‘The Colonial Children Cry’: Jo the Crossing-Sweep Goes to the Colonies

In this article I explore the affective power of Charles Dickens's character Jo, the crossing-sweep from his novel Bleak House, and his broader cultural significance. Contemporary audiences were deeply moved by Jo's tragic death, sparking a vast popular, and especially visual, culture around the homeless white child. Yet, by establishing an affective and moral opposition between white waif and black ‘heathen’, in a relationship Dickens termed ‘telescopic philanthropy’, audiences were directed to care about the white poor with the inference that black people were not a proper object of compassion. Jo's touching story circulated widely across the colonies of Australia and New Zealand, and was put to work in transmitting inherited British values and making sense of local political and social circumstances. By the late nineteenth century the emotional regime symbolized by Jo the crossing-sweep effectively consolidated racial exclusions.     

1968 and its other worlds: Global events and (anti-)state dynamics in France,Mozambique and Vanuatu

ABSTRACT

This article de-centres the moment, event and impact of 1968 and expands it temporally and spatially. Taking a longue durée approach charting a trajectory from the 1960s into the 1980s, we analyse statist and anti-statist dynamics through a comparison of the May 1968 Paris riots with the Nagriamel movement in Vanuatu and the phenomenon of Naparama in Mozambique. Such a horizontal triangulation and spatio-temporal expansion is undertaken to contribute to a more global understanding of what we term ‘the 1968 event’ entails. However, this comparative analysis also underlines how its impact should be measured as, first, an experimentation with and attack on political reality, second, how the intricate connections between Euro-American and other worlds were integral to its articulation and, third, how paradoxically 1968 and its response spawned the rise of an authoritarian form of nation-state – eclipsing the openings in the firmament of the political, social and the real afforded by the original event.     

Transnational ways of seeing: sexual and national belonging in Hedwig and the Angry Inch

I argue that transnational ways of seeing help us apprehend the histories of globalization, immigration and imperialism that frame and make legible cultural productions. Focusing on John Cameron Mitchell's 2001 film Hedwig and the Angry Inch, which has been almost universally received as being about transsexuality, this essay argues that the film is equally about transnationality and specifically about how queer identifications and identities are produced in relation to the nation-state. Hedwig explores the limits of national belonging and the pleasures of US popular culture through the lens of sexual and gender identity, with the ambiguity of the Hedwig's body embodying confusion about legal, political and cultural citizenship. The film identifies and critiques the violences of heteronormative national belonging, yet by reading Hedwig alongside the political and legal histories that make its narrative legible, it becomes apparent that the film's popular reception frequently erases the transnational and imperial histories that undergird and produce sexual identities and identification. I argue that cultural practices do not simply reflect national or queer identifications but also produce them. The fissures between the cultural work of the film itself and of its circulation illustrate how despite the mutual imbrication of sexuality and nationality, transsexuality is sometimes more readily apprehended than is transnationality.     

The Modern Revolution and the Collapse of Moral Analogy: Tocqueville and Guizot

Abstract

I locate the Leveller John Lilburne within the broader literature on the history of political thought and I challenge scholars who associate Lilburne's Leveller political thought with Hobbesian liberty, with proto-libertarianism, or with proto-bourgeois political thought. I advance an understanding of Lilburne as creatively merging central tenets of proto-liberalism with central tenets of republicanism. To develop this amalgamation of ideas, I go considerably beyond the Agreement of the People and the Putney Debates to explore the larger Leveller corpus. Through this investigation I articulate Lilburne's account of key concepts in the history of political thought including: liberty, tyranny, rights, rule, political participation, popular sovereignty, civic virtue, self-interest, harmony, antagonism, and institutional design. I conclude by arguing that we should consider the Levellers, particularly John Lilburne, as offering an early example of what has come to be called liberal-republican political thought, a way of theorizing found within the writings of English Commonwealthsmen.     

The Atlantic Challenge: How Political Science Understands Canada’s Smallest Region

ABSTRACT

This paper examines how Canadian political science portrays Atlantic Canada, along with some of the consequences of persistent misrepresentations. I first explore traditional portrayals of Atlantic Canada as well as arguments challenging those conceptions, demonstrating that it is no longer appropriate to treat Atlantic Canada as primarily defined by either economic processes or common political culture. I then survey the Canadian Journal of Political Science, Canadian Public Administration and Canadian Public Policy to determine the extent to which discussions of Atlantic Canada still, (a) emphasize economic phenomena, and (b) assume a common Atlantic political culture. I find that, while political scientists are now less likely to study the region in terms of economic phenomena, they still perpetuate outdated depictions of Atlantic political culture. This tendency results in a certain degree of methodological imprecision and reinforces problematic assumptions about Atlantic political life.     

No laughing matter: Antiquity in Greek political cartoons

Abstract

This article discusses the deployment of antiquity in Greek political cartoons covering the period from 1974 to the present. It argues that in order to function cartoons must rely on preconceptions and widespread popular beliefs; they thus can be seen as an important source for the investigation of popular stereotypes of antiquity. Moreover they engage actively in the construction of visual memory through the visualization of abstract notions. Greek political cartoons are shown often to use the most easily recognisable themes from antiquity and rely on its moral authority (stemming from the position of antiquity in the national imagination and public discourse) in order to critique and ridicule policies and politicians. The authority of antiquity itself, however, is rarely questioned. Cartoons and antiquity are not involved in a simple relationship of representation; theirs is rather a relationship of engagement, a relationship of veneration and submission which constructs a reality where the dividing lines between the past and the present are blurred, a reality which is structured by the powerful symbolic order of national memory.     

French Intellectuals and the Iraq War

Because of its representation of marginal and often violent milieux, the status of noir fiction has long been that of an ‘inferior’, less ‘literary’ genre. It could be argued that its frequent references to popular culture, and especially television and film, explain its appeal to a wide audience, one that does not necessarily read other genres. The intrigue and setting of the noir novel enables it to be perceived primarily as a ludic activity while often dealing with issues which are both political and ideological. Brigitte Aubert's work makes frequent references to film, TV and popular literature, and this article aims to examine the way these are used, how they play with notions of reality and fiction, how they can create an ironic distance which allows the writer both to create a sense of complicity with the reader and to criticise the society she presents.     

Showing and telling science – the integrated use of literature and images in the works of Erasmus Darwin and Alexander von Humboldt

ABSTRACT

In recent years, both the fields of literature and science and visual culture of science have addressed the importance of different visual and literary elements and their roles in establishing meaning and communication in science. In this article, I explore how visual and textual elements work to establish a narrative of plants in Erasmus Darwin’s The Botanic Garden (1791) and in Alexander von Humboldt’s Essai sur la géographie des plantes (1804). These two scientists employed literary and visual elements in order to construct their visions of the nature of plants in a time when the ideals of Enlightenment science gave way to a more holistic view of integrating the sciences and the arts. I, therefore, also discuss the analytical approach of integrated readings between the literary and visual elements of science.     

Popular Economies In,Against, and Through the Platform

Behind the conjunctural growth of popular economies in Brazilian cities lies a set of entangled disputes over urban density with important political consequences. While popular economic agents are repressed by local governments, informal work hired through digital platforms grows exponentially and engenders new precarious forms of assembling labour relations in, and extracting value from, global South cities. The contrasts and indirect relations between digital platforms and popular economic agents are important in understanding the growth of platforms, which hinges on accessing low-wage workers whose attempts to make an independent living are otherwise prohibited. This dynamic has resulted in the political mobilisation of popular economy agents and their alliances with urban social movements. Through this paper, I examine how their networking and particular disputes for a right to the city hold potential for the emergence of other economies.     

The Archaeological Heritage of Iraq in Historical Perspective

Abstract

In this paper I argue that members of the public are simultaneously attracted to and alienated by the uncannyin archaeology. I examine the role of popular culture representations of archaeology in these conflicting but connected processes, and strategies for overcoming them. By exploring Freud's notion of the unheimlich, or uncanny, in relation to archaeology and autopsies, I argue that it is mediated by popular culture, which alienates the public from the actual uncanny practices. By considering the relationship between archaeologists and the public as a discourse between actors and their audience, I examine ways in which this alienation can be overcome. My aim is to offer a better understanding of the complex ways in which people engage with archaeology.     

Bayle’s political doctrine: a proposal to articulate tolerance and sovereignty

ABSTRACT

For most interpreters of the philosopher from Rotterdam, his political doctrine is solely a consequence of his religious and moral doctrines, and so an image of Bayle as a political philosopher is not usually presented. To my mind, however, only by analyzing his political doctrine can the extent of his religious proposal be understood. In this article, I intend to show that both the Baylean criticism of popular sovereignty and his rejection of the right of resistance are analyses that are indissociable from the Baylean doctrine of tolerance. The protection of individual freedom of conscience and the defense of a multi-confessional state model, tolerant regarding religious minorities, can only be articulated as historical reality if they rest on the political doctrine of indivisible sovereignty and on the strictest separation between political obedience and religious membership.     

Postcolonial theory and globalized empathy: from development to difference

ABSTRACT

Postcolonial theory, with its focus on epistemological difference, material subversion, and cultural hybridity, is said to be at odds with the emotional and cognitive takeover implied in empathy. My paper will, to the contrary, suggest that the critique of political developmentalism and the turn towards a preference for cultural difference that inaugurated postcolonial studies as we know it may have actually helped to forge a relation between the perspectives of postcolonial theory and empathy. This relation is based on the ultimately individual focus that both imply through their rejection of abstract rational politics, which politically limits them to humanitarianism. My reading of Indra Sinha's Animal's People will show how this novel performs the heavy impact of this entanglement between postcolonial otherness, empathy, and humanitarianism by arguing that the novel ironically restructures its plot and political imaginary to suit the needs of humanitarian empathy that governs the global market for postcolonial literatures.     

Wrestling with the Revolution: The Iron Sheik and the American Cultural Response to the 1979 Iranian Revolution

This paper maps how American popular culture came to terms with the 1979 Islamic Revolution in Iran through a study of Hussein Khosrow Vaziri. Vaziri, better known by his moniker, “The Iron Sheik,” was active in professional wrestling in the 1980s and remains to this day one of the most well-known Iranians in American cultural memory. Through an analysis of his character and how he has been represented in the popular media, I argue that he was chiefly utilized as a figure through whom Americans could cope with the devastating blow that the Revolution caused to American power. I argue that this reaction continues to this day, albeit focusing not on Iran but on the current political tensions involving the attacks of September 11, 2001.     

The genre of radical thought and the practices of equality: the trajectories of William Godwin and John Thelwall in the mid-1790s

In this paper, I approach the political and philosophical similarities and differences between late eighteenth-century thinkers John Thelwall and William Godwin from the point of view of their respective choices for the genre of political communication. I approach their thought and its expression by weaving an interpretation of what they were saying with a reflection on how and to whom they were speaking. This, I contend, helps us clarify further the thought of each thinker and track the changes in their conception of equality in the framework of political communication. As the 1790s unfolded, both thinkers, I argue, tried to diversify their audience, be generally more inclusive, and re-think the hierarchies of relationship between authors/speakers and their audience in their political communication. Nevertheless, they did so asymmetrically and in different ways: Thelwall quickly started tapping into popular culture, especially oral culture, while Godwin chose the modes of fiction and the conversational essay. By making these choices, both authors enacted a different understanding and practice of political education, and political equality.     

“We are Reindeer People,We Come from Reindeer.” Reindeer Herding in Representations of the Sami in Russia

Abstract

Reindeer herding, a tourism emblem of the European North, is also part of a long-lasting tradition of objectification of Sami culture in Russia. Sustained in the popular imagination by Russian ethnography, the dominant order's agent for legitimization of Soviet ethnic policies, in the 1990s the tradition of exoticization and “othering” was strengthened by Western anthropological and political engagement with the indigenous debate in Russia, transposing on the Sami the imagery and ideals of the global indigenous movement. Business aspirations to utilize the persistent imagery of exotic otherness gave birth to ethnographic tourism in the Kola Peninsula, Northwest Russia, which markets indigenous culture as an attraction. In this paper, I analyze how these diverse discourses equally reify and exploit the concept of Sami reindeer herding and the effects that such representational economy has on the community.     

GREEN BOUGHS ON THE GRAVES: UNMOORING HERAT FROM IMPERIAL TIME

The aim of this article is to explore how popular historical knowledge disrupts the spacetimes produced by imperial power. To this end, I present my reading of a shrine guide that was composed by Asil al-Din Waʿiz in 1460 and that documents the city of Herat's blessed dead. This work, the Maqsad al-Iqbal, anchors Herat to space and time by both the graves of the city's myriad saints and the tales told about them locally. I investigate the ways in which the popular historical knowledge recorded in the Maqsad al-Iqbal offers a counterpoint to the ideas of Herat's past that have been generated by dynastic chronicles, luxurious visual arts, and the grandeur of royal construction projects. I am interested not only in alternative historical visions themselves but in how nonelite productions of history resist easy adaptation into a hegemonic scheme and how the dead themselves are constantly at work in our narratives, breaking down every attempt at a singular, coherent past.     

Space,time and history in the Polish People’s Republic: the trilogy Sami swoi,Nie ma mocnych,Kochaj albo rzuć

Abstract

The article discusses the meanings of popular culture, authenticity and history in People’s Republic of Poland. As an example it uses a popular film trilogy. The trilogy Sami swoi, Nie ma mocnych and Kochaj albo rzu? (‘All friends here’, ‘Take it easy’ and ‘Love or leave me’) was shown in Polish cinemas between 1967 and 1977. The reviews were written just after the premières. The article uses the concepts of time and space elaborated by Mikhail Bakhtin and Doreen Massey to analyze the different chronotopes of the films. It analyses both the films and the reviews as strategies of creating authenticity and creating cultural meanings: the meaning of history and the meanings of rurality. I will show how history and present, memory and society are interwoven in the light of popular production. In addition, I will emphasize the diverse interpretation possibilities resulting from this micro-historical view and the transnational critique of modernism highlighting the small and local which emerged throughout Europe in the 1970s.     

Feminist geographies and participatory action research: co-producing narratives with people and place

Abstract

This review offers thoughts, queries and hesitations regarding articles drawing on participatory action research (PAR) published over 25?years of Gender, Place and Culture. It foregrounds the interconnections and overlaps between PAR and feminist geographies, and considers a continuum of participations-collaborations-actions-knowledges co-produced across a range of interrelated feminist methodologies. I emphasise epistemological commitment as central to PAR, pointing to work in GPC that evidences critical approaches to research process, embedded in feminist perspectives regarding how scholars re-produce the world and/as act/ing in the world, particularly in attending to shifting, situated and complex subjectivities and power inequalities. Working together with participants is vital, through an ethic that centres participants’ voices, as actors in their own lives. Highlighting the emotional and embodied geographies that weave through such research and writing, this review suggests deepening and strengthening interdependences and a feminist ethos of care as researchers, to further foreground diverse stories and voices, work towards social and spatial justice, and co-produce progressive changes with people and place.     

Ethics Ex Machina: popular culture and the plural futures of politics

ABSTRACT

The articulation of ethical responsibility can be conceived as a condition of ethical practice that brings into being a human subject to whom we owe consideration, and the reverse must also hold: we are brought into being – subjectified – through these relational connections. But can these connections exist between human and non-human subjects? In this short paper, we analyse the representation of artificially intelligent machines in the popular television series Westworld and the movie Ex Machina and elaborate on the boundary between human and non-human as a complex and contested ethical space. We argue that taking popular cultural representations of machine learning seriously can offer significant insight into how futures of human subjectivity and ethicopolitical responsibility might unfold. (117 words)