The history of the book and publishing in eighteenth-century Italy

Based on published and untapped sources, the article sets out to explore the cultural and material conditions of the book trade in Italy during the eighteenth century. Special concern is given to the import of French printed works and pamphlets as a means to diffuse the Enlightenment south of the Alps. The text does not address problems of authorial status, but provides a general assessment of the literary market and its impact on the reading habits of the elites. Critical and bibliographical information is also provided about the renewal of interest for the history of the book and reading in Italy since the 1980s.     

The history of cultural anthropology: Two views

Elvin J. Hatch. Theories of Man and Culture. New York: Columbia University Press, 1973. viii + 384 pp. References and index. $12.00.

Paul J. Bohannan and Mark Glazer, eds. High Points in Anthropology. New York: Alfred A. Knopf, 1973. xix + 449 pp. References. $6.95.     

But malice aforethought: cities and the natural history of hatred

I take as my starting point the fact that Western cities are often depicted as on the brink of catastrophe. Indeed some contemporary authors would argue that they have never been closer to that brink. The first part of this paper argues against this tendency by focusing on the preponderance of activities of repair and maintenance. Having looked at the state of this forgotten infrastructure, in the second part of the paper I turn to an examination of why this Cassandra interpretation is so prevalent. I argue that, in particular, it draws on wellsprings of misanthropy which are rarely voiced in writings on cities because sociality is too often confused with liking. Yet it seems vital to me to tackle misanthropy head on. Then, in the third part of the paper, I argue that currently there is a coming together in cities of all kinds of affective politics of concern which can act, through all manner of small achievements, as a counter to misanthropy but which do not mistake the practice of this politics for a search after perfection.     

Edward Forbes (1815-1854) and the exhibition of natural order in Edinburgh

The roles, affordances and social agency of natural history museums are discussed in relation to the writings of Edward Forbes. These signal a motivation, in the mid-nineteenth-century, to naturalize the established social order through the systematic arrangement and display of natural history specimens. The perceived importance of the embodied messages of social order, as an antidote to radicalism and revolution, overrode concerns about temperance and abstinence and immediate fears for the physical safety of collections. The tensions between temperance, and the broader concerns about social order, were played out over the matter of the museums themselves being licensed premises.     

The history of modern and contemporary Italy: Made in France (from the late 1970s to the late 1990s)

Abstract

Over the past three centuries Italy has been the focus of numerous studies by French historians, who have taken advantage of the great wealth of sources available there. While no new synthesis has yet been achieved, we can identify certain main lines of development in French historiography. In the late 1970s and into the 1980s international relations and, especially, the relations between France and Italy were given the greatest attention, before a new focus on forms of sociability and political pedagogy began to be more common. However, the shifting of focus of historical studies to the centres of political decision making often coincided with less attention being paid to social stratification. Beyond these major themes, some researchers have reconstructed ‘global’ historical models, which have been characteristic of the renewal of post‐war French historiography.     

The role of images in the development of Renaissance natural history

This review surveys recent scholarship on the history of natural history with special attention to the role of images in the Renaissance. It discusses how classicism, collecting and printing were important catalysts for the Renaissance study of nature. Classicism provided inspiration of how to study and what kind of object to examine in nature, and several images from the period can be shown to reflect these classical values. The development of the passion for collecting and the rise of commerce in nature's commodities led to the circulation of a large number of exotic flora and fauna. Pictures enabled scholars to access unobtainable objects, build up knowledge of rare objects over time, and study them long after the live specimens had died away. Printing replicated pictures alongside texts and enabled scholars to share and accumulate knowledge. Images, alongside objects and text, were an important means of studying nature. Naturalists' images, in turn, became part of a larger visual culture in which nature was regarded as a beautiful and fascinating object of admiration.     

Federal intellectual property policy and the history of technology: The case of NASA patents

This essay explores two closely entwined issues in recent history of federal R&D policy: (a) the disposition of the US government intellectual property (IP), and (b) how to best assess the effectiveness of federal patenting and licensing policies. It does so by examining two decades of patenting policy and practice at the National Aeronautics and Space Administration (NASA). The essay concludes with observations on the limits of our current approach to collecting data on the disposition of federal IP, and an alternative framework for examining the role of IP in the history of modern technology.