Contemporary ‘Folk’ Dynamics: Shifting Visions and Meanings in the Goalpariya Folk Music of Assam

Abstract

Goalpariya music is a genre of folk music sung primarily by women. Common among the rural labouring classes, the songs deal with women’s desires, emotions, sensuality, and longings. Since the 1950s, major transformations have emerged within the performative space of the folk tradition, especially with the coming of Pratima Barua Pandey into this field. From an original mundane setting, Goalpariya music has now moved to an international musical performance context. This article explores this transition of the music from the ‘common folk’ to a ‘respectable’ platform. The article analyses how folk traditions may undergo a range of shifts to adapt to various social, economic, and cultural forces. Paradoxically, these transformations also lead to the emergence of a politics of authenticity, leading to a questioning of the concepts of tradition, authenticity, and cultural purity. The findings of this study are the outcome of fieldwork conducted in Gauripur and Guwahati in Assam, India.     

In Memory of Overcoming the Enemy: The Southern Italian Folk Tradition of the ‘One Hundred Crosses’

This article focuses on a cross-cultural folk practice which is based on a textual charm and referred to as Cento Croci (One Hundred Crosses). By comparing and contrasting three separate versions from three different southern Italian regions, this article demonstrates that the Cento Croci tradition is used to address a universal and enduring safety need by memorializing the defeat of an enemy in a past event which can be traced back to the Crusades. This reason for the practice of the Cento Croci tradition is unaltered by cultural variations which are characteristically superficial.     

The Fabulous Tales of the Common People,Part 1: Representing Hadrian’s Wall

Abstract

Hadrian’s Wall is one of the most instantly recognizable ancient monuments in the UK. This paper explores the historical and contemporary visualization practices which have created this iconic image. Moving between the disciplines of archaeology, cultural geography, and heritage and tourism studies, the paper draws upon a variety of data sources such as paintings, photographs, models, and reconstructions to consider how the Wall is visually represented within contemporary public discourse. The paper focuses on digital photography and considers the ways in which images create and sustain particular readings of the Wall’s function and significance. These contemporary representational practices demonstrate strong continuities, and earlier images are used to provide historical context. Emphasis is placed on the monument’s landscape setting in visual representations and the importance of this environmental context for readings of the Wall’s cultural and political significance. The present paper deals primarily with representations of the Wall, but it is argued that these representational practices are also fundamentally embodied. The physical encounters of visitors and archaeologists will be considered in greater detail in the second part of this study (Witcher, forthcoming).     

Jane Eyre's ‘Arabian Tales’: Reading and Remembering the Arabian Nights

This article considers the significance of the Arabian Nights in nineteenth-century memoirs and accounts of childhood. Taking Jane Eyre (1847) as my chief example, I investigate the nature of the childhood encounter with the stories and the intensity of the child's emotional and sensory engagement with the work. I then consider how these stories and books function not only as childhood souvenirs, but also as stand-ins for childhood itself in the construction of an autobiographical subject. Finally, I offer a reading of the presence of the Arabian Nights within the narrative of Jane Eyre and its role in structuring the memories of its eponymous heroine.     

‘‘The Acceptable Face of the Unintelligible’: Intermediality and the Science Play’

Abstract

The limitations of the ‘science-in-theatre’ genre is explored and the concept of the intermedial science play is introduced as an alternative to conventional science plays. How the science-in-theatre play dampens the mediality of the stage in order to establish a specific contract with its audience in order to realize what Carl Djerassi calls ‘didactic realism’ is considered. By virtue of the dramatic form and the didacticism it establishes, the science-in-theatre play limits the means by which audiences may encounter and enjoy responding to science. In particular, when staging concepts from the postclassical sciences, the intermedial science play offers artists and spectators new approaches to the sciences of infinities, complexity and emergence whilst also establishing a new, interactive contract with the audience based on forms of pedagogy associated with the thinking of Jacques Rancière. Using the media theory of Peter Boenisch and others, intermediality is identified as more than the mere presence of multimedia, but in terms of the effects it produce on the sensorium of the spectator.     

Fannin’ Flies and Tellin’ Lies: Black Runaways and American Tales of Life in British Canada before the Civil War

Fannin’ Flies and Tellin’ Lies examines the many falsehoods told by slaveholders in the American South to prevent enslaved Blacks from running away to British Canada throughout the antebellum. Blacks were wrongly instructed on Canada including fabrications ranging from the Monarch would demand half of their earnings to rice was the only crop that could be grown in the British colony. At times the lies were totally inaccurate and humorous; on occasion they were half-truths or white lies, but indefinitely these falsehoods, instead of misinforming Blacks, suggested to them the benefits of Canada. Blacks deconstructed and reacted to lies by concealing their desire to defile the institution of slavery by flight to Canada and turned the art of lying into a tool of insurrection and a means of greater liberation.     

Heritage and gastronomy: The pursuits of the ‘new tourist’

Abstract

The main thrust of this text is to acknowledge the relationship between gastronomy and heritage as a key motivator for travel. Gastronomy, as a central part of culture, and its influence on other aspects of culture has received scant recognition from the academic world generated by tourism. Gastronomy, heritage and tourism are old friends; the relationship between them is mutually parasitic. Gastronomy's role as a cultural force in developing and sustaining heritage tourism is addressed, as is its increasing role as a catalyst in enhancing the quality of the tourist experience. Today's consumers’ search for an individual lifestyle is changing tourism and the ‘new tourist’ is using the holiday for acquiring insight into other cultures. Recent research and current market trends are examined to reveal the increasing significance of gastronomy to holiday choice. It is argued that gastronomy brings culture and cultures together. Place and setting enhance the food experience and arguably vice‐versa. Heritage and gastronomy combined make for an excellent marriage of tourist resources. The text argues that this combination is both used and viewed by the tourist. As such the tourist becomes engaged in cultural heritage to a deeper level.     

Translation and World Literature: The Perspective of the ‘Ex-Centric’

Before his death in 2003, Brazilian poet, critic and translator Haroldo de Campos had produced a robust body of work on translation theory, which consistently addressed the problem of subordination of target literatures to their source. His audacious concept of ‘transcreation’ championed that translation should be a creative re-invention instead of a mere reproduction of texts. In this article I demonstrate that De Campos’s translation theory subverts the hierarchical categories and values that have structured the field of world literature. Positioning himself as an intellectual from an ‘ex-centric’ literary culture, situated outside of the centers of global circulation, De Campos critiqued the unequal weight usually assigned to translated and original texts, author and translator, established and ascending traditions. His theory effectively illustrates how power differentials between diverse literary contexts affect the ways in which world literature is conceived. I argue that De Campos’s response to the standing inequality that characterizes translational exchanges involved a literary solution. As a creative act in its own right, imbued with the values of originality and difference, transcreation offered an aesthetic answer to the problems of authenticity, influence and literary dependence.     

Campaigning Against Apartheid: The Rise,Fall and Legacies of the South Africa United Front 1960–1962

ABSTRACT

The international struggle against apartheid that emerged during the second half of the twentieth century made the system of legalised racial oppression in South Africa one of the world’s great moral causes. Looking back at the anti-apartheid struggle, a defining characteristic was the scope of the worldwide efforts to condemn, co-ordinate, and isolate the country. In March 1961, the international campaign against apartheid achieved its first major success when Prime Minister Hendrik Verwoerd chose to withdraw South Africa from the Commonwealth following vocal protests at the Heads of State Summit held in London. As a consequence, it appeared albeit briefly, that external pressure would effectively serve as a catalyst for achieving far-reaching and immediate political change in South Africa. The global campaign, centred on South Africa remaining in the Commonwealth, was the first of its kind launched by South Africa’s national liberation movements, and signalled the beginning of thirty years of continued protest and lobbying. The contributions from one organisation that had a role in launching and co-ordinating this particular transnational campaign, the South Africa United Front (SAUF), an alliance of liberation groups, have been largely forgotten. Leading members of the SAUF claimed the organisation had a key part in South Africa’s subsequent exit from the Commonwealth, and the purpose of this article is to explore the validity of such assertions, as well as the role and impact it had in generating a groundswell of opposition to apartheid in the early 1960s. Although the SAUF’s demands for South Africa to leave the Commonwealth were ultimately fulfilled, the documentary evidence suggests that its campaigning activities and impact were not a decisive factor; however the long-term significance of the SAUF, and the position it had in the rise of the British Anti-Apartheid Movement (AAM) has not been fully recognised. As such, the events around the campaign for South Africa’s withdrawal from the Commonwealth act as a microcosm of developments that would define the international struggle against apartheid.     

‘The Pathos of Conservation’: Raphael Samuel and the politics of heritage

When Raphael Samuel’s Theatres of Memory: Past and Present in Contemporary Culture was published in 1994, it was critically received. Yet, the book has not had the impact of other key works such as Lowenthal’s The Past is a Foreign Country (1985) or Hewison’s The Heritage Industry (1987). A number of factors have contributed to this, such as Theatres essentially being an unfinished project, and ‘heritage’ in the book having multiple personas – the net result being that Samuel’s arguments can at times be hard to pin down. Yet with interest in his approach to heritage now growing, this article seeks to unravel Samuel’s core ideas and arguments pertaining to heritage, and to give an historical background to their evolution. With the central tenets of Samuel’s argument essentially being a case for the democratisation of heritage; the validity of what we might today call ‘unofficial’ narratives and discourses; and to challenge the dominant view that heritage was ultimately history’s poor cousin, I argue that Samuel’s ideas have much to offer contemporary research agendas in heritage.     

SOS Racisme and the Legacies of Colonialism 2005–2009: An Ambivalent Relationship

The relationship of French anti-racist organisations with the country's colonial past forms a substantial division within the movement. Whilst some organisations—the Mouvement des Indigènes de la République, for example—place colonial commemoration at the heart of their ideology and draw parallels between the colonial past and post-colonial present, others are far more sceptical. One such group is SOS Racisme, which, despite the intense debate around the legacies of colonialism during the article's timeframe (typified by the law of 23 February 2005 on the ‘positive role’ of colonisation, and Nicolas Sarkozy's discourse on ‘repentance’), has been consistently reluctant to acknowledge the impact of such legacies on contemporary French society, to the extent of seeing too much emphasis on the colonial past as actively harmful to both the anti-racist movement and populations of immigrant origin. In this article, the author considers why this is, noting that although SOS sees France's colonial past as a legitimate area of historical study, it rejects the idea that it should affect the way in which post-colonial populations are seen and treated in contemporary France; the idea that it should form the backbone of these populations' identities; and the idea that immigrants and their descendants have the right to see themselves as victims solely because of their colonial heritage. This rejection, the author argues, can be linked with both SOS's emphasis on universalist republicanism and its prioritisation of practical action against racism over analysis of its causes.     

‘The Claims of Asia and the Far East’: India and the FAO in the Age of Ambivalent Internationalism

If any nation were poised to actualize the developmental promises that the Food and Agriculture Organization (FAO) extended to the international community, it was India. India's independence came in the wake of devastating famine in Bengal and the fears of its recurrence, and the nationalists who had midwifed India's freedom staked their legitimacy to the promise of food for all. Yet from independence, the FAO played only a marginal role in India's agricultural development, its projects reflecting a winnowing scale of ambition. From early investigations into the improved cultivation of basic food grains, the FAO's projects grew increasingly modest by the time of the Green Revolution, revolving around modest improvements to capitalist agriculture, from wool shearing to timber and fishery development. Instead, India drew more substantively upon resources made available by the Ford and Rockefeller Foundations, the United States Technical Cooperation Mission and occasional Soviet largesse. Meanwhile, the Indian most associated with the FAO, B.R. Sen (Director-General, 1956–1967), struggled to align the Organization's capacities with India's scarcity crises, even as his own understanding of famine drew upon his experience as India's Director of Food during the Bengal Famine.     

‘The realities of power’: David Stoll and the story of the 1982 Guatemalan genocide

ABSTRACT

In a short opinion piece published in late 2013, anthropologist David Stoll claimed that genocide did not occur in Guatemala under the military dictatorship of José Efraín Ríos Montt (1982–83), that the charges against the former general and his subsequent conviction were unsubstantiated, and that human rights conditions for the country’s Indigenous peoples, including the Ixil population of northern Quiché department, actually improved under his government. By looking at the definition of protected groups under the United Nations Genocide Convention, and such basic notions as perpetrator motives and intent in international humanitarian law, this article will address Stoll’s latest contribution to a ‘counter-narrative by Guatemalans who perceive that their side of the story [was] left out’ of the 2013 genocide trial.     

Ben Jonson’s The Alchemist: The Essential Guide to Early Modern Fairy Belief

Ben Jonson’s 1610 city comedy The Alchemist uses the motif of fairy patronage in one of its subplots, effectively ridiculing fairy belief alongside religious factionalism, greed, wrathfulness, and various other vices. Jonson’s use of the changeling or fairy midwife motif and his awareness of the early modern demonization of fairies have already been noted in criticism, as has his indebtedness to fairy cozenage pamphlets circulating in the period. This article investigates the extent of Jonson’s direct inspiration from fairy lore, pointing to an aesthetics of liminality at work throughout the play. The argument outlines Jonson’s creative and informed use of folkloric motifs commonly associated with fairies such as time-warp, fairy taboo, and the Wild Hunt.     

The ‘cult of the insurgent’: its tactical and strategic implications

More important than the potential geographical spread of a specific weapon, tactic or expertise is the emulation or inspiration of the ‘culture’ surrounding a terrorist or insurgent movement. This article argues that a ‘cult of the insurgent’ has arisen as a result of the aura of success surrounding both the Iraqi insurgents in their ongoing confrontation with the United States military and Hezbollah in its confrontation in the northern summer of 2006 with Israel. Further, this ‘cult of the insurgent’ will prove the most critical factor in inspiring, motivating and animating the spread of lethal and destructive expertise among other terrorist and insurgent groups worldwide. In the future, therefore, our adversaries will likely conclude that the best and most cost-effective means to confront either a superpower or the superior, conventional military forces of an established nation-state is through a campaign reliant on terrorist and insurgent tactics involving stand-off attacks utilising IEDS (improvised explosive devices) and portable missiles and mortars1 1. I am indebted to my close friend and valued colleague, Professor Ami Pedahzur of the Department of Government at the University of Texas at Austin for the discussions and exchanges of e-mails that helped to crystallise the arguments presented in this article. I am also indebted to our mutual friend and researcher par excellence, Dr. Arie Perliger, of the National Security Studies Center at Haifa University, Israel, for the very helpful assistance he provided with respect to cataloguing for me the vast array of off-the-shelf and improvised weapons used by both the Iraqi insurgents and Hezbollah in their respective confrontations with the US and coalition military forces in Iraq and the Israel Defence Forces in south Lebanon. View all notes.