History maker: Discovering James Arthur Harley

This extract from a recently published book tells the story of James Arthur Harley (1843-1943), the first black student to achieve the first Diploma in Anthropology in 1909 at the Pitt Rivers Museum, University of Oxford.     

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The Kukukuku of the Upper Watut. By Beatrice Blackwood. Edited from her published articles and unpublished field-notes, and with an Introduction By C. R. Hallpike. 218 pages, 38 plates, 16 figures, 3 maps. Pitt Rivers Museum, Monograph Series No. 2, University of Oxford, 1978.     

Front and back cover caption,volume 39 issue 3

Front and back cover caption, volume 39 issue 3 ROBOTIC BUDDHIST FUNERAL PRIESTS Humanoid robot ‘Pepper’, produced by SoftBank Robotics, debuts to great fanfare in 2017 in its new role as a Buddhist priest and funeral attendant at ENDEX, the Japanese funeral and cemetery industry convention. Alongside AR grave design programs, eco-urns and ash jewellery, Pepper is one of many striking, experimental products and services aimed at reinvigorating and reinventing Japan's ‘ending industry’. In a country with a rapidly aging population, Japan is facing a crisis in how to handle death. Traditional Buddhist funeral rites are becoming increasingly expensive and difficult to find, and many families are looking for new ways to say goodbye to their loved ones. One possible solution is the use of robotic Buddhist priests. These robots are programmed to chant sutras, lead prayers and perform other traditional funeral rituals. They are also much cheaper than human priests, making them an attractive option for families on a budget. The use of robotic priests is still in its early stages, but it has the potential to revolutionize the way death is handled in Japan. By providing a more affordable and accessible option for funeral services, robots could help to ensure that everyone has a dignified send-off, regardless of their financial situation. These interventions respond to the weakening of traditional Buddhist death rites and the socio-religious structures that once supported them. THE FIRST BLACK STUDENT IN ANTHROPOLOGY James Arthur Harley (1873-1943), a talented polymath with a degree from Harvard University, arrived in Edwardian England in 1907 and enrolled in the Pitt Rivers Museum at the University of Oxford to pursue a Diploma in Anthropology. Unfortunately, the curriculum at the time perpetuated racist ideologies that portrayed and thought of black people as intellectually inferior, exotic, sub-species, sub-human – savage. However, Harley's presence at Britain's world-renowned university, a bastion of white elite privilege, prestige and class, was not unique. Thirty-four years earlier in 1873, Christian Frederick Cole (1853-1885) from Sierra Leone became the university's first black scholar when he matriculated at University College, aged 21, to read for an honours degree in Classical Moderations, going on to achieve the august status of Britain's first black barrister. Harley, an Antiguan scholar, completed the course and became the first black man to earn the diploma. In so doing, he, like many black scholars at the University of Oxford, from Alain LeRoy Locke (1885-1954), the first black Rhodes scholar, later known as the father of the Harlem Renaissance, to Kofoworola Moore (1913-2002), the first black woman to receive a degree in 1932, all obliterated the preconceived racist-held ideologies with their achievements and later contributions. Anthropology continuously evolves and adapts to the changes humans experience in this world. Through the presence of Harley and his fellow pioneers in these institutions, we see how they gradually evolve and reframe how black students are viewed. These early students were change agents and perhaps instigators of decolonized curricula and forged a path for other black students to follow.     

The future of the enthnographic museum (Respond to this article at http://www.therai.org.uk/at/debate)

This essay discusses the recent past of ethnographic museums and raises questions about their future. In the last thirty years or so, ethnographic museums have faced many challenges arising both from within and beyond anthropology to the extent that in the post‐colonial and post‐modern era they could be said to have suffered an identity crisis. Many have been renamed, remodelled or rehoused in spectacular new premises (such as the Musée du Quai Branly in Paris). Only a few have remained largely unaltered, as at the Pitt Rivers Museum in Oxford where the authors of this essay are employed. Drawing on the theoretical literature in museum anthropology and material culture, many years of ‘hands on’ curatorial experience and the insights gained from a five year collaborative research project involving ten major ethnographic museums in Europe, the authors investigate how ethnographic museums might engage with new audiences and new intellectual regimes in the future.     

Who were bennelong and Pemulwuy? Museums in Sydney and interpretation of eora aboriginal culture

Abstract

The Eora Aboriginal People are the original inhabitants of the Sydney region [in NSW, Australia]. There are an estimated 2, 000 Aboriginal rock engravings in Sydney. Some museums in Sydney now acknowledge the traditional Aboriginal owners and use Eora words to name their exhibitions. These include: Ngaramang bayumi – music & dance (Powerhouse Museum); Merana Eora Nora – first people (Australian National Maritime Museum); Yiribana (Art Gallery of New South Wales); and Cadi Eora Birrung: Under the Sydney Stars (Sydney Observatory). The Aboriginal history of Sydney, however, is only told at the Museum of Sydney with installations, videos and spoken exhibits about Eora, the indigenous peoples of Sydney. This paper reviews the Eora Aboriginal exhibits at the Museum of Sydney. It questions whether visitors to Sydney learn about Bennelong and Pemulwuy, two key Aboriginal figures in the the early European settlement around Sydney Harbour. Sydney Aboriginal Discoveries on their Dreamtime cruise of Sydney Harbour provide another interpretation of Eora history and culture. The paper suggests the Eora heritage of Sydney should be more widely interpreted in Museums, National Parks and other public venues to rightfully acknowledge this Aboriginal history.     

SCIENTIFIC INVESTIGATION OF FAIENCE FRAGMENTS ATTRIBUTED TO THE TOWN MOSAIC AT KNOSSOS*

We analysed a faience fragment from Bristol Museum and Art Gallery, to determine whether it belonged to the Town Mosaic, excavated at Knossos. Three Town Mosaic fragments from the Ashmolean Museum, Oxford were also examined. The objects were analysed using non‐destructive variable‐pressure scanning electron microscopy with energy‐dispersive X‐ray spectrometry. The Bristol object's composition and microstructures are similar to those of the Town Mosaic samples. Our results are also comparable to those from polished samples of Minoan faience (Tite et al. 2009 ), showing that VP SEM–EDX gives reliable results without invasive sampling. Silicaceous, copper‐rich microspheres were identified for the first time in two of the Ashmolean objects.     

A Shield Loaded with History: Encounters,Objects and Exhibitions

This article discusses an Aboriginal shield in the British Museum which is widely believed to have been used in the first encounter between Lieutenant James Cook's expedition and the Gweagal people at Botany Bay in late April 1770. It traces the ways in which the shield became ‘Cook-related’, and increasingly represented and exhibited in that way. In the wake of its exhibition at the National Museum of Australia in late 2015 and early 2016, the shield gained further public prominence and has become enmeshed within a wider politics of reconciliation. A recent request from the La Perouse Local Aboriginal Land Council to the British Museum to review knowledge about the shield has contributed to a reappraisal of claims about its connection to Cook's 1770 expedition. Preliminary findings of this review are presented. In the process, the article addresses larger questions concerning the politics surrounding the interpretation of the shield as a historically ‘loaded’ object.     

A seventeenth-century trade gun and associated collection from Pine Island,Alabama

A set of artifacts, apparently associated with human remains (one tooth), from Pine Island, Alabama, was donated to the Yale Peabody Museum of Natural History in 1915. In preparation for repatriation, this collection was investigated extensively by a volunteer team. This paper reports the results of this analysis, focusing especially on a new type of trade gun and the glass beads. The goal of the research is to provide an accurate date for the collection to assist in identifying the Native American group represented.     

The Polygamy Question: Missions,Marriage, and Assimilation

Polygamy was a vexed question for missionaries in the Northern Territory of Australia. In the mid twentieth century, Christian missions of various denominations worked with the Australian Commonwealth Government to achieve a policy of assimilating Aboriginal people into white Australian culture. Yet there was little consensus as to how this assimilation policy could or should be applied to Aboriginal marriages. This article demonstrates that the issue of polygamy exposed divisions between church and state as well as among Christian denominations over their understandings of marriage. These differences stemmed from differing spiritual visions of assimilation in Australia. The conflicts over marriage in the Northern Territory, therefore, reveal that assimilation, and settler‐colonialism more broadly, operated on a religious plane as Aboriginal people, missionaries, and bureaucrats engaged in a spiritual contest over what represented a legitimate and acceptable marriage in that land.     

The Buffalo Nations/Luxton Museum: Tourism,Regional Forces and Problematising Cultural Representations of Aboriginal Peoples in Banff,Canada

This paper examines the cultural representations of Aboriginal peoples at the Buffalo Nations/Luxton Museum in Banff, Canada. The museum has been part of the cultural landscape of the tourism industry in Banff since 1952. Using interviews, newspaper articles and analyses of the exhibits, I problematise the museum's representations of Aboriginal peoples by focusing on the challenges associated with navigating regional power relations while participating in forms of capitalist exchange. My findings suggest that the museum's representations engender complex readings of Aboriginal peoples that need to be interpreted considering the processes of production, but also the broader conditions that are embedded in this history. This paper puts cultural representations of Aboriginal peoples into socio‐economic, political, cultural and historical contexts in ways that may interest scholars and practitioners from diverse disciplines and specific fields such as museum, recreation, tourism, heritage and Indigenous studies.     

Giants in Pageants

After early employment with the archaeologist, General Pitt Rivers, Herbert Samuel Toms (1874–1940) was a curator in the Brighton Museum. Amassing a significant folklore archive, including specimens, photographs, and records of interviews from Sussex and adjoining counties, his particular interest was naturally perforated flints (witch stones or hagstones), used to protect households against witches, domestic animals from the ravages of the nightmare, and to cure a range of diseases. By the 1920s, they were regarded as little more than “lucky stones”, as were necklaces made up of the Cretaceous fossil sponge, Porosphaera.     

What Remains? Reconciling Repatriation,Aboriginal Culture,Representation and the Past

ABSTRACT This paper uses the repatriation and ceremonial reburial of Indigenous remains to La Perouse, an Indigenous community in Sydney, as a lens through which to examine the cultural politics of representation and recognition that are central to contemporary Aboriginal identity construction. The return of the skeletal remains of 21 individuals highlights the role that representative bodies — past and present, individual and organizational — play in engagements between the State and Aboriginal people. Heralded by some as a sincere sign of reconciliation and treated as suspect and misguided by others, the reburial produced diverse responses from both Aboriginal and non‐Aboriginal people alike. Speakers at the repatriation focused on righting the wrongs of the past, reconciliation, and moving forward in cooperation, suggesting the redemptive significance of these events. Among Kooris at La Perouse, debates about community, representation, and belonging expose the ways that Aboriginal people and communities operate through, against, and beyond ‘whitefella’ structures of recognition to define who they are and what their culture is.     

Anthropology,Self-determination and Aboriginal Belief in the Christian God

Over the past forty years the Aboriginal people of Galiwin'ku (Elcho Island) in north-east Arnhem Land have successfully incorporated Christianity into their world view. However, a Uniting Church report characterises members of this same Yolngu (Aboriginal) community as being overwhelmed with feelings of inferiority and powerlessness and unable to function within structures established by Balanda (non-Aborigines). This paper contrasts the ways in which Christianity has helped break down the separation between cultural groups with its function as a structure for explicit discourse on Aboriginal/non-Aboriginal relations and inequality. While some Elcho Islanders see anthropologists as people who listen in order to work for Aborigines, Aboriginal Christians see them and other ‘scientists’ as attempting to undermine Aboriginal belief in the Christian God. They are seen as degrading a spiritual movement which has its foundation in the Dreaming and as posing a potential threat to the momentum of Aboriginal directed change in the community.     

Of Peaceable Kingdoms and Lawless Frontiers: Exploring the Relationship between History,Mythology and Gun Culture in the North American West

The United States is more violent than Canada and it always has been. Even in the face of mass shootings, most Americans remain culturally and politically resistant to the sorts of gun control measures that have long existed in Canada. America’s unique gun culture is embedded in the history, imagery, and especially the mythology of the American frontier. Canada had its own frontier experience and has its own history of gun ownership, but it does not have a parallel gun culture. This article presents a comparative analysis of post-Civil War/post-Confederation frontier history and mythology, and examines the construction of contrasting cultural narratives of America’s “Wild West” and Canada’s “Mild West.” It suggests that US–Canadian differences in gun laws and gun culture—even in the borderlands region of Alberta/Montana—are better explained by the countries’ two different frontier mythologies than by their actual western histories.     

Missionary Masculinities,the Homoerotic Gaze and the Politics of Race: Gilbert White in Northern Australia, 1885–1915

The considerable international literature on Christian missions and gender has rarely focused on missionary masculinity, or on the relationship between missionary homoeroticism and the defence of the rights of the colonised. This paper argues that homoeroticism played a part in the humanitarianism of Gilbert White who, from 1900 to 1915, was Anglican Bishop of Carpentaria in northern Australia, a heavily male frontier where inter‐racial tension and violence were common. White's attraction to the Aboriginal male body indirectly assisted all Aborigines by drawing attention to the ill effects of colonisation but his ambivalence to the female body left him uninterested in the plight of Aboriginal women, who suffered ‘extraordinary brutality’ on the frontier.     

Michael J Clarke collections,from the Geological Survey of Tasmania,are transferred to the Tasmanian Museum and Art Gallery

Over 300 primary type and figured specimens of Late Palaeozoic invertebrates described by Michael J Clarke have been transferred to the Tasmanian Museum and Art Gallery Collections.     

Of Human Bondage: The Breaking In of Stockmen in Northern Australia

This article examines the cultural forms through which the young European‐Australian stockmen who work on the cattle stations of north Queensland are socialised. Exploring their interactions with a social and physical landscape and their rites of passage, as manifested in everyday actions, performance and material culture, it reveals how – and why – they are given little choice in acquiring values which are intensely adversarial to the land and to the indigenous people of Australia. It also explores the relationship between the transmission of particular values to these young men and the wider political and hegemonic role of the pastoral sub‐culture in defining Australian national identity. 1 1 It has take me a while to lasso and subdue this ethnographic beast, and in the course of the struggle I have benefited greatly from the advice of colleagues at the Institute of Social and Cultural Anthropology in Oxford, the Pitt Rivers Museum, the University of Wales, Lampeter and fellow Australianists at the Centre for Australian Studies in Wales and at the Menzies Centre in London. I am also most grateful to Neil Maclean and his anonymous referees for their many helpful suggestions and comments. I would like to pay an affectionate tribute to the young stockmen on the cattle properties of Cape York's western coast: at Rutland Plains, Koolatah, Highbury, Drumduff, Sefton and the other stations where I was invited to ‘sling my swag’. Behind the sabre‐rattling that I have quoted, most of these young men were good folk: they were largely tolerant of have a female (and a bloody pom too!) in their midst, generously sharing stories, explaining their lives, making hat‐catchers and belts for me, and showing me how to break horses and the occasional bone. I have had a little feminist fun in considering their performances of Masculinity, but I haven't forgotten that what they do often requires real courage and determination. Though I have tried here to point to the political hegemony of their role and its potentially bleak consequences, I hope that an understanding of their sub‐culture and its pressures will assist the resolution of some of the conflicts in which they find themselves entangled.
     

The pens of the defeated: John Hewitt,Sam Thompson and the Northern Ireland Labour Party

Telescoping the political lives and work of Sam Thompson and John Hewitt, this article demonstrates the importance of the Labour movement on both Belfast-born Protestant writers and how this inculcated a socialist conviction quite separate and antagonistic to Ulster unionism. Referencing Thompson's unpublished, largely unknown plays as well as newspapers and his trio of performed works, the article illuminates his public impact as well as the significance of the play Over the Bridge (1960). Hewitt's early political activities and regionalist outlook are explored, as is the controversy surrounding his 1957 move to Coventry. The underestimated importance of a class perspective within Northern Protestantism is addressed, the article arguing that questions of national identity are secondary to the writers' class and internationalist politics. With continuing resonance, literature and writing itself are shown as intrinsic to the Northern Ireland Labour Party, with which both were associated, fuelling resistance to both unionism and Irish nationalism.     

古物陈列所的兴衰及其历史地位述评

成立于1914年且存在了34年的古物陈列所长期被人们忽视并淡忘。它实际上是中国近代民主革命的光荣产物和反复辟斗争的重要成果,曾占据今日故宫博物院的半壁江山,被誉为“民国成立后最有价值之建设”。它是紫禁城向博物馆转变的第一篇章,是中国第一家国立博物馆、宫廷博物馆、艺术博物馆,开创了中国近代博物馆发展史的新纪元,在世界宫廷类博物馆中占有特殊地位,在中国近代政治、社会、文化史上也具有较深远的影响。