Giorgio Agamben and the new biopolitical nomos

In this paper I reflect on the progressive normalization of a series of geographies of exception within Western democracies and, in particular, the relation of these to the new biopolitical power that is progressively affirming itself in our everyday lives — and that appears to be imposing itself as the new, secret, ontology of the political. I do so by engaging with the work of Giorgio Agamben and, specifically, interrogating the spatial architecture that underpins his theory of sovereign power. Starting from Agamben's spatial conceptualizations, I explore his attempt to trace the contours and the secret coordinates of the contemporary biopolitical nomos, a nomos rooted firmly in the crisis and progressive demolition of that which Carl Schmitt described as the ius publicum Europaeum. I note, moreover, how the definitive dissolution of the geographical nomos that had dominated the two centuries preceding the First World War, and the lack of a new, alternative, geographical nomos in the century which followed, can also be grasped by critically rereading some key episodes in the history of European geography; in particular, the contested legacy of the work of Friedrich Ratzel's grand geographical project and the Geopolitik experiment. What I suggest is that to understand the deep nature of the geographies of exception that arm the global war on terror, it is vital that we think in terms of a theory of space in order to try to unveil the Arcanum, the secret enigma of the empty centre around which turn the wheels of a new, macabre, geo‐biopolitical machine.     

4. EVENTS GETTING AHEAD OF THEMSELVES: RETHINKING THE TEMPORALITY OF EXPECTATIONS

Whereas most theoretical and historiographical accounts of the event have focused on its present and past dimensions, this article addresses the relatively underexplored phenomenon of the future event. As temporal junctures, events often already elicit effects before they come to pass, and even if they never do. Building on foundational work on the relation between experience and expectation by Hans‐Georg Gadamer and Reinhart Koselleck as well as on current historiographical debates on “past futures,” I develop a threefold typology of the future event, distinguishing between the assumption of the routine event, the expectation of the relative event, and the adumbration of the radical event. Engaging with case studies like the year 2000, the ambivalent character of so‐called media events, and ongoing debates about a possible climate collapse and the COVID‐19 pandemic, I show how reconsidering the complex temporalities of the future event can shed new light on the ways in which past societies made their futures present.     

The Promised Medicine: Fore Reflections on the Scientific Investigation of Kuru

This paper explores the oral narratives of five South Fore men who assisted with the scientific investigation of kuru. Drawing on the framework of the dramaturgic form of epidemics, the narratives start with childhood memories of the social crisis at the height of the kuru epidemic. With the arrival of the European scientists they build to a climax of optimism over the prospect of a cure for kuru and enhanced personal futures before descending into disillusionment over the scientists' departure and a return to traditional village life.     

On Spatial Planning and Marxism: Looking Back,Going Forward

The renewed interest in Marxism that occurred in social sciences and humanities after the 2008 economic crisis has not yet found its counterpart in spatial planning. This paper examines what Marxist planning theory and practices could mean in the current conjuncture. It does so through scrutinising (1) the vibrant Marxist discourse in planning that existed in the late 1970s and early 1980s, (2) the recent history (since the 1980s) of planning theory and its relation to the political economy, and (3) the current political economic context (not least defined by the diabolic crisis). Where previous Marxist approaches to planning were very strong on analysing the political economy, I argue there is currently a need—with old hegemonies losing ground, communicative approaches losing support, and neoliberalism in the political economy losing legitimacy—to also discuss establishing alternatives.     

THE ONTOLOGY OF CAPITAL: ON THE SHARED METHODOLOGICAL LIMITS OF MODERNIZATION THEORY AND ITS CRITICS

This article argues that critical scholarship in historical studies has not overcome the methodological limits of modernization theory for failing to question the ontological principles that construct its object of analysis. I call these principles the “ontology of capital” and explicate them through Bourdieu's conceptualization of the field and capital. I argue that this ontology is established according to a distribution model in which social entities come into the analysis with the amount and value of the capital they hold. This model grasps all social relations in the form of competition, and actors and actions enter into the analysis only when they are involved in such relations. I then analyze Bernard Lewis's The Emergence of Modern Turkey, which is written explicitly from a modernization perspective, to show how the principles of the “ontology of capital” operate in this text. The analysis focuses on how sociohistorical facts are constructed through selection and articulation of empirical evidence that become meaningful only on the basis of this ontology. The aim of this analysis is to show the ontology of capital that constructs the object of analysis in Lewis's text rather than the Eurocentric, teleological, and elitist character of his analysis of history that critics in recent decades have addressed as problems of the modernization paradigm. Based on this, I argue that for a productive critical approach, relational analysis, which characterizes critical scholarship in contrast to essentialism, also has to consider the ontological principles in a historical work to overcome methodological limits. The failure to interrogate this ontology leads to an analytical separation in critical scholarship between the analysis of historical reality and of alternatives to this reality. This separation not only produces a dehistoricized analysis of the present from a critical perspective, but also turns the alternatives into utopian models.     

DOES HISTORY MATTER? CHARLES TAYLOR ON THE TRANSCENDENTAL VALIDITY OF SOCIAL IMAGINARIES

Since its appearance in 2007, Charles Taylor's monumental book A Secular Age has received much attention. One of the central issues in the discussions around Taylor's book is the role of history in philosophical argumentation, in particular with regard to normative positions on ultimate affairs. Many critics observe a methodological flaw in using history in philosophical argumentation in that there is an alleged discrepancy between Taylor's historical approach, on the one hand, and his defense of fullness in terms of openness to transcendence, on the other. Since his “faith‐based history” is unwittingly apologetic, it is not only “hard to judge in strictly historical terms,” but it also proves that “when it comes to the most ultimate affairs history may not matter at all.” This paper challenges this verdict by exposing the misunderstanding underlying this interpretation of the role of history in Taylor's narrative. In order to disambiguate the relation between history and philosophy in Taylor's approach, I will raise three questions. First, what is the precise relation between history and ontology, taking into account the ontological validity of what Taylor calls social imaginaries? Second, why does “fullness” get a universal status in his historical narrative? Third, is Taylor's position tenable that the contemporary experience of living within “an immanent frame” allows for an openness to transcendence? In order to answer these questions, I will first compare Peter Gordon's interpretation of the status of social imaginaries with Taylor's position and, on the basis of that comparison, distinguish two definitions of ontology (sections I and II). Subsequently, I try to make it clear that precisely Taylor's emphasis on the historical character of social imaginaries and on their “relaxed” ontological anchorage allows for his claim that “fullness” might have a trans‐historical character (section III). Finally, I would like to show that Taylor's defense of the possibility of an “openness to transcendence”—as a specific mode of fullness—is not couched in “onto‐theological” terms, as suggested by his critics, but that it is the very outcome of taking into account the current historical situation (section IV).     

Book Reviews

Abstract

I begin with an attempt to discern the contours of the "debate" contained in the edited volume Theology and the Political: The New Debate. While the Radical Orthodox contributors are eager to critique those outside the fold, only two authors seem to talk back to them: Kenneth Surin and Mary-Jane Rubenstein. I agree with Surin's rejection of ontological hierarchy and Rubenstein's recommendation of Nancy's notion of "being-with," and I use their arguments to critique Radical Orthodoxy's ontology and their simplistic approach to "secular" authors, respectively. Insofar as one must discuss ontology in relation to theology and the political, I propose that we must actually develop a new ontology rather than simply reassert some version of the Thomistic synthesis. Finally, I fault the relative lack of reference to actual political practice, and above all the complete absence of Latin American liberation theology, in a volume ostensibly discussing "theology and the political."     

Theorizing a child–dog encounter in the slums of La Paz using post-humanistic approaches in order to disrupt universalisms in current ‘child in nature’ debates

This paper theorizes children's interspecies relation with dogs in La Paz Bolivia utilizing post-humanism and new materialism as its approach. This approach allows for the deconstructing of human–nature binaries found in discourses central to the children in nature movement. Questioning the universalizing of children's experience in nature the paper considers three propositions. Firstly, what if children were viewed as nature rather than outside of it. Secondly, can the objects or ‘things’ of nature be viewed as animated. And finally, how sensitive is the contemporary imperative to reconnect children to a romanticized more natured life, to children's diverse worldly experiences. I explore these propositions drawing on a study where I have adopted a materialist ontology and theorized using the work of [Barad, Karen. 2007. Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. Durham, NC: Duke University Press] and her concept of intra-action as adopted by Rautio [2013a. “Children Who Carry Stones in Their Pockets: On Autotelic Material Practices in Everyday Life.” Children's Geographies 11 (4): 394–408]. Based on my child–dog interspecies exploration, I will conclude by re-addressing the three propositions.     

5. PAST AND “PRESENCE”: REVISITING HISTORICAL ONTOLOGY

The last thirty years have brought about a fundamental revision of historical epistemology. So intense a concentration on the nature of history as a form of inquiry has diminished attention given to the thing that history inquires into: the nature of the past itself. Too readily, that entire domain has turned into a place for dreams, as Hayden White put it: a lost world only available now through the imagination of the author and subject to aesthetic whim. The next thirty years will, I propose, be the period in which ontology returns to the center of historical theory. And nothing short of the reconceptualization of the past—indeed of time itself—must be its objective. It must achieve that objective, moreover, in establishing arguments that are congruent with what revisions of epistemology have taught us about the limits of historical knowledge and the inevitability of textual representation. This paper enters this field by discussing some of the issues involved in rethinking the place of time in historical constructions since Bergson. It demonstrates the confusions inherent in spatial reductions of temporality, which historians have done so much to entrench rather than eradicate, and argues that historians have yet to accommodate the fundamental conceptual shifts inaugurated by heidegger. It then moves to propose a methodological doctrine to which I have given the name “chronism” and seeks to sketch the utility of such a doctrine for bringing one form of presence—that of authenticity—back into the domain of historical study. Doing so invites a number of conceptual and practical difficulties that the paper will address in its conclusions; these may disturb those who have closed their minds to anything beyond the present. Taking ontology seriously interferes both with structuralist assumptions about the nothingness of time and with some of the styles of historical representation that have become fashionable in the postmodern climate. There may be painful lessons to be learned if we are to rescue the past from its current status as a nonentity.     

Esse servitutis omnis impatientem/Man is impatient of all servitude: Human Dignity as a Path to Modernity in Ficino and Pico della Mirandola?

Abstract

The notion of human dignity stands at the core of contemporary debates on rights, politics, and ethics. Many scholars consider the Renaissance discourse on dignity as one of its main contributions to the transition from the Middle Ages to modernity. This article examines the role of human dignity in the philosophies of Marsilio Ficino and Giovanni Pico della Mirandola. In their works human dignity relates both to freedom and to a Neo-Platonic ontology, which raises the question of how they reconcile these two possibly contradictory elements. I show that starting from the insight that human beings are “naturally” free and able to make right choices, Ficino and Pico argue that human dignity consists in the ability of humans to understand what is good and to act accordingly. I thus defend the thesis that their conception of human dignity is not modern because it liberates human beings from the “history of being” but rather because it paves the way for their liberation to become rational beings.     

Approaching selfhood

Often overlooked is the fact that postmodern theory brought to the fore a crisis in the humanities. The implied universalism of the current “iconic turn” in postmodern thinking is a blow to the traditional sciences grouped around national literatures and cultures. In the 1980's, postmodern practitioners in the United States began to assault the discursive practices of the mainstream under the banner of cultural studies. The current crisis in the humanities surfaced in the emancipation of the various studies from their traditional fields in the humanities. The German Studies practiced today in the United States for instance, has no counterpart in Germany's traditional departments of Deutsche Philologie. Whereas the icon in the United States has become an object of investigation for the various studies, it has not yet displaced the littera in Germany's literary sciences. However in the 1990's, the historical sciences in Germany responded to the challenge of the various studies by directing their attention not to cultural studies, but to cultural history, with its well-defined set of methodologies. But what kind of cultural history is it? Is it built on 19th century German foundations, or is it grafted to current North American notions of post-industrial culture? In this paper I show that the supposed opposition between cultural studies and cultural history is artificial. Through a close reading of Hayden White's extremist questioning of historical practice in Metahistory (1973), I demonstrate that there is no opposition between the icon and the littera in this recent radical critique of mainstream humanistic science. The vehement German reaction to his North American assault on European Kultur is based on a misunderstanding of White's premises. Rather than being constructed on a hodgepodge of postmodern approaches, I show that White's postmodern history is in fact conventionally grounded in 19th century Nietzschean thinking.     

Contemporary Irish theatre,the new Playboy controversy,and the economic crisis

Abstract

This article examines the impact of the economic crisis on contemporary Irish theatre. More specifically, I contend that the legal controversy surrounding Bisi Adigun and Roddy Doyle’s second production of Playboy of the Western World: A New Version in 2008 provides a case study of how professional theatre productions that dramatised stories of immigrant empowerment during the Irish economic boom were profoundly inhibited by the bust that followed. Their collaborative version of the new Playboy was widely regarded as Ireland’s most successful intercultural play and a commercial success when it was first staged at the Abbey Theatre in 2007. The subsequent breakdown in their relationship and ensuing legal dispute is more symptomatic of Celtic Tiger Ireland in economic collapse, I suggest, than the content of the play itself, or most other productions mounted in the period. I argue that this dispute did not simply reflect but also reinforced the social effects of the economic crisis, through its prolonged litigation, enormous expense, and especially the missed opportunity that it represented to position the multicultural and migrant themed Playboy within the Irish theatrical mainstream. More broadly, I suggest that the economic crisis has been marked by the disappearance of immigrants from the professional Irish stage, a void which was only partially filled by community theatre productions. A case in point is Adigun and Arambe’s most recent adaptation of Jimmy Murphy’s The Kings of the Kilburn High Road in The Paddies of Parnell Street (2013), a play which I positively appraise as an example of successful “intercultural re-appropriation”.     

From Organismic Biology as History and Philosophy to the History and Philosophy of Biology—the Work of Hans-Jörg Rheinberger in the German Context**

In this paper, I ask about the broader context of the history and philosophy of biology in the German-speaking world as the place in which Hans-Jörg Rheinberger began his work. Three German philosophical traditions—neo-Kantianism, phenomenology, and Lebensphilosophie—were interested in the developments and conceptual challenges of the life sciences in the late nineteenth and early twentieth centuries. Their reflections were taken up by life scientists under the terms theoretische Biologie (theoretical biology) and allgemeine Biologie (general biology), i. e., for theoretical and methodological reflections. They used historical and philosophical perspectives to develop vitalistic, organicist, or holistic approaches to life. In my paper, I argue that the resulting discourse did not come to an end in 1945. Increasingly detached from biological research, it formed an important context for the formation of the field of history and philosophy of biology. In Rheinberger's work, we can see the “Spalten” and “Fugen”—the continuities and discontinuities—that this tradition left there.     

“Voy a empeñar la Edad de Oro”: Historia,música y política en la crisis española (2011–2016)

ABSTRACT

Spain's current economic and social crisis has involved a profound reappraisal of the country's history, institutions, and official narratives, especially after the emergence of the 15M or indignados movement in 2011. A crucial example of this shift has been the widespread criticism of Spain's “Transition to Democracy” or Transición, widely considered Spain's “foundational” narrative. In this article, a series of examples from the musical field—including essays, songs, and public uses of music—are studied and contextualized in order to analyze different interpretations and critiques of the Transición developed by artists, intellectuals, and politicians who took part in the 15M or have been influenced by its “climate” (Fernández Savater). In these examples, two complementary trends are identified: on the one hand, an intention to reclaim part of the Transición's collective mood through its musical symbols; on the other, a rejection of its political legacy, as expressed in criticisms of its musical canon.     

The Origins of European Fascism: Memory of Violence in Michael Haneke’s The White Ribbon

Michael Haneke’s film The White Ribbon (2009) narrates violent attacks that disrupt the cyclical life of a German village in 1913–14. The narrator frames the violence as a study of the origins of fascism: the alleged perpetrators are children, who rebel against the disciplinary powers of patriarchal authority. Coming to maturity during World War I, they will have become the generation of Nazism’s followers. In contrast to psycho-historical readings of The White Ribbon as a cinematic exploration of the causal relationship between the authoritarian formation of the juvenile subject and her susceptibility to fascism’s redemptive illusions, I propose an anti-psychological interpretation of the film. This reading seeks to understand The White Ribbon in terms of Haneke’s aesthetic and formal choices, which underpin his notion of “ethical spectatorship.” I argue that the film offers a dual metaphorical construction of the nexus between memory and the cinematic image, and of the mnemonic and affective aspects of the history of violence. Haneke forges a link between the European attitude to its history of fascism and its ongoing politics of exclusion, arising from its covert fascist desire for the unified self. The significance of The White Ribbon in the ongoing debate on history/memory thus lies in its critique of Europe’s current self-understanding as having outgrown its violent past.     

Narratives of Modernity,Masculinity, and Citizenship Amid Crisis in Abidjan's Sorbonne

In this article I relate prominent depictions of the African urban crisis, particularly informality, and its implications for masculine subjectivity in Abidjan, Côte d'Ivoire. Drawing on five months of ethnographic fieldwork I conducted in 2008 and 2009, I consider the Sorbonne, a nationalist space in Abidjan, where partisans of former President Laurent Gbagbo contested the crisis narrative and their place in it. Literally and ideologically, Sorbonne orators and spectators moved themselves and their country from the periphery to the urban and global core.     

Experiments in political truth

This article begins with that classic question of revolutionary politics: ‘What is to be done?’ Its concern is not, however, the provision of a coherent answer, nor the designation of a future to be reached. It traces instead the spirit of asking – the call to critically engage the present as a platform for action. This is to understand politics as active thought: as an art or craft rather than the mastery of certain theories. A responsive, interruptive subjectivity is, I argue, at the heart of Inqilab Zindabad [Long Live Revolution] – the famous slogan of the Hindustan Socialist Republican Association (HSRA). But what does it mean to commit to revolution in perpetuity? What form does this militant life take in the present? Outlining the contours of post-WWI north India, I consider how the revolutionary comportment evoked by Bhagat Singh and his comrades constitutes a potentiality outside of futures, founded on a relationship with the ‘truth’ of a given present. This problem-space opens into a conversation on the resonant appeal of this ‘way of being’ in politics – its tropes of sacrifice and partisan action – as well as the primacy of the gesture in the political lives and spectral afterlives of the HSRA.     

Planning for Climate Change Adaptation in a Multi-level Context: The Gothenburg Metropolitan Area

Individual local governments are key players in Sweden's strategy for climate adaptation but their authority does not match the scale of climate change and its impacts. Competences are divided among local, regional and national authorities. Climate adaptation thus requires cooperation, particularly in metropolitan regions. This raises issues of coordination, legitimacy and effectiveness of adaptation measures recommended in local Master Plans. The focus here is on how the 13 municipalities in the Gothenburg Metropolitan Area—expected to be the part of Sweden most affected by impacts of climate change—address and act upon issues of climate change adaptation within the framework of Sweden's Planning and Building Act, which places responsibility for the “common interest” of climate adaptation with local governments. Analysing municipal Master Plans, as well as the comments on these plans from the regional County Administrative Board and from Göteborg Region Association of Local Authorities, the inter-municipal association charged with infrastructural planning, I identify patterns in terms of coordination, legitimacy and effectiveness of planning for climate change adaptation. Results are discussed in relation to propositions from recent research on planning for climate adaptation in multi-level contexts.     

Transnational ways of seeing: sexual and national belonging in Hedwig and the Angry Inch

I argue that transnational ways of seeing help us apprehend the histories of globalization, immigration and imperialism that frame and make legible cultural productions. Focusing on John Cameron Mitchell's 2001 film Hedwig and the Angry Inch, which has been almost universally received as being about transsexuality, this essay argues that the film is equally about transnationality and specifically about how queer identifications and identities are produced in relation to the nation-state. Hedwig explores the limits of national belonging and the pleasures of US popular culture through the lens of sexual and gender identity, with the ambiguity of the Hedwig's body embodying confusion about legal, political and cultural citizenship. The film identifies and critiques the violences of heteronormative national belonging, yet by reading Hedwig alongside the political and legal histories that make its narrative legible, it becomes apparent that the film's popular reception frequently erases the transnational and imperial histories that undergird and produce sexual identities and identification. I argue that cultural practices do not simply reflect national or queer identifications but also produce them. The fissures between the cultural work of the film itself and of its circulation illustrate how despite the mutual imbrication of sexuality and nationality, transsexuality is sometimes more readily apprehended than is transnationality.     

Agricultural Modernization and Climate Change in Vietnam's Post‐Socialist Transition

This article presents a critique of Vietnam's agricultural modernization in the context of its post‐socialist transition and the emerging climate crisis. Agricultural modernization has led to impressive rates of wealth creation that have pulled many Vietnamese out of poverty and food insecurity over the past two decades. However, the model's own logic of accumulation has also made the country increasingly reliant on complex processes and has locked in various technological path dependencies. These include energy‐ and input‐intensive production, engineered landscapes, reduced agro‐biodiversity, and weakened social networks, knowledge and skills. As a result, Vietnam is becoming more sensitive and less able to adapt to structural shocks, notably that of climate change. Furthermore, and crucially, the post‐socialist transition since the launch of ??i m?i (market reform) has given rise to a political economy with dominant interests increasingly vested in the continuity of this modernization model. The article argues that it is this new dynamics of class and state–society relations that now represents the main obstacle to the development of credible solutions to the climate crisis.