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1.
Autobiography of an Archive is a collection of essays by Nicholas B. Dirks written since 1991, preceded by an autobiographical introduction. This review article discusses the collection in relation to Dirks's overall scholarship and the wider intellectual field in which history, anthropology, and colonialism intersect in the study of India. Dirks has written three books: The Hollow Crown (1987), an “ethnohistory” of a “little kingdom” in south India; Castes of Mind (2001), about colonialism, anthropology, and caste in India; and The Scandal of Empire (2006), which discusses the foundations of British imperial sovereignty. In The Hollow Crown and other writings, Dirks significantly contributed to the debate about the “rapprochement” between anthropology and history, which was prominent in the 1980s. But in the 1990s, Dirks thought, the rapprochement ground to a halt; the relationship between anthropology and colonialism then came to the fore, and Castes of Mind, as well as some of these essays, were influential critical studies of colonial anthropology. In recent essays, Dirks has examined the “politics of knowledge” and the postwar development of South Asian area studies in the United States. This article argues that although the relationship between anthropology and history is now rarely debated, historical anthropology has continued to develop since the 1980s. Moreover, anthropologists in general now recognize that history matters, and that colonialism crucially shaped modern society and culture in India, and other former colonial territories. Many of Dirks's conclusions about, for example, Indian kingdoms and caste in colonial discourse, have been criticized by other scholars. Nonetheless, anthropological writing, especially on India, is no longer unhistorical, as it once often was, and Dirks's scholarship has played a valuable part in bringing about this change.  相似文献   

2.
This special issue contributes to an emerging literature on the materialities of colonial government by considering the changing relations between practices of data collecting, styles of anthropological knowing and modes of governing which target the conduct of colonial and metropolitan populations. Drawing on comparative studies from Australia; the Australian administered territory of Papua; France; French Indo-China; New Zealand; North America and the UK; the papers consider the implications of different forms of knowledge associated with practices of collecting—anthropology, archaeology, folklore studies, demography—in apparatuses of rule in various late nineteenth and early twentieth-century contexts. This introduction outlines the rationale for the volume and elaborates the concept of “anthropological assemblage” which helps focus the authors' explorations of the socio-technical agencements which connected museum, field, metropolis and colony during this period. In doing so, it points towards a series of broader themes—the relationship between pastoral power and ethnographic expertise; the Antipodean career of the Americanist culture concept; and the role of colonial centres of calculation in the circulation of knowledge, practices of collecting and regimes of governing—which suggest productive future lines of inquiry for “practical histories” of anthropology.  相似文献   

3.
Historically, within anthropology, sport has been perceived as an inconsequential form of entertainment spectacle, seemingly at variance with, and secondary to, broader political and social discourses. An analysis of these four works, however, provides an opportunity to explore shifting representations surrounding issues of culture change and identity production within the anthropology of sport, with an emphasis on three inter-related themes:
  1. theories and methodologies for representing the intersections between culture change and sport;

  2. historical shifts in modes of representation and writing within anthropological sports studies, and

  3. representations of identities within sport.

  相似文献   

4.
This essay reconsiders Karl Polanyi's famous thesis about the “embeddedness” of the economy through an examination of two recent books: For a New West, a collection of previously unavailable essays by Polanyi, and Fred Block and Margaret R. Somers's The Power of Market Fundamentalism: Karl Polanyi's Critique. The guiding thread of this analysis is the claim that a constant in Polanyi's thought was his belief in what he called “the reality of society,” that is, that society exists as a social fact over and above the individuals that constitute it. The essay begins by tracing Polanyi's intellectual development, drawing primarily on the essays found in For a New West. Polanyi's quest to reconcile individual freedom with social solidarity led him first, in the years between the First and Second World Wars, to embrace liberal socialism, before his readings in anthropology persuaded him that traditional economies “embed” the economy in social relations and that the nineteenth‐century liberal project of a “disembedded” economy (through the so‐called free market) is a departure from this anthropological norm. The essay then examines and questions Block and Somers's claim that Polanyi maintained that the economy is always “already embedded,” arguing notably that Polanyi believed that the advent of market society entailed an economy that was actually disembedded from social relations, not merely one that was re‐embedded in an alternative set of institutions.  相似文献   

5.
《Political Theology》2013,14(3):336-352
Abstract

Much political theory is funded by a purportedly “theological” notion of sovereignty. This essay re-reads and thereby deconstructs such a view. The argument presented herein is that certain political theorists—notably Schmitt, Bodin, and Hobbes—uncritically appropriate a “theological” notion of sovereignty as an analogy for political sovereignty. Engaging the work of Karl Barth, this essay undercuts such analogizing tendencies, contending that the “theological” superstructure on which so-called political theology is constructed is not theological but anthropological. Barth’s reconfiguration of theology, grounded not on natural law or reason, but on God’s self-revelation of Godself in Jesus Christ, offers a very different terminus a quem for political theology.  相似文献   

6.
This paper explores the implications of Foucault's perspective of liberal government for approaches to the practical history of anthropology. It also draws on assemblage theory to consider the changing relations between field, museum and university in relation to a range of early twentieth-century anthropological practices. These focus mainly on the development of the Boasian paradigm in the USA during the inter-war years and on the anthropological practices clustered around the Musée de l'Homme in the 1930s. Key steps in the argument focus on the role of what Foucault called “transactional realities” in mediating the practical applications of anthropology in colonial contexts and in “anthropology at home” projects. Special consideration is also given to the increasingly archival properties of anthropological collections in the early twentieth century and the consequences of this for anthropology's relations to practices of governing.  相似文献   

7.
The structure/event dichotomy has been a bone of contention in anthropology for many decades. The so‐called “synchronic paradigms” such as functionalism and structuralism saw “structure” (defined in various ways) as the object of anthropological analysis, whereas “events” were left to historians. Recent trends in anthropological thought are eager to dismiss the ahistoricity of traditional approaches as they attempt to include the diachronic perspective within anthropological research. Very often, this re‐historization of anthropology has entailed the criticism of the structure/event dichotomy. By using data from Irish demographic history, in this article I postulate the need to recover this dichotomy as a fundamental component of the anthropological approach to human affairs.  相似文献   

8.
This paper traces the networks through which particular practices of collecting cultures became imbricated in new relations governing colonial populations. It investigates the socio-technical arrangements associated with “practical anthropology” as they were enrolled in the Australian administered territory of Papua. The paper follows the assemblage of a new kind of anthropological actor: one which is framed in relation to new articulations of the administrative, academic and museum networks associated with a programme of “scientific administration” and the doctrine of “humanitarian colonialism”. In particular, it focuses on the office of the Government Anthropologist and the ways in which “native culture” emerged as an administrative surface.  相似文献   

9.
This essay explores the curious absence of Middle Ages from the history of anthropological thought. An investigation of disciplinary histories reveals while anthropology's intellectual origins are often traced to early modernity or classical antiquity, the existence of authentic anthropological inquiry in medieval Europe has been either disregarded or explicitly denied. This historical lacuna is the product of an unexamined temporal logic that presupposes an epistemological rupture between the medieval and modern worlds. This essay challenges several historical myths that have underwritten the erasure of the discipline's medieval legacies, and then outlines the necessity of reintegrating the Middle Ages in anthropology's intellectual genealogy not only for enriching our understanding of pre-professional anthropology, but also for constructing a more holistic and inclusive understanding of the anthropological project.  相似文献   

10.
In the following essay I review three recent additions to the burgeoning ontology literature: Philippe Descola's Beyond Nature and Culture, Eduardo Kohn's How Forests Think, and Istvan Praet's Animism and the Question of Life. United by their shared goal of making anthropological inquiry less ethnocentric by avoiding the imposition of Western ontologies on non-Western societies, these works simultaneously exhibit considerable variation in theory and method, ranging from traditional structuralism to ethnographically-informed Peircean semiotics. I emerged from my engagement with these ambitious books unclear about how anthropologists should conduct ethnographic research that goes “beyond the human” and convinced that units of analysis that might seem anachronistic to certain people (such as language, culture, and collectives) remain key constituents of the foundation of anthropological inquiry.  相似文献   

11.
In 1929, āpirana Ngata published an article titled “Anthropology and the government of native races in the Pacific”. This would appear to confirm the link between anthropology and the rule of indigenous populations in New Zealand and its Pacific empire, but the evidence presented in this article suggests a more complex situation. This paper examines the “empirical anthropology” of Ngata and Peter Buck and the ways in which their activities reshaped the policy and practice of the Department of Native Affairs between 1920 and 1935, particularly through the notion of cultural “adjustments” or “adaptation”. Archival research reveals that behind the activities of the Dominion Museum, the Polynesian Society and its Journal was a Māori-led body, the Board of Māori Ethnological Research, which redirected government collecting, research and publication from salvage to the maintenance and revival of Māori cultural heritage in the service of tribal social and economic development. Seen through the theoretical framework of assemblage theory, we can see how a malleable idea of culture was employed in social governance in quite different ways to the colonial governmentality at work in other settler colonies at this time. The paper argues that this form of “anthropological governance” effectively de-territorialized state institutions, thereby creating a distinctive space for the native exterior to the nation.  相似文献   

12.
Abstract

This essay is a reconstruction of Rene Girard's Christian apology in “I saw the Devil fall like Lightening.” It develops Nietzsche's antithesis between Christ and Dionysius which Girard identifies as the antithesis of modernity as such. Against Girard's own alliance with Carl Schmitt the essay adopts the Trinitarian point of view suggested by the author, in order to show that it is Erik Peterson's “Trinitarian” critique of Carl Schmitt's political theology of sovereignty which could fulfill the “true” aim of the author in fact much better.  相似文献   

13.
14.
ABSTRACT

The Samoan Christian theologian Ama'amalele Tofaeono draws on diverse intellectual sources to articulate an ecological theology both distinctively Samoan and self-consciously Oceanic. I examine Tofaeono’s writings through the lens of recent work in linguistic anthropology on repetition and replication. By paying close attention to the ways texts and their original contexts, authorship, and intentions can be brought forward into new contexts, such anthropological work offers a useful perspective on Tofaeono’s theological arguments about creation and salvation. Tofaeono frames creation and salvation as actions that are necessarily ongoing—matters of repetition rather than rupture, a kind of continuity that depends not on fundamental durability but on repeated reengagement. An appreciation of Tofaeono’s articulation of time and repetition can in turn illuminate the anthropological study of social transformation and help develop productive interdisciplinary dialogue between anthropology and theology.  相似文献   

15.

Gutorm Gjessing was one of the most influential investigators in Norwegian archaeology. He is particularly known for his monumental works on the Arctic Stone Age, which proposed an alternative to south‐north diffusionism. In 1947 Gjessing suddenly left archaeology in favour of ethnography at the Oslo Ethnographic Museum, which also led his carrier in a downhill direction. This article is partly biographical and partly analytical and claims that Gjessing's archaelogical works and theories in the 1930s ‐ 40s were only marginally non‐conformist, since they largely reflected current viewpoints in European culture‐historical archaeology. Gjessing's view of culture is located in culture‐historical archaeology and American cultural anthropology and it is compared with the anthropology of the “British School”. Also analyzed is how Gjessing in some respects placed himself on the fringe of the establishment. It is not pretended to give any definite answers, rather it is focused upon questions which can be raised and provides a more nuanced picture of” the mythology which has surrounded Gutorm Gjessing, both as archaeologist and anthropologist.  相似文献   

16.
Venice   《Textile history》2013,44(1):22-36
Abstract

Applied to contemporary Western clothing as part of the new cultural turn in textile history, anthropology provides unique insights into the relationship between commerce and culture; into the symbolic and social processes that influence the market; and into the ways capitalism functions as a cultural system, not just as a purely economic one. This paper takes an anthropological approach to children's clothing and the changing consumer culture of childhood in Britain in the mid-twentieth century, seen through a particular company (Pasolds Ltd.), their Ladybird symbol and its associated popular culture, and an iconic garment, the Ladybird dressing gown. It provides a case study in a field and period dominated to date by studies of American children's garments and material culture and focuses on the production, advertising and indirect marketing of children's clothing through public culture, from the producer's point of view, a perspective hitherto generally overlooked in work on children's clothes and consumer culture in the mid-twentieth century.  相似文献   

17.
18.
Biographies of four important figures in the history of anthropology—Julian Steward, Leslie White, Melville Herskovits, and L. Luca Cavalli-Sforza—illustrate that current “public anthropology” has deep historic roots and that anthropology, even subfields that involve the basic sciences, like genetics, are shaped by personal and political experience as much as by intellect. All the biographical subjects discussed here had first-hand experience with racism, fascism, and bigotry, whether in their home or public lives, and resisted those forms of hegemony by fashioning anthropological theories to explain and appreciate human diversity.  相似文献   

19.
This essay argues that to understand Foucault's attraction to neoliberalism, we must understand the elective theoretical affinities that he perceived between this current in economic thought and one of the central elements of his own philosophical project: the critique of humanism or “anthropologism” (that is, the tendency in modern thought to sift all knowledge through human knowledge). Specifically, the essay examines moments in Foucault's 1978 and 1979 lectures when Foucault clearly refers to the arguments of his earlier work, The Order of Things, the locus classicus of his philosophical antihumanism. In particular, Foucault claimed that economists of the Chicago School developed a theory of labor that escaped the limitations of the “anthropological” theory of labor associated with Adam Smith, David Ricardo, and Karl Marx. He also interpreted the notion of homo oeconomicus and Smith's idea of the market's “invisible hand” as critiques of the characteristically modern attempt to make transcendental claims on the basis of human nature. The essay concludes by asking if Foucault's philosophical antihumanism provides an adequate vantage point from which to critique contemporary capitalism.  相似文献   

20.
ABSTRACT

This essay is about how artists, listeners and critics claim to hear life in a sound and how this suggestive, but hazily defined, provocation connects vast cultural circuits of production, technology and capital. I argue that claims to life in a sound also belie an anachronistic return to an early modern understanding of sound as particulate matter and suggest a technoscientific discourse in which sound and data are described in terms of one another. With a close engagement with microsounds – from Gilles Deleuze to computer music specialist Curtis Roads – this essay queries what sonic particulates are presumed to be when they are mapped onto Spinoza’s corpora simplicissima but processed through analogy synthesis or digital tools. In part, this essay tries to speak to a persistent separation of sonic materiality and auditory culture, in music and sound studies in which life in a sound cannot be thought apart from how life is subject to different kinds of extractions. With a return to Spinoza’s physics, this essay also retakes the often sloganized “no one knows what a body can do” to emphasize an ethical recomposition of the text in which to “know” must be as open-ended as “body” is typically emphasized to be.  相似文献   

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