HISTORY TO THE MAX

Steven G. Smith advocates a maximal approach to history by both historians and theorists of history, maintaining that a commitment to fullness or totality should always serve as an ideal. In my review, I try to explain what the author means by this ideal, and consider how practical such an ideal can be. He further maintains that history is mostly about shared action, and is itself an instance of shared action. I have certain reservations about this notion, though I think Smith's book deserves credit for calling attention to it.     

PEIRCE AND FOUCAULT ON TIME AND HISTORY: THE TASKS OF (DIS)CONTINUITY

Some have recognized an affinity between Pragmatist thought and that of Foucault, though this affinity is typically cashed out in terms of William James and John Dewey and not Charles Sanders Peirce. This article argues that bringing Foucault and Peirce into collaboration not only shows the relevance of Peirce for Foucault, and vice versa, but also enriches the thought of both thinkers—indeed, it also reveals important implications for the theory of history more generally. Specifically, the article crosses the Peircean concept of habit and the Foucauldian concept of practice (as it operates in the arenas of discourse, power, and self), ultimately decoding them in terms of an account of time that derives from Peirce and that gives a fundamental role to discontinuity. In this way the article shows how Peirce can provide Foucault with an account of time that buttresses and grounds his genealogical approach to history, while at the same time revealing how Foucault can provide Peirce with an account of history. The synergy between the two thinkers offers a way to think about the nature of history that goes beyond what each thinker individually provided.     

EXPERIENCE AND HISTORY: THE REACH AND LIMITS OF PHENOMENOLOGICAL APPROACHES TO HISTORY

Experience and History: Phenomenological Perspectives on the Historical World presents the summa of David Carr's phenomenological approach to history. I acknowledge the value of this perspective, but I find it doubtful that a phenomenological account can replace the paradigms of memory and representation against which Carr pits it. The concept of historicity is, rather, complementary in that it alerts us to the prethematic presence of history. Phenomenologically, Carr's attempt to tie history closely to experience runs into problems as it is based on a questionable use of Husserl's notion of retention and risks blurring the distinct temporality of history. At the same time, the central concepts of Carr's approach, both experience and narrative, could be deployed in further ways. As literary scholars have come to emphasize, narrative triggers experiences in its readers. Thus, even if it is impossible to recreate the experiences of historical protagonists, narrative lends itself to giving readers a sense of the experiential dimension of the past. In this sense, narrative is not only a medium of representation, but also a means of presence.     

BALANCED TRUTH: STEVEN SPIELBERG'S SCHINDLER'S LIST AMONG HISTORY,MEMORY, AND POPULAR CULTURE1

Looking at the public reaction to it, one might say that Steven Spielberg's Schindler's List is undoubtedly the most successful film about the Holocaust. The film's success in the U.S. and other Western countries can be traced back mainly to the fact that it creates the impression of telling a true, apparently authentic, story. This essay investigates how this impression of historical truth and authenticity emerges in a fiction film. For this purpose the essay reverts to a concept developed by Jörn Rüsen, which distinguishes among three dimensions of historical culture, namely political, aesthetic, and cognitive. In addition to the historical context that serves as a specific precondition for the film's success, the essay primarily investigates the strategies of authentication Spielberg applied at both the visual and narrative levels. The investigation concludes that the impression of evidence produced by the movie is significantly a result of the sophisticated balancing of the three dimensions mentioned above. The film utilizes artifacts of an existing and increasingly transnational (visual) memory for the benefit of a closed, archetypical narrative. It follows the aesthetic and artistic rules of popular narrative cinema, and largely recurs to conventions of representation that were common in film and television programs of the 1990s. Although these forms condense the historical course of events, the film manages to stay close to insights gained by historiography. The hybrid amalgamation of history and memory, and of the imaginary and the real, as well as the combination of dramaturgies of popular culture with an instinct for what can (not) be shown—all of these factors have helped Schindler's List to render a representation of the founding Holocaust myth in Western societies that can be sensually experienced while being emotionally impressive at the same time.     

PHILOSOPHICAL REFLECTIONS ON THE WAYS OF MEMORY AND HISTORY

Philosopher Jeffrey Barash seeks to clarify the concept of collective memory, which has taken on wide‐ranging meanings in contemporary scholarship. Returning to the original insight of sociologist Maurice Halbwachs during the 1920s, he grounds the concept in the living social memory of the present, whose sphere is widened by its capacity to draw upon a past beyond its ken through the symbolization of its remembrance. He offers two preliminary propositions: first, there is a history to the way philosophers have contextualized collective memory through the ages; second, there is a politics in the transmission of collective memory, highly visible in the uses of memory by mass media in the contemporary age. He builds his argument around four interrelated interpretations concerning: the ever more circumscribed role attributed to collective memory in the passage from antiquity into modernity; the dependence of collective memory upon living memory; the rising power of media to mold collective memory to present purposes; and historical understanding vis‐à‐vis evocation of collective memory as oppositional ways of accessing the past. I close with commentary that places Barash's philosophical interpretation within the context of contemporary historiographical practice, with particular attention to the scholarship of French historian Pierre Nora on the French national memory, and that of German scholars Jan and Aleida Assmann on the preservation and transmission of memorable cultural legacies.     

CHALLENGING CERTAINTY: THE UTILITY AND HISTORY OF COUNTERFACTUALISM

Counterfactualism is a useful process for historians as a thought-experiment because it offers grounds to challenge an unfortunate contemporary historical mindset of assumed, deterministic certainty. This article suggests that the methodological value of counterfactualism may be understood in terms of the three categories of common ahistorical errors that it may help to prevent: the assumptions of indispensability, causality , and inevitability. To support this claim, I survey a series of key counterfactual works and reflections on counterfactualism, arguing that the practice of counterfactualism evolved as both cause and product of an evolving popular assumption of the plasticity of history and the importance of human agency within it. For these reasons, counterfactualism is of particular importance both historically and politically. I conclude that it is time for a methodological re-assessment of the uses of such thought-experiments in history, particularly in light of counterfactualism's developmental relatedness to cultural, technological, and analytical modernity.     

3. NATURE,RELIGION, AND IMAGINATION: COMMENTS ON IMAGES OF HISTORY

After sharing some reflections, I raise three questions. The first asks about the role of nature and reason according to Kant's teleological history, and the extent to which Kant's essays written before the Critique of the Power of Judgment (1790) are “dogmatic,” as his phrase “aim of nature” might suggest. The second asks about Kant's “impure” ethics and the role of religion. What would Kantian religion look like today? The last question concerns the relation between images and ideas—a thornier issue than Kant's initial definitions of imagination and reason would seem to suggest.     

HISTORY AND ITS DEAD

Thomas Laqueur has brought together half a century of research on modern European mortuary culture into an impressive narrative of how the Christian churchyard was replaced by the modern cemetery, how interment was partly replaced by the technology of cremation, and how writing and preserving the names of the dead coincided with democratization and social reform. Beyond the grand narrative of the history of modern burial, he also shows how the modern culture of history and memory is intertwined with the transformation of mortuary practices. On a deeper level, he points toward new ways of conceptualizing the relation between the living and the dead, leading up toward, if not fully confronting, the challenge that propels his own endeavor, namely the existential‐ontological predicament of living after those who have been and the nature of spectrality.     

THE CRITICAL THEORY OF HISTORY: RETHINKING THE PHILOSOPHY OF HISTORY IN THE LIGHT OF KOSELLECK'S WORK

There are many ways to consider the philosophy of history. In this article, I claim that one of the most viable approaches to the philosophy of history today is that of critical theory of history, inspired by Reinhart Koselleck. Critical theory of history is based on what I call known history, history as it has been established and expounded by historians. What it contributes—its added value, so to speak—is a reflection on the categories employed to think about historical experience at its different levels, not only as a narrative but also as a series of events: their origins, contexts, terminology, functions (theoretical or practical), and, finally, eventual relevance.     

DEEP GENETICS: UNIVERSAL HISTORY AND THE SPECIES

The popularity of books such as Yuval Noah Harari's Sapiens: A Brief History of Humankind suggests that universal history‐writing has a continuous not a broken past. Rather than “returning,” it is perhaps the most enduring genre of all. This review essay explores the deep‐history element of universal histories and the ongoing purchase of the stadial tradition for a new history of the species. Why are deep histories of the species so reliably appealing, and what do they mean in the twenty‐first century? Although the Anthropocene would seem to be the pertinent context for this ongoing historiography, this essay suggests that the new domain of genetic genealogy powerfully individualizes and commercializes deep history for neoliberal times.     

STORY MAKES HISTORY,THEORY MAKES STORY: DEVELOPING RÜSEN'S HISTORIK IN LOGICAL AND SEMIOTIC DIRECTIONS

This essay will argue that the traditional opposition between narrative and theory in historical sciences is dissolved if we conceive of narratives as theoretical devices for understanding events in time through special concepts that abridge typical sequences of events. I shall stress, in the context of the Historical Knowledge Epistemological Square (HKES) that emerged with the scientization of history, that history is always narrative, story has a theoretical ground of itself, and scientific histories address the need for a conceptual progression in ever‐improved narratives. This will lead to identification of three major theoretical levels in historical stories: naming, plotting (or emplotment), and formalizing. We revisit Jörn Rüsen's theory of history as the best starting point, and explore to what extent it could be developed by (i) taking a deeper look into narratological knowledge, and (ii) reanalyzing logically the conceptual strata in order to bridge the overrated Forschung/Darstellung (research/exposition) divide. The corollary: we should consider (scientific) historical writing as the last step of historical research, not as the next step after research is over. This thesis will drive us to a reconsideration of the German Historik regarding the problem of interpretation and exposition. Far from alienating history from science, narrative links history positively to anthropology and biology. The crossing of our triad name‐plot‐model with Rüsen's four theoretical levels (categories‐types‐concepts‐names) points to the feasibility of expanding Rüsen's Historik in logical and semiotic directions. Story makes history, theory makes story, and historical reason may proceed.     

WHAT,AT LONG LAST,IS HISTORICAL THEORY FOR? REFLECTIONS ON HISTORICAL THEORY IN A POST-TRUTH WORLD

The term “post-truth” is a capacious trope that collects threats to the stability of shared knowledge on many fronts—digitally spread disinformation, ignorance and resistance to science, unabashed lies in the public sphere, mythologizing by resurgent nationalist forces, and so on. History is particularly vulnerable to this array. Post-truth threats to serious history produced to professional standards for research and reasoning by historians free of coercion, intimidation, or pressures for co-optation are too blatant to need explanation. Avenues of response to the politicizing of history have been protests by public intellectuals and academics and a growing scholarly literature recording the imposition of memory laws by the police powers of numerous states. Attacks on empirical history, and the academic freedom required to sustain it, provoke clear responses, but the situation of historical theory is more problematic. Historical theory is a superstructure of analysis that presupposes the free production of history that invites and justifies the cultural work of theorizing. Reading Karen S. Feldman's Arts of Connection: Poetry, History, Epochality, an erudite, philosophical contribution to historical theory advancing a severe critique of history's fundamental powers of representation against a widening background of nationalist state-sponsored policing of history, produced an acute cognitive dissonance in this reviewer. In this essay, I frankly acknowledge this dissonant experience and lay out some of the most egregious causes of it in history distorted and undermined to nationalist ends in Russia, Poland, Hungary, and beyond. I pose the question of whether the intellectual work of theorizing history can continue with any confidence when the ground on which theory stands is being eroded and distorted.     

4. REASON,AGENCY, AND HISTORY: REMARKS ON KANT AND BENJAMIN

This essay begins by determining the nature of Richard Eldridge's project. Referring mainly to writings by Immanuel Kant and Walter Benjamin, I view his attempt as considering what it involves to be an agent in a historical setting. According to Eldridge, the correct answer will have to involve the right combination of Kant's emphasis on rational self‐determination and Benjamin's account of spontaneous (yet nonrational) self‐transformation. In response to this answer, I suggest that Benjamin's view may not easily lend itself to being made compatible with Kantian thinking. In particular, Benjamin's effort to think experience in terms that do not make any reference to rational self‐determination must be viewed as deeply foreign to Kant's project. I also argue that Kant's third Critique, in particular its conception of reflective judgment, could have provided Eldridge with a view of agency and experience that does not deviate substantially from Kant's project elsewhere. At the end of the essay, I argue that the duality we find in Eldridge's exposition should be viewed as not only related to individuals but to society in general. An attempt to resolve it must involve reflection on how historically constituted social forms create such stark oppositions between reason and its other.     

RESISTING MODERN TEMPORALITIES: TOWARD A CRITICAL HISTORY OF BREAKS IN TIME

This is an exceptionally sophisticated and wide‐ranging book on historical time, the construction of the past, present, and future, and the problem of periodization. Its major thesis is that temporal divisions of history are produced by social actors, including historians, who break up time from their distinct temporal positions. The book inquires about the theoretical underpinning and historical constitution of temporal breaks: the premises sustaining notions of pastness, presentness, and futurity; the relations constructed by these notions between historiography and other fields of knowledge; the specific articulation of shifting and mutually competing temporalities both within and beyond European history; and the political implications of temporal divisions. Throughout the book the breaking up of time is studied as a fundamental political operation. To engage with temporal breaks, the authors contend, is to engage with the historian's contemporary, to negotiate borders that act upon the present, including the border that safeguards the presumed autonomy of the time of history‐writing. Focusing especially on the temporality of European modernity, the book invites reflection on the politics of time as articulated through categories of historical totalization imposed on modernity's others. But it also suggests that this imposition gave rise to acts of resistance indicating how historical time defies the analytical categories through which social actors seek to organize and control it. This dialectic of imposition and defiance is made evident through the comparative study of temporal concepts that replace one another, compete with one another in certain historical settings without any of them constituting a final historical representation. It is also traced in the continuing significance of suppressed or “failed” temporalities, which are nonetheless still capable of challenging and qualifying our insights into historical time. The book's key contribution lies precisely in the attempt to intensify this challenge by translating the contradictory constitution of modern temporality into a language of self‐critique.     

THE PAST IS EVIL/EVIL IS PAST: ON RETROSPECTIVE POLITICS,PHILOSOPHY OF HISTORY,AND TEMPORAL MANICHAEISM

One of the most remarkable phenomena in current international politics is the increasing attention paid to “historical injustice.” Opinions on this phenomenon strongly differ. For some it stands for a new and noble type of politics based on raised moral standards and helping the cause of peace and democracy. Others are more critical and claim that retrospective politics comes at the cost of present‐ or future‐oriented politics and tends to be anti‐utopian. The warnings about the perils of a retrospective politics outweighing politics directed at contemporary injustices, or strivings for a more just future, should be taken seriously. Yet the alternative of a politics disregarding all historical injustice is not desirable either. We should refuse to choose between restitution for historical injustices and struggle for justice in the present or the future. Rather, we should look for types of retrospective politics that do not oppose but complement or reinforce the emancipatory and utopian elements in present‐ and future‐directed politics. I argue that retrospective politics can indeed have negative effects. Most notably it can lead to a “temporal Manichaeism” that not only posits that the past is evil, but also tends to treat evil as anachronistic or as belonging to the past. Yet I claim that ethical Manichaeism and anti‐utopianism and are not inherent features of all retrospective politics but rather result from an underlying philosophy of history that treats the relation between past, present, and future in antinomic terms and prevents us from understanding “transtemporal” injustices and responsibilities. In order to pinpoint the problem of certain types of retrospective politics and point toward some alternatives, I start out from a criticism formulated by the German philosopher Odo Marquard and originally directed primarily at progressivist philosophies of history.     

THINKING AFTER HITLER: THE NEW INTELLECTUAL HISTORY OF THE FEDERAL REPUBLIC OF GERMANY1

This review essay seeks to direct attention to intellectual history as a new and flourishing subfield in the historiography of post‐1945 Germany. The essay probes and critically interrogates some of the basic arguments of Dirk Moses' prize‐winning monograph German Intellectuals and the Nazi Past. It does so by engaging with a series of German‐language monographs on key intellectuals of the postwar period (Alexander Mitscherlich, Jürgen Habermas, Herbert Marcuse) or groups of intellectuals that have appeared during the last few years. The essay also includes two books that focus on intellectual transfers from and to the United States and hence transcend the purely national framework. The essay highlights some broader themes such as West German intellectuals' confrontation with the Nazi past and with the memory of Germany's failed experiment with democracy during the interwar Weimar Republic. It also discusses the significance of the West German student movement in the 1960s for West German intellectual history. The essay concludes with some broader reflections on writing intellectual history of the postwar period, and it points to some avenues for further research. It underlines the significance of intellectual debates—and hence of intellectual history—for charting and explaining the process of postwar democratization and liberalization in the Federal Republic of Germany.     

ON FUTURES AND ENDINGS: NARRATOLOGICAL REFLECTIONS ON CONTEMPORARY FORMS OF CRISES*

The article examines the changing relationship of the present to the future from a narratological perspective. It argues that three dominant narrative schemas structure the contemporary experiences of temporality in the Western social imaginary: the modern crisis narrative, the apocalyptic narrative, and the chronic crisis narrative. In its first part, the article shows how the modern sense of crisis, which emerged in the late eighteenth century, sedimented into a powerful narrative template by knitting together the past, the present, and the future into a unified plot. The second part focuses on the resurgence of apocalyptic stories in the Western social imaginary and humanities discourse. The final part highlights the special contribution of aesthetics of precariousness to the Western imaginary of time and temporality. It argues that the “chronic crisis narrative” deflates the teleological narrative arc of the modern crisis paradigm while also shunning the end-time discourse of the apocalyptic narrative.     

HISTORY AND THE MANIFEST IMAGE: HAYDEN WHITE AS A PHILOSOPHER OF HISTORY1

To claim that Hayden White has yet to be read seriously as a philosopher of history might seem false on the face of it. But do tropes and the rest provide any epistemic rationale for differing representations of historical events found in histories? As an explanation of White's influence on philosophy of history, such a proffered emphasis only generates a puzzle with regard to taking White seriously, and not an answer to the question of why his efforts should be worthy of any philosophical attention at all. For what makes his emphasis on narrative structure and its associated tropes of philosophical relevance? What, it may well be asked, did (or could) any theory that draws its categories from a stock provided by literary criticism contribute to explicating problems with regard to the warranting of claims about knowledge, explanation, or causation that represent those concerns that philosophy typically brings to this field? Robert Doran's anthologizing of previously uncollected pieces, ranging as they do over a literal half‐century of White's published work, offers an opportunity to identify explicitly those philosophical themes and arguments that regularly and prominently feature there. Moreover, White's essays in this volume demonstrate a credible knowledge of and interest in mainstream analytic philosophers of his era and also reveal White as deeply influenced by or well acquainted with other important philosophers of history. White thus invites a reading of his work as philosophy, and this volume presents the opportunity for accepting it as such.     

Building Bridges of Memory: The Mothers of the Plaza de Mayo and the Cultural Politics of Maternal Memories

In this article, I explore the Mothers of the Plaza de Mayo as a site through which social memories are transmitted and connected to the realities of Argentina’s present. The conjuncture or disjuncture between people’s direct and individual memories of the past, their memory of the society’s collective past, and the “official” history can be used as a prism for seeing how power, and resistance, work through and reinforce a complex political economy. By giving testimony and re‐contextualizing the events of the dictatorship, the Mothers have been able to challenge the historical narratives of the state and construct competing ones. Furthermore, the present‐day activism and goals of the Mothers, as individuals and as a collective, are based on political commitments that have arisen in great part out of maternal relationships and maternal memories. Their maternal memories have led to a re‐signification of neoliberalism as a type of structural violence.