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1.
Textures of Time is a rich and challenging book that raises a host of important and hard questions about historical narrative, form, and style; the sociology of texts; and the core problem of ascertaining historical truth. Two that pertain to the book's main claims are of special interest to nonspecialist readers: Is register or style—“texture”—necessarily and everywhere diagnostic of “history”? Does a new kind of “historical consciousness” emerge in south India beginning in the sixteenth century, indeed as a sign of an Indian early modernity?Textures is not the first book to argue that historical discourse is constitutively marked by a peculiar style, but the claim is beset by difficulties that scholars since Barthes have detailed. Rather than textures of time—accounts of what really happened in history—what these works offer us may be only pretextures of time, textualized forms of a human experience that make claims about its degrees and types of truth through representations of various states of temporality. Instead of assessing, then, whether these works are history or something else like “myth,” we might ask whether they invite us to transcend this very dichotomy, to try, that is, to make sense of historical forms of consciousness rather than to identify forms of historical consciousness. As for modernity, nothing in south Indian historiography from 1500–1800 remotely compares to the conceptual revolution of Europe. But why should we expect the newness of the early modern world to have been experienced the same way everywhere? Modernity across Asia may have shown simultaneity without symmetry. Should this asymmetry turn out to reveal continuity and not rupture, however, no need to lament the fact. There is no shame in premodernity.  相似文献   

2.
Archaeologically based explorations of colonialism or institutions are common case-studies in global historical archaeology, but the “colonial institution”—the role of institutions as operatives of colonialism—has often been neglected. In this thematic edition we argue that in order to fully understand the interconnected, global world one must explicitly dissect the colonial institution as an entwined, dual manifestation that is central to understanding both power and power relations in the modern world. Following Ann Laura Stoler, we have selected case studies from the Australia, Europe, UK and the USA which reveal that the study of colonial institutions should not be limited to the functional life of these institutions—or solely those that take the form of monumental architecture—but should include the long shadow of “imperial debris” (Stoler 2008) and immaterial institutions.  相似文献   

3.
Historians and anthropologists are confronted with a persistent problem for which there is no clear solution: the conceptual tools which we use to attempt to understand cultures are themselves products of (often) the very cultures we are attempting to understand. Take “religion”. Boyarin ([2004]. “The Christian Invention of Judaism: The Theodosian Empire and the Rabbinic Refusal of Religion.” Representations 85: 21–57) has argued that the very concept of “religion” as we know it was a product of the fourth and fifth centuries, as bishops and emperors constructed Christianity as a religion (the true one, of course), and in counterdistinction constructed “Judaism” and “Hellenism” (or paganism) as “false” religions. For Boyarin, Judaism only becomes a “religion” when Christian authorities define it as one. The same could be said for the jumble of texts, beliefs and rituals that the English, upon arriving in India, lump together under the name “Hinduism”, which they turn into a religion. Building, defining and policing borders between confessional groups has been an important part of constructing identities—or visions of community—in various societies, in particular those ruled by Christians or Muslims, from the time of the fourth-century Christian Roman emperors. In this article, I examine how Christian and Muslim jurists of the fourth to eleventh centuries use law to define and police confessional boundaries, in particular how they attempt to limit interactions that could transgress or blur those boundaries: shared meals, sexual contact, syncretic practices.  相似文献   

4.
Ancient Greek is widely regarded as a language with an extraordinary number of so-called “Wackernagel P2 particles” such as γ?ρ, δ(?), and μ?ν, which serve a multitude of discourse functions. From the post-Classical period on, however, these small words gradually lose their importance in discourse and die out. This is reflected in the interest of scholars: while there are many studies on particles in older stages of Greek, not much research has been conducted on the particles in late medieval Greek (LMG; twelfth to fifteenth centuries). At this stage of the Greek language, the P2 particles are acknowledged to no longer be part of the living spoken language. Nonetheless, some of these small words still turn up in texts written in the vernacular. Since most LMG vernacular literature is composed in the metre of the 15-syllabic πολιτικ?? στ?χο? (vernacular prose being extremely scarce in this period), these occurrences are traditionally explained by appealing to metrical and/or stylistic reasons: the particles constitute archaizing relics merely inserted to give a classicizing flavour to the text, or are even used “metri causa”, simply to achieve the required number of syllables. In this note, I present a case-study on the “explanatory” particle γ?ρ (“for”) in the Chronicle of Morea, the best-known verse chronicle of the Greek Middle Ages. I show that γ?ρ is more than a blatant line filler. First, γ?ρ is not at all distributed at random, but consistently occupies P2 and thus obeys the so-called “Law of Wackernagel”, as the particles in Ancient Greek do. Moreover, γ?ρ can still exert a clear discourse function, albeit often a different one than in Ancient Greek.  相似文献   

5.
In Orientalism, Edward Said attempts to show that all European discourse about the Orient is the same, and all European scholars of the Orient complicit in the aims of European imperialism. There may be “manifest” differences in discourse, but the underlying “latent” orientalism is “more or less constant.” This does not do justice to the marked differences in approach, attitude, presentation, and conclusions found in the works of various orientalists. I distinguish six different styles of colonial and postcolonial discourse about India (heuristic categories, not essential types), and note the existence of numerous precolonial discourses. I then examine the multiple ways exponents of these styles interact with one another by focusing on the early‐twentieth‐century nationalist orientalist, Sri Aurobindo. Aurobindo's thought took form in a colonial framework and has been used in various ways by postcolonial writers. An anti‐British nationalist, he was by no means complicit in British imperialism. Neither can it be said, as some Saidians do, that the nationalist style of orientalism was just an imitative indigenous reversal of European discourse, using terms like “Hinduism” that had been invented by Europeans. Five problems that Aurobindo dealt with are still of interest to historians: the significance of the Vedas, the date of the vedic texts, the Aryan invasion theory, the Aryan‐Dravidian distinction, and the idea that spirituality is the essence of India. His views on these topics have been criticized by Leftist and Saidian orientalists, and appropriated by reactionary “Hindutva” writers. Such critics concentrate on that portion of Aurobindo's work which stands in opposition to or supports their own views. A more balanced approach to the nationalist orientalism of Aurobindo and others would take account of their religious and political assumptions, but view their project as an attempt to create an alternative language of discourse. Although in need of criticism in the light of modern scholarship, their work offers a way to recognize cultural particularity while keeping the channels of intercultural dialogue open.  相似文献   

6.
Reaching wide and diverse audiences, magic lantern shows and postcards played an important role in the dissemination of visual knowledge of other cultures in the British colonial era. Fakirs were a popular subject of postcards and lantern slides representing India. This reflected the official attention paid to religious ascetics who were seen as representative of everything that was problematic and in need of improvement in the country in colonial texts. Images of fakirs stood in a tradition of the representation of the “type”. However, following Barthes, it is important to analyse the connection between image and text. Lantern shows came with readings, which were more often preserved than images, but specific examples of images and texts together are taken from Harold Mackinder's and John Stoddard's lectures on India. The lectures are evidently anchored in the colonial discourse, while the images of postcards and slides evade the boundaries set by the text.  相似文献   

7.
Erin McElroy  Alex Werth 《对极》2019,51(3):878-898
This paper challenges dominant geographies of urban theory by conceptualising the dynamics of displacement in Oakland through place‐specific histories of racial/spatial politics. It argues that the repeated transposition of a San Francisco‐based model of “tech gentrification” results in deracinated dispossessions, or accounts of displacement uprooted from grounded histories of racial violence and resistance. It also argues that, while urban scholars acknowledge the role of historical difference in contouring dispossessions in metropolitan versus postcolonial cities, this consideration should be broadened to account for the racial/colonial dimensions of urbanism in the US as well. Treating Oakland as a “crossroads of theory”, this paper joins calls for a deeper engagement between postcolonial urban studies and critical race and ethnic studies from North America. Drawing upon the authors’ activist and empirical work, it contends that “thinking from Oakland” demands a foregrounding of racial capitalism, policing, and refusal.  相似文献   

8.
This article examines the photographic material of the Sámi cultural mobilizer Nils-Aslak Valkeapää's Beaivi áh?á?an (The Sun, My Father), published in 1988, with theoretical perspectives from anti- and postcolonial studies. The analysis focuses on how Valkeapää's use of photographs involves that the colonial past is examined from the vantage point of the anti-colonial present of the 1980s. Valkeapää's re-contextualization of photographs from ethnographic collections assembled in the late nineteenth and early twentieth centuries in a book he called a family album of the Sámi is discussed as an example of Sámi counter-history that is part of the decolonization process. When analysed with perspectives from anti- and postcolonial studies, the documentation of the way of life of the Sámi people in the late nineteenth and early twentieth centuries exemplifies a practice which has constructed the Sámi as the others of modern society. The article discusses how the construction of the Sámi as the others of modernity is deconstructed and challenged in present-day indigenous identity politics.  相似文献   

9.
This article is an attempt to address on a theoretical level an antinomy in postcolonial approaches to the question of temporal difference. Current scholarship tends both to denounce the way in which the others of the Western self are placed notionally in another time than the West and not only analytically affirm but indeed valorize multiple temporalities. I elaborate on the two problematic temporal frameworks—linear developmentalism and cultural relativism—that belong to a colonial legacy and generate the antinomy in question, and then proceed to discuss possible alternatives provided by a Koselleck‐inspired approach to historical time as inherently plural. I thereby make two central claims: (1) postcolonial conceptions of multiple temporalities typically, if tacitly, associate time with culture, and hence risk reproducing the aporias of cultural relativism; (2) postcolonial metahistorical critique is commonly premised on a simplified and even monolithic understanding of Western modernity as an ideology of “linear progress.” Ultimately, I suggest that the solution lies in radicalizing, not discarding, the notion of multiple temporalities. Drawing on the Brazilian classic Os sertões as my key example, I also maintain that literary writing exhibits a unique “heterochronic” (in analogy with “heteroglossic”) potential, enabling a more refined understanding of temporal difference.  相似文献   

10.
Stefan Kipfer 《对极》2011,43(4):1155-1180
Abstract: This paper offers a translation of key texts by the contemporary Mouvement des Indigènes de la République (MIR) and its key intellectuals: Sadri Khiari and Houria Bouteldja. Following Khiari, post‐colonial situations are best understood as recompositions: territorially mediated re‐articulations of colonial pasts with other social relations. To respond to the complexities of this post‐colonial recomposition, MIR propose an ambitious politics of “autonomy” and “mixity”. “Autonomy” (externally in relationship to the state and organized politics and internally for feminist groups) is seen as an indispensable precondition for a socio‐politically mixed, and potentially universalizing, political formation politics. More counter‐colonial than post‐colonial in orientation (Hallward), MIR attempt to give direction to three decades of revolt emanating from France's racialized popular neighbourhoods, including the uprising of 2005. I argue that MIR's interventions take up themes from the analyses by Frantz Fanon, Albert Memmi and Suzanne and Aimé Césaire to make countercolonial critique “live” in France today.  相似文献   

11.
ABSTRACT

Interdisciplinary literary and historical studies of late Qing vernacular are rare, and the vernacular texts of the Sichuan Railway Protection Movement have been overlooked by academics. This paper focuses on this topic, arguing that the discursive strategies in such texts revolved around the movement's aim of “breaking the agreement and protecting the railway,” and primarily included discourses on constitutionalism, financial interests, patriotism, cultural order, and the late emperor, as well the ideas of “ridding the emperor of evil ministers,” borrowed from traditional Chinese political discourses, and “national subjugation,” within the context of the national crisis. None of these discourses were “anti-Manchu” or “revolutionary,” yet they were able to mobilize the people of Sichuan to devote themselves to the Railway Protection Movement, as well as attracting the “sympathetic understanding” of high-ranking Sichuan officials, such as Wang Renwen 王人文 and Zhao Erfeng 赵尔丰, thus lending discursive power to the railway protection camp in its game of political chess with the Qing court. Meanwhile, the government's weak discursive power was an important factor in the overthrow of the Qing Dynasty by the revolutionary tide triggered by the Sichuan Railway Protection Movement. The discursive strategies in vernacular texts on railway protection (including the particularly strategic discourse on the late emperor) spread, transformed, and were reborn to varying degrees over the course of history.  相似文献   

12.
Autobiography of an Archive is a collection of essays by Nicholas B. Dirks written since 1991, preceded by an autobiographical introduction. This review article discusses the collection in relation to Dirks's overall scholarship and the wider intellectual field in which history, anthropology, and colonialism intersect in the study of India. Dirks has written three books: The Hollow Crown (1987), an “ethnohistory” of a “little kingdom” in south India; Castes of Mind (2001), about colonialism, anthropology, and caste in India; and The Scandal of Empire (2006), which discusses the foundations of British imperial sovereignty. In The Hollow Crown and other writings, Dirks significantly contributed to the debate about the “rapprochement” between anthropology and history, which was prominent in the 1980s. But in the 1990s, Dirks thought, the rapprochement ground to a halt; the relationship between anthropology and colonialism then came to the fore, and Castes of Mind, as well as some of these essays, were influential critical studies of colonial anthropology. In recent essays, Dirks has examined the “politics of knowledge” and the postwar development of South Asian area studies in the United States. This article argues that although the relationship between anthropology and history is now rarely debated, historical anthropology has continued to develop since the 1980s. Moreover, anthropologists in general now recognize that history matters, and that colonialism crucially shaped modern society and culture in India, and other former colonial territories. Many of Dirks's conclusions about, for example, Indian kingdoms and caste in colonial discourse, have been criticized by other scholars. Nonetheless, anthropological writing, especially on India, is no longer unhistorical, as it once often was, and Dirks's scholarship has played a valuable part in bringing about this change.  相似文献   

13.
This essay celebrates the publication of Duress, explores its concepts and themes, focuses on the way Ann Stoler rejects the notion of historical forgetting and develops a heuristic of “colonial aphasia” in an ethnographic chapter on the emergence of France's Far Right near Marseille in the 1990s. The essay also tracks how postcolonial scholars are using the notion of aphasia, drawing on Stoler's colonial usages in contexts like the Netherlands and Britain as well as using the notion to periodize. Those who came to aphasia before and without Stoler are also present here, and their contributions suggest a range of ways to think through radical, countercultural, and philosophical thought. That Gilles Deleuze and Paolo Virno use aphasia in contrary ways suggests that once aphasia departs from clinical settings, its poetics are rather up for grabs even if contained within activist gestures; both rethink matters of politics, dissent, and language. The example of Kurt Goldstein is also imported to show that clinical aphasia may go with the “detours” of patients, those stricken by war, catastrophe, and these peculiar speech disorders. That “detour” is also a Deleuzian word opens wide a “minor” register to history, speech, and forms of oppression. The semantic spectrum for aphasia in histories of politics and language is wide, from Stoler's colonial version that applies most to the privileged, to Deleuze's poetic transpositions that propose aphasia as an accomplishment, a rebellious refusal of communication. Aphasia has much promise as a historical category in and outside of colonial forms of duress.  相似文献   

14.
Following its colonial project, Western Europe imposed a political and cultural understanding of state nationalism and religious homogeneity on the entire world in the nineteenth and twentieth centuries. In parallel with this twofold process, “Religious Nationalism” emerged during the Cold War, affecting the Middle East and framing an updated Abrahamic version of religious supremacism: Wahhabi Islam, the Iranian Revolution, and Israeli Orthodox Judaism were politically backed, becoming the frontrunners of a new Global‐Religious narrative of conflict. This article aims to critically analyse the Western‐Islamic manipulation of “Jihadism” as an artificial and fabricated product, starting from the “deconstruction” of Jihad–Jihadism as an anti‐hegemonic narrative. The anti‐colonial “Islamic” framework of resistance to the Empire (United States) has effectively adopted the same colonial methodology: using violence and sectarianism in trying to reach its goals. Is the Islamic Supremacist “narrative” more influenced by Western thought than by a real understanding of Islam? At the same time, this article aims to stress the historical reasons why the Arab world has been artificially affected by a peculiar form of “Religious Revanchism” which can be understood only if O. Roy's Holy Ignorance dialogues with Steve Biko's Consciousness in emphasising the need for an updated Islamic Liberation Theology.  相似文献   

15.
This article develops the oppositional edge of postcolonial theologies by way of Frantz Fanon’s anti-colonial desire for the “end of the world.” It connects W. Anne Joh’s elaboration of jeong – the living in excess of (neo)colonial violence – to Dietrich Bonhoeffer’s anti-fascist critique of the godlike desires of European humanism (the sicut deus). The overall aim of the article is to clarify and assess what is at stake in a project of eschatological decolonialism. What might it mean to think theologically about salvation as abolition? And what might it look like to live from the “end of the world?”  相似文献   

16.
ABSTRACT

The arrival into geography, and especially urban geography, of a frame of questioning coming from postcolonial studies has contributed to a fascinating debate about what a “postcolonial” city is and how the urban duality between ethnically, socially, and spatially segregated “European” towns and “native” settlements is being reformulated and transformed. Obviously, Arctic cities are not postcolonial in the political sense of being independent from the former colonial centre – although this process may be under way in Greenland – but they have seen a progressive move from a Eurocentric culture toward greater hybridization. This article looks into two new trends that contribute to making Arctic cities postcolonial: first, the arrival of indigenous peoples in cities and the concomitant diminution of the division between Europeans/urbanites and natives/rurals; and second, the arrival of labour migrants from abroad, which has given birth to a more plural and cosmopolitan citizenry. It advances the idea that Arctic cities are now in a position to play a “decolonizing” role, in the sense of progressively erasing the purely European aspect of the city and making it both more local and rooted (through indigenous communities) and more global and multicultural (through foreign labour migrants).  相似文献   

17.
ABSTRACT

At the beginning of the 1960s, the Athenäum publishing house in Germany planned a revised and extended edition of Heinrich Schiffers’ (1901–1982) successful book Wilder Erdteil Afrika (English translation: The Quest for Africa). The bestselling author had published several monographs about Africa since the 1930s, and authored and edited numerous works after World War II. Nearly all of these works, whose substantial print runs are testament to their popularity, are characterized by an engaging combination of text, images, and cartographic material, creating narratives and mental maps about Africa, its history, and the colonial past. In his later writings, he stressed the importance of “relearning” with regard to Africa and struggled to remap the imaginative geography of Africa. In this paper, I examine the characteristics of Schiffers’ imaginative geography and the change in his writings and maps. I explore whether his concept of “relearning” was an epistemological decolonization or if there were any continuities found in his imaginative geography. In order to grasp the specifics of his thinking, his geography will be briefly compared with that of his contemporary, Frankfurt zoo director Bernhard Grzimek.  相似文献   

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Since it first aired in 2010 on Radió Teilifís Éireann, Ireland’s national public service broadcaster, Irish crime drama series Love/Hate has enjoyed record audience ratings. However, while serious TV critics and the show’s producers have praised it as a complex and incisive commentary on crime in Ireland, the more participatory online cultures of the Journal.ie, Twitter and Facebook have constructed a distinctly less highbrow set of discourses around the show. This analysis of the Journal.ie’s Daily Edge recaps demonstrates how participatory Laddish humour and what Jean Burgess refers to as the “vernacular creativity” of memes have functioned to prioritise a cohesive set of engagements with Love/Hate that are underpinned by fantasies about the recuperation of male power. Moreover, by creating a sense of “in-groupness” around the series, the Daily Edge and its tertiary texts have produced a heavily gendered sense of consensus about who “we” in post-Celtic Tiger Ireland are.  相似文献   

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