The Archaeology of Smuggling and the Falmouth King’s Pipe

This article demonstrates the potential of an historical archaeology of smuggling and the value of an interdisciplinary approach to the study of smuggling and its prevention. By exploring the previously unstudied history of the King’s Pipe in Falmouth, a large chimney used for the destruction of tobacco, a rare survivor of many that once existed in England’s port cities, it demonstrates that archaeology could transform our understanding of smuggling and its prevention, and more broadly the history of crime and punishment in eighteenth century England.

King Solomon’s Gold: Ophir in an Age of Empire

Contemplating King Solomon’s enormous importation of gold from the mysterious land of Ophir filled Victorians with vicarious pride and glutted their pedantic appetite with no end of tempting antiquarian puzzles concerning the identity of his trading partners. This article provides details and context regarding the various putative Ophirs proposed by British travellers during the nineteenth century, which ranged from Sumatra to the Gold Coast. It concludes in the latter decades of the century, when the legend of King Solomon’s mines converged with the discovery of gold in South Africa. As scholars have noted, the mid-century discovery of ancient ruins in present-day Zimbabwe by the German explorer Karl Mauch rekindled the Ophir debate and focused most people’s attention on South Africa as its location. This was also the immediate context to Rider Haggard’s fascination with ancient African civilization in his immensely popular novel King Solomon’s Mines. Numerous subsequent explorers, adventure novelists, and armchair archaeologists added to this wave of speculation about Ophir in the three decades that followed Mauch’s original identification of Great Zimbabwe with the biblical Ophir. By connecting these later depictions of Ophir (both fictional and archaeological) with speculations from earlier in the nineteenth century, this article presents King Solomon’s gold as a common context for evolving justifications, ambivalences, and understandings of British imperialism, from an empire of trade to one of conquest and annexation.     

Identifying King Stephen’s artillery

References to artillery in sources for English history from 1066 to 1189 are typically vague. Eschewing the technical Latin terms ballista, mangonel or onager, medieval writers in the period tended towards generic words like machina. This habit prohibits the positive identification of specific weapon types present at Anglo-Norman/Angevin sieges and thus full interpretations of the engagements themselves. This essay suggests an alternative, contextual methodology. After first assessing the physicality of a siege zone (landscape, topography and fortification architecture), it applies knowledge about artillery type and operation (range to target, trajectory, shot type and size) in order to see what weapons could and could not have been deployed in the zone. When such contextual information is available, the method can help identify weapon type in the absence of specific terminology. The examples presented here are King Stephen’s sieges of Lincoln in 1141 and Faringdon in 1145.     

The print depiction of King William III’s masculinity

This article examines both positive and negative print depictions of King William III, specifically how William’s masculine identity was produced and perceived in relation to readily accessible norms of manhood. That commentators invoked discourses of masculinity to both legitimate and denounce William’s regime suggests the importance of masculinity to kingly meaning. By discussing the ways in which William does or does not conform to gender ideals, commentators reveal that, although freighted differently, normative models of kingship and masculinity shared common expectations and overlapped in easily recognisable ways. As his critics reminded, William III neither achieved the supposed “hegemonic” patriarchal form of masculinity nor that of the ideal monarch because he remained childless. As such, William’s print portrayal sheds light on codes of masculinity in early modern Britain that were constructed in a variety of settings outside of the problematic paragon of patriarchal manhood.     

Egyptian women’s position in the family in the time of the Pharaohs

Although many scholars have assert that the Egyptian women s position in the family was high during the time of the Pharaohs, no research in China has made a comprehensive and systematic discussion over this issue so far. Based on both documents and archaeological materials, this article approaches this question in three aspects: (1) Egyptian women s position in the family economy; (2) the affection between the husband and the wife; (3) the position and role of the mother.     

15-Year Chronicle of China＇s Tibet

The year 2004 marks the 15^th birthday of our magazine. In that time,we have worked for the goal of showing our readers throughout the world the real Tibet. During the period, we have published 212 issues (Chinese, Tibetan and English editions), containing stories running to hundreds of thousands of words and thousands of photographs. They have told of the     

The technologies of distance: new migrations in Conor O’Callaghan’s The Sun King

This article analyses Conor O’Callaghan’s collection The Sun King as an expression of contemporary migration practices. It places the poet’s technological mobilities within larger global movements and argues that the collection reconfigures poetic versions of migration for the twenty-first century. The Sun King (2013) is located in explicitly transient spaces, while its formal innovations serve to mimeticise contemporary dislocation. In reinventing the dual demands of memory and migration in the postmodern society, The Sun King recognises and pursues alternative poetic possibilities. The article suggests that O’Callaghan’s Twitter-poem “The Pearl Works” can be read as indicative of an expansive impulse towards ephemeral online works. In particular, the article raises questions around composition, stability and memory practices in the digital era, and highlights how both migration and memory are complicated by technological innovations.     

A Reevaluation of the Kesil’s Image in the Book of Qohelet

Abstract

During the early stages of its evolution, the book of Kings was a history narrative uninfluenced by Deuteronomy. Later, as the scroll ceased to express an interpretation of the past—that is to say, ceased to be a history narrative—it began to reflect a literary dialogue with Deuteronomy. At no point in time was Kings both Deuteronomistic and a history, and it was not, therefore, a component of Martin Noth’s hypothetical Deuteronomistic History. Rather, the pre-canonical scroll is best defined as an anthology, or “reader,” of fanciful stories about fallible nebi’im (prophets and kings) who find themselves in relationship with a fallible patron god. Ironically, because Kings was preserved as sacred literature, its god has been reconceptualized, against the plain sense of the text, as a reliable, just, and compassionate patron god.     

On the Centrality of Dionysus in Nietzsche’s Philosophy

Despite the widespread influence of Nietzsche’s iconoclastic works on twentieth-century intellectual and literary culture, there has been a surprising lack of academic focus on the parallels between his philosophical trajectory and the anthropological literature on the mysterious god Dionysus. The striking correlations between ancient Dionysian worship with Nietzsche’s oeuvre revalorise the celebration of ecstasy. In Twilight of the Idols, he states that the Dionysian is “beyond pity and terror, to realize in oneself the eternal joy of becoming.” By elucidating some of the mysteries surrounding this enigmatic god, this article aims to re-establish the central importance of Dionysus in Nietzsche’s work, and to suggest that if we are to understand Nietzsche at all, we must first undertake an anthropological reading of Dionysus.     

Moderation and religious criticism in William Cartwright’s The Ordinary (1635)

Building on the recent revival of critical interest in the drama of William Cartwright, this article explores the politics of religious moderation in his 1635 play The Ordinary. I situate the concept of moderation in Caroline England in relation to recent historical work on the subject, examining how Cartwright treats the subject in his poetry, where he argues that religious extremism inhibits the proper articulation of moderate politics. I then consider religious criticism in The Ordinary, suggesting that it attacks aspects of Puritan and Arminian theology alike. Although he ranges over a number of topics, Cartwright is particularly concerned with the way in which religious innovation is undermined by economic unfairness, incompetence, and greed. The play shows how Caroline comedy engages with polemical culture in subtle and sophisticated ways.     

Recent discoveries at Ely Cathedral,Cambridgeshire: Aetheldreda’s Gate,the church of Holy Cross and the possible boundary of the Anglo-Saxon monastery

Recent fieldwork ahead of construction in Ely Cathedral precinct has identified two documented but ‘lost’ medieval buildings, in addition to a large boundary ditch and other deposits which potentially relate to the monastery founded by St Aetheldreda in the late seventh century. The excavations provide an opportunity to review the currently limited state of knowledge regarding the location and layout of the Anglo-Saxon monastery at Ely and to put forward some models to be tested through future fieldwork.     

Peverell’s Castle in the Peak

The church at Hardham is a small simple building constructed of sandstone and ironstone rubble interspersed with Roman tiles; originally it was whitewashed. It was built without a tower, but a bell turret was added in Victorian times. There are no features which prove that it was built before the Conquest, but three of the deeply-splayed windows are primitive; one of them has a rebate on the outside for a shutter. Other windows were cut later, the earliest being a double lancet behind the altar which dates from the thirteenth century. The church consists of a nave, 9.6 m x 5.8 m (31 ft 6 in x 19 ft), and chancel, 5.2 m x 4.7 m (17 ft x 15 ft 6 in). The insertion of the lancet window has destroyed the centrepiece of the decorative scheme of paintings which extended over both parts of the church and formed an integrated whole (Johnston 1901a, 74; 1901b, 62; Milner Gulland 1985, 27, 43; Baker 1986, 49–49). In both nave and chancel the theme of the decoration is the contrast between good and evil. Thus, in the nave the Sacrificial Lamb with angels waving censers is placed over the chancel arch and is confronted by a representation of the damned in hell which faces it on the west wall. In the chancel, Christ seated in Majesty, adored by Cherubim and the Elders of the Apocalypse, was painted on the east wall and faced a representation of the Fall of Man and the history of Adam and Eve on the east face of the chancel arch. This scheme interprets the words of St Paul, As in Adam all die, so in Christ shall all be made alive' (I Corinthians xv, v 22). The central part of this composition was destroyed by the insertion of the thirteenth-century window. The theological idea that sin was brought into the world by the disobedience of Adam and Eve, and could only be expunged by the Life and Passion of Christ, is often illustrated in the Middle Ages. This, for instance, is the theme of the illustrations in the St Albans Psalter, which was produced during the first half of the twelfth century (Dodwell et al. 1960, 49; see especially Pacht 1962, 49–53).     

Geographies of children’s play in the context of neoliberal restructuring in Istanbul*

This research analyzes the material and discursive transformations of children’s play in the urban context of socio-economic transformations brought about by neoliberal restructuring in Istanbul. Two new private play centers called ‘children’s cities’ and one public playground are investigated by using observation, semi-structured interviews and document analysis. The findings of discourse analysis suggest that processes of privatization, exclusion and securitization underlying the city space deeply structure the new geographies of play. The hegemonic presence of private spaces is reinforced with the municipal neglect of public play spaces and also with particular framing of ‘good play’ as exclusive, secure and instrumental. The important conclusion is that neither the children’s cities nor the public playground observed in this study can fully meet the benchmarks of ‘the right to play’ that encompasses play that is free of charge and play as a right in itself rather than as instrumental for other developmental goals.