清代江浙地区栖流所的运营实态及其近代发展

Qiliu hospice in the Qing Dynasty were a sort of charitable organizations established for housing vagrants. According to the distinct functions they served, Qiliu hospice can be divided into different types. Those appeared in Jiangsu and Zhejiang provinces during the periods of Jiaqing and Daoguang were just a countermeasure to prevent the extortion of petty officials, which had very limited relief targets and measures. But in the modern times, with the quick development of society and great impact from the West, not only the sphere of Qiliu hospice’s relief targets expanded but also relief measures they adopted became more active, which show that Qiliu hospice have already started their course of modern transformation. Translated by Zhou Weiwei from Shixue Yuekan 史学月刊 (Journal of Historical Science), 2008, (2): 48–59     

The Noble Traders: the Islamic Tradition of “Spiritual Chivalry” (futuwwa) in Bosnian Trade‐guilds (16th−19th centuries)

Abstract: Originally linked to the military associations of the Middle Ages, the Islamic tradition of futuwwa was with time inherited by artisanship associations. The Anatolian Akh?s of the 14^th century represent an important link in the evolution of the futuwwa tradition, and it was thanks to them that this tradition survived well into the Ottoman era, this time within the framework of the more centralized, professional trade‐guilds. Together with other Ottoman institutions, administrative, military and economic, Ottoman crafts and their trade‐guilds appeared in Bosnia soon after the final fall of the country to the Ottomans in 1463. Sources which provide information on the organization and activities of Bosnian guilds also give a picture of their religious character and, related to it, the presence of futuwwa tradition within them. The most important of these sources are those that originate from the guilds themselves, the guild defters and their statutes, which are often called fütüvetnames. A number of documents of this kind found in Bosnia illustrate a strong presence of different futuwwa traditions within Bosnian guilds from their establishment well into the 19^th century, while some also provide valuable information on the futuwwa tradition in Ottoman guilds in general.     

追寻现代性:民国上海言情文化的历史解读

The rise of the melodrama as a literary and theatrical genre appears to have had a co-relation with the rise of industrial cities in modern times around the globe from Europe, North America, to East Asia. In China, this phenomenon manifested itself in the yanqing (lit. speaking of feelings) genre that dominated the popular culture scene in Shanghai in the most part of the twentieth century. While the yanqing genre was an expression of particular Chinese modern experiences, it also provided a channel for these local experiences to partake in and enrich a global experience of modernity. This study shows how yanqing arts helped ordinary Shanghai residents deal with changing patterns of gender, love, and family relations in the fast-growing and modernizing city. Through such re-examination of the yanqing culture this study tries to shed new light on some important questions in modern Chinese history and help correct traditional elite views of this history. Translated from Shilin 史林 (Historical Review), 2006, (4): 70–79 Parts of this article have been presented at the international conference, “As China Meets the World: China’s Changing Position in the International Community, 1840–2000,” held at Vienna, May 15–19, 2004; and “The First Modern Chinese Social History Conference,” held in Qingdao, Shandong, August 2005. It is modified by the author when translated into English.     

中国传统工商业城市在近代的衰落

Resulted from different causes, the majority of traditional cities in modern China underwent a decline in various degrees. The causes of the decline of Suzhou, Hangzhou, and Yangzhou which have started to develop their new industry and commerce since mid-Qing Dynasty lies in such aspects as: the lose of transportation superiority in modern China; the fatal destruction caused by Taiping Revolution; the affects of the rising of Shanghai; the recession of traditional economy and slowed development of new economy; and the conservatism in thinking and ideas etc. Translated by Huang Bangfu from Xinan Minzu Daxue Xuebao 西南民族大学学报 (Journal of Southwest University for Nationalities), 2007, (4): 1–11     

Jiangnan gentry’s responses to “The great famine in 1877–1878”: The famine relief in north Jiangsu

Although “The great famine in 1877–1878” breaking out in the early years of Emperor Guangxu’s reign has mainly struck North China areas, it has also great social impact on another important area—Jiangnan. The past surveys in academic circle basically ignore the meaning of this drought from the aspect of localism in Jiangnan. When an important movement of drought relief in modern China is mentioned, that is, the rise of charity relief in the late Qing Dynasty, the judgment is not totally accurate. In fact, when they were purely facing the drought, Jiangnan produced various responses carrying a firm stand of localism to protect their county and land. Among these responses, drought relief in the north of Jiangsu launched by gentries from Jiangnan is essentially a continuity of traditional drought relief in Jiangnan since the Ming and Qing dynasties. Translated by Luo Hui from Shehui Kexue Yanjiu 社会科学研究 (Social Science Research), 2008, (1): 129–139     

Township/Village Administration from the Late Qing to the Warlord Period

In ancient China, formal government institutions stretched to the county level. This system witnessed a radical transformation during the late Qing and the Warlord period, with various types of township/village administrations mushrooming in many places across the country to meet the requirements of institutional reform and the demands for modernization in local regions. These township/village administrations can be divided into two types: one is the newborn township/village administration in the late Qing dynasty, and the other is the township/village or quasi-administration that evolved from the old localized Xiangdi (local administrative system). Functionally, the former can be further divided into two kinds, the monofunctional township/village administration, which might include education, or police and security, and the multifunctional administration. The latter falls into three categories: some were new-model administrations directly translated from the old rural Xiangdi system; some were subdivisions of the neonatal administration composed of the old local Xiangdi system; and still, others basically reserved the intrinsic property and function of the old Xiangdi system. As political entities, township/village administrations of this era can be further differentiated into those bordering on “self-government” and those lingering under “the official system.” Township/village administration at this time mostly consisted of a standing body, with their personnel, who enjoyed the status of professional civil servants, set up by legal proceedings. Government outlay was sponsored by public finance or tax income, and it assumed all kinds of modern administrative functions, basically of a modern character. Meanwhile, of course, it retained much of its traditional flavor in actual operation. All in all, the birth of this form of township/village administration constituted an important dimension of the modernization of China’s local administration system. Translated from Beijing Normal University Journal (Social Sciences), Vol. 2, 2004, by Sun Yue     

Reorganization of Guilds and State Control of Small Business: A Case Study of the Teahouse Guild in Early 1950s Chengdu

This paper attempts to investigate the decline of Chinese guilds in the early 1950s and to show how political change altered economic life in China. Although the socialist transformation of private ownership started in 1954, the new government used state power to gradually weaken private ownership far before that time, building a foundation for the full-scale socialist transformation later. The reorganization of the Teahouse Guild in Chengdu reflected the general policies of the Communist Party that changed traditional social and economic organizations. The new guild almost became a representative of the government in the teahouse profession, which no longer maintained the nature of the traditional guilds. Actually, the guilds existed in name only after the reorganization of the early 1950s, and the teahouse guild disappeared after 1953. The death of the guild was a result of decline among social organizations and the growing strength of state power.     

Crafting the ��New Woman�� in China��s left-wing cinema of the 1930s: Sun Yu��s three films

“New Woman” and “Modern Girl” discourse prevailed in China in the early twentieth century. The left-wing cinema of the 1930s engaged in this discourse and created a filmic space in which to negotiate gender and modernity. Focusing on three films directed by Sun Yu (1900–90): Wild Rose, Little Toys and The Highway, this paper compares Sun Yu’s new women with those in two other films: Lessons for Girls, a lesser known but interesting caricature of “new” women, and the New Woman, the best known of the “new woman” genre, both of which depict how urban, petty bourgeois women failed in their struggles for independence. In sharp contrast, Sun Yu used poetic realism to create a series of refreshingly independent working class women characters that successfully combined traditional moral values and modern patriotism and resisted the radical anti-traditionalism of the new woman discourse. This paper offers a differentiated analysis of the diverse and complex ways in which China’s left-wing cinema negotiated gender and modernity in the 1930s.     

"五德终始"说之终结——兼论宋代以降传统政治文化的嬗变

The Five Virtues theory, designed to legitimate rules, was based on the belief in a cosmological system. The theory of the Five Virtues was replaced by the theory of Confucian orthodoxy based on moral critics during the renaissance of Confucianism in the Song Dynasty. The intellectual elites in the Song Dynasty launched a campaign against the Five Phases theory and the Apocryphal Texts, Fengshan, and Chuanguoxi, which constituted the main body of traditional political culture. They sought to eliminate the theoretical value of these traditions and eradicate their influence on people’s thoughts. Their high keyed and advanced political and ethical notions during the Song period became universal values in the Yuan, Ming, and Qing dynasties. The changes in the traditional political culture reveal the intellectual trends from the Song Dynasty throughout the Qing Dynasty. Translated by Luo Hui from Zhongguo Shehui Kexue 中国社会科学 (Social Sciences in China), 2006, (2): 177–191     

少数民族史学的发展与多民族统一国家观念的形成

Chinese culture is established by bringing together many nationalities. Chinese historiography has recorded the development of this great culture. Among these records, ethnic minority historiography reflects one important aspect for identifying the historic trend of the formation of a united multiethnic nation. A comprehensive study on the development of Chinese ethnic minority historiography shows that it can be divided into six phases: the Pre-Qin period to the Qin and Han dynasties; the Wei, Jin, Southern-Northern and Sui-Tang dynasties; the Liao, Song, Xia, Jin and Yuan dynasties; the Ming and Qing dynasties (before 1840); the modern times (1840–1949); and the contemporary times. Deep analysis of these phases would inevitably improve the study of the history of Chinese historiography. Translated by Ding Haiyan from Hebei Xuekan 河北学刊 (Hebei Academic Journal), 2007, (6): 91–94     

Women and Guilds: Corporations and Female Labour Market Participation in Early Modern Holland

Recently, historians have suggested that the economic role of Dutch women and the remarkable economic development of the Dutch Republic are related. Guilds are said to have played an important role. This article analyses the female admission to guilds in early modern Holland in order to assess how guilds affected female labour participation. A classification of guilds according to their admittance of women reveals significant variations in the extent of incorporation of women. Gender norms were not rigid and were applied with flexibility. Thus, guilds formed no obstacle for women in contributing to the flourishing economy of the Dutch Republic.     

Aby Warburg's Hamburg Comedy: Wilhelmine Culture from the Perspective of a Pioneering Cultural Historian

This article examines an unpublished play written by Aby Warburg(1866–1929), entitled Hamburg Conversations on Art: HamburgComedy, 1896. The play offers a glimpse into Warburg's viewson modern art and into his thinking on the various processesof modernization. It demonstrates how his enthusiasm for innovativeart forms emerged, in part, as an expression of his rebellionagainst the religious, social and professional conventions ofthe German–Jewish economic élite into which hewas born. As with many of his generation, Warburg claimed socialand cultural progress under the banner of artistic innovation.The play also provides a focus for a discussion of the waysin which Warburg's interest in modern art was closely alliedwith pioneering research into the role of symbolism and artin European history. To this end, the article explores Warburg'sconcern about the prospect of a culture in which symbolic andmythical thinking was replaced by a technology that destroyedhumanity's contemplative bond with the world. It also demonstratesthat Warburg's perspective on social and cultural modernizationcombined seemingly different attitudes: it blended the future-orientatedoptimism of an urban, liberal and cosmopolitan outlook withthe nostalgic pessimism of an ardent patriot whose life wasshaped by traditional values and who was uneasy about the increasinglyrationalized and materialistic society in which he lived. Inconclusion, the article suggests that this attitude was notuncommon among the Bürgertum and points to the difficultiesof conceiving of ‘tradition’ and ‘modernity’in Imperial Germany in terms of mutual exclusivity.     

The preliminary transition of the grass-roots government functions in the border areas jiangxi, Fujian, and Guangdong during the first half of the twentieth century

During the first half of the twentieth century, the social administrative functions of the grass-roots governments in the border areas Jiangxi, Fujian and Guangdong provinces showed apparent differences from the traditional government. There appeared a gradual transitional tendency to the modern society in aspects such as the specialization of administrative bodies, the communalization, corporation and trade orientation of the mass organizations, and the social control as well as attaching importance to conducting, serving and constructing the social communal facilities in the social economic context. Consequently, the transformation should be regarded as one of the stages in the progress of the social transition since the Late Qing dynasty. __________ Translated from: Wenshizhe 文史哲 (Journal of Literature, History and Philosophy), No. 1, 2004     

从货币流通量看清代前期的经济增长与波动

The eighteenth century was the heyday of Chinese traditional economic development, that the monetization and sharp increase in the supply of silver stimulated long-distance trade and the rise of regional merchants groups, and increased industrial and agricultural production all reflecting the overall economic development of this period. Along with commoditization and monetization of the economy, monetary supplies and government financial behavior had increasing influence on the economy. The shortage of monetary supplies gave rise to three economic depressions: the early years of the Qing Dynasty, Jiaqing’s reign, and Daoguang’s reign. This study clearly indicates that the scholarly debate over the “stagnation” or “growth” of the Qing economy perhaps merely depends on the period of time and aspect of the economy one examines. The two viewpoints can be somewhat reconciled. Translated by Feng Mei from Qingshi Yanjiu 清史研究 (Studies in Qing History), 2008, (3): 24–43     

民国时期乡村建设运动的农村改造模式

The campaign of rural reconstruction during the republic period was a comprehensive exploration of the changes in the traditional countryside. It establishes that the transformation of the countryside is a key issue in China’s modernization and attempts to find an effective way to connect the two. In political transformation, it promoted the system of democratic autonomy; in the transformation of agricultural economy, it advocated a joint-stock system with enterprise and market features; in the transformation of farmers’ quality, it tried to equip the farmers with basic modern cultural and technological knowledge. The characters above show a pattern of relatively systematic reconstruction of the countryside with modern significances. Translated by Li Dan from Jindaishi Yanjiu 近代史研究 (Modern Chinese History Studies), 2006, (4): 95–110     

Transforming the (tourism) world for good and (re)generating the potential ‘new normal’

Abstract

With or without the global COVID-19 pandemic to promote and envision a meaningful and positive transformation of the planet in general, and tourism specifically, a wake-up call is long overdue. The 300-years old industrial and modern paradigm of ruthless and selfish exploitation of natural resources has separated us from nature and ultimately ourselves to such an extent that the crises of our economic, political, environmental, social and healthcare systems do not come at any surprise. Yet, in juxtaposition to (post)modern pessimistic views, the positive transmodern paradigm shift with its holistic perspectives and practices can be observed. Led by ‘the silent revolution’ of cultural creatives, new worlds are emerging, although still kept at the margins. ‘Transformative travel and tourism’ as an ever-growing trend, appears to be an important medium through which these cultural creatives reinvent themselves and the world they live in. Inner transformation is reflected in the outer world. New ways of being, knowing and doing in the world are emerging as conscious citizens, consumers, producers, travellers, entrepreneurs, and community leaders are calling and acting upon the necessary transformation towards the regenerative paradigm and regenerative economic systems. Based on the natural cycles of renewal and regeneration, this circular approach is underpinned by regenerative land practices. The vision of connecting regenerative agriculture and transformative tourism is offered to reset the global tourism system for good.     

The modemization paradigm based on monistic multi-linear theory: a response to some comments

Long before 1979, Chinese historical research had been dominated by the theory of “the Five Modes of Production”, according to which the whole Chinese history as well as the other parts of the world had been developed from the first MOD to the last one by one. The modernization theories prevailed during the 1950s and the 1960s, bringing about another uni-linear model of historical changes. For example, W. W. Rostow designed a five-stage process as a universal frame work of economic development, based on which each society could find its position in this uni-line. The task of the less developed societies is just to introduce modemity from the modernized societies so that they can make some developments. Thus modernization is a uni-direction movement as well as a uni-linear process. After 1979, modernization as a new paradigm has been accepted by an increasing number of Chinese historians. The increasing depth and breadth of the academic researches have encouraged such an acceptance, but, admittedly, as a new conceptual system that corresponded to the historic breakthrough and the new direction towards modernization in China. This acceptance also showed the “crisis of paradigm”, that is, the contradiction between the new themes and the old ones that had dominated Chinese humanities and social sciences. The modernization paradigm based on monistic multi-linear theory considers modernization as a unique breakthrough in history, a great transformation around the whole world, and a historical process that does not have a given ultimate aim and value but different models and routes. The monistic multi-linear theory on historical development is open and all-embracing in historical studies. A variety of historical paradigms is favorable to prosperity of Chinese history. __________ Translated from: Shixue Yuekan 史学月刊 (Journal of Historical Science), No.5, 2004, by Wang Fan; Revised by Chong Hua     

中西文化的一次对话:清初传教士与《易经》研究

By the early 18^th Century, the “Rites Controversy” among the missionaries themselves has evolved into a culture conflict between the Qing Empire and Europe. To make the European missionaries in China follow the rites of Matteo Ricci, Emperor Kangxi had French Jesuit missionaries Joachim Bouvet and Jean Francoise Foucquet study the Book of Changes in his royal palace and had further conversions with the European missionaries based on their researches. Not only did this cultural conversation reveal the Figurist’s tendencies, as represented by Bouvet, and the interior conflict among the missionaries themselves after the “Rites controversy,” but also showed Kangxi’s policies towards the missionaries, as well as his attitude towards Western culture and religion. __________ Translated from Lishi Yanjiu 历史研究 (Historical Research), 2006, (3): 74–85     

近代天津城市边缘区的形成及其结构特征

During the first half of the 20^th century, when China experienced a new tide of urbanization, a tendency appeared, in which the upper strata moved to the urban center and the lower strata distributed over the marginal area, where poor people formed a new community. This marginal community bore distinctive characteristics no matter in spatial structure or in residents’ life style in the development of modern Tianjin. The lower culture from the marginal areas and the upper culture from the foreign concessions constituted an interaction urban cultural structure in modern China. Translated by Lü Chunjun from Tianjin Shifan Daxue Xuebao 天津师范大学学报 (Journal of Tianjin Normal University), 2007, (4): 37–41     

苏南水乡村镇传统建筑景观的保护与创新

苏南水乡地区是吴文化的中心地带。这里优越的自然条件、悠久的历史渊源和深厚的文化底蕴创造了体现"天人合一"思想的建筑景观。该建筑景观的独特性体现在:顺应水势的空间布局;与生活紧密联系的建筑环境;简远清秀的建筑风格。然而,近年来,苏南许多水乡地区的经济和城市化进程发展迅猛,水乡村镇不断扩张,在实际建设中又缺乏长远的、综合的规划,从而造成传统的历史文化遗存和传统建筑景观面临困境。同时,在全球经济一体化的宏观背景下形成的文化趋同现象也导致了村镇传统建筑景观多元化的丧失。因此,在此基础上,本文从精神、制度和物质三个层面分析了苏南水乡村镇传统建筑景观特征形成的文化背景,初步探讨了水乡村镇传统建筑景观的保护、继承与创新问题,提出传统建筑景观的保护原则(保护与人们生活的改善提高相结合的原则;对传统建筑景观分等定级的原则;积极保护与有效利用相结合的原则),进而提出文化发展观,倡导创造有苏南水乡特色的绿色田园建筑景观。