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1.
Behçet Kemal Ça?lar, 1908–1969, is the author of a commentary of the Qur’ān, Kur’ân‐? Kerîm'den ?lhamlar (‘Inspirations from the Holy Qur’ān’), published in 1966. This work can be described as a poetic reflection on the Qur’ān. It does not adhere to rendering every line or verse, but instead insists on maintaining a rhythmic cadence and end‐rhyme. Although it resembles a translation in some ways, Ça?lar refuses to call his work a translation. This paper begins by introducing Ça?lar and his text, a brief history of Turkish translations of the Qur’ān, then Ça?lar's approach is contrasted with the aims of translators of the Qur’ān. Ça?lar's text is studied in more detail, providing a sample of the Turkish text and a translation of it into English, focusing on Ça?lar's reflection on Sūrat ?aha. Through this study, it becomes clear that as a result of his prioritizing the literary aspects of the Qur’ān in his reflection, Ça?lar's book has an advantage over literal translations of the Qur'an and it can be useful for Qur’ān translation. At the same time, Ça?lar's book is a reflection of a desire to develop a Turkish Islam—a manifestation of Islam that came from Turkey, that reflected its language and culture and that was intelligible to its people.  相似文献   

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Après le récit de la chute de Jérusalem devant l’armée de Nabuchodonosor, le lecteur du livre de Jérémie découvre aux chapitres 39 et 40 deux récits dans lesquels Nebouzaradân libère Jérémie et lui permet de rejoindre Guedalias; le prophète choisit alors de demeurer au milieu du peuple. La lecture suivie de ces deux récits présente une solution de continuité narrative. Même si cela interdit certaines lectures synchroniques, la remise en cause d’une hypothèse implicite sur la linéarité de la fabula permet de penser l’effet du texte en sa forme finale sur son lecteur. Contrairement aux romans classiques du XIXe siècle, on peut découvrir ici un effet similaire au Verfremdungseffekt du théâtre de Bertolt Brecht.  相似文献   

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The present study tries to show a wider-than-usual use of ta'ârof, that is the deliberate play with the so-called “ritual courtesy, or politeness” formulas that can alter the readers' opinion about a character, for instance that result in prejudice, sympathy, etc. towards the characters. Politeness, in both everyday conversations and literary texts, is an excellent device for expressing certain individual opinions. Depending on or irrespective of the conversation partner, individual interests or opinions can be expressed or withdrawn. What I try to prove is that their use— quantity, types etc.—can be a form of expressing the author's direct attitude. I have chosen works of the “classics” of modern fiction (Sâdeq Hedâyat, Bozorg ‘Alavi, Sâdeq ?ubak and Jalâl Âl Ahmad). Based on the selected examples from the works of the writers I have chosen, I attempt to demonstrate and prove my presumption. The exaggerated insistence on a certain style or just the exaggerated refusal to use a certain style can be a tool for the writer to influence—beforehand—the readers’ impression of a certain character or characters. This effect can be rough, sarcastic, etc.  相似文献   

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The excavation of tomb IGN 117 in Madâ’in Sâlih, ancient Hegra, in Saudi Arabia, produced a large amount of bones, objects and materials (leather, fabric, fruit, wood, amorphous organic substances) of the Nabataean‐Roman period (first to early fourth century AD). Two pieces of fabric and leather are of particular interest because they contained pierced dates (Phoenix dactylifera) strung together using date‐palm leaflets. These exceptional discoveries are poorly attested in Near Eastern funerary contexts. Together with other data from Madâ’in Sâlih, the southern Near East and Egypt, this interdisciplinary analysis leads to the reconstruction of part of the funerary practices related to the preservation and preparation of the body that occurred in tomb IGN 117. Finally, the analysis allows the questioning of the symbolic role of plant jewellery and the date palm in a funerary context.  相似文献   

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Qâni’, the main seaport for the export of goods from South Arabia, was founded by the Hadramawt kingdom in the first century BC. A geomorphological survey and a general surface reconnaissance of Qâni’ have revealed a new image of the site. Originally a royal entrepôt in a fortress on an ancient island, separated from the mainland by a silted channel lined with a mangrove forest, Qâni’ gradually grew and spread around the beach fronting the mooring place of the trade ships that arrived by sea. Sacred spaces, cemeteries, dwellings and trade quarters appear to be well‐defined areas forming a real town within the limits imposed by the surrounding sea.  相似文献   

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Al‐Ghazzālī criticized Muslim philosophers in general and Ibn Sīnā in particular in a number of matters notwithstanding, he was deeply influenced by philosophy and Ibn Sīnā's views as to some issues. Of the contexts in which al‐Ghazzālī is under the clear influence of Ibn Sīnā are the interpretations of some Qur'ānīc chapters and verses which are related to the demonstration of the existence of God and the explanation of some divine attributes and names. In many of his works, al‐Ghazzālī reproduces Ibn Sīnā's interpretation of the verses in harmony with the ontological proof. One can observe Ibn Sīnā's influence on al‐Ghazzālī in relation with the hierarchy of beings, too. However, the context in which Ibn Sīnā's influence is most obvious is the interpretation of the 35th verse of the Sūrah Nūr. Ibn Sīnā's interpretation of the terms occurring in this verse as symbols of the human faculties exercised a profound impact on the thought of al‐Ghazzālī, which manifests itself in his interpretation of the verse in Mishkāt al‐Anwār. Another of such contexts is the topic of human psychology and the interpretations of the verses related wherewith. Immensely influenced by the psychological views of Ibn Sīnā, al‐Ghazzālī adopted Ibn Sīnā's notion of the simultaneous creation of soul and body, interpreting some Qur'ānic verses in harmony with this notion. This article is intended to illustrate that al‐Ghazzālī, who is opposed to the blind imitation of any school of thought, did not make a wholesale denouncement of the views of philosophers; on the contrary, he made an extensive use of Ibn Sīnā's ideas in conformity with his general attitude of benefiting from all schools of thought.  相似文献   

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Four Nabataean samples collected in some of the monumental tombs of Madâ’in Sâlih, ancient Hegra, in Saudi Arabia, have been studied by gas chromatography coupled with mass spectrometry. These samples are textile fragments that are either covered with a black layer or bound together with some black amorphous substance. Fatty acids and triterpenoic compounds were detected. Eight triterpenic compounds were identified: ursa‐9(11),12‐dien‐3‐ol, ursa‐9(11),12‐dien‐3‐one, olean‐9(11),12‐dien‐3β‐ol, β‐amyrone, β‐amyrin, α‐amyrone, α‐amyrin and lupeol. The resinous chemical composition and these pentacyclic alcohols, in considerable proportion, indicate a resin of the Burseraceae family, possibly of the genus Canarium.  相似文献   

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Traditional scholarly opinion has regarded Kalha?a's Rājatara?gi?ī, the twelfth‐century Sanskrit chronicle of Kashmiri kings, as a work of history. This essay proposes a reinvestigation of the nature of the iconic text from outside the shadow of that label. It first closely critiques the positivist “history hypothesis,” exposing its internal contradictions over questions of chronology, causality, and objectivity as attributed to the text. It then argues that more than an empiricist historical account that modern historians like to believe it is—in the process bracketing out integral rhetorical, mythic, and didactic parts of the text—the Rājatara?gi?ī should be viewed in totality for the kāvya (epic poem) that it is, which is to say, as representing a specific language practice that sought to produce meaning and articulated the poet's vision of the land and its lineages. The essay thus urges momentarily reclaiming the text from the hegemonic but troubled understanding of it as history—only to restore it ultimately to a more cohesive notion of historicality that is consistent with its contents. Toward this end, it highlights the concrete claim to epistemic authority that is asserted both by the genre of Sanskrit kāvya generally and by the Rājatara?gi?ī in particular, and their conception of the poetic “production” of the past that bears a striking resonance with constructivist historiography. It then traces the intensely intertextual and value‐laden nature of the epistemology that frames the Rājatara?gi?ī into a narrative discourse on power and ethical governance. It is in its narrativity and discursivity—its meaningful representation of what constitutes “true” knowledge of time and human action—that the salience of the Rājatara?gi?ī may lie.  相似文献   

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Le phénoménologue tchèque Jan Pato?ka, auteur d’une phénoménologie asubjective défendant la thèse d’un procès asubjectif de l’apparaître (d’une autonomie du phénomène par rapport à l’ego), a accordé au problème des relations nécessaires et difficiles que la philosophie entretient en son sein même avec la littérature une attention particulière qui l’a conduit à poser les fondements d’une phénoménologie de la littérature centrée autour de l’idée d’un asubjectivisme de l’écrivain. Nous suivrons ici deux axes de réflexion connexes: premièrement, nous montrerons pourquoi et comment Pato?ka restaure le vocabulaire et la vision de l’homme propres au mythe et reprend ce qu’il aperçoit comme le fondement de la tragédie pour élaborer une nouvelle compréhension du phénomène de l’existence comme mouvement. Deuxièmement, nous décrirons le rôle que joue l’écrivain moderne à une époque marquée par la fragmentation de la vie. Car l’écrivain qui édifie une “littérature métaphysique” a le privilège, selon Pato?ka, d’être “l’administrateur propre et originel de l’intégralité de la vie et de la totalité universelle”, il est ainsi une sorte de “quasi-phénoménologue” dont la philosophie ne peut se passer si elle veut saisir ces phénomènes qui, sans être purement et simplement subjectifs, ne peuvent néanmoins être réduits à l’objectivité du concept.  相似文献   

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Archaeological survey by the Qatar National Historic Environment Record Project (QNHER) in 2009, led to the discovery of a Neolithic flint scatter, a settlement and an ancient, raised shoreline associated with higher, mid‐Holocene sea levels at Wādī ?ebay?ān, north‐western Qatar (Al‐Naimi et al. 2010, 2011; Cuttler, Tetlow & Al‐Naimi 2011). The QNHER project is a collaboration between Qatar Museums and the University of Birmingham, which over the past five years has developed a national geospatial database for the recording of archaeological sites and historic monuments in Qatar. A significant aspect of the project involved archaeological survey and excavation in advance of major construction projects. Between 2012 and 2014 excavations at Wādī ?ebay?ān revealed a burial of a typology previously unknown in Qatar, the unmarked graves (Cuttler, Al‐Naimi & Tetlow 2013).  相似文献   

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This article discusses some textual questions in Ajax leading to the following conclusions: I. 54 add ?τ?? after λε?α?. – II. 208 the emendation ?ρεμ?α? (“rest”, “quietude”) suggested by Thiersch. – III. 405a–b the proposal κρ?τη / μοι to fill the lacuna. – IV. 476 defence of the line as transmitted. – V. 546 τοσ?νδε to go with ??νον. – VI. 719 ?νδρε?, ??λον τι πρ?τον instead of ?νδρε? ??λοι, τ? πρ?τον. – VII. 869 instead of με write γε. – VIII. 951 ?σ?ν? ?χθο? as a reference to Tecmessa’s heavy burden of woe.  相似文献   

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RÉSUMÉ

Michel Houellebecq n’est pas seulement un romancier; c’est aussi un personnage. Ce redoublement accompagne un double jeu qui définit sa posture: il suggère le second degré, mais il rappelle qu’il faut l’entendre au premier. En même temps qu’il ambitionne de rendre compte du monde, il revendique son refus de lui rendre des comptes politiquement et devant la justice. On partira de ce double jeu pour penser ensemble l’?uvre et le personnage, la littérature et l’idéologie. On s’attachera donc aux deux enjeux qui ont constitué les deux « scandales » principaux de cette carrière littéraire: le sexe et l’islam. On montrera d’abord comment le large succès de cette ?uvre, en France et dans le monde, tient à sa capacité à résonner avec l’actualité, jusqu’à donner le sentiment de la préfigurer. On s’interrogera ensuite sur les tensions qui travaillent cette évolution. En effet, comment concilier la critique initiale du libéralisme sexuel hérité de mai 68 avec la charge contre l’islam qui est prise depuis le 11 septembre 2001 dans la rhétorique mondialisée du « conflit (sexuel) des civilisations » ? C’est dans l’affirmation de la masculinité blanche, dont Michel Houellebecq est le héros paradoxal, que se résout cette contradiction.  相似文献   

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Building on methodological considerations in cultural history and historical anthropology, the following contribution proceeds from the concept of ?nature’? rather than from ?natural science’?, with the former understood here as the object of culturally determined projections, values and practices. This ?constructive’?, practice‐oriented concept of nature exposes perceptions of and attitudes towards nature that, owing to the usual reduction of nature to natural science, would otherwise have remained hidden, but which may well be essential to its constitution. To a certain extent, the term ?nature’? continues the terminological extension from ?natural science’? to ?natural philosophy’?, but as a heuristic device it more strongly implies the significance of culturally mediated practices and dynamics. The essay raises the following questions: Which religious conceptions entered into which attitudes towards nature and which religious expectations and interpretive matrices were the motivating forces behind which studies of nature? The figures within seventeenth‐century Lutheranism who shaped and promoted nature‐oriented attitudes and practices were not the ?orthodox’? scholars more strongly tied to academic and controversialist theology, but rather reform‐oriented theologians critical of the church. In the context of the inner differentiation and pluralization of seventeenth‐century Lutheranism, these reform‐oriented groups not only inspired innovate theological projects but also assumed a leading role, along with liked‐minded Christian laypersons, in interpreting and studying ?nature’?.  相似文献   

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The definition of an ancient, autochthonous north‐west Arabian residential architecture is still a major void in the archaeology of the region. This preliminary case study is intended to shed some light on this “blind spot” by presenting and analysing the architectural complex E‐b9 from Taymā? (c. fourth/third century BCE until the first/early second century CE). A meticulous study of the architecture identified a modular concept as a key to understanding the complex. Furthermore, underlying patterns of household organisation can be deduced from the architectural remains resulting in the definition of potential household units. Those are indicated by a set of activity areas which are congruent with patterns of accessibility and the use of specific wall types. These findings provide insights into the organisation of households and daily life in the oasis of Taymā?, and may help to define local or regional traditions in the future.  相似文献   

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