Representing Science that Isn’t: Harvest as Science Fiction Theatre

Abstract

Engaging with the difficulty of plausibly staging scientific developments that have not yet been realized (or even those which might never occur), Manjula Padmanabhan’s 1997 play Harvest relies upon science fictional developments in two technologies, communications and medicine. Rather than merely working around them, Padmanabhan’s play makes use of the challenges inherent in staging a fictional future, calling both representation and power into question. In so doing the play exemplifies the increasing openness of science drama to science fictional ideas.     

‘The Blade Was in My Own Breast’: Slave Infanticide in 1850s Fiction

This article examines antislavery authors’ attempts in the 1850s to fictionalize the Margaret Garner story of slave infanticide as a means of converting northern white readers to the antislavery cause. In their attempts to gain sympathy for an enslaved female protagonist who had murdered her own child, these authors confronted strong cultural beliefs about femininity, motherhood, and blackness. Almost uniformly, their strategy involved lightening the skin of the main character and presenting the killing of her child as a form of suicide. Nevertheless, the intense emotions surrounding the slavery issue by the mid‐1850s also led these authors to endow their fictional slave women with an aggressiveness that challenged contemporary social boundaries for women.     

Even We Can’t Prevent Forests: The Chemical War in Vietnam and the Illusion of Control

Abstract

By exploring tactical and strategic uses of chemical agents beyond Agent Orange and the other ‘Rainbow Herbicides’ used as part of Operation Ranch Hand during the Vietnam War, this essay seeks to fill a gap in our under- standing of the chemical war waged by the United States in South-east Asia, and to make a contribution to the growing body of literature devoted to the intersections of military and environmental history. Taking seriously the roles played by both human and non-human actors, it explores how the White House and Pentagon continually attempted, unsuccessfully, to impose more stringent forms of control over southern Vietnam. Herbicidal warfare and the use of forest fire as a military weapon were simply two more failed attempts among many to impose control on a nation, a people, and a landscape — indeed, on nature itself — all of which refused to accept the dictates of American power just as stubbornly as American policymakers refused to accept the limitations of that power.     

‘You just have to be smart’: spatial practices and subjectivity among women in sex work in London,Ontario

Social science research on the relationship between space and sex work, specifically among women in street-based settings, demonstrates the spatialized nature of risk and how different forms of civic and legal governance contribute to their socio-economic marginalization. However, these studies rarely consider the women’s spatial practices and gendered subjectivities beyond the sex trade, which is problematic because sex work is not their singular life activity or the only impetus for their spatial movements through the urban landscape. Using social mapping and interview data from 33 women in sex work in London, Ontario, this article explores how our participants navigate the spaces where they work and live alongside those regarding health care, social services, violence and places they avoid. Findings reveal that the women traverse diverse spaces as they access health services, especially for crisis issues that necessitate travel to hospitals located beyond the inner city. The spaces used to access social services and those they avoid (i.e. to not be emotionally triggered or under police surveillance) overlap significantly, which presents unique challenges for our participants who depend upon these services for their socio-economic survival. The theoretical contributions these data make to the feminist geography literature on gender and space are discussed, particularly with respect to the issues of nomadic subjectivity and the relationality between city spaces and marginalized bodies.     

‘The Stone Axe from Way Back’: A Mutable Magical Object in Folklore and Fiction

Objects of ‘magic’ and folklore do not always begin their lives as such. Often, they are natural objects or mundane artefacts, crafted for utilitarian purposes, which become objects of magic through processes of re-utilization and redefinition. This is a process poignantly explored by fantasy writer Alan Garner in many of his works, but captured most overtly in his 1973 novel Red Shift. This article offers a commentary on this novel, exploring how Garner uses fiction and folklore to illustrate the mutability and multiple authorship of the magical object.     

Globalization and Economic Restructuring in Ontario: From Industrial Heartland to Learning Region?

Recent contributions suggest that the current period is characterized by a paradoxical consequence of globalization in which the ever greater integration of national and regional economies into the global one accentuates, rather than minimizes, the significance of the local context for innovative activities. This paper sketches out the implications of this argument by drawing on the case of Ontario, Canada's largest province and industrial heartland. The restructuring triggered by the broader processes of globalization was accentuated after 1990 by Ontario's deeper integration into the North American economy following the signing of the Free Trade Agreement with the US and its successor, the North American Free Trade Agreement. These changes forced a number of critical responses on both firms and the government of the province, as they face the challenge of becoming more innovative and adopting the characteristics of learning regions. This experience is highly relevant to regions elsewhere that are attempting to shift their traditional industrial base to a more knowledge-intensive economy.     

From The Iron Curtain to Franco’s Spain: Right-Wing Central Europeans in Exile

After the Second World War, anti-communists of different backgrounds from Central and Eastern European countries decided to settle in Franco’s Spain, where they sought safety and a place to live during the Cold War. This article will provide an overview of their political profiles and assess the reasons these exiles chose Spain, a country excluded from the United Nations until 1955 and led by Francisco Franco. The article also shows how they settled in the dictatorship linked to the Nazis and Italian Fascists, and the ways in which they continued their struggles against Communism with public and private resources.     

‘The Old Woman as Hare’: Structure and Meaning in an Irish Legend

This paper looks at the St Kitts and Nevis Mummies' plays as published in Folklore by Roger Abrahams (1968). It demonstrates that the texts were originally taken from a play published by the Victorian children's author Mrs J.H. Ewing. This play appeared in several editions, most notably in two series issued by the Society for Promoting Christian Knowledge. Mrs Ewing's text was itself compiled from three northern English chapbook texts and a version from Silverton, Devon. The relative contribution of these texts to Mrs Ewing's play, and the way she put them together, are both explored.     

‘It Was an Imitashon to be Sure’: The Imitation Indian Shawl in Design Reform and Imaginative Fiction

Indian Cashmere shawls were costly accessories in nineteenth-century Britain, and they were ‘imitated’ in Edinburgh, Norwich and Paisley. This article argues that shawls were at the centre of a key debate within the design reform movement, which viewed imitations as clumsy copies of a perfectly designed textile. It examines Victorian texts such as design reformers’ publications and works of fiction, to suggest that their understanding of shawls that imitated Indian designs was linked, in part, to class prejudices. Paisley shawls’ stereotyping as an article emblematic of bad taste and a lower-class desire for social mobility was thus not limited to the writings of a small coterie of design reformers, but was found also reflected in works of best-selling writers such as Charles Dickens, Walter Scott and Wilkie Collins.     

Climatic Collapse at The Hague: What Happened,Why, and Where Do We Go From Here?

This article analyses the meeting of the Sixth Conference of the Parties to the Climate Change Convention that took place at The Hague in November 2000. Billed as the summit that would put the final touches to the 1997 Kyoto Protocol, the meeting adjourned without reaching substantive conclusions. The authors explain what happened, underlining salient features that have led to the current impasse. They suggest that agreement is still possible if major players understand the need to work within the structures, institutions and processes created by the Convention and Protocol as a result of the ten years of hard negotiations. Intransigence, an overloaded agenda, abandonment of familiar procedures and, above all, an inability to consider creative ways of forging common positions from divergent national positions are some of the lessons that need to be learnt.     

Righteous Realism Versus Postmodern Play: The Israeli–Palestinian Conflict in Female-Authored French Fiction

This article analyses literary mediations of francophone Jewish attitudes towards Israel, and particularly towards the Israeli–Palestinian conflict. Its primary corpus comprises two female-authored novels published during the Second Intifada: Olivia Rosenthal's Les Fantaisies spéculatives de J.H. le sémite (2005) and Chantal Osterreicher's L'Insouciance d'Adèle (2006). It demonstrates how these two texts represent antithetical stances towards Israel, the former intermittently critical and even censorious, the latter defensive and at least partly valorising. Given the status of both authors as French-born Jews (although Osterreicher now lives in Israel), both of these texts can be seen to mediate heterodox attitudes to the conflict. But the heterodoxy depends upon the context in which the reader places the two authors. In the context of the twenty-first-century France in which it was published, which, like most other countries in the global mediasphere, is heavily critical of Israel, Osterreicher's text is acidly contestatory of default-position anti-Zionism. On the other hand, in the context of the French Jewry to which Rosenthal belongs, which has traditionally evinced unflinching solidarity with Israel, her own critique of that country's dealings with Palestinians is equally contestatory, and, despite its ludicity, is no less impactful than Osterreicher's reverse discourse. A final axis of enquiry is the extent to which there may be some consensus as well as obvious dissensus between these two ostensibly antinomous texts.