近代中国城市大众文化史研究笔谈

The studies of urban popular culture in modern China in recent years have attracted wide attention from scholars in China and abroad. The symposium, which is composed by Ma Min’s “Injecting vitality into the studies of urban cultural history,” Jiang Jin’s “Issues in the studies of urban popular culture in modern China,” Wang Di’s “The microcosm of Chinese cities: The perspective and methodology of studying urban popular culture from the case of teahouses in Chengdu,” Joseph W. Esherick’s “Remaking the Chinese city: Urban space and urban culture” and Lu Hanchao’s “From elites to common people: The downward trend in the studies of Chinese urban history in the United States,” provide valuable insights on the perspective, trend, and methodology of the studies. Four articles of the symposium are translated by Yang Kai-chien and Jin Xueqin from Shixue Yuekan 史学月刊 (Journal of Historical Science), 2008, (5): 5–19; Joseph W. Esherick provides the English version of his article.     

Protocol,politics and popular culture: the independence jubilee in Gabon

National days are powerful moments of commemoration that aim at renewing the citizens' bonds to the nation and the state. In order to be successful, public rituals need to draw large audiences, and their ceremonial design therefore has to be adapted to suit the masses, employing elements of popular culture and everyday forms of nationhood. Despite drawing its significance from the declaration of independence in 1960, however, Gabon's independence jubilee was less concerned with history and commemoration than with celebrating the state and the nation in the present. The ceremonial design of Gabon's jubilee featured intensive preparations, official ceremonies, popular festivities and symbolic politics. In this article, I look at why history and commemoration played such an unimportant role during the celebrations and how Gabon's jubilee organisers included official as well as popular forms of nationhood to assure the population's participation.     

The beach at the end of the world: Eilat in Israeli popular culture

Located on the southernmost tip of Israel, at the meeting point of the Negev desert and the Red Sea, Eilat was occupied in March 1949 in the last military operation of Israel's War of Independence. Notwithstanding official notions of Eilat as a strategic asset and efforts to sustain Israeli presence there in the form of a permanent settlement, in Israeli popular culture Eilat, which later evolved into a thriving tourist resort, has had from the outset the reputation of being ‘different, special, distinct’. This article explores the unique position of Eilat in Israeli popular culture. The underlying argument is that this unique position of Eilat both evinced and reflected a dynamic interplay of liminal conditions and phenomena that rendered Eilat an exceptional experience. Furthermore, being situated at the southernmost tip of Israel, the location of Eilat at the geographical margin of Israel was productive of its image as an extraordinary place and sustained its prominence in popular imagination. The article charts and analyses a variety of liminal phenomena in their social and cultural contexts in different periods of Eilat's history.     

Ethics Ex Machina: popular culture and the plural futures of politics

ABSTRACT

The articulation of ethical responsibility can be conceived as a condition of ethical practice that brings into being a human subject to whom we owe consideration, and the reverse must also hold: we are brought into being – subjectified – through these relational connections. But can these connections exist between human and non-human subjects? In this short paper, we analyse the representation of artificially intelligent machines in the popular television series Westworld and the movie Ex Machina and elaborate on the boundary between human and non-human as a complex and contested ethical space. We argue that taking popular cultural representations of machine learning seriously can offer significant insight into how futures of human subjectivity and ethicopolitical responsibility might unfold. (117 words)     

南宋进书仪探析——以圣政为例

南宋时,圣政修纂完毕后,须进呈皇帝和太上皇。在进呈过程中,宋廷制定了一套庄严肃穆而又极其烦琐的仪式。进呈皇帝之仪在皇帝和大臣处理日常政务的垂拱殿中完成。进呈给太上皇帝之仪在太上皇帝居所完成。在迎奉圣政和皇帝赴太上皇帝居所的环节中,秘书省道山堂和祥曦殿成为与进呈仪式紧密相关的空间。圣政的进呈仪式是由太上皇帝、皇帝、臣僚面向公众共同完成的两场表演,这种可视化表演具有浓厚的象征意义:对皇帝而言,是向天下臣民宣示自己总结和继承先朝的政治遗产,开启本朝的治道,并且以自身的实践教化臣民,传递"孝"的理念,倡导"孝";对臣僚而言,通过仪式表演,表达了他们致君"贤能"的愿望。圣政这种史籍的进书仪式为我们考察南宋官修史籍进书仪式提供了一个典型案例。     

论中国南方及东南亚地区早期砾石石器

本文对中国南方及东南亚地区早期砾石石器的概况、特点、原因等作了较系统的研究;指出它们与中国北方以及欧洲同期旧石器相比,具有明显的差异,其独特的文化面貌是由这一地区独特的自然环境和生态环境决定的。     

Early Medieval Settlement in Southern Russia: Changing Directions

Abstract

THIS ARTICLE CONCERNS the evolution of approaches to the archaeology of early medieval settlements in southern Russia. Over the last 70 years, a large amount of data have been collected, especially from sites related to the Saltovo-Mayatsk culture on the Middle Don river. In this region, large-scale excavations since the 1930s have produced information about the types of settlements and dwellings, making it possible to suggest what the overall settlement pattern may have looked like. By way of contrast, the early medieval settlement archaeology in the North Caucasus is less developed even though its beginnings go back further. Sufficient data exist only about a few areas of the region, in particular Dagestan, the Taman’ peninsula, and the Kislovodsk basin. In the latter area, a new systematic approach to surveys of, and trial excavations on, early medieval settlements have led to the reconstruction of the complex settlement hierarchy of the 5th to 8th centuries AD involving central fortifications, enclosed villages and a system of watch-towers.     

社区仪式的跨学科解读--以江南一个村落联合体庙会为中心

社区仪式,作为人类思维和行为方式的本质体现,一直处于文化人类学关注的中心地位。但是,就连他们自身也承认,也许缘于结构功能主义的学术传统的影响,“在处理社会变迁问题时,传统人类学的功能主义解释显得软弱无力;而单纯的功能主义立场亦无法解释半个世纪以来作为仪式活动背景的中国社会的剧变过程”,因此,人类学认为,“历史与变迁维度(悠久而丰富的历史文献与尚可获得的口述历史资     

‘Rocking the nation’: the popular culture of neo‐nationalism

The aim of this paper is to understand contemporary forms of nationalism in a socio‐political context in which neo‐nationalism has obtained a dominant role not just in politics but in public discourse and in the cultural field as well. It investigates the emergence of a particular music scene in the beginning of the 21^st century, shaped by rock bands and performers and supported by far‐right political actors, which has made the ‘national’ imagination emotionally and ideologically appealing to a considerable part of Hungarian society and first of all to young people.