidence from a copy of Mr Smirke with authorial annotations

ABSTRACT

This essay discusses a previously unknown copy of Andrew Marvell’s Mr Smirke, which features annotations in his hand. We argue that the recipient of the volume was the Anglo-Dutch agent “William Freeman”, who was closely involved with a Dutch fifth column, set up by William of Orange and his spymaster Pierre Du Moulin, which lobbied Parliament during the Third Anglo-Dutch War. The essay discusses further archival evidence of Marvell’s links to Freeman and argues that their connection persisted after the end of the Third Anglo-Dutch war. Finally, the essay argues that these links throw new light onto the development of Marvell’s late prose work, An Account of the Growth of Popery and Arbitrary Government, which is more closely influenced by other pamphlets associated with William’s propaganda efforts in England in the 1670s than has been hitherto realised.     

Constantine,Helena, Maximus: on the appropriation of Roman history in medieval Wales,c.800–1250

This article explores the ways in which the three fourth-century figures, Constantine the Great (d. 337), St Helena (d. c.330) and Magnus Maximus (d. 388), were represented in texts produced in, or connected with, medieval Wales. The texts concerned may be described as genealogical, hagiographical or literary, and were written in either Latin or Welsh between about 800 and 1250. They include, amongst others, the ninth-century Historia Brittonum, Geoffrey of Monmouth's De gestis Britonum, and the vernacular prose tale Breudwyt Maxen Wledic. It is argued that the appropriation of the fourth-century figures occurred in a more limited number of contexts than has previously been supposed. Moreover, the evidence indicates that writers responsible for composing or redacting texts about these figures were far more likely to turn to earlier written texts for information on their subjects than to any contemporary oral traditions.     

The eponymous legacy of Sir William Richard Gowers (1845–1915): A revealing letter

The eponymous legacy of Sir William Richard Gowers (1845–1915) was the subject of a comprehensive appraisal first written for this journal late last year. Since the completion of that work, a revealing February 1903 letter has come to light recording, amongst other things, Gowers’ firsthand and somewhat private opinions concerning some of his own eponymous contributions to medicine. This addendum to the primary author’s original article will review and contextualize this very interesting find as it relates to Gowers’ eponymous legacy. Gowers’ “ataxic paraplegia” (referred to as “Gowers’ disease” in the letter) and “syringal hemorrhage” are specially considered, and his broader neological contributions are also briefly addressed. For completion, a number of other previously unnoticed eponyms are added to the already impressive list of medical entities named in Gowers’ honor, and a more complete collection of eponyms found in Gowers’ Manual are tabulated for consideration.     

Criticism of Henry II's expedition to Ireland in William of Canterbury's miracles of St Thomas Becket

The long collection of miracles of St Thomas Becket written by William, a monk of Christ Church, Canterbury, between 1172 and c.1179 is, like many other examples of the genre, a rich source for attitudes towards sanctity, relics, and pilgrimage. A far more unusual feature of William's text is the author's criticism of the recent English presence in Ireland. William's comments on this score amount to a loaded stretching of the normal parameters of his textual medium, resulting in an evaluative engagement with current affairs of the sort that we would more normally associate with reflective forms of history-writing. William's criticism focused in particular upon the expedition to Ireland undertaken by King Henry II (October 1171–April 1172), inverting the very rhetoric that Henry had used to justify his Irish adventure. William was not himself Irish, as has sometimes been supposed, nor was he registering his institution's frustrations about its exclusion from the new ecclesiastical order in Ireland, as might be implied by the traditional but questionable ‘Canterbury plot’ interpretation of the much-debated papal bull Laudabiliter. Instead, William was skilfully engaging with current debates about the rectitude of Henry II's Irish expedition, and more broadly contesting emerging prejudices about England's ‘uncultivated’ neighbours, in order to effect a subtle critique of the king's involvement in Becket's murder.     

‘Impressions of Weird Fate’: Revision and Crisis in ‘The Lady of Shalott’

Alfred Tennyson disliked the engraving of ‘The Lady of Shalott’ produced by William Holman Hunt for the 1857 Moxon edition of Tennyson’s Poems, accusing the artist of taking too many liberties in depicting the Lady’s hair and the threads of her weaving as ‘wildly tossing’ around her. This essay traces the histories of both Hunt’s image and Tennyson’s text, arguing that the poet’s objection is grounded in the fact the engraving reproduces the fierce agency that characterizes the Lady in Tennyson’s 1832 original but not his 1842 revision. That pattern of revision, I suggest, reflects the poet’s distress over the 1833 death of his beloved friend Arthur Hallam and is motivated by his new ways of thinking, in the wake of that catastrophe, about the crisis of desire and the perpetual trauma of communication between the living and the dead.     

The Phoenician City-states of Tyre and Sidon in Ancient Jewish Texts

Abstract

Interpreted against the historical situation in the Levant of the first millennium BCE, ancient Jewish texts reflect the historical situation of the time in which they were written. Based on this assumption, we propose in this article that ancient Jewish materials speak of the city-states of Tyre and Sidon in three divergent ways that reflect three distinct socio-historical situations. The first grouping, represented primarily by the books of Amos and Hosea, reflects the pre-Persian or late Persian historical situation. These books speak of Tyre as the dominant economic polity in the Levant, whereas an economically weaker Sidon receives little coverage, if any. The second large grouping, represented primarily by the DtrH, addresses the Persian-period historical situation. We propose the DtrH materials coincide with the Persian-period compositional date when placed against the historical situation of the mid-6th4th centuries BCE. The third category of ancient Jewish texts does not differentiate between the cities of Tyre and Sidon. Reflecting the post-Achaemenid period, when the city-states of Tyre and Sidon were no longer able to maintain their independent economic and political positions, these texts refer to Tyre and Sidon as the collective “Tyrians and Sidonians.”     

Pure and impure gestes: the generation of history in Jean d’Outremeuse's Myreur des histors

ABSTRACT

Scholars have long debated the place in medieval historiography of Jean d’Outremeuse's Myreur des histors, a universal history in celebration of Liège written in French around 1399. The abundance of Old French epic material in a chronicle that, according to its author, contained translations of only Latin sources, was once a source of outrage. The Myreur now holds significant interest, however, for its evidence of late medieval narrative strategies. This study demonstrates the Myreur's deliberate adaptation of epic material to glorify Liège. The author reimagines the Carolingian past as a source for future historical narratives by knowingly altering the genealogical framework of the chanson de geste universe. Carrying tales of sexual impurity, he describes the demise of the Carolingian line and transforms figures from epic to function within his linear history. This inventive approach allowed him to create a new hero- and history-generating lineage for his universal history.     

Sorcery and Sovereignty: Bodin’s Political Economy of the Occult

ABSTRACT

While much has been written on Six Books on the Commonwealth and his Demonmania, scholarship on Jean Bodin generally treats these as two separate areas of inquiry. Moreover, discussions of Bodin’s economic writing, especially his Reply to Malestroit are nearly universally lacking in these discussions. In this paper, I analyze all three of these works together, arguing that Bodin’s political economic perspectives on money, population, and the state form the ground for his interest in witches, sorcery, and the occult. By highlighting the historical context of rising mercantilism and the widespread peasant rebellions that contested it, I argue that Bodin’s maintains a unified and coherent philosophy across his political, economic, theological, and demonological works. This materialist reinterpretation of Bodin argues that his philosophy chiefly concerns a defense of mercantile state wealth accumulation, in which witch hunting plays a crucial role of population discipline and reproductive pronatalism.     

Quasi in domo propria sub securitate sanaretur: a peace agreement between King Swein Forkbeard and Duke Richard II of Normandy

In his Gesta Normannorum Ducum, William of Jumièges related that the Danish king Swein Forkbeard, at the outset of his conquest of England, came to Rouen and met Richard II. Both leaders negotiated a peace agreement that authorized the Danes to sell their booty in Normandy and provided them with assistance and security. This article examines the circumstances and the clauses of the agreement and its place in the narrative of the Gesta. The author linked the circumstances of the agreement to the St Brice’s Day massacre, which provided him with the opportunity to present a very negative portrait of King Æthelred II. While one should be very careful about the author's claims and chronology, a comparison with other similar agreements renders the terms of the treaty, as related by William, plausible.     

Darwin’s missing links

The historical process underlying Darwin’s Origin of Species (Origin) did not play a significant role in the early editions of the book, in spite of the particular inductivist scientific methodology it espoused. Darwin’s masterpiece did not adequately provide his sources or the historical perspective many contemporary critics expected. Later editions yielded the ‘Historical Sketch’ lacking in the earlier editions, but only under critical pressure. Notwithstanding the sources he provided, Darwin presented the Origin as an ‘abstract’ in order to avoid giving sources; a compromise he acknowledged and undertook to set right in later editions, yet failed to provide throughout the six editions under his supervision. Darwin’s reluctance to publish the historical context of his theory and his sources, particularly sources which were also ‘precursors’, may be attributed as much to the matter of intellectual ownership as science, or even good literary practice. Of special concern to Darwin were issues of priority or originality over ‘descent with modification’ and especially over Natural Selection. Many later historians have argued that Darwin was unaware of the work of his precursors on Natural Selection. Darwin’s theory was an example of independent discovery, albeit along with such obscure precursors as Matthew or Wells, who were unknown to Darwin until after the publication of the Origin. Both Matthew and Wells had a medical education, like James Hutton or Erasmus Darwin earlier in the eighteenth century, or even (in part) Charles Darwin. Evolutionary theory, at least in Britain was a product largely of the medical evolutionists rather than the natural historians which ‘history’ has chosen to select for the focus of attention; and among the medical evolutionists the figure of John Hunter stands out as theorist, experimentalist and teacher: the medical evolutionists were predominantly the product of Hunter’s legacy or of the medical profession and particularly the Scottish Universities. Much recent Darwin scholarship has focused on the private Notebooks, to establish Darwin’s discovery of Natural Selection around 1837–1838 and demonstrate Darwin’s ignorance of his precursors; requiring an explicit acknowledgement by Darwin as the legitimate substantiation of any claim to prior influence. The precursors have been categorized as uniformly obscure or irrelevant to the science of evolution which may be defined exclusively as ‘Darwinian’. The inclination to acknowledge influences, however was not something Darwin was gratuitously given to doing, especially on matters of priority. The Notebooks are not Darwin’s private thoughts; from an early stage he considered them incipient public documents and later sought to protect them as proof of his originality. William C. Wells was not an obscure thinker, but a celebrated scientist whom Herschel, Darwin’s guide to scientific methodology, had recommended as providing a model of scientific method. Darwin discovered Wells through Herschel, and quickly acquired a copy of Wells’ recommended work, no later than 1831, and held it thereafter in his library at Down House. This book, the 1818 edition of Wells’ Two Essays contains a third essay, Wells’ account of Natural Selection. Later, in the Descent of Man (1871) Darwin acknowledged his separate discovery of the correlation of colour and disease immunity in man, also earlier recounted by Wells.     

Orderic Vitalis and the First Crusade

This article examines the narrative of the First Crusade written by the Norman monk and historian Orderic Vitalis, which spans Book IX of his Historia ecclesiastica. Though hitherto little-studied, Orderic's account of the First Crusade, which was probably written in 1135, occupies an important place in the Historia and reveals much about his wider historical method. The significance of Orderic's editorial interaction with Baldric of Bourgueil's Historia Ierosolimitana, through the omission and addition of material, forms the focus of the study. By making only a small number of insertions into the story of the First Crusade which he had inherited from Baldric, Orderic transformed its meaning so that it became suitable for incorporation into the Historia as a whole, linking the First Crusade to the history of his monastery, Saint-Evroult.