The Millennial Voice in Victoria to 1914

The expression of millennial beliefs in Australia has been little studied, perhaps because of the slight impact of adventism on the general religious experience. This essay surveys the millennial ideas current in nineteenth‐century Victoria. Both Protestant Christian sects and the mainstream churches of British origin are considered; fringe groups which drew inspiration from Christian concepts are also noticed. An outline of the prophetic concerns which emerged in England late in the eighteenth century and refined in detail thereafter is followed by a discussion of the introduction of those ideas to Victoria. Special attention is given to a number of millennial sects that established a presence in the 1850s. This is followed by a consideration of the millennial beliefs employed later in the century by the mainstream denominations, especially as they were faced with threats from liberals, doubters, and freethinkers. In conclusion, the impact of liberalism and moral enlightenment on the Christian faith is discussed and related to the decline in church membership during the twentieth century.     

The Reign of Grace: Liberalism and Heresy in the New World

This article examines the controversy surrounding The Reign of Grace (1888), a pamphlet published in Dunedin by William Salmond (d. 1917), a Presbyterian intellectual. It came in for harsh criticism. James MacGregor, a conservative minister, and Adam Johnston, a layman, wrote rebutting pamphlets. The controversy occurred during a period in which Presbyterianism's leadership was dividing along liberal and traditionalist lines. It dominated proceedings at the Presbytery of Dunedin for months, featured at the 1888 Synod of Otago and Southland, and received some coverage abroad. At stake was Salmond's proposal for an extended “reign of grace” that allowed for postmortem repentance. His opponents considered this an attack on Christian mission. I discuss the controversy in terms of Salmond's views on the Bible, his challenge to the Westminster Confession, and his specific proposition for extending grace's “reign.” I argue that while the debate reflected a stark liberal–traditionalist polarisation — something seen particularly in regard to the Confession — there was something further at play. Regarding Salmond's extension of grace's reign, the debate was not between liberals and traditionalists, but between a man largely standing alone against an array of liberals and traditionalists who found his idea dangerous.     

论中古基督教之异端

本文从政治、社会、经济、思想及宗教的角度探讨中古基督教正统与异端之争。认为胜 (正统 )、负 (异端 )之关键往往极受客观环境所影响 ,诸如城市的兴起、教会的改革、知识分子之涌现及其与俗世王侯和教廷的关系等等。     

The Millennial of Castile (1943): the historical culture of Spanish Fascism

The creation of new symbols and historical myths were common practices of nationalist politics, especially in Fascist regimes. In 1943 the Franco regime organized the most impressive historical commemoration celebrated in post-war Spain: the Milenario of Castile. With its heterogeneous mixture of history and spectacle, the Milenario of Castile was by far the greatest historical commemoration promoted by the State during the 1940s. Taking the commemoration of the Milenario as a case study, this article examines the historical culture of Spanish Fascism, as well as the attempts of the Falangist intellectual elite to impose a concrete national narrative in post-war Spain. At the same time, the article analyses the historical discourses and aesthetics displayed throughout the commemoration, underlining its Fascist character, and consequently the transnational dimension of the Fascist politics of the past. Finally, the article reflects on the scope and limits of the process of Fascistisation in Franco's dictatorship, especially in its commemorative culture.     

The New Washington Consensus: Millennial Philanthropy and the Making of Global Market Subjects

This paper outlines the emergence of a New Washington Consensus associated with leading philanthropies of the new millennium. This emergent development paradigm by no means represents a historic break with the market rationalities of neoliberalism, nor does it represent a radical departure from older models of early 20th century philanthropy. Rather, it is new in its global ambition to foster resilient market subjects for a globalized world; and new in its employment of micro‐market transformations to compensate for macro‐market failures. Focusing on reforms pioneered by the new philanthropic partnerships in education and global health, the paper indicates how the targets of intervention are identified as communities that have been failed by both governments and markets. The resulting interventions are commonly justified in terms of “return on investment”. But the problems they target keep returning because the underlying causes of failure are left unaddressed.     

The Sarkozy Phenomenon

Courtois, S., and Lazar, M., Histoire du Parti communiste français (Presses Universitaires de France, 1995), 439pp., 149F., ISBN 2 13 047048 3

Hue, R., Communisme: La Mutation (Stock, 1995), 342pp., 120F., ISBN 2 234 04551 7     

William Bennett's Heresy: Male Same-Sex Desire and the Art of the Eucharist

In 1869, W.J.E. Bennett, one of the most prominent Anglo-Catholic ritualists in Victorian England, was on trial for heresy. He had caused particular outrage by claiming that Jesus Christ was visually present in the Eucharist. This article explores the links between Bennett's writings and his campaign of rebuilding works at his parish church at Frome in Somerset. Bennett advanced a form of incarnational theology that was sufficiently radical that he can be said to have participated in, and even to have contributed to, the development of the visual expression of same-sex desire in later Victorian Britain. The cultural politics of the aestheticized body of Christ mean that incarnational theology can be considered in relation to the development of new forms of homoerotic expression. Bennett's visual and textual legacy suggests avenues for further research into the aesthetic aspects of Victorian religiosity and the religiosity of art.