TO CATCH THE ECHO: RETHINKING ACTS OF WITNESSING TO THE SHOAH

In light of recent revelations about global ignorance and disbelief regarding the Holocaust, first‐hand testimonies acquire fresh significance. Two disparate books frame this discussion of how writings by survivors serve to deepen our understanding of the Shoah. Otto Dov Kulka's memoir, Landscapes of the Metropolis of Death, is a carefully crafted account by a professional historian who survived as a child in Auschwitz. Thomas Trezise's work, Witnessing Witnessing, is an analytical inquiry into the literary and epistemic issues that frame different genres of testimony ranging from video to poetry. Kulka's slender account is situated in the context of other works by survivors, including Saul Friedländer's When Memory Comes, Charlotte Delbo's Auschwitz and After, and a more recent work by Joseph Polak, After the Holocaust the Bells Still Ring. The emphasis in this discussion is upon the challenges that survivors face in articulating horror, especially to readers in the twenty‐first century. Trezise's more voluminous work is based upon the literary and philosophical theories of Adorno, Levinas, and Freud, among others. The question raised in this essay focuses upon which of these narrative strategies might work better to convey the complex meanings of the Shoah after the generation of survivors has departed from the historical scene. In the end, the halting words of those who went through the death camps is all we have to counter the ignorance and disbelief spreading around the world. Kulka's book, combining memories, dreams, and art works, fosters an imaginative encounter with inconceivable historical realities. Trezise's theoretical engagement with indexicality and with the phatic function of language helps us to understand the impact of testimonies within the scholarly literature. It does not, however, point a clear path toward conveying the importance of the Holocaust to the public at large. For this purpose, we need books such as Kulka's that enable the generation after the Holocaust to listen to silences embedded in survivor narratives. These silences must be carried forward in time, along with the ethical mandate not to forget the atrocities of the Shoah. If we can embrace this mission, we may be able to diminish the reign of hate running amuck today.     

THE CRITICAL THEORY OF HISTORY: RETHINKING THE PHILOSOPHY OF HISTORY IN THE LIGHT OF KOSELLECK'S WORK

There are many ways to consider the philosophy of history. In this article, I claim that one of the most viable approaches to the philosophy of history today is that of critical theory of history, inspired by Reinhart Koselleck. Critical theory of history is based on what I call known history, history as it has been established and expounded by historians. What it contributes—its added value, so to speak—is a reflection on the categories employed to think about historical experience at its different levels, not only as a narrative but also as a series of events: their origins, contexts, terminology, functions (theoretical or practical), and, finally, eventual relevance.     

THE EMERGENCE OF WANAX IDEOLOGY IN THE MYCENAEAN PALACES

Summary. The following approach tries, as far as the Greek mainland is concerned, to discuss the prominent position of the wanax from the archaeological record in Mycenaean palaces, in the burial grounds and in the Linear B tablets. Multivariate analysis and explanatory methods related to repeated patterns reveal different stages in the Mycenaean ideological setting from the LH III A 1 period onwards, despite its roots in earlier stages of Mycenaean civilization. The complex and more sophisticated social position of the wanax points to historical implications associated with the rise of the centralized Mycenaean kingdoms.     

4. EVENTS GETTING AHEAD OF THEMSELVES: RETHINKING THE TEMPORALITY OF EXPECTATIONS

Whereas most theoretical and historiographical accounts of the event have focused on its present and past dimensions, this article addresses the relatively underexplored phenomenon of the future event. As temporal junctures, events often already elicit effects before they come to pass, and even if they never do. Building on foundational work on the relation between experience and expectation by Hans‐Georg Gadamer and Reinhart Koselleck as well as on current historiographical debates on “past futures,” I develop a threefold typology of the future event, distinguishing between the assumption of the routine event, the expectation of the relative event, and the adumbration of the radical event. Engaging with case studies like the year 2000, the ambivalent character of so‐called media events, and ongoing debates about a possible climate collapse and the COVID‐19 pandemic, I show how reconsidering the complex temporalities of the future event can shed new light on the ways in which past societies made their futures present.     

RETHINKING RACE HISTORY: THE ROLE OF THE ALBINO IN THE FRENCH ENLIGHTENMENT LIFE SCIENCES1

The scholarly quest to recover the construction of racial difference in the Enlightenment‐era life sciences generally overlooks a singular fact: the vast majority of eighteenth‐century thinkers who were engaged in theorizing the human were often far more preoccupied with preserving a belief in an essential human sameness than they were in creating categories of essential difference. This article charts the problem of a potential human sameness as it related to questions of category, biological processes, and the human and non‐human through an examination of a neglected and key construct in the eighteenth‐century life sciences, the albino. The albino was absorbed into a scientific narrative in 1744 when Maupertuis used the concept to put forward a theory of shared origins or monogenesis. Positing that the nègre blanc—quite literally a “white Negro”—was a racial throwback, a reversion to a primitive whiteness, Maupertuis inspired a new generation of thinkers, most notably the great French naturalist Buffon, to assert categorically that blacks had degenerated from a prototype white variety. The significance of the concept nègre blanc, which has not been studied sufficiently, cannot be overestimated. In addition to the fact that the new role of the nègre blanc clearly said as much about whiteness as it did about blackness, the albino generated a new diagnostic chronology of the human species.     

FLORENTINE CIVIC HUMANISM AND THE EMERGENCE OF MODERN IDEOLOGY

This article revisits the question of the modernity of the Renaissance by examining the political language of Florentine civic humanism and by critically analyzing the debate over Hans Baron's interpretation of the movement. It engages two debates that are usually conducted separately: one concerning the originality of civic humanism in comparison to medieval thought, and the other concerning the political and social function of the civic humanists' political republicanism in fifteenth‐century Florence. The article's main contention is that humanist political discourse rejected the perception of social and political reality as being part of, or reflecting, a metaphysical and divine order or things, and thus undermined the traditional justifications for political hierarchies and power relations. This created the conditions of possibility for the distinctively modern aspiration for a social and political order based on liberty and equality. It also resulted in the birth of a distinctively modern form of ideology, one that legitimizes the social order by disguising its inequalities and structures of domination. Humanism, like modern political thought generally, thus simultaneously constructs and reflects the dialectic of emancipation and domination so central to modernity itself.     

ON THE MANY WAYS OF SAYING MEMORY

This essay examines the concept and the discourse of collective memory in view of interpreting the novel function with which it has been endowed in recent decades and the problematic character of its interpretation. To this end, it focuses on the recent book by Manuel Cruz, On the Difficulty of Living Together: Memory, Politics, and History, which examines the contemporary functions that collective memory has assumed in recent decades and takes into account interpretations of it elaborated in a number of seminal works that have set the framework for contemporary ways of understanding it. My investigation engages critical analysis of the psychological approach to collective memory that Cruz adopts, which, in interpreting recent public preoccupation with collective memory as an expression of trauma occasioned by the Holocaust and other horrific twentieth‐century events, assumes that analogous psychic mechanisms govern forms of remembrance in the public sphere and memory in personal and small‐group interaction. By taking into account alternate possibilities of interpretation, suggested above all by the public function of the mass media, I seek to widen the scope of enquiry to scrutinize in a broader perspective the contemporary role of collective memory and its political significance in the public realm.     

3. BEYOND REPRESENTATION: PICTORIAL TEMPORALITY AND THE RELATIONAL TIME OF THE EVENT

Pictures are often connected with the mediation of the event but, paradoxically, not with temporality as such. Although there are several existing approaches that focus on the interplay between the event and its literary representation, the relation between pictorial time and the temporal constitution of the event remains unexplored. The field of image theory has offered insights into the multiple dimensions of the picture's temporality. It has shown that the picture's temporality concerns not only the depicted event but also the picture's immanent modes of producing different temporalities within one pictorial plane. The picture thus not only makes visible but also generates multilayered times of the event. This article brings together insights from image theory and from theories of historical times to demonstrate the relationship between the times of the event and the inner logic of the picture. In order to identify the various qualities of the picture that structure the times of the event, this article uses the case study of Reinhart Koselleck's practical and theoretical work with pictures. This article reads Koselleck's approaches to pictures alongside new insights concerning the relationality of time to the event and the picture. By exploring the picture's agency with regards to the politics of time, this article lays bare the picture's potential to structure the times of the event.     

GENDER DIVISIONS IN URBAN SPACE: BEYOND THE RIGIDITY OF DUALIST CLASSIFICATIONS

The paper discusses the absence of gender from the analysis and understanding of urban development as a result of dichotomies, implicit or explicit, in much of urban research: private space vs public space, home life vs politics, domestic labor vs paid employment, reproduction vs production. It is argued that urban analysis and theorizing have focused almost exclusively on the latter part of such dichotomies, the one associated with men and masculinity. This is an emphasis on and valuation of the adult male's activities and experiences of urban development and a corresponding devaluation of the activities and experiences of women — thereby reproducing gender hierarchies and ways of thinking about them. To consider these questions, a historically and geographically specific context of urban development is presented: the municipality of Helioupolis in the Greater Athens area (Greece). This study helps explain how the boundaries of divisions and dichotomies are transcended in women's everyday lives; how women (and men) are not exclusively identified with either part of dichotomies; but also how dichotomies are often intensified — sometimes by perceptions and practices of women themselves.