Middle Class Urbanism: The Socio-Spatial Transformation of Tehran, 1921–41

Most of the available literature on Tehran between the two world wars deals with the morphological transformation of the city and the role of the Pahlavi state in accomplishing massive urban projects. In contrast, this article focuses on the reciprocal relationship between the sociality and spatiality of the city. It demonstrates how the consolidation of the discourse of modernity resulted in the development of social and political desires for the production of new forms of social life and spaces. The article argues that the formation of the modern middle class and its alignment with the Pahlavi state’s reform projects contributed to a twofold process: first, the decline of the traditional forms of social life and spaces and, second, the production and prevalence of alternative forms. This process resulted in the establishment of social dichotomies with vast spatial manifestations and polarized the city both socially and spatially.     

The Meaning of Things: Kipling’s Formative Journey ‘Home’ in 1889 and the Late Victorian Imperial Tour

The ‘seven years’ hard’ Rudyard Kipling spent as a journalist in north India are generally seen as the making of both his poetic and his politics. But, important as origin, community, identity and ‘my father’s house’ are to Kipling, he should also be seen as a wayfarer of no fixed abode. In 1889 he used his first royalties to return to metropolitan fame by the long way round: Burma, the Straits, Japan, the Pacific and a transcontinental journey past landmarks of his Americanophile boyhood reading. Both distressing and exhilarating, it was a journey that stimulated the productive tension in him between the parochial and the universal. If an upcountry Punjab station had impressed him with the necessity of colonial rule, it was this voyage that engendered his all-embracing imperial vision. If he had honed his eye for ‘local colour’, this trip intimated to him that his metier would lie in culturally translating disparate portions of the empire to one another. Anticipating Baden-Powell’s call to ‘look wider’, vagabonding proved to be an agreeable mode of existence, but metropolitan arrival was to hold its own unforeseen challenges and anxieties. At a time when English writers like Arthur Symons aestheticised their sensation of cultural rootlessness in the figure of the vagabond, Kipling sought to foreground his own vagabondism with a persuasive claim to belonging.     

The Changing Face of Heritage at Canada’s National Historic Sites

In order for all citizens to fully belong to a nation or a community, they must have membership in that society’s institutions, systems and social relations on both the formal and everyday levels. Heritage sites are public institutions of formal cultural presentation and informal social encounters where society demonstrates community membership. But in a country such as Canada where global economics and popular culture combine with an unprecedented influx of immigrants, how a community imagines itself and articulates its heritage is changing radically. Canada’s National Historic Sites (NHS) is among the important public institutions devoted to both the presentation of heritage and demonstration of citizen membership. This paper describes how this institution is adapting to changes in imaginings about citizenship, on both the formal and informal level. It looks at how NHS is expanding the involvement of all citizens in the why, what, how and to whom of heritage presentation, evolving its practices to include ethic minorities in its imaginings of Canadianness. Using as an example a new NHS exhibit and designations related to the Underground Railroad and African‐Canadians, the paper considers how historic sites, as formal instruments of the state, can be re‐tuned as informal sites of discourse and negotiation about identity, citizenship and belonging.     

‘‘The Acceptable Face of the Unintelligible’: Intermediality and the Science Play’

Abstract

The limitations of the ‘science-in-theatre’ genre is explored and the concept of the intermedial science play is introduced as an alternative to conventional science plays. How the science-in-theatre play dampens the mediality of the stage in order to establish a specific contract with its audience in order to realize what Carl Djerassi calls ‘didactic realism’ is considered. By virtue of the dramatic form and the didacticism it establishes, the science-in-theatre play limits the means by which audiences may encounter and enjoy responding to science. In particular, when staging concepts from the postclassical sciences, the intermedial science play offers artists and spectators new approaches to the sciences of infinities, complexity and emergence whilst also establishing a new, interactive contract with the audience based on forms of pedagogy associated with the thinking of Jacques Rancière. Using the media theory of Peter Boenisch and others, intermediality is identified as more than the mere presence of multimedia, but in terms of the effects it produce on the sensorium of the spectator.     

‘Between All Parts of the Universe’: Russian Cosmographies and Imperial Strategies in Early Modern Siberia and Ukraine

In the early seventeenth century, learned Muscovites, as they set themselves to the task of working out a Russian and Orthodox vision of their place in the world, began to read, translate and modify the atlases produced by their slightly earlier European counterparts: Ortelius, Mercator, Blaeu and others. The Russian solution to this geographical puzzle grew out of and reflected a sense of the tsardom's unique location and imperial ambitions. The position that Muscovite cosmographers and geographers generally assigned to their realm was a connective one: the tsardom lay proudly between points on the globe; it linked vastly different lands and peoples; and it contained within its purview a heterogeneous assortment of peoples, faiths, tongues and cultures. In this article, I examine the different manifestations of that thinking and of Muscovite ideological conceptions of empire in two widely separated parts of the tsardom—Siberia, at some length, and then, more briefly, Ukraine/Belarus—and explore how their ideological frameworks affected the subject populations of those two areas.     

Unearthing Barrow Island’s Past: The Historical Archaeology of Colonial-Era Exploitation,Northwest Australia

The “modern world” of recent centuries is characterized by colonialism and imperialism, greater instances of cultural encounter and competition, increasing global connectivity, and the enhanced movement of resources and people especially for their labor (Falk 1991; Orser 1996). Northwest Australia provides important insight into these elements of modernity, as a region where the capitalist production of resources for international markets followed British colonization and relied on forms of non-European labor, both Indigenous Australian and Asian. This paper describes Barrow Island in the Northwest Australian maritime desert where archaeological research at recently discovered historic settlements indicates the deliberate translocation of Aboriginal people to the island presumably by white pearlers. The sites provide new information regarding commercial extractive industries, particularly the colonial pearl fisheries and their multicultural and exploitative nature.     

Tradition and Reform: Aristotle’s Response to Modern Alternatives

Abstract

This essay is an attempt to articulate an Aristotelian alternative to two prominent contemporary ways of understanding human freedom and dependence on the past, and to the implications these understandings have for political life. While a liberal tendency, following Machiavelli’s emphasis on new modes and orders, understands political life to begin with breaking from the past, the more conservative camp in modern thought, following Burke in his emphasis on tradition, understands political life to begin with laws and customs inherited from the past. Aristotle’s teaching in his Nicomachean Ethics on the freedom and responsibility that make human beginnings possible points us, I propose, to a better understanding of political founding than either modern alternative. In the Politics, he connects the city to natural beginnings in the family but also calls the first who founded a city one “responsible for the greatest of goods” (Pol. 1253a31-32). And in the Ethics, he offers his own founding of a way of inquiring about politics, which engages with his predecessors, as a model for politics itself. In this way, Aristotle offers us a deeper understanding of political founding and change, even presenting his own philosophic inquiry in the Ethics as its ground and model.     

Folklore’s Timeless Past,Ireland’s Present Past,and the Perception of Rural Houses in Early Historic Ireland

This study examines how the archaeology of historic Ireland has been interpreted. Two approaches to the history and archaeology of Ireland are identified. The first, the timeless past, has its roots in a neo-Lamarckian view of the past. This perspective was particularly developed in the work of geographer and ethnographer, Estyn Evans. The second view, associated in particular with a nationalist approach to Ireland’s past, looked to the west of the country where it was believed the culture had been preserved largely unchanged and in its purest form. The continuing impact of these frameworks upon the interpretation of rural settlement in the period 1200–1700 is examined. It is argued that historians and archaeologists alike have underestimated the quality of buildings.     

Ben Jonson’s The Alchemist: The Essential Guide to Early Modern Fairy Belief

Ben Jonson’s 1610 city comedy The Alchemist uses the motif of fairy patronage in one of its subplots, effectively ridiculing fairy belief alongside religious factionalism, greed, wrathfulness, and various other vices. Jonson’s use of the changeling or fairy midwife motif and his awareness of the early modern demonization of fairies have already been noted in criticism, as has his indebtedness to fairy cozenage pamphlets circulating in the period. This article investigates the extent of Jonson’s direct inspiration from fairy lore, pointing to an aesthetics of liminality at work throughout the play. The argument outlines Jonson’s creative and informed use of folkloric motifs commonly associated with fairies such as time-warp, fairy taboo, and the Wild Hunt.     

Creating an Imperial Frontier: Archaeology of the Formation of Rome’s Danube Borderland

For investigating the formation of frontier zones, study of changes in small communities that constituted the majority of earlier populations provides a different perspective from a focus on major centers. A network model applied to settlement and cemetery sites on Romes Danube River frontier in Bavaria, Germany, shows that many communities, through participation in regional and long-distance circulation systems, played significant roles in creating the dynamic and culturally heterogeneous character of that landscape. This approach offers a model applicable to analysis of the formation and functioning of frontier regions in all cultural contexts.