La Sociologie de la Musique de Max Weber Après un Siècle

In this article, the author wonders how the research program sketched out by Weber in early 1910 appears to us today, but also how it would appear if we wished to return to it one hundred years later, making the necessary modifications while remaining true to its spirit. To this end, the author envisions each of the three fundamental components of Weber’s program successively (the particular evolution of Western music, Weber’s emphasis on musical “techniques” and the fact that for Weber, the motor of change is rationalisation) and places them in the context of Weber’s work and of our contemporary concerns.     

Folklore’s Timeless Past,Ireland’s Present Past,and the Perception of Rural Houses in Early Historic Ireland

This study examines how the archaeology of historic Ireland has been interpreted. Two approaches to the history and archaeology of Ireland are identified. The first, the timeless past, has its roots in a neo-Lamarckian view of the past. This perspective was particularly developed in the work of geographer and ethnographer, Estyn Evans. The second view, associated in particular with a nationalist approach to Ireland’s past, looked to the west of the country where it was believed the culture had been preserved largely unchanged and in its purest form. The continuing impact of these frameworks upon the interpretation of rural settlement in the period 1200–1700 is examined. It is argued that historians and archaeologists alike have underestimated the quality of buildings.     

Machiavélisme et Staats-Raison au XVIIIe siècle d’après L’Universal-Lexikon de Zedler

This article examines the manner in which the Grosses vollständiges Universal-Lexikon published by Johann Heinrich Zedler from 1732 to 1750 and considered as the most important german language encyclopedia of its time, welcomes and restructures the classical doctrine of the reason of State. Contrary to the interpretation in which the concept of the State developed by the Lexikon would fit into a pure jusnaturalistic logic, it shows the permanence, parallel to wolffian natural law, of a prudential tradition of political thought. The Lexikon, a contemporary of the Anti-Machiavel of Frederic II, thus appears to be the faithful mirror of the heterogeneous tendencies which then illustrate the field of the problems in the reason of State.     

Le Travail de Négociation à Barcelone au XVe Siècle

In the 15(th) century, political negotiations were conceived as "treaties" or "dialogues", but also as work. The study of the missions sent by Barcelona to the court of king of Aragon Alfonso the Magnanimous reveals how significant this terminology was for the naming of the various practices used in the negotiation process. It also sheds light of the efforts made by the men sent by the city of Barcelona to speak in one, efficient voice. The written testimonies left by these officials about their reflections reveal the existence, at the time, of a pragmatic expertise in the field of negotiation.     

L’Invention du Spectateur au XVIIIe Siècle L’Art Est Usage

18^th century philosophers analyzed art through the aesthetic experience of the audience. By contrast, Adam Smith was interested in the moral judgment that an impartial audience may formulate. How can art and morality, the beautiful and the good, be combined into one analytical framework? Art and morality convey non-transcendental values that are intrinsic to human experience. With the aesthetic experience of the audience, art is used, and ultimately depends on the ways that humans relate to works or art and to the beautiful.     

Un « Artiste Connaisseur» ? L’Expertise du Restaurateur Dans L’Institution Muséale à la Fin du XVIIIe Siècle

The conservator's expertise is defined in Paris in the museum at the end of the 18(th) century. On the one hand, this article analyses the competences claimed by the conservator in order to give proof of his expertise and to create a professional identity distinct from other implicated actors. On the other hand, this text shows how this expertise is constructed through the collaboration between the curator and the conservator, and underlines the negotiation and porosity of their respective fields of competence.