Breaking silence: exploring motherhood and social transformation in a participatory action research with Alteñan mothers

In November 2012, a researcher, two social workers and five mothers embarked on a participatory action research (PAR) journey with the aim to develop new ideas for interventions for children and young people in street situations of the city of El Alto in Bolivia. In this article, we attend to the topic of personal and social transformation in PAR. We explore how the mothers of young people in street situations perform and negotiate their subjectivities as mothers in their everyday life; how they create (new) subjectivities in exchange and in interaction with each other during the mother project; and how the performance of their (new) subjectivities can bring social change. The mothers in our group shared stories of being silenced by social services in their everyday lives, as their motherhood is declared not good enough or as they are perceived too guilty to claim for help. It was the first time the mothers shared their stories with other mothers of their lives with their children in street situations. By noticing that they all experienced or heard of similar events that their children were subjected to in the streets, the mothers grew confident enough to talk back. Mothers talked back by denouncing injustice and by transforming doubts into questions, providing them with more knowledge. Finally, as the mothers reached out to social services, mothers’ presence, questions and stories confronted aid workers with their own flaws, and their comfortable discourse of blaming families, creating new paths towards social transformation.     

The survey project: researching women’s everyday experience and envisioning modernity in rural Bohemia at the end of the Second World War

This article examines a survey of rural Czech women conducted in 1944–1945. It argues that the survey tells two very different stories. First, the survey provides an unvarnished look into the everyday material circumstances of a few rural Czech women. But for all they tell us about the material conditions of these rural women’s lives, the surveys tell us very little about their ideals, hopes, and dreams. The surveys do, however, reveal quite a bit about the inner motivations of the very different group of women who commissioned this research, a group known as the Women’s Center. Reading in between the lines of these texts shows how the activists of the Women’s Center imagined modernity in the countryside. Theirs was a vision of rational households, technological advances, and good taste, even in rural villages.     

The Courtesan Tale: Female Musicians and Dancers in Mughal Historical Chronicles,c.1556–1748

There are many problems in trying to construct a history of female musicians and dancers in Mughal North India. Such women appear frequently in Mughal writings and apparently played an important role in elite society; there is clearly much we can learn from such sources about gender and class in the empire generally, as well as female performers more specifically. However, what evidence we have is written from the perspective of their male patrons and cast according to long‐standing rhetorical and cultural conventions concerning the fateful roles of music and love in historical events. In this article I examine how Mughal historical chronicles transform named female performers into stereotyped agents of the downfall of noblemen. Using the stories of several historical courtesans, I demonstrate how stock topoi of desire, enslavement, longing, rebellion, danger, fate and above all musical and erotic power, were used to shape all stories of courtesans into tragic cautionary tales. I aim to show that the ‘fictive’ elements of Mughal courtesan tales furthermore reveal important cultural truths about the role and meanings of music in Mughal male society.     

Shattered Minds: Madmen on the Railways, 1860–80

Scholars have long pointed to stories of death and disaster on the railways as proof of profound Victorian anxieties about technology. And yet the traumatic crash was not the only anxiety revealed by sensational railway stories. In the 1860s, a surprising number of newspaper accounts emerged telling tales of ordinary men losing their minds on the railways. These stories were told and retold across the periodical press, exaggerating both the extent of the problem and the severity of the danger for the everyday traveller. Analysing a broad range of press accounts and government policy, this article traces a moral panic in the making. These stories reveal a great concern about the seeming fragility of the male mind when exposed to the modern, industrial world. As this article demonstrates, fears of madness were not limited to Lunacy Commissioners and alienists; they were in fact a staple of popular culture. If a railway journey was all it took to drive a seemingly sane man to madness, what did that say about the health of British manhood?     

Irruptions of the Dreamings in Post‐Colonial Australia

This essay is written round four ‘funny stories’ from Northern Australia. Metamorphosis instigated by a Dreaming is central to all four stories and this is why the stories are counted as ‘funny,’ and received with glee. The analysis illuminates a topic that has been attracting attention in recent contributions to Aboriginal ethnography: how Dreamings irrupt into contemporary histories and act in ways that have political significance, contesting whitefella paradigms and re‐asserting the world‐view of the original Australians.     

Ned Kelly Died for our Sins

From time to time scholars have posed the question: why have Australian Aborigines not developed cargo cults with the same intensity and flamboyance as their Melanesian neighbours? This discussion evades the implications that Aborigines may have been negligent in their cultural production of responses to colonisation, and seeks to engage with some of the responses some Aboriginal people actually have made to colonisation. Focussing on stories of Ned Kelly, and contrasting them with stories of Captain Cook, the suggestion here is that Aboriginal people's search for a moral European communicates the challenging and provocative possibility that coloniser and colonised can share a moral history and thus can fashion a just society.     

Stories of fracture and claim for belonging: young migrants' narratives of arrival in Britain

This article brings an anthropological approach to bear on the question of ‘children's voices’ and, particularly, on the stories told by some young migrants about their recent arrival as asylum-seekers in Britain. Young migrants' narratives are examined as situated and self-conscious claims to a certain identity as child refugee. The question of why a particular narrative of ‘arrival in Britain’ was offered by a diverse group of young migrants and asylum seekers is discussed. These stories present a view of their tellers as alone and irreconcilably detached from past lives and relationships. These narrative repertoires as well as their telling draw from and elaborate certain views of the ‘proper refugee child’ that circulate through various regimes of immigration, welfare and emancipatory community work that all involved these young people. An approach to the stories as accomplished as well as situated performances that collapse the ordinary division between stories as ‘facts’ or ‘fictions’ is introduced. In this sense, the ‘children's voices’ heard in this study are recognised as situated and interested products of a research relationship.     

Anthropocene and the dawn of a planetary civilization

This exploratory article invites anthropologists to renew their curiosity about the human condition and creatively decode today's contemporary myth-making practices. After a decade of active academic engagement with the Anthropocene, we would do well to turn our endless curiosity about the world and its diversity to the Promethean stories ecomodernists are spreading with accelerated ease within the public sphere. To burst out of our media-saturated environment, the author asks: what patterns of deglobalization and reglobalization will emerge from the stories we tell each other about the Covid-19 pandemic and the health of the planet? In what ways do these stories inform us about the society we want to create, inhabit and pass on? The author shows how redeploying our skills as storytelling analysts and ethnographers of embodied and collective experiences helps us to renew questions about place and mobility. As we enter a new era of symbolic manipulation, remembering the importance of myths may help us contribute to the emergence of a planetary civilization that the earth appears to be calling for.     

Narratives in Anecdotes,Memory and Interlocutors: An Early Engagement with Neville Alexander’s Story

In this article, I present a story about South African Marxist and activist-scholar Neville Edward Alexander. As historians, social scientists and intellectuals embedded in the humanities, a part of the job we have awarded ourselves or that we assume to be part of our disciplinary reasoning, our intellectual orbit, is to bring to life the periods that, and the people about whom, we reflect. This we do through writing and telling stories, often constructed with a “moral message” of sorts. In these acts of writing and story-telling, objectivity plays a disputed and a precarious role, and misrepresentations could be conscious or unwitting. The lack of objectivity in bringing to life the period and the people we talk about in our stories, in our exaggeration and our understatement about what we have read, about what we have heard, and then about what we write, is part of an academic’s narrative. These human traits of exaggeration and understatement can lead to historical error. In this early exploration of seeking answers to the questions, “Who is Neville Alexander?” and “What can we learn from his writings?” I offer two anecdotes about the man. My proposition is that overcoming historical error does not rest exclusively with factual verification. It has to factor in an appraisal of the ideological intention or even political wish of the people telling the stories, in written texts and orally, and of the interlocutors’ context that we recover in our historical studies. In writing this preliminary sketch of Alexander, I take a detour into higher education issues, particularly the field of doctoral studies, and I paraphrase some of the concerns that have been raised by Alexander. I conclude this introductory study with some thoughts on Alexander’s contributions to social change, to “race,” and to language policy and multilingualism.     

The emergence of early childhood education outdoor programs in British Columbia: a meandering story

ABSTRACT

This paper explores the emergence of early childhood education outdoor programs in British Columbia, Canada. The story told follows paths not dissimilar from how one might observe children on a walk to the park. While the park is the destination, it is the journey to the park, of picking up pebbles, looking at flowers, and finding sticks, that enlivens and binds the journey. Through our consideration of stories from a number of outdoor programs, we weave patterns that join their emergence and consider how their stories might sustain and encourage educational action.     

Engaging children to voice their sense of place through location-based story making with photo-story maps

ABSTRACT

Sense of place is neither linear nor rooted in time. One way for children to voice their sense of place is through location-based stories with plots structured in space, rather than time. Since mobile devices are already ingrained in the everyday lives of many children in the U.S., a mobile application offers a familiar medium to engage children in location-based story making. Here, we present photo-story maps, our approach to leveraging an existing story-map mobile application as a research tool to collect and analyze children’s stories about sense of place. We found that photo-story maps facilitate the organization of nonlinear location-based stories, promote an inclusive story-making process through a mobile application, support triangulation of varied digital story elements, and provide dynamic interview material. We suggest photo-story maps demonstrate the value of location-based story making and the potential of familiar mobile applications for reducing the barriers to including children in research.     

Voyages,mobilités,lumières

For a very long time and still today, travel stories have fascinated a vast public. It is important to debate their role and the model for intellectual and sensitive construction they propose. An essential link for the European elite's acculturation, they cannot for as much be separated from a much wider circulation which concerns society as a whole. In relation to the social morals of our past, the concept of mobility allows us to appreciate the totality of social practices and to confront the notions of movement and localization. The main cultural categories of space, time, sociability, social constraints and freedoms, are thus creating a structure for our understanding of change.     

Anthropology in the news? (Respond to this article at http://www.therai.org.uk/at/debate)

It is part of our informal culture of anthropology to complain about the way the media portray us, and yet there has been little systematic analysis of media representations of anthropology. I look at stories about anthropologists, stories that quote anthropologists and opinion pieces by anthropologists over a six‐month period in The New York Times. I conclude that biological anthropology and archaeology are over‐represented in these stories, and that the media portrays anthropologists primarily as authorities on exotic others abroad, or ritual behaviour at home. Anthropologists who write about neoliberalism and militarism have had difficulty getting into the high‐end mainstream media, where it is economists rather than anthropologists who are seen as experts on general human nature.     

News Photographs and Environmental Agenda Setting

Who and what influences the issues that policymakers attend to is central to the question of how power is exercised in politics. This study builds upon research by Soroka that proposes an expanded model of agenda setting as a means to examine how the media influences issue salience for the public and policymakers. It expands on Soroka's model by investigating the hypothesis that photographic attention to environmental issues in the news media influences issue salience for the mass public and governmental decision makers. There is little research that substantiates the idea, but it is widely believed that photographs have influence on the policy agenda. I use a dynamic, multidirectional model to estimate whether the volume of news photographs, in addition to news stories, influences issue salience among the mass public and policymakers. Data are longitudinal and measures of attention are operationalized as the number of congressional committee meetings, concern for the environment as a “most important problem” in public opinion polls, environmental news stories in The New York Times, and environmental news photographs in Time magazine. Results suggest that photographic attention does influence environmental policy agenda dynamics in some counterintuitive ways that are distinct from the effects of the news stories. While news stories appear to increase public attention toward the environment, they have little influence on policymaker attention. News photographs, on the other hand, appear to drive congressional committee attention but elicit an ambivalent public response.     

HISTORY AND POLITICS AS IF WE STILL LIVED IN THE HOLOCENE

The Dawn of Everything: A New History of Humanity (2021), by David Graeber and David Wengrow, is a monumental, boldly revisionist study of the human past from the last ice age to the present. It is geared explicitly toward the present in political terms and seeks to explain how primordial forms of human freedom were lost in ways that resulted in our current structures of violence and domination. The authors explore a vast range of prehistoric, ancient, and non-Western peoples to undermine (neo)evolutionist, stadial theories of long-term human development, particularly any that imply determinism, inevitability, or teleology. If so many peoples in the past were so much freer than we are today, how is it that we got stuck? And are we really as stuck as we think? Graeber and Wengrow successfully undermine the social scientific template of stage-based human development from hunter-gatherers to modern capitalist nation-states, but their book suffers from two major omissions. First, they ignore almost entirely the Anthropocene epoch and show no grasp of its implications for their analysis of the present or prospects for the future. Second, their “new history of humanity” ignores the history that is most relevant to answering their own questions about how we have arrived globally in our current structures of violence and domination: the early modern and modern history of expansionist, colonialist, capitalist, belligerent, imperialist Western European nations and their extensions since the fifteenth century. These two omissions are connected: it is disproportionately the history of the (early) modern West before and after the Industrial Revolution that explains how the planet arrived in the Anthropocene with the “Great Acceleration” around the mid-twentieth century. But heeding this history and its consequences would have undermined the authors’ upbeat political vision about our prospects for the future—essentially, a recycled Enlightenment vision about human self-determination and individual freedom that depends on environmental exploitation as if we still lived in the Holocene. For all its undoubted achievement, The Dawn of Everything neglects the history that is most salient to answering the main questions its own authors pose. What matters most about that history is not that it was inevitable but that it was actual—and that its cumulative consequences remain with us.     

Hallucinations and Pathological Visual Perceptions in Maupassant's Fantastical Short Stories- A Neurological Approach

Maupassant excelled as a realist writer of the nineteenth century, with fantastical short stories being an outstanding example of his literary genius. We have analysed four of his fantastical stories from a neurological point of view. In “Le Horla,” his masterpiece, we have found nightmares, sleep paralysis, a hemianopic pattern of loss and recovery of vision, and palinopsia. In “Qui sait” and in “La main” there is also an illusory movement of the objects in the visual field, although in a dreamlike complex pattern. In “Lui,” autoscopy and hypnagogic hallucinations emerge as fantastical key elements.

The writer suffered from severe migraine and neurosyphilis involving the optic nerve, which led to his death by general paralysis of the insane (GPI). Visual loss and visual hallucinations affected the author in his last years, before a delirant state confined him to a nursing home. Our original hypothesis, which stated that he could have translated his sensorial experiences coming from this source to his works, had to be revised by analyzing some of his earliest works, notably “Le Docteur Héraclius Gloss” and “La main d’écorché” (1875). We found hallucinatory symptoms, adopting the form of autoscopy and other elaborated visual misperceptions, in stories written at age 25, when Maupassant was allegedly healthy. Therefore, we hypothesize that they may be related to his hypersensitive disposition, assuming that no pathology is necessary to experience such vivid experiences. In addition, Maupassant's abuse of drugs, as illustrated in “Rêves,” could have provided an additional element to outline his painstaking visual depictions. All these factors, in addition to his up-to-date neurological knowledge and attendance at Charcot's lectures at “La Salpêtrière,” armed the author for repetitive and enriched hallucinatory experiences, which were transferred relentlessly into his works from the beginning of his career.     

Looter of the Dreamings: Xavier Herbert and the Taking of Kaijek's Newsong Story

In his novels and stories of the Australian frontier, Xavier Herbert distances himself from anthropologists whom he resents because they have professional licence to act as looters of the Dreamings. Yet, as ‘artist’, Herbert is unable to admit the extent to which his own story‐forms are taken from Aboriginal productions. In those writings completed after Capricornia and before he finally turns to compose Poorfella my Country, he keeps much of his borrowing secret and his deceptions lead both to a guilty preoccupation with looting as a theme and to the production of stories with missing middles. (Interventions of the Dreamings are left out of the printed versions.) While he acts as cultural broker, honest broking is impeded by Herbert's Romantic self‐vision (portrait of the ‘creative artist’ as a young dog) and by the universalisation that denies cultural difference spuriously to assert the unity of human artistic experience in its stead. I show how Herbert's authorial practise makes him the very semblance of the anthropologist. He, likewise, is a looter of the Dreamings.     

Hallucinations and pathological visual perceptions in Maupassant's fantastical short stories--a neurological approach

Maupassant excelled as a realist writer of the nineteenth century, with fantastical short stories being an outstanding example of his literary genius. We have analysed four of his fantastical stories from a neurological point of view. In "Le Horla," his masterpiece, we have found nightmares, sleep paralysis, a hemianopic pattern of loss and recovery of vision, and palinopsia. In "Qui sait" and in "La main" there is also an illusory movement of the objects in the visual field, although in a dreamlike complex pattern. In "Lui," autoscopy and hypnagogic hallucinations emerge as fantastical key elements. The writer suffered from severe migraine and neurosyphilis involving the optic nerve, which led to his death by general paralysis of the insane (GPI). Visual loss and visual hallucinations affected the author in his last years, before a delirant state confined him to a nursing home. Our original hypothesis, which stated that he could have translated his sensorial experiences coming from this source to his works, had to be revised by analyzing some of his earliest works, notably "Le Docteur Héraclius Gloss" and "La main d'écorché" (1875). We found hallucinatory symptoms, adopting the form of autoscopy and other elaborated visual misperceptions, in stories written at age 25, when Maupassant was allegedly healthy. Therefore, we hypothesize that they may be related to his hypersensitive disposition, assuming that no pathology is necessary to experience such vivid experiences. In addition, Maupassant's abuse of drugs, as illustrated in "Rêves," could have provided an additional element to outline his painstaking visual depictions. All these factors, in addition to his up-to-date neurological knowledge and attendance at Charcot's lectures at "La Salpêtrière," armed the author for repetitive and enriched hallucinatory experiences, which were transferred relentlessly into his works from the beginning of his career.     

Storytelling and meal experience concepts

ABSTRACT

The aim of this study is to explore how storytelling with local and regional origin can be used to develop meal experience concepts in restaurants. Focus is on Nordic food from the perspective of the experience economy. The first goal is to analyse the transformation of menus into experience concepts and dining areas into experiencescapes. The second goal is to investigate if storytelling activities in restaurants can lead to destination development. It is also reflected upon if meal experience storytelling in restaurants has implications for consumers’ everyday food consumption. Three cases in Sweden and Norway with different storytelling strategies are selected. In all these cases, the stories are unique, the places are linked to the stories and the personnel take part in the storytelling activities. The stories are easy to communicate and easy for the target group to connect to. The menus are linked to the story and are all based on local Nordic food culture and local food products. The menus are set and offered in experiencescapes that in various ways fit the stories. The concepts have contributed to the destinations with more visitors, more collaboration among businesses and increased media attention.