RETHINKING THE SOCIAL IMPACTS OF THE ARTS

The paper presents a critical discussion of the current debate over the social impacts of the arts in the UK. It argues that the accepted understanding of the terms of the debate is rooted in a number of assumptions and beliefs that are rarely questioned. The paper goes on to present the interim findings of a three‐year research project, which aims to rethink the social impact of the arts, with a view to determining how these impacts might be better understood. The desirability of a historical approach is articulated, and a classification of the claims made within the Western intellectual tradition for what the arts “do” to people is presented and discussed.     

TO CATCH THE ECHO: RETHINKING ACTS OF WITNESSING TO THE SHOAH

In light of recent revelations about global ignorance and disbelief regarding the Holocaust, first‐hand testimonies acquire fresh significance. Two disparate books frame this discussion of how writings by survivors serve to deepen our understanding of the Shoah. Otto Dov Kulka's memoir, Landscapes of the Metropolis of Death, is a carefully crafted account by a professional historian who survived as a child in Auschwitz. Thomas Trezise's work, Witnessing Witnessing, is an analytical inquiry into the literary and epistemic issues that frame different genres of testimony ranging from video to poetry. Kulka's slender account is situated in the context of other works by survivors, including Saul Friedländer's When Memory Comes, Charlotte Delbo's Auschwitz and After, and a more recent work by Joseph Polak, After the Holocaust the Bells Still Ring. The emphasis in this discussion is upon the challenges that survivors face in articulating horror, especially to readers in the twenty‐first century. Trezise's more voluminous work is based upon the literary and philosophical theories of Adorno, Levinas, and Freud, among others. The question raised in this essay focuses upon which of these narrative strategies might work better to convey the complex meanings of the Shoah after the generation of survivors has departed from the historical scene. In the end, the halting words of those who went through the death camps is all we have to counter the ignorance and disbelief spreading around the world. Kulka's book, combining memories, dreams, and art works, fosters an imaginative encounter with inconceivable historical realities. Trezise's theoretical engagement with indexicality and with the phatic function of language helps us to understand the impact of testimonies within the scholarly literature. It does not, however, point a clear path toward conveying the importance of the Holocaust to the public at large. For this purpose, we need books such as Kulka's that enable the generation after the Holocaust to listen to silences embedded in survivor narratives. These silences must be carried forward in time, along with the ethical mandate not to forget the atrocities of the Shoah. If we can embrace this mission, we may be able to diminish the reign of hate running amuck today.     

RETHINKING THE BUILDING BLOCKS: ONTOLOGICAL PLURALISM AND THE IDEA OF 'MANAGEMENT'

ABSTRACT. The persistence of indigenous ontologies rooted in human systems that pre-date the creation of colonial property rights and assertions of frontier conquest and dispossession unsettles the dominant idea that 'management' is an unproblematic and universally endorsed goal for communities, regions and nations in their environmental and development discourses. This paper argues that conceptual building blocks which render management, be it of environments, economies or people, as unquestionably good, need to be reconsidered. Drawing on diverse indigenous knowledges in Australia, particularly in relation to wildlife management, the paper examines the hidden cultural specificity of management, planning, institutional strengthening and capacity building as well as their implicit silencing of alternative narratives of the economic, environmental and cultural dimensions of social life.     

THE CRITICAL THEORY OF HISTORY: RETHINKING THE PHILOSOPHY OF HISTORY IN THE LIGHT OF KOSELLECK'S WORK

There are many ways to consider the philosophy of history. In this article, I claim that one of the most viable approaches to the philosophy of history today is that of critical theory of history, inspired by Reinhart Koselleck. Critical theory of history is based on what I call known history, history as it has been established and expounded by historians. What it contributes—its added value, so to speak—is a reflection on the categories employed to think about historical experience at its different levels, not only as a narrative but also as a series of events: their origins, contexts, terminology, functions (theoretical or practical), and, finally, eventual relevance.     

THE EMERGENCE OF WANAX IDEOLOGY IN THE MYCENAEAN PALACES

Summary. The following approach tries, as far as the Greek mainland is concerned, to discuss the prominent position of the wanax from the archaeological record in Mycenaean palaces, in the burial grounds and in the Linear B tablets. Multivariate analysis and explanatory methods related to repeated patterns reveal different stages in the Mycenaean ideological setting from the LH III A 1 period onwards, despite its roots in earlier stages of Mycenaean civilization. The complex and more sophisticated social position of the wanax points to historical implications associated with the rise of the centralized Mycenaean kingdoms.     

单位社区杂化过程与城市性的构建

单位社区作为中国城市重要的传统社区之一,曾经是以单位制度作为组织形态和行为规范而形成的"准乡土性"社区。而在转型期,随着城市空间重构、单位制度解体与个人生活方式的转变,单位社区出现了以社区杂化过程为显著特征的制度-空间-社会的全面转型。单位社区杂化从广义上包括居民构成、社会交往、行为模式和社区认同四个维度的变化,导致了单位社区"准乡土性"的消失和"城市性"的构建。本文从城市性作为一种城市生活方式的经典理论出发,从不同维度理解单位社区杂化中城市性构建的现象与机制。     

4. EVENTS GETTING AHEAD OF THEMSELVES: RETHINKING THE TEMPORALITY OF EXPECTATIONS

Whereas most theoretical and historiographical accounts of the event have focused on its present and past dimensions, this article addresses the relatively underexplored phenomenon of the future event. As temporal junctures, events often already elicit effects before they come to pass, and even if they never do. Building on foundational work on the relation between experience and expectation by Hans‐Georg Gadamer and Reinhart Koselleck as well as on current historiographical debates on “past futures,” I develop a threefold typology of the future event, distinguishing between the assumption of the routine event, the expectation of the relative event, and the adumbration of the radical event. Engaging with case studies like the year 2000, the ambivalent character of so‐called media events, and ongoing debates about a possible climate collapse and the COVID‐19 pandemic, I show how reconsidering the complex temporalities of the future event can shed new light on the ways in which past societies made their futures present.     

BEYOND INTERMARRIAGE: THE ROLE OF THE INDIGENOUS ITALIC POPULATION AT PITHEKOUSSAI

Debate has long raged over the nature and extent of contact and cooperation between the Greeks and the Levantines at the site of Pithekoussai on the Tyrrhenian coast of Italy. The native Italic population, however, has been largely overlooked or viewed as a marginal or fringe element. Italic fibula types, which are found extensively in the cemetery, have been traditionally interpreted as evidence for the intermarriage of Italic females into the colonial settlement. This concept has limited our understanding of the role or impact of the Italic population at the site, effectively obscuring any more nuanced or balanced interpretations of their activity. A detailed analysis of several tombs from Pithekoussai, which contained iron tools or instruments, indicates that the Italic population was more actively involved in the creation of material culture at the site than has previously been supposed. Parallels for the practice are found widely on the Italic mainland and have often been associated with elite customs or funerary rituals. The presence of such practices at the site of Pithekoussai indicates the active impact of the native Italic population and the dynamic effect that diverse members of the community had on the creation and promulgation of a uniquely Pithekoussan identity.     

THE EMERGENCE OF STRATIGRAPHIC ARCHAEOLOGY IN MEDITERRANEAN EUROPE

In Italian classical archaeology, the definitive adoption of the stratigraphic excavation method occurred later than in other European countries. This methodological shift took place in Italy in the 1970s. We aim to scrutinize some points of the established historiographical reconstruction. We focus on three scholars regarded as “key figures” in the birth of Italian stratigraphic archaeology, yet all of the first half of the twentieth century, Giacomo Boni, Nino Lamboglia, and Luigi Bernabò Brea. We examine the origin of their stratigraphic approach and thus their relationship with prehistoric research. This is also an opportunity to reflect upon the conceptual and methodological transfer from one type of archaeology to another. In general, through comparison of these scholars, we aim to highlight some key factors in the establishment of a stratigraphic method in the history of archaeology.     

RETHINKING RACE HISTORY: THE ROLE OF THE ALBINO IN THE FRENCH ENLIGHTENMENT LIFE SCIENCES1

The scholarly quest to recover the construction of racial difference in the Enlightenment‐era life sciences generally overlooks a singular fact: the vast majority of eighteenth‐century thinkers who were engaged in theorizing the human were often far more preoccupied with preserving a belief in an essential human sameness than they were in creating categories of essential difference. This article charts the problem of a potential human sameness as it related to questions of category, biological processes, and the human and non‐human through an examination of a neglected and key construct in the eighteenth‐century life sciences, the albino. The albino was absorbed into a scientific narrative in 1744 when Maupertuis used the concept to put forward a theory of shared origins or monogenesis. Positing that the nègre blanc—quite literally a “white Negro”—was a racial throwback, a reversion to a primitive whiteness, Maupertuis inspired a new generation of thinkers, most notably the great French naturalist Buffon, to assert categorically that blacks had degenerated from a prototype white variety. The significance of the concept nègre blanc, which has not been studied sufficiently, cannot be overestimated. In addition to the fact that the new role of the nègre blanc clearly said as much about whiteness as it did about blackness, the albino generated a new diagnostic chronology of the human species.     

FLORENTINE CIVIC HUMANISM AND THE EMERGENCE OF MODERN IDEOLOGY

This article revisits the question of the modernity of the Renaissance by examining the political language of Florentine civic humanism and by critically analyzing the debate over Hans Baron's interpretation of the movement. It engages two debates that are usually conducted separately: one concerning the originality of civic humanism in comparison to medieval thought, and the other concerning the political and social function of the civic humanists' political republicanism in fifteenth‐century Florence. The article's main contention is that humanist political discourse rejected the perception of social and political reality as being part of, or reflecting, a metaphysical and divine order or things, and thus undermined the traditional justifications for political hierarchies and power relations. This created the conditions of possibility for the distinctively modern aspiration for a social and political order based on liberty and equality. It also resulted in the birth of a distinctively modern form of ideology, one that legitimizes the social order by disguising its inequalities and structures of domination. Humanism, like modern political thought generally, thus simultaneously constructs and reflects the dialectic of emancipation and domination so central to modernity itself.     

3. BEYOND REPRESENTATION: PICTORIAL TEMPORALITY AND THE RELATIONAL TIME OF THE EVENT

Pictures are often connected with the mediation of the event but, paradoxically, not with temporality as such. Although there are several existing approaches that focus on the interplay between the event and its literary representation, the relation between pictorial time and the temporal constitution of the event remains unexplored. The field of image theory has offered insights into the multiple dimensions of the picture's temporality. It has shown that the picture's temporality concerns not only the depicted event but also the picture's immanent modes of producing different temporalities within one pictorial plane. The picture thus not only makes visible but also generates multilayered times of the event. This article brings together insights from image theory and from theories of historical times to demonstrate the relationship between the times of the event and the inner logic of the picture. In order to identify the various qualities of the picture that structure the times of the event, this article uses the case study of Reinhart Koselleck's practical and theoretical work with pictures. This article reads Koselleck's approaches to pictures alongside new insights concerning the relationality of time to the event and the picture. By exploring the picture's agency with regards to the politics of time, this article lays bare the picture's potential to structure the times of the event.