Rethinking popular geopolitics in the Falklands/Malvinas sovereignty dispute: Creative diplomacy and citizen statecraft

For more than twenty years popular geopolitics has proven an intriguing and fruitful field of research. It has spurred a lasting interest in everything from movies to stamps as important cultural artefacts that reveal to their audiences the geopolitical visions of their producers. This paper, however, brings into question the ‘popularity’ of popular geopolitics. Using recent examples from the ongoing dispute over the Falkland Islands, we examine the influence of social media and the associated flourishing of ‘citizen statecraft’ which, through its production of geopolitical knowledges, hints at the possibilities of a genuinely popular geopolitics 2.0. We also examine how creative practices, understood in myriad ways in relation to ‘statecraft’, work to unsettle and complicate previously tidy geopolitical categories of the ‘popular’, the ‘formal’, and the ‘practical’. We suggest, by way of conclusion, that ‘citizen statecraft’ may be productive in the flourishing of new modes of international dialogue between communities in dispute.     

Aims and contradictions of cultural diversity policies in the arts: a case study of the Rich Mix Centre in East London

In recent years, the concept of diversity has become prominent in cultural policy, echoing community arts philosophies of the 1960s and 1970s that questioned the notion of universal artistic value and argued for greater recognition of the relationship between cultural identity and inequality. Cultural diversity policies today implicitly challenge the liberal‐humanist discourse of ‘the best’, and emphasise what is ‘relevant’ to particular communities. Official policy rhetoric can often hide contradictions that are only apparent in practice. How does ‘diversity’ shape the way organisations engage with audiences and does this contradict the still present discourse of ‘universalism’, with its emphasis on value judgements? This paper explores this tension through the study of Rich Mix, a multi‐functional arts centre in London's multi‐ethnic East End. It argues that Rich Mix is caught between discourses of universalism and diversity, leading to confusion over the project's rationale and ambivalence amongst artists about how their art is judged.     

Participatory Augering: A Methodology for Challenging Perceptions of Archaeology and Landscape Change

Public engagement is a significant feature of twenty-first-century archaeological practice. While more diverse audiences are connecting with the discipline in a multitude of ways, public perceptions of archaeology are still marred by stereotypes. Community excavations of ‘sites’ to discover ‘treasures’ which tell us about the ‘past’ overshadow other forms of public research output and hinder the potential of the discipline to contribute to contemporary society more widely. This paper proposes participatory augering as an active public engagement method that challenges assumptions about the nature of archaeological practice by focusing on interpretation at a landscape-scale. Through exploration of recent participatory augering research by the REFIT Project and Environmental Archaeologist Mike Allen, this paper demonstrates how the public can contribute to active archaeological research by exploring narratives of landscape change. Evaluation of the existing case studies reflects the potential of the approach to engage audiences with new archaeological methods and narratives which have the potential to transform perceptions of the discipline and, through knowledge exchange, drive community-led contributions to contemporary landscape management.     

Making science at home: visual displays of space science and nuclear physics at the Science Museum and on television in postwar Britain

The public presentation of science and technology in postwar Britain remains a field open to exploration. Current scholarship on the topic is growing but still tends to concentrate on the written word, thus making theorizing, at this stage, difficult. This paper is an attempt to expand the literature through two case studies that compare and synthesize displays of scientific and technological knowledge in two visual media, the Science Museum and television, in the 1950s and 1960s. The topics of these case studies are space exploration and nuclear energy. The thesis this paper explores is that both media fleshed out strategies of displays based on the use of categories from everyday life. As a result, outcomes of large-scale public scientific and technological undertakings were interwoven within audiences’ daily life experiences, thus appearing ordinary rather than extraordinary. This use of symbols and values drawn from private life worked to alleviate fears of risk associated with these new fields of technological exploration and at the same time give them widespread currency in the public sphere.     

An analysis of Islamic State’s Dabiq magazine

This article analyses Dabiq magazine to explore the strategic logic of Islamic State (IS) appeals to English-speaking Muslims. It offers the field a conceptual framework through which to analyse IS’s communications strategy and a top-down empirical study of Dabiq’s contents. This paper argues that Dabiq appeals to its audiences by strategically designing in-group identity, Other, solution and crisis constructs which it leverages via value-, crisis- and dichotomy-reinforcing narratives. By fusing identity- and rational-choice appeals, IS provides its audiences with a powerful ‘competitive system of meaning’ that is designed to shape its readership’s perceptions, polarise their support and drive their radicalisation.     

Collapsing contexts: social networking technologies in young people’s nightlife

In the latest discussions of children and young people’s new geographies of leisure and pleasure, one controversial issue has been how digital technologies co-produce and reconfigure young people’s everyday worlds. This article draws on semi-structured interviews with 40 young people who regularly use social networking technologies in their nightlife experiences in Zurich and Lausanne, two nightlife hubs in Switzerland. Informed by Danah Boyd’s concepts of ‘collapsing contexts’ and ‘imagined audiences’, this article enables a critical engagement with young people’s emerging understanding of their nightlife contexts, which are increasingly permeated by networking technologies. I show how social networking spaces facilitate the coming together, or collapse, of various social contexts which induce young people to imagine multiple audiences, including authority figures, in their nightlife practices. These collapsing contexts and imagined audiences, I argue, present new perspectives on debates about control and surveillance in young people’s contemporary urban nightlife.     

How not to build a world wireless network: German–British rivalry and visions of global communications in the early twentieth century

Abstract

Edward Snowden’s revelations laid bare an unprecedented scale of state influence on communications technology. But government elites have frequently shaped technological development through their beliefs about potentially nefarious uses of communications. This article argues that beliefs about how other states or groups might use a technology can shape innovation. In particular, German visions about the British use of cables spurred German investment in developing wireless telegraphy. Germans imagined that the British were using cable technology to damage Germany’s reputation, spy on Germany and ‘poison’ neutral countries against the Central Powers. The German government and military at first created a colonial wireless network to bypass British cables. In World War I, however, they sought to establish a world wireless network. In the end, innovation was significantly shaped by how Germans imagined their enemies’ uses of communications technology.     

The Lantern-Bearers of the history of technology

Historians of technology need to focus more on studying human experiences of technological change rather than technological objects. Aesthetic debates over ‘realism’ and ‘romance’ in the later nineteenth century suggest that greater attention to the inward world of lived experience can enhance our understanding of historical experience. The well-known writer Robert Louis Stevenson experimented with a variety of new forms of romance to write about contemporary events in the South Seas with primary attention to inward experiences of technological change, as opposed to accounts of technological objects.     

Export-led Technology Development in the Four Dragons: The Case of Electronics

To date, little attention has been paid to the strategies of local firms in bringing about industrialization in Bast Asia. This article focuses on the methods by which domestic firms utilized foreign connections to overcome technology and market barriers in electronics. A simple market-technology model is developed as a first approximation of how domestic technology assimilation relates to export marketing in the four ‘Dragons' of East Asia (South Korea, Taiwan, Hong Kong and Singapore). It proposes that export demand shaped the pace and pattern of technological progress in electronics in each of the four Dragons. Historical evidence shows that each country used a distinctive mix of direct and indirect export mechanisms to acquire technology and to enter international markets. Foreign buyers, transnational corporations (TNCs), original equipment manufacturer (OEM) arrangements, joint ventures and licensing deals were exploited by ‘latecomer’ firms to their market and technology advantage. Asian firms progressed from simple assembly tasks to more sophisticated product design and development capabilities, travelling ‘backwards' along the product life cycle of traditional innovation models. Today, leading Asian firms invest heavily in R&D and engage in partnerships with TNCs to acquire and develop advanced new electronics technologies. The technological progress of latecomers remains closely coupled to export demand through OEM and other institutional arrangements.     

Foucault and Technology

This article offers the first comprehensive analysis of the ways in which the French philosopher Michel Foucault (1926-1984) employed the terms ‘technology’ and the ‘technique’ over the course of his intellectual career. His use of these words in his mature writings, it is argued, reflects a profound ambivalence: Foucault sought to denounce the pernicious effects of what he called modern ‘technologies of power,’ but also deliberately evoked the more positive values associated with ‘technology’ to develop a philosophical standpoint shorn of the ‘humanist’ values he associated with existentialism and phenomenology. The article situates Foucault’s condemnation of power technologies within the broader skepticism towards ‘technological society’ that pervaded French intellectual circles following World War II. In the first phase of his career (1954-1960), Foucault built on these attitudes to articulate a conventional critique of technology’s alienating effects. Between 1961 and 1972, the theme of ‘technology’ fell into abeyance in his work, though he often suggested a connection between the rise of technology and the advent of the ‘human sciences.’ Between 1973 and 1979, ‘technology’ became a keyword in Foucault’s lexicon, notably when he coined the phrase ‘technologies of power’. He continued to use the term in the final stage of his career (1980-1984), when his emphasis shifted from power to ‘technologies of the self.’ The essay concludes by addressing Paul Forman’s thesis on the primacy of science in modernity and of technology in modernity, suggesting that in many respects Foucault is more of a modernist than a postmodernist.     

The chemical subject: phenomenology and German encounters with the gas mask in the World War I

Employing phenomenological theory, this paper argues that German World War I soldiers’ introduction to the gas mask represents a salient historical moment in the human relationship to modern chemical technology. As a protective device, the gas mask was intended to save soldiers from a horrible death by asphyxiation. In doing so, it forced soldiers to directly confront the new technological landscape of the modern World War I battlefield. While the mask proved genuinely effective in its ability to filter poison gases, it required constant vigilance from gas-weary soldiers. This so-called ‘gas discipline’ would allow men to survive and even thrive in a newly dangerous modern world. However, the physical and mental stress of this existence, often led to breakdowns in soldier discipline and failures in gas protection. Thus, the soldiers’ relationship to the gas mask revealed the limits of technological trust for the earliest ‘chemical subjects’ of the twentieth century.     

Mooring subjects of heritage: proprioceptive emplacement at Head-Smashed-In Buffalo Jump

This article examines how visitors to Head-Smashed-In Buffalo Jump (HSIBJ) in Fort Macleod, Alberta, are physically and affectively situated within an immersive heritage landscape. A designated UNESCO World Heritage Site, HSIBJ is inextricably tied to regional Blackfoot and settler-colonial histories, as well as the tensions that emerge between the two. HSIBJ’s Interpretive Centre is organised to plunge audiences inside the ‘live’ archaeological scene and an evocative heritage landscape. It does so through technologies, including motion-triggered projections, which locate and secure visitors within official national – and universal – heritage narratives. The central argument of this article is that HSIBJ’s Interpretive Centre beckons subjects of heritage through proprioception, the awareness of the body’s position in and movement through space. Extending beyond the physiological sensation of one’s own body, proprioception also works alongside the two other substantiating buttresses of archaeology and heritage to provide a gravitational ground upon which the visitor is located and their subjectivity confirmed. Proprioceptive grounding emplaces a body within an expanded and ‘ancient’ narratology of nation, and in this way, also becomes the mechanism through which exogenous settlers assuage anxieties about their latecoming status.     

Reformist hagiography: the Life of St Roding of Beaulieu and the struggle for power in early eleventh-century Lotharingia

This article explores an example of ‘reformist’ hagiographic production in early eleventh-century Lotharingia by focusing on the Life of St Roding of Beaulieu, a small monastery in the diocese of Verdun. Until recently, this text was interpreted exclusively in terms of the scant information it provides for this institution's early medieval history and in terms of its ideological message regarding monastic discipline and leadership. By integrating the composition of this text into the then-current regional geography and political context, this article proposes a new approach to its interpretation and to the understanding of Beaulieu’s ‘monastic reform’ in general. Close analysis of the narrative reveals that its production was inspired by specific issues relating to local and regional politics in the mid-1010s, and that parts of the institution's recent history were veiled allegorically behind the portrayal of Roding. However, rapid changes in power relationships rendered those aspects of the text outdated within a few years. This raises significant questions regarding the long-term relevance of such hidden stories and the degree to which their ideological, political and other messages remained accessible to medieval audiences.     

Streaming from stage to screen: its place in the cultural marketplace and the implication for UK arts policy

Live streaming of stage performances by opera and theatre companies into cinemas, and increasingly into the home, continues to grow rapidly. What the cinema audience hears and sees differs qualitatively both from what is seen in the theatre and also from what is normally available in cinemas. The ‘real-time liveness’ offered by leading companies appears to be an important attraction, though may diminish as the novelty of streamed performances wears off. The cinema audience is both socio-demographically and in cultural experience more similar to the theatre audiences than to typical cinema audiences, giving rise to suggestions that streaming might cannibalise the live audiences of the transmitting theatres, but there is no evidence of this, nor, at least in the UK, to support speculation that streaming reduces audiences for regional arts companies. Streaming should therefore be welcomed as broadening the number of consumers who can benefit from arts subsidies.     

The myth of the first African-American electrical engineer: Arthur U. Craig and the importance of teaching in technological history

In recent years, historians of technology including Bruce Sinclair, Rayvon Fouché, and Amy Slaton have analyzed the intersection of technological and African-American history to redress the historical and enduring correlation between whiteness and technology. This paper contributes to this conversation by chronicling the story of Arthur U. Craig, a faculty member at the Tuskegee Institute who installed the university’s famous lighting system. During Craig’s tenure at the Institute, he was touted to be the ‘first black electrical engineer’ – but he resisted that title. This article examines why. In so doing, ‘The Myth of the First African-American Electrical Engineer’ builds upon three scholarly conversations. First, it discusses how the cultural meanings of electricity inflected how Tuskegee advertised Craig’s contributions to campus. Second, it re-situates the often-overlooked Craig within the history of Tuskegee Institute. Finally, it examines Craig’s contribution to debates about engineering education for African American students.     

Sex in the digital city: location-based dating apps and queer urban life

It is well established that digital technology and code mediate bodies in space. The collapse of any supposed physical/digital divide has been amply documented to the extent that everyday life is now widely theorised in terms of hybridisation. What is less clear is what comes next for those participating in this hybridisation. This article examines what Kitchin and Dodge term the ‘social contour of software’ via queer male locative media users who collectively negotiate digital hybridisation in their everyday lives. Using qualitative interviews with 36 non-heterosexual men using apps such as Grindr and Tinder in London, UK, I explore how locative media refigures conceptualisations of community, technological efficiency and boundaries between private and public space. The study finds that users express ambivalence about their membership of queer ‘communities’, and are also unconvinced by online sociality. Apps expedite searches for new partners but prove deceptively time-consuming. Public and private space are being hybridised by locative technology, but common codes of conduct are slower to develop, leaving users unsure of how to navigate physical encounter. This article concludes that schema for queer men’s lives are increasingly promulgated digitally but may be uneasily embodied in everyday practice.     

Re‐writing the ‘book of blots’: Critical reflections on histories of technological ‘failure’

Abstract

Although an interest in technological ‘failure’ has become prominent in recent history of technology, historians have not always clearly articulated the presuppositions of attributing ‘failure’ to technology. This paper undertakes a critical examination of two main historiographies of ‘failure’: ‘failure’ as categorization of ‘pathological’ technologies that clearly demarcates them from ‘successes’, and ‘failure’ as a mundane and inevitable prerequisite of subsequent ‘success’. To reconcile these divergent analyses, this paper argues that historians should not treat ‘failure’ as residing in the technology itself. It is rather a matter of imputation according to socially‐embedded criteria of what constitutes success and failure. Accordingly judgements of ‘failure’ are prone to interpretive flexibility in a manner that is not necessarily settled by any process of ‘closure.’ I will argue that any ‘failure’ of technologies should be located in the socio‐technical relations of usage, especially in the expectations, skills and resources of human users. The moral irony of attributing responsibility for ‘failure’ to technologies themselves rather than to humans users will thereby be highlighted.     

Wissenschaft — Mathematik — Technik: Ihre Wechselwirkung in der Antike

The question whether there exists an interaction between ‘science’ (foreign text ignored) and ‘technology’ (foreign text ignored, esp. foreign text ignored) in Greek and Roman antiquity is discussed controversially until today. Especially representatives of the philologies strictly deny any form of relation, whereas modern scientists tend to take for granted that the current interaction between (exact) natural sciences and technology has always existed, at least since the beginning of real natural science founded by the ancient Greeks. This paper shows that both parties are right — at least in a certain way. Following current terminology and contents of ‘science’ and ‘technology’ there had been such an interaction — particularly with mathematics as linking element in so far as in antiquity especially foreign text ignored (mechanics) was regarded as applied mathematics and not as science. The strong interaction between pure mathematics and such fields of applied mathematics (namely mechanical technology) based on the fact that technological (mechanical) artefacts were properly constructed mathematically. Some of them are mentioned in this paper (astrolabes and sundials, waterclocks, tools and machines — especially lifting gears, bucket elevators, guns, pneumatic tools —, architecture of temples); in so far the supporters of an interaction between science and technology are right. However, the post-Aristotelian Greeks and Romans did not consider mathematics to be part of ‘science (of nature)’ as the post-kantian exact scientists do. Mathematics to them was a mere ‘art’ — consequently, in the mentioned cases there had been an interaction between ‘arts’ and of course not between ‘science’ and ‘art’ (technology); and in so far those are right who deny an interaction between natural science and technology. This shows that the contrariety of the answers to the question depends on the different terminology chosen. Following the current understanding of ‘exact natural science’ the answer is: yes; following the conception of ‘science’ in the self-understanding of Greek and Roman antiquity the answer is: no — and this is right as well! The reason for this apparent contrariety are just the different meanings and contents of ‘science (of nature)’ in antiquity and modern times.     

Asserting Europe's technological sovereignty amid American platform finance: Countering financial sector dependence on Big Tech?

Spearheaded by major technology companies (Big Tech), digital platforms have rapidly become key infrastructures for accumulation under global financialized capitalism, with consumer convenience and underlying practices of data collection, control and analysis giving rise to platform finance. While financial institutions are partnering with financial technology (FinTech) start-ups to digitally enclose customers, American and Chinese Big Techs increasingly mobilize their platforms to offer payment services, next to expanding their platformed services to financial incumbents. Observing the growing dependence of finance on American Big Tech platforms, this paper investigates how the shift toward platform finance in the European Union (EU) unfolds as a state-mediated and power-laden process between mostly ‘domestic’ (EU) financial incumbents and ‘foreign’ (non-EU) Big Tech firms. The starting point of the analysis is the European Strategy for Data launched by the European Commission in 2020. Through document analysis, we reconstruct the circulation of code words within ‘the Brussels Bubble’ in anticipation of- and in direct response to the proposal. We find that, despite its implication in the global financial crisis, incumbent EU finance presents itself as a fix for non-EU platform domination by Big Tech. The ‘technological sovereignty’ of the EU is marshalled by incumbent finance to defend market share as would-be pan-European digital financial champions. The Big Tech ‘threat’ is thereby transformed into an argument for strategic deregulation and forced data sharing by Big Tech for the sake of maintaining a ‘level playing field’. The outcome of these processes of strategic coupling is an alignment between the interests of EU data protection and the commercial interests of platformizing European banks.