A Tile Pavement from the Queen's Chamber,Clarendon Palace,Dated 1250-2

This article undertakes an object-focused study of a single work of art of great material and visual complexity: the Wallace Collection pax. This object stimulates an important discussion on how the making, materials and form of a work of art are fundamental to unravelling the object’s function and meaning for a contemporary audience. In placing at the core of the object a rare example of a late medieval amber Vera icon, the Wallace Collection pax also opens up a wider discussion on the nature and popularity of amber as a material of artistic expression in the later Middle Ages. In basing this article on the physical and material history of the work of art, I hope to illustrate the importance of going back to first principles when undertaking object-based research, and I intend to highlight the complex interaction between material and form in late medieval art.     

Latour,Prepositions and the Instauration of Secularism

Abstract

Bruno Latour's understanding of different modes of existence as given through prepositions offers a new approach to researching "secularism," taking forward attention paid in recent scholarship to its historically contingent formation by bringing into clearer focus the dynamics of its relational and material mediations. Examining the contemporary instauration of secularism in conservative evangelical experience, I show how this approach offers a new orientation to studying secularism that allows attention to both its history and its material effects on practice. This shows how Latour's speculative realism extends and provides a bridge between both discursive analysis of religion and secularism and the recent turn towards materiality in empirical study of religion.     

The fear of downward social mobility in late medieval England

ABSTRACT

Studies of medieval social mobility have tended to focus upon the success of socially ambitious, generally male, careerists. Alongside this tendency to use social mobility as a synonym for upward mobility has been a tradition of assigning the most agency in creating economic change to ambitious entrepreneurs. This article redresses these imbalances by exploring status anxiety and the fear of downward mobility in late medieval England. Using the surviving letter collections of the fifteenth century together with medieval literature, this article explores not only the importance of gender and the life cycle in shaping these fears but also the subtle distinctions between status anxiety, which often accompanied positions of authority, and a fear of imminent social decline, generally precipitated by financial difficulties. Through a reconsideration of demesne lessees and fraternities and guilds, it also shows how such anxieties and fears could affect both rural and urban economic developments.     

Did Women Have a Transformation of the Roman World?

Despite intense and interdisciplinary interest in the transition from antiquity to the middle ages, work on women and gender generally remains marginal to the dominant paradigms for understanding political and social change in the period from c. 300 to c. 800 ce . This article critiques these interpretations from a gendered perspective and also reviews recent work on women and gender in late antiquity, Byzantium and the early medieval Europe. By outlining similarities and contrasts between women's lives in early medieval western and Byzantine cultures, it emphasises the diversity of women's experience. Suggestions about how to envisage a fully gendered history of this period conclude with a call for radically new approaches to the study of the transformation of the Roman world.     

Sources and Pseudo‐sources on the foundation of the Valamo Monastery

The article discusses the understanding of the road as a collective duty and institutionalized public space in late medieval Finland and the Swedish realm, as presented in the legislation of King Magnus Erikssons' law (landslag) of the late 1340s. After an introduction on the nature of past scholarship on the history of roads in Europe and Finland, the theoretical framework on the production and social implications of space on historical roads is discussed. The spatial understanding of the road in late medieval Finland is then studied in the context of medieval normative legislation, of which the main interest here is on King Magnus Eriksson's law, which was the major medieval law code valid in Finland. In the code, issues concerning roads and their maintenance are distributed to various sections of the law, but the main body of the legislation is set in Bygningabalken and Edsöresbalken. The analysis shows that, in the bygningabalken, the road and facilities attached to it such as bridges were rather exclusively discussed in the context of common duty, where the word common seems to be inherently understood as something obliged and insisted by the crown. In the edsöresbalken instead, the spatial dimensions of the road were brought forward in the context of the sworn peace of the realm, where the judicial space produced by the traveller was considered as a product of the road and the actual motives of travelling of the individual using it. The analysis of the respective chapters and decrees of the code shows that, from the point of normative legislation, the road was not only a recognizable space of its own but also constituted a judicial condition capable of producing distinctive social implications for those involved in the maintenance and use of roads in medieval Finland.     

Medieval Britain and Ireland in 1982

ARCHAEOLOGY and art history are closely allied disciplines, particularly for the study of the medieval period. This paper seeks to compare and contrast archaeological with art historical approaches to medieval material culture in terms appropriate to an archaeological audience, much as Stanis?aw Tabaczyński examined the relationships between archaeology and history in the pages of this journal only a few years ago.¹ Rather than emphasize the distinctions between archaeology and art history, an attempt is made to focus on where these two disciplines intersect and how art history at the cusp of the new millennium differs from what archaeologists on both sides of the Atlantic often assume. This seeks to bring recent changes in art historical methods and theory to the attention of medieval archaeologists, suggesting that interdisciplinary cooperation between archaeology and the humanistic disciplines, including art history, should be strengthened.     

The Fordwich Stone and its Legend

Abstract

The ubiquitous use of the Latin word ‘sedilia’ to refer to the ritual seats to the south of an altar for the use of the celebrant priest and his assistants has led to the notion that it is an authentic medieval term. This paper shows the results of a survey of documentary references to seats of all kinds in medieval England, and demonstrates that in the medieval period the word sedilia was of no especial distinction, meaning merely ‘bench’, only gaining its current meaning in the late 18th century. The word was used along with a variety of others to refer to now lost seating in medieval churches, including benches and individual chairs in the chancel as well as seating in the nave. This piece will make some suggestions for the distinctions made in the terminology in medieval documents regarding the different types of seating in churches. To avoid confusion, the word ‘sedilia’ is italicised when it refers to medieval use of the Latin word, but not when it refers to the modern definition.     

Notes and News

Abstract

This paper seeks to cast some light on a so-called Green Man ivory knife handle from Perth and on the cultural context from which it sprang. It was made and lost or disposed of during the 14th century and, although its full life-story includes its archaeological recovery and subsequent curation in Perth Museum, its main importance lies in what it can tell us of medieval people. Exploring its material and production, its function as a handle, its iconography and its cultural background reveals this importance. Bringing these strands together gives us a snapshot of medieval cognition, focusing, on the way elements of seasonal ritual were consumed in the medieval burgh of Perth.     

Anglo-Irish Tomb Effigy Armour: An Experiential Study

Abstract

This work examines two related armour types unique to Ireland and found only on tomb effigies dating to the late medieval period. The aim of this paper is to establish how the armour may have been constructed, whether it was practical and usable compared to better-known armour types, and how it may have fitted into the Irish style of warfare. Within this work the most likely construction methods and layout of the armour have been tested by making armour segments, using modern materials, to test the ability of the armour to move at joints and rivets, while retaining its protective functions. With documentary sources these results make it possible to come to conclusions as to the armour’s use on the battlefield. The paper also aims to show the contribution that can be made to academic research with the incorporation of experiential knowledge gained from disciplines such as Combat Re-enactment and Western Martial-Arts.     

Pure and impure gestes: the generation of history in Jean d’Outremeuse's Myreur des histors

ABSTRACT

Scholars have long debated the place in medieval historiography of Jean d’Outremeuse's Myreur des histors, a universal history in celebration of Liège written in French around 1399. The abundance of Old French epic material in a chronicle that, according to its author, contained translations of only Latin sources, was once a source of outrage. The Myreur now holds significant interest, however, for its evidence of late medieval narrative strategies. This study demonstrates the Myreur's deliberate adaptation of epic material to glorify Liège. The author reimagines the Carolingian past as a source for future historical narratives by knowingly altering the genealogical framework of the chanson de geste universe. Carrying tales of sexual impurity, he describes the demise of the Carolingian line and transforms figures from epic to function within his linear history. This inventive approach allowed him to create a new hero- and history-generating lineage for his universal history.     

Wild Birds of the Italian Middle Ages: Diet,Environment and Society

ABSTRACT

Wild birds are intrinsically associated with our perception of the Middle Ages. They often feature in heraldic designs, paintings, and books of hours; few human activities typify the medieval period better than falconry. Prominent in medieval iconography, wild birds feature less frequently in written sources (as they were rarely the subject of trade transactions or legal documents) but they can be abundant in archaeological sites. In this paper we highlight the nature of wild bird exploitation in Italian medieval societies, ranging from their role as food items to their status and symbolic importance. A survey of 13 Italian medieval sites corresponding to 19 ‘period sites’, dated from the fifth to the fifteenth centuries, reveals the occurrence of more than 100 species (certainly an under-estimate of the actual number). Anseriformes and Columbiformes played a prominent role in the mid- and late medieval Italian diet, though Passeriformes and wild Galliformes were also important. In the late Middle Ages, there is an increase in species diversity and in the role of hunting as an important marker of social status.     

Between Medieval Continuities and Early Modern Change: Proto-industrialization and Consumption in the Southern Low Countries (1300–1800)

Abstract

This essay discusses two interrelated questions about historical change: in what sense did early modern industries differ from their medieval predecessors; and which elements explain the diverging historical dynamics of European proto-industrial regions? Also considered is the issue of how and why some regions succeeded in selling their products in growing markets, while others apparently failed. This essay also assesses four aspects which have influenced regional success or failure, and which at the same time differentiated seventeenth- and eighteenth-century production and consumption from the late medieval world: the new role of the state, the world economy, rural consumption, and the challenge of fashion. It examines the main changes occurring in these fields between roughly 1650 and 1800, distinguishing between different phases of development for different regions and arguing that some of the success or the failure of a region, and thus their developmental capacities, lay in the interaction with these four fields. Textile industries serve as case studies, with a focus on the Southern Netherlands and comparisons from France, the Dutch Republic, Germany and England.     

The Calderstones,Near Liverpool

Abstract

This article is a contribution to the revisionist literature on the monastic orders in late medieval England and their art and architecture. It discusses the visual and material cultures of the Cistercians in northern England in the period immediately before the Dissolution of the Monasteries, demonstrating the enduring popularity of the Order in the late Middle Ages and that patronage of art and architecture continued until the very moment of the Suppression. Evidence is also discussed showing that monks and nuns salvaged property from their houses in the hope that their monasteries would be restored.     

The Queen’s Dolls’ House within the British Empire Exhibition: encapsulating the British imperial world

ABSTRACT

This article focuses on Queen Mary’s Dolls’ House, designed by Edwin Landseer Lutyens and unveiled to the public in 1924 at the British Empire Exhibition. The Dolls’ House epitomised the characteristics of Britain as a nation and an empire through its English exterior and British world objects within. Marginalised in academic discourses and regarded as a plaything, this article brings the Dolls’ House back to discourses of British material and visual culture as well as Lutyens scholarship. To this end, it analyses how the design and contents of the House encapsulated the British imperial world and materialised Britain’s position in the postwar world.     

The archaeology of slighting: a methodological framework for interpreting castle destruction in the Middle Ages

ABSTRACT

The use of destruction in the past, its purpose and function, is poorly understood and an under-studied area. With hundreds of excavations at castles, there is a body of archaeological evidence that can be synthesised into a study of destruction. Slighting is the damage of a high-status structure, its associated landscape and contents to degrade its value. This article aims to bring the study of destruction into the established discourse of castles and medieval archaeology. It does this by establishing a methodological framework for understanding slighting and examines its application at key sites. In doing so, a chronology and geography of slighting is produced, along with a rich understanding of how and why castles were destroyed in the medieval period. Case studies of Weston Turville (Buckinghamshire) and Degannwy (Caernarfonshire) are used to explore how the archaeological and historical records interact and can be used to corroborate each other. By examining the archaeology of destruction, a new interpretation of slighting has been advanced, understanding it as an activity rich in social meaning with implications beyond the study of castles and the medieval period.     

William Stubbs,Parliament and the Medieval English Constitution

The name of William Stubbs will forever be associated with the birth of modern scholarship on the late medieval English parliament. At the core of his Constitutional History, a three‐volume work published in the 1870s, is a brilliant synthesis of the development of the early parliament. Since its publication, however, Stubbs's work has generated varied reactions, as scholars have positioned themselves at different points on a sliding scale of praise through to criticism; that is, between praising the Constitutional History for its depth of scholarship and pioneering methodologies, on the one hand, to criticising the work for its present‐minded approach and whiggish agenda, on the other. The aim of this discussion is to strike a balance between these two extremes. While it acknowledges the undoubted flaws of Stubbs's narrative, it also argues for a more nuanced and holistic approach to his work. It suggests that the taint of whiggism has for too long acted as a barrier to a true appreciation of the scholarly merit of the work, merit that extends beyond simply acknowledging its ambition, originality and legacy. The discussion considers some key areas of parliamentary development between c.1290 and c.1406 and notes the continued synergies that exist between what Stubbs wrote 140 years ago and current interpretations and understandings.     

Presencing the divine: religion and technology in the Latin West

ABSTRACT

For over a millennium, Catholic and Protestant traditions have deployed technologies to address the central paradox of the Christian faith: God’s absence after Easter. The following essay brings together scholarship on religious technics in the Christian Latin West during the medieval and early modern periods with a focus on the performance of presence. Medieval actors utilized an array of techniques, instruments, and contraptions to manifest the divine power present in holy matter. The movement of artifacts and people across medieval and early modern horizons mobilized and multiplied the effects of sacred proximity. The Society of Jesus’ emphasis on sensuality in worship and spectacle linked older forms of ritual piety with routinized religion. The shift from a predominantly Christian to modern culture in the West did not terminate organized religion’s close association with technology, but extended the experience of spiritual presence in the West through industrial and post-industrial, digital means.     

Early medieval T⊘nsberg — dating problems and the results

According to the 13th century Icelandic Saga writer Snorre Sturlasson, there was a marketplace (in old Norwegian: Kaupstadir) in the T?nsberg area by the end of the 9th century. The origin of the medieval town of T?nsberg has therefore been much discussed in the light of this statement. Viking Age and early medieval settlements often lack material datable by archaeology alone. In T?nsberg radiocarbon dating has been used to distinguish between Viking Age deposits and medieval deposits, when stratigraphy alone does not state the differences. However, this dating method has produced various results and there is obvious need for a local calibration.     

The Archaeology of Al-Andalus: Past,Present and Future

Abstract

THIS PAPER PRESENTS AN OVERVIEW of the archaeology of al-Andalus (the Arabic name for Islamic Spain and Portugal), from its beginnings in the late 1970s to the present day. Innovative approaches and challenging theoretical stances made the archaeology of al-Andalus the spearhead of medieval archaeology in Iberia between the 1980s and 1990s. A problematic, and often conflicting, relationship between archaeology and history has characterised medieval archaeology in Spain since its inception, however, and a new awareness of these problems is emerging. This paper reviews past and current attitudes to such challenges and reflects on the future needs of the discipline. It also reflects on the politics of archaeology and on the role of medieval archaeology in revealing social change, which has until now been underrated.     

The Safavid-Qizilbash Ecumene and the Formation of the Qizilbash-Alevi Community in the Ottoman Empire,c. 1500–c. 1700

Alevis, the largest religious minority of Turkey, also living in Europe and the Balkans, are distinguished from both Sunnis and Shi?ites by their latitudinarian attitude toward Islamic Law. Conceptualizing this feature as “heterodoxy,” earlier Turkish scholarship sought the roots of Alevi religiosity in Turkish traditions which traced back to Central Asia, on the one hand, and in medieval Anatolian Sufi orders such as the Yasawi, Bektashi, Qalandari, and Wafa?i, on the other. A new line of scholarship has critiqued the earlier conceptualization of Alevis as “heterodox” as well as the assumption of Central Asian connections. In the meantime, the new scholarship too has focused on medieval Anatolian Sufi orders, especially the Bektashi and Wafa?i, as the fountainhead of Alevi tradition. Critically engaging with both scholarships, this paper argues that it was the Safavid-Qizilbash movement in Anatolia, Azerbaijan, and Iran rather than medieval Sufi orders, that gave birth to Alevi religiosity.