The ‘Rebalancing’ of New Caledonia’s Economy

This article assesses the impact of ‘rebalancing’ (ré-équilibrage) policies implemented in New Caledonia following the Noumea Accord in 1998. These policies were designed to redress the disadvantages of the Indigenous Kanak population (both at the political and at the socio-economic level) and to foster Kanak support for a post-Noumea Accord deal with the non-Indigenous population. It outlines the institutional framework of the Noumea Accord and its impact on development policy, exploring the structural dynamics of the New Caledonian economy and the extent of achievements in reducing inequalities. Conventional indicators demonstrate some accomplishments as regards reducing provincial inequalities but this article argues that the goals of rebalancing remain far from achieved and it explores the reasons for those shortcomings. I argue that most difficulties stem from the lack of structural reforms and absence of a shared vision of development. Nevertheless, scope does exist in New Caledonia for fostering balanced development that is environmentally and socially sustainable and better adapted to local specificities.     

The Origins of European Fascism: Memory of Violence in Michael Haneke’s The White Ribbon

Michael Haneke’s film The White Ribbon (2009) narrates violent attacks that disrupt the cyclical life of a German village in 1913–14. The narrator frames the violence as a study of the origins of fascism: the alleged perpetrators are children, who rebel against the disciplinary powers of patriarchal authority. Coming to maturity during World War I, they will have become the generation of Nazism’s followers. In contrast to psycho-historical readings of The White Ribbon as a cinematic exploration of the causal relationship between the authoritarian formation of the juvenile subject and her susceptibility to fascism’s redemptive illusions, I propose an anti-psychological interpretation of the film. This reading seeks to understand The White Ribbon in terms of Haneke’s aesthetic and formal choices, which underpin his notion of “ethical spectatorship.” I argue that the film offers a dual metaphorical construction of the nexus between memory and the cinematic image, and of the mnemonic and affective aspects of the history of violence. Haneke forges a link between the European attitude to its history of fascism and its ongoing politics of exclusion, arising from its covert fascist desire for the unified self. The significance of The White Ribbon in the ongoing debate on history/memory thus lies in its critique of Europe’s current self-understanding as having outgrown its violent past.     

Ludwig Knoop, ‘The Arkwright of Russia’

Abstract

Piece-rate arrangements in the British cotton weaving industry were anomalous in that they prescribed a weekly wage based on output. Although, to some extent, output reflected the work done by the weaver, it was also governed by technical and other factors which were beyond the weaver's control. A wage system which emphasized the repair of broken threads and the replenishment of empty shuttles would have been preferable since these were the principal elements of the weaver's work. The absence of a clear relationship between effort and reward confounded attempts to increase productivity in cotton weaving between the wars, and was a particular obstacle to the adoption of the 'more-looms' systems. This article explores the anomalies and the issues to which they gave rise, both at industry level and in a local context characterized by the manufacture of diverse fabric types. It concludes that there was an uncritical acceptance of traditional wage arrangements, reinforced by a fear that fundamental change would destabilize an already fragile system of industry level (that is, across the cotton weaving industry as a whole) bargaining.     

Black Swan/White Raven: the racial politics of Elizabeth Greenfield’s American concert career, 1851–1855

In 1851, the former slave turned singer Elizabeth Greenfield traveled from her home of Philadelphia to Buffalo, New York, to pursue a career as a concert singer. This article explores the terms and reception of Greenfield’s tours of the northern United States and Upper Canada in the early 1850s, where she performed before predominantly white audiences. While white critics celebrated Greenfield in highly racialized terms as an untrained natural wonder, black activists like Frederick Douglass focused on the racist management of her career and criticized Greenfield for the segregation of her concerts. Told through analysis of reviews and promotional literature, the story of Greenfield’s early career makes visible the race and gender politics operating at the intersection of popular entertainment and black movements for racial uplift and equality in the antebellum North.     

The origins of New Zealand’s first government house

SUMMARY: In 1842 the former first government house located at Okiato, New Zealand, burnt to the ground and the site was abandoned. A well on the site was excavated in 1994–95, revealing a base layer of burnt timbers, a Maori digging stick and ceramic sherds with an estimated manufacture date range of 1823–41. We argue that this deposit is derived from the 1842 destruction of the Okiato government house building. An analysis of the wood identified kauri (Agathis australis) and kahikatea (Dacrycarpus dacrydioides), confirming that the building was not a prefabricated imported structure, but rather was constructed on site from locally available timber.