Intersections between philosophy and art: expressions of immanence in the seventeenth century — Spinoza and Vermeer*

ABSTRACT

Spinoza's philosophy of immanence represents a turning point that radically changed our conception of human agency and its relation to infinity. Hans Blumenberg rightly called the principle of immanence “a general hypothesis of the epoch”, a principle that applies to philosophy no less than to the sciences and arts in the seventeenth century. This article looks at Dutch paintings by drawing parallels between Spinoza's philosophy and Vermeer's work. Spinoza and Vermeer both deny a dualistic conception of the world and a hierarchical structure between inner and outer spheres. With the example of Vermeer's painting the Milkmaid, this article shows how an analysis of light and colour, time and space, reveal a vision of immanent infinity, with the human agent at its centre.     

Rousseau’s reception as an Epicurean: from atheism to aesthetics

ABSTRACT

What did Rousseau's readers mean when they called him an ‘Epicurean’? A seemingly simple question with complex implications. This article attempts to answer it by reconstructing Rousseau's contemporary reception as an Epicurean thinker. First, it surveys the earliest and most widely read critics of the second Discourse: Prussian Astronomer Royal Jean de Castillon, Jesuit priest Louis Bertrand Castel, and Hanoverian biblical scholar Hermann Samuel Reimarus. These readers branded Rousseau an Epicurean primarily to highlight his atheism, his anti-providential and materialist natural philosophy. Then, it discusses Genevan pastor Jacob Vernet's positive assessment of Rousseau as a critic of ‘fashionable’ Epicureanism, before reconstructing Rousseau's critique of the reception of Alexander Pope's Essay on Man as an Epicurean text. These sources elucidate Rousseau's engagement with a range of ideas and argumentative positions that would inform his later self-identification as a ‘refined’ Epicurean. In particular, they highlight his interest in how a sentimental awareness of beauty might mitigate the potentially vicious effects of hedonism. The article concludes with novelist Mme. de Genlis’ critique of Rousseau's Wise Materialism, using his thoughts on the imagination to suggest some of the ways the neglected aesthetic dimensions of Rousseau's reception of Epicureanism might be developed.     

Goethe's ‘Wilhelm Meister’ and Spinoza

Abstract

A strong case is made in this review that Spinoza greatly influenced Goethe in his much-studied Wilhelm Meister novels, a fact not hitherto recognized, although Goethe himself acknowledged the inspiration he derived from Spinoza's work. Goethe's Werther, and his Faust, are the mythical figures of modern times with the two Wilhelm Meister novels the critical countertheme in which the voice of Spinoza is here considered the cantus firmus of outstanding significance.     

WRITING THE HISTORY OF SPINOZISM

In this essay I reflect on Knox Peden's Spinoza contra Phenomenology, a history of French rationalist Spinozism in the mid‐twentieth century. The book marks an important intervention in modern French and European intellectual history, depicting the importance of Baruch Spinoza's thought in the negotiation of and resistance to the phenomenology that captivated much of twentieth‐century French intellectual life. With philosophical and historical sophistication, Peden tells the story of several relatively overlooked thinkers while also providing substantially new contexts and interpretations of the well‐known Louis Althusser and Gilles Deleuze. While accounting for Peden's major accomplishment, my aim is also to situate his work among a number of recent works in the history of Spinozism in order to reflect on the specific methodological questions that pertain to the widely varying appropriations of Spinoza's thought since the seventeenth century. In particular, I reflect on Peden's claim that Spinoza's thought cannot provide an actionable politics, a claim that runs counter to nearly two centuries of leftist forms of Spinozism. I offer a short account of some of the ways that theorists have mobilized Spinoza's thought for political purposes, redefining “action” itself in Spinozist terms. I then conclude by reflecting on the dimensions of Spinoza's thought (and recent interpretations of it) that make it possible for such significantly different claims about its political potential to be credible.     

Tapping into a Different Cultural Tradition: Sir William Temple's Aesthetic Innovations

Studies of Sir William Temple usually associate him with the English Battle of the Books. Since his defense of the old against the new in European arts and sciences was known even in his day to be inadequate, his role in the literary history of England has so far been largely trivialized. Challenging this conventional reading, this essay strives to show that the innovation and significance of Temple's aesthetics was closely connected with his somewhat known—but hitherto insufficiently scrutinized—longstanding interest in the cultural tradition of the Far East.     

Leibniz on Diplomacy and Discernible Art

Abstract

This article discusses Leibniz’s unique blend of aesthetics and diplomacy. While his art extended diplomacy beyond the bounds of political realism, his diplomacy gave occasion to his art. His identity of indiscernibles (objects with the same properties are identical) inspired philosopher Arthur Danto to define contemporary art in terms of a qualitative perceptual division between the world and the Artworld (objects with the same properties may or may not be art). Although Leibniz would have disputed Danto’s bifurcated artistic perspective, Danto vindicates Leibniz’s major contribution to contemporary aesthetic philosophy by defending his belief in the moral foundation of art. Leibniz was not only one of the pre-eminent men of German letters of his time, he also excelled in diplomacy on behalf of the Hanoverian court. His international relations (IR) theory of peace through grand global alliances is only just beginning to be understood, though his aesthetics and correct diplomacy continue to validate individual creativity, liberal freedoms, and universal enlightenment up to this very day.     

The biography of Ignatios the Deacon: a reassessment of the evidence

Abstract

The recently published critical editions of three of Ignatios the Deacon's works, his correspondence and two of his hagiographical texts, may have enhanced our familiarity with an important scholarly figure, but have apparently not established a consensus as regards his educational curriculum and ecclesiastical career. This is not surprising in view of the lack of explicit information on crucial periods of his life and the wide diversity of the literature associated with his name. However, the discussion has become all the more confused as some of Ign.'s autobiographical references have been called into question (to my mind, not reasonably) or not taken into account in their entirety. Setting aside the divergences between the biography sketched by Cyril Mango and that by myself, which mainly concern the tentative period of Ign.'s episcopate and the period he became skevophylax, a very different interpretation of Ign.'s biographical data has been offered by Georgios Makris, the editor of the Life of St. Gregory the Decapolite. And a more recent reconsideration of his biography, presented in the Berliner Prosopographie der mittelalterlichen Zeit and published in full length by Thomas Pratsch in this journal, without radically disputing the basic chronological framework of Ign.'s lifetime as proposed by Mango, has tried to rearrange the scattered pieces of his puzzling career. Several hypotheses regarding Ign.'s ecclesiastical career were also put forward by Michel Kaplan in his inquiry into Ign.'s letters dateable to his period as metropolitan of Nicaea. Finally, in his posthumously published History of Byzantine Literature, Alexander Kazhdan, demonstrating excessive skepticism, distinguished the author of the anonymously preserved correspondence from Ignatios the Deacon, as well as denied him the composition of other works that have been assigned to him. The purpose of the present note is to re-assess the biographical evidence provided in Ign.'s own work.     

Exile and return in John Mauropous,Poem 47

Abstract

The author reads an epigram by John Mauropous as an engagement with epic and biblical traditions. Critical studies of exile and return from different eras of the Greek literary tradition by Émile Benveniste, Gregory Nagy and Nancy Sultan are used to provide a theoretical approach to the tradition with which Mauropous engages. It is suggested that Mauropous' wanderings in the territory of the xenos and return to the familiar world of the philos, and especially his personification of his home as a trophos (nurse), allude to Homer, and that epic language and motifs strengthen the poet's assertion of selfhood and make ancient literary themes relevant to Mauropous' life as a scholar and churchman.     

The exchange of ideas between England and France as reflected in learned journals of the later seventeenth and early eighteenth centuries

My examination of Spinoza's arguments for the infinity of extended substance (physical space) lead to a comparison of his views with the anti-Kantian arguments offered by Moritz Schlick, and finally to some general remarks concerning Spinoza's concept of infinite magnitude, and its limitations from a contemporary perspective.     

Theodorus Priscianus im lateinischen Oribasius

Recent readings of Fam. 12.16 have revealed that Trebonius' aim in writing to Cicero was the complicated result of anxieties over influence. I extend this complexity to Trebonius' citation of the satirist Lucilius and argue that Lucilius is mentioned for his literary status as well as libertas. Trebonius' satire was, in Lucilian vein, directed at the dead Julius Caesar, and Horace in turn refers obliquely in Satires 1.2 to Trebonius, and Cicero's literary representation of and connection with him.     

Arnulf of Lisieux and the crisis at Grestain 1164–6: brother bishops,inherited policies and failed leadership

ABSTRACT

This article examines the failed reform of the abbey of Grestain by Arnulf, bishop of Lisieux (r. 1141–81). Faced with a disobedient abbot, in whose absence the monks had resorted to violence and murder, Arnulf saw an opportunity to stamp his authority on his diocese by turning the monastery into a house of canons regular. Arnulf’s policies were shaped by the example of his older brother John, bishop of Sées (r. 1124–44), and his uncle and predecessor in his own bishopric John of Lisieux (r. 1107–41), as well as his mentor Geoffrey of Lèves, bishop of Chartres (r. 1116–49). A close reading of Arnulf’s letters demonstrates that Arnulf's conception of religious leadership and his representation of the crisis at Grestain were formed not only by familial networks, but also by the wider social and educational ideals of the eleventh and twelfth centuries filtered through the Victorines.     

The Paradox of Subjective Truth

Abstract

This paper focuses in part on Jan Assmann's interpretation and refutation of Carl Schmitt's very well-known secularization theory that all significant modern concepts of the state are secularized theological notions. It will be demonstrated that Assmann attempts to counter Schmitt's conception of modern secularization by suggesting that Mosaic monotheism inaugurated a revolution by theologizing the political. By briefly exploring Assmann's interpretation of Egyptian religion, it will be argued that a conception of the political as distinct from the theological characterized the political form of ancient Egypt. This leads to a discussion of Assmann's argument that Schmitt's conception of the friend/enemy distinction should be understood as an aberration of the political form of ancient Egypt and therefore viewed as a category of political illegitimacy. In order to illustrate this, attention will first be drawn to Assmann's distinction between primary and secondary religion. This is followed by a discussion of Assmann's notion of the structural transform of the political by theology, which then moves specifically into his argument for the intellectual origins of Schmitt's concept of the political. It will be attempted throughout this paper to bring conceptual clarification to Assmann's notion of theologization by relating it to the question of political theology currently taking place in France and the English-speaking world. Towards the end I offer a number of criticisms of Assmann's notion of theologization.     

The Locke Essay: Achievement and Promise

Abstract

Strauss's essay on Locke is devoted to Locke's early lectures on the law of nature, a text unpublished when he initially wrote on Locke in Natural Right and History. One purpose of his essay was to show that the Locke text did not contradict the position on the law of nature that Strauss had earlier attributed to him. Strauss also used the essay as an opportunity to further his own reflections on traditional natural law doctrine.     

Nikos Gatsos' Amorgos,topography and the poetics of modernism

Abstract

Nikos Gatsos' Amorgos is approached here as a polyphonic poem that synthesizes elements of the Greek literary tradition into an intertextual palimpsest of fragments, in the vein of the modernist 'long poem'. The surrealist poet maintains a fine balance between tradition and radical innovation, shaping Amorgos as a place where poetry is created as an interaction of opposing tendencies. The topical character of the poem is underscored by its title: the sea-and-land imagery evokes the island as a literary topos of seclusion and self-sufficiency that lends its characteristics to the composition itself: a 'compendium' of poetic writing and avant-garde aesthetics.     

The Poetics of Indeterminacy: Corneille's Le Cid

This article theorizes that it was an aesthetic motivation that prompted Corneille to leave Le Cid open-ended, despite his assertion in the 1660 examen that it was respect for the bienséances that obliged him to close the tragedy on such an uncertain note. While moral reservations may have played a role, surely an artist as committed to his craft as Corneille was motivated by some overriding aesthetic goal as well. In consequence, Chimène's defiance at the play's end must be viewed as an integral component of the tragedy and not just a reflection of the author's reluctance to violate dramaturgical precepts. I argue that by leaving the dénouement in doubt, Corneille draws deliberate attention to his aesthetic manipulation of the well-known historical/literary precedent. Additionally, and perhaps more importantly, his aesthetic manipulation of history shields Chimène's heroism from the quotidian reality of degradation and devolution that are the defining traits of non-aesthetic realities.     

L'europe sans illusions

In his doctoral dissertation—The Concept of Criticism in German Romanticism, finished in 1919 and published as a book in 1920—Walter Benjamin explores the epistemological and aesthetic foundations of the concept of criticism expounded by the early German Romantics Friedrich Schlegel and Novalis. Many of the themes in the dissertation recur in his later work, which has led scholars to believe that much of Benjamin's thought is directly influenced by the Romantics. However, a detailed investigation of the origins and development of the dissertation reveals that the picture is much more complicated. Reading the dissertation alongside the biographical material now available, this article argues that the major themes which preoccupy Benjamin in The Concept of Criticism in German Romanticism, including his theories of language and knowledge as well as his messianic philosophy of history, in fact predate his study of the Romantics. As well as being a potential entry ticket to an academic career, the dissertation constitutes Benjamin's first sustained attempt to develop and consolidate his own epistemology and aesthetics in a more or less systematic way. He does so through a series of ‘judicious interpretations’ of the Romantics, whose work he reads selectively, anachronistically and creatively to provide a vehicle for his own thought.     

Genealogical narrative and self-knowledge in Rousseau's Discourse on the Origin and the Foundations of Inequality among Men

SUMMARY

Why did Rousseau cast the substance of the Second Discourse in the form of a genealogy? In this essay the author attempts to work out the relation between the literary form (genealogical narrative, as the author calls it) of the Discourse's two main parts and the content. A key thesis of Rousseau's text concerns our lack of self-knowledge, indeed, our ignorance of our ignorance. The author argues that in a number of ways genealogical narrative is meant to respond to that lack. In the course of his discussion he comments on Rousseau's puzzling remarks in the Second Discourse about his expository method. Further, given the thesis that we lack self-knowledge, Rousseau owes us an account of his genesis as self-knowing genealogist. He attempts to do so in part through his narrative of the ‘illumination of Vincennes’. The author examines that narrative as well, reading it and the Discourse in light of each other. Can Rousseau resolve the problems of self-reference that the philosophical use of genealogy often leads to? The article discusses this complex metaphilosophical problem, along with views about the value of genealogical accounts, in light of recent work by Robert Guay, John Kekes, Alasdair MacIntyre, and Frederick Neuhouser, among others.     

‘Which Way?’ Big Man,Road Man,Chief: Bernard Narokobi's Multifaceted Leadership Career

ABSTRACT

Among the topics that Bernard Narokobi addresses in his numerous writings is the place of traditional Melanesian leadership styles in a modern Papua New Guinea. This article explores Narokobi's leadership status to show how far-reaching and multifaceted his leadership career was: he was at once a traditional Melanesian bigman, a chief, and a modern public figure. The actions he took in these roles were for him a matter of the highest principle, something that at times had severe political consequences. Because in Melanesia the scope of the ritual that takes place upon an individual's death is an index of their status, an analysis of the mortuary rituals undertaken upon Narokobi's death provides insight into the significance of his leadership at every level from his clan up to the national level of Papua New Guinean society.     

On food and fossils: natural philosophy,mathematics, and biblical history in the works of John Wallis

ABSTRACT

This paper discusses how John Wallis (1616–1703), Savilian Professor of Geometry at Oxford, used biblical evidence to support his ideas about natural philosophy and mathematics. Examples from Wallis’s long career include his calculation of the age of the Earth, his critique of Robert Hooke’s theory concerning the origin of fossils, and his debate with Edward Tyson about whether humans are naturally herbivorous or carnivorous. My analysis shows that Wallis’s use of biblical history did not necessarily commit him to an intellectually conservative position, but neither did it always encourage him to embrace new ideas. In fact, the truth is somewhere in the middle: I argue that biblical history provided a useful way for Wallis to negotiate between tradition and innovation, to determine which new ideas represented important advances and which were unsubstantiated follies.     

The trial of consul pritchard

Abstract

William Pritchard, Fiji's first British consul, quickly became a pivotal figure after his arrival in 1858, negotiating an offer of cession, establishing a court, stabilising relations among the resident populations, and resisting Tongan threats to the power of Cakobau, the leading chief. In 1859 the Fijian chiefs gave him ‘supreme authority to govern Fiji’. His resistance to the Tongan faction put him at odds with Wesleyan missionaries, who influenced Col. William Smythe, who was sent by the British government to investigate the offer of cession. Smythe recommended against cession and campaigned for the government to send a commission to investigate Pritchard's conduct, charging him with financial irregularities and interfering in Fijian native affairs. Pritchard was dismissed from office, but records reveal the commission to have been a travesty. Pritchard influenced events in Fiji at a crucial time, and his reputation and career deserve reassessment.