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The identification of an eighteenth-century plan and a set of nineteenth-century photographs, in conjunction with a new survey of its remains, has permitted the reinterpretation of an early eleventh-century building at Avranches, in the Département of Manche, Normandy. This has shown that it measured 37 m by at least 27 m, was at least 16 m high, and that it can be considered as a donjon or ‘keep’, or, as now more usually termed, a ‘tour maîtresse’ or ‘great tower’. The remains of the building and its interpretation are described, with the aid of plans and the key material referred to above. Among the largest ‘great towers’ known (at least in plan) and one of the three known pre-Conquest examples in the Duchy, it is of great significance to the rapidly advancing study of this class of building.  相似文献   

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Material culture studies have begun to take new directions within the field of historical archaeology. Shoe buckles are the most familiar and readily identifiable type of buckle to archaeologists, but there are many other buckles worn as part of a person’s dress that may be identified on archaeological sites. Knee, garter, girdle, hat, stock, and spur buckles are regularly recovered. These buckles can be used as an aid to dating archaeological strata and features, and can be employed to understand the kinds of clothing worn by site inhabitants. This paper presents and interprets an assemblage of buckles of assorted types recovered from seven 18th-century domestic sites in Portsmouth, New Hampshire.  相似文献   

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Dia Da Costa 《对极》2015,47(1):74-97
Using a critical cultural politics approach and deploying the concept of sentimental capitalism, this article problematizes the burgeoning creative economy discourse while analyzing spaces of art and heritage production in Ahmedabad, India. I situate the Cotton Exchange exhibit (April 2013) in an erstwhile mill in recent histories of mill closures, genocide, creative economy initiatives and development aspirations of revitalizing degraded space. I argue that in remaking place, art mobilizes sentiments—here, nostalgia and hope—while erasing violence and inequality. Sentimental capitalism is at work in the exhibition by mobilizing artisans as entrepreneurial agents not victims of capitalism; constructing art's aura of grassroots participation and artisanal empowerment while obscuring displacement and exploitation; and fostering cult‐like regard for art's intrinsic and instrumental value as non‐profit and its capacity to engender opportunity, recognition, and even property. While another spatial politics is possible, in Ahmedabad today, art is being mobilized to obscure dispossession and exploitation in the name of urban revitalization and heritage production.  相似文献   

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Research from the Global North suggests that crime increases during a mining boom but not during mining decline. Our evidence from the South African gold mining town of Matjhabeng (formerly Welkom) shows that crime increases during mining decline and affects women in particular. We use social disruption theory to explain women’s experiences of crime and also their involvement in it. We find that criminal activities harm women in particular, that crime has become entrenched within female-headed households, and that women are conflicted in their roles as parents and become participants in crime and beneficiaries of criminal activities. It is a matter for concern that research generally ignores the sociospatial nature of mine closure and its effects on women.  相似文献   

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This article considers contestations over land, state and nation in Aitarak Laran, an urban settlement in post-independence Timor-Leste. Since 2010 the settlement has been resisting eviction by the East Timorese state, which wishes to use the land it occupies to build a National Library and Cultural Centre. In exploring the contestation, the purpose of this article is two-fold. Firstly, it explores the nature of social connection to land within postcolonial state- and nation-building. Here, the contestation at Aitarak Laran reveals counter-posed imaginings of land as homeland, territory and property. Secondly, the article draws out the implications of these counter-posed imaginings for thinking about the ‘right to the city’, a notion first theorised by Lefebvre (1996 [1968]) and subsequently developed to encompass a range of modes of urban protest. In the settlement, the promises of independence—unity, equivalence, and inclusion within the sovereign nation-state—are at odds with residents' experiences of what independence has in fact brought. Land, in its multiple imaginings, becomes a crucible upon which this painful disjuncture plays out. Reading Aitarak Laran as an instance of ‘right to the city’ struggle, these tensions emerge as well not only in practice but also in theory, reflected particularly in the limitations and ambiguities of rights discourse.  相似文献   

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Contemporary theoretical debate in ecology and biogeography is often focused on equilibrium vs. nonequilibrium behavior in ecosystems and on the nature and source of ecosystem dynamics. It is suggested that these debates be recast in terms of the way ecosystems develop and respond to disturbances, rather than in terms of concepts often imported from mathematics, physics, and other fields. Using nonlinear dynamical systems theory, it is shown that key theoretical implications can be cast in terms of geoecologically significant phenomenologies such as divergent evolution, sensitivity to initial conditions and small disturbances, historical contingency, and path dependence. Examples show these phenomena are widely observed in ecosystems. Ecological and biogeographical theory can be problematized from within geography and ecology rather than fuzzy, abstract concepts such as equilibrium, self‐organization, “balance of nature,” or chaos. Complexity, sensitivity, variability, nonsteady states, and other concepts often associated with nonequilibrium or complexity‐theory frameworks have manifestations that are evident in observable ecological phenomena, in addition to theory and models.  相似文献   

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ABSTRACT This paper is an exploration of the nature of personhood through the medium of the concept of piot in the Lihir islands, Papua New Guinea. Piot is an embodied experience in response to the movement of others in space. When people leave or arrive at a place and spend the night, others in the area feel unwell. Piot is thus one aspect of the relations between persons. I suggest that ideas of relational personhood are inadequate to fully comprehend piot, and, following LiPuma (1998) and Clay (1986) rather than Strathern (1988), argue that persons in Lihir are more than just relational beings who always act with others in mind. Piot is predicated on the dual themes of fixed sociality and mobility that are important in Lihir as elsewhere in Melanesia (cf Eves 1998; Patterson 2002). Through piot, persons comment on and sanction the movement of others, yet this mobility still occurs.  相似文献   

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With its use of contemporary events, location shots, and a plot that mixes comedy, tragedy, and passion play, Roberto Rossellini's 1945 film Rome, Open City founded the movement known as “Italian Neo-Realism.” The film vividly presents the Christian teaching on the relation between religion and politics. Rossellini asserts that a Christian Europe can be reconstructed only on a foundation of charity rather than hate, vengeance, or even justified punishment for Nazi crimes. It is not on the basis of tales of resistance that Italians and Europeans can be reborn, Rossellini argues, but on the basis of the Christian command to “love your enemies.” European rebirth means the installation of a moral order that makes parenthood feasible and respectable. By reflecting on Rossellini's masterpiece, I examine the triumph and the tragedy of the Christian Democratic Europe that Rome, Open City foretold and helped to found.  相似文献   

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Egungun is a Yoruba ancestral masquerade ritual that has been practiced for centuries. Shifting coalitions of individuals and factions have vied for social and political influence through this practice. In the nineteenth century, when western missionaries, explorers, and colonial officials first documented this phenomenon, any individual who could sponsor an Egungun performance was a force to be reckoned with in Yoruba society. To this day, Egungun masquerades are understood as vehicles through which individuals and groups can assert influence in their communities. Western scholars have portrayed Egungun as a hegemonic masculine performance space through which men assert their dominance over women. In privileging the writings of English missionaries, explorers, and colonial officials, we have tended to neglect the oral traditions and histories of specific Egungun masquerades in which women feature prominently. I argue that scholars have oversimplified and misrepresented the complex ways in which these performances are gendered as well as the ways in which they offer women opportunities to shape the identities of the places they inhabit.  相似文献   

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This paper examines modern Korean politics through the framework of Giorgio Agamben's theories of sovereign power, bare life, and the state of exception. Though his political analysis draws from the European history, we contend that the nature of his method attests to the possibility of analogical examples in non‐Western places. Thus, we argue that a postcolonial encounter with Agamben may enrich our understanding of sovereignty and political geography. In the Korean context, such an analysis needs to consider that sovereign power has been shaped by the itineraries of colonialism and empire. Korea's political space is deeply marked by the legacy of Japanese colonialism, the imperial interventions by the U.S., and the division of the peninsula. Thus, Korea offers a valuable lens through which to read Agamben's critique of sovereignty. Our paper offers such a reading to argue that a state of exception functions as the underlying nomos for postcolonial Korea.  相似文献   

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This paper draws on research in four communities in the Highlands and Islands, Scotland, to explore how the notion of community and community identity are re‐worked in the political spaces created as communities claim collective rights to land. In the cases of the Assynt Crofters’ Trust, the Bhaltos Community Trust, and Laid, this has concerned land under crofting tenure; in the case of the claim of the North Sutherland Community Forestry Trust, the land on which the Naver Forests stand is the responsibility of the Scottish Ministers and is managed by Forest Enterprise. The four case studies differ with respect to membership and institutional practices and thus provide fertile ground on which to examine, comparatively, collective struggles for the land and the search for sustainable futures.  相似文献   

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