Civitatis Ghaniensis Conditor: Kwame Nkrumah,symbolic nationalism and the iconography of Ghanaian money 1957 – the Golden Jubilee

ABSTRACT. During his tenure as premier from independence in 1957 until he was ousted by a military and police coup in 1966, Kwame Nkrumah was the living personification of the Ghanaian nation‐state. As the self‐proclaimed Civitatis Ghaniensis Conditor– Founder of the State of Ghana – his image was minted on the new national money and printed on postage stamps. He erected a monument of himself in Accra, changed the national anthem to make references to himself, customised the national flag to match the colors of his CPP party, made his birthday a national day of celebration (National Founder's Day), named streets and universities after himself, and amended the constitution whereby he became Life President. Since the coup, many of the symbols of nationhood that Nkrumah constructed have been debated, demolished, reconsidered and reengineered by successive governments to rewrite the Ghanaian historical narrative. This article analyses the contentions of one of Nkrumah's first expressions of symbolic nationalism – that of the national coinage.     

Making time for national identity: theoretical concept and empirical glance on the temporal performance of national identity

Despite global, economic, technological and social transformations, nationality has remained an influential identity category. It still forms the basis for collective self‐determination, political sovereignty and sense of belonging. This article puts forward the concept of ‘Chrono‐Work’ to offer a critical approach to national identity. Employing temporal and performative perspectives, the concept addresses the conditions for establishing and constructing national identity. Drawing on Judith Butler's performance theory, it is suggested that performance of national acts loads national identity with meaning through the construction of a chronological narrative. To complete the theoretical picture, a case study of ‘Chrono‐Work’ among the Jewish settlers on the Golan Heights in Israel is offered. It is shown that national identity is constantly performed through temporal strategies that aim at achieving a chronological order. Therefore, it is suggested that national identity is not given, but rather is the result of continuous ‘Chrono‐Work’.     

GLAZED CERAMIC MANUFACTURING IN SOUTHERN TUSCANY (ITALY): EVIDENCE OF TECHNOLOGICAL CONTINUITY THROUGHOUT THE MEDIEVAL PERIOD (10TH–14TH CENTURIES)*

Archaeometric investigation allowed the characterization of two important classes of ceramics: ‘vetrina sparsa’ and ‘invetriata grezza’. Their archaeological peculiarity makes them particularly suited for tracing the evolution of glaze manufacturing in southern Tuscany throughout the medieval period (10th–14th centuries). These ceramics were found in different sites of historical importance, and also from a mining perspective. Local copper, lead, zinc and iron mineralizations supported the growth of several settlements in the vicinity of the mines. The many castles and different archaeological finds (ceramics, glazed ceramic, slag etc.) attest to the intense mineral exploitation of the area from at least the first millennium bc up to the modern period. In light of these geological and archaeological characteristics, archaeometric investigation was intended to provide insight into ancient technical knowledge of ceramic glazing and to determine the source area for raw materials in the medieval period (10th–14th centuries). Ceramic bodies were analysed through OM, XRDp, SEM–EDS and XRF, while coatings were investigated through SEM–EDS. Mineralogical, petrographic and chemical analyses revealed slightly different preparation and firing processes for the two classes of ceramics. These data suggest the continuity through the centuries of the ‘vetrina sparsa’ and ‘invetriata grezza’ production technology. The mineralogical phases, such as monazite, xenotime, zircon, barite, Ti oxide, ilmenite, titanite, tourmaline and ilvaite, and the lithic (intrusive and volcanic) fragments detected within the ceramic bodies suggest a source area in the vicinity of the Campiglia mining district. Lastly, the presence of Cu–Zn–Pb (Ag) and Fe sulphide mineralizations (materials used to produce glaze) in the area supports the hypothesis of local manufacture.     

Old wine in new bottles: civic nation‐building and ethnic nationalism in schooling in Piedmont,ca. 1700–1861

ABSTRACT. Gellner (1983 : 35) equates nationalism with ‘the organisation of human groups into large, centrally educated, culturally homogeneous units’. As the theorist of nationalism argues, and as recent and not so recent historical research shows, the modernisation of schooling is a defining moment in this process. The objective of this article is twofold: first, to show that during the Risorgimento schooling in Piedmont became nationalist; and second, to explain why that was the case. In doing so, it is argued that: (a) the modernisation of schooling reflected the rise of laissez faire liberalism, industrialisation and the enfranchisement of the middle class; and (b) the leadership of the Risorgimento revived pre‐modern ethnic symbols of patriotism to legitimate inequality and state formation under conditions of individualism.     

Borders and banknotes: the national perspective

Replacing a banknotes series is meaningful for politicians and the general public even today, while most transactions are executed through virtual means. The choice of images carried on banknotes represents the limits of the State's sovereign border and becomes a means of banal nationalism. Moreover, by utilising scopic regimes, the hegemony portrays the cultural and political borders: historical figures from the country's past on one side, and an imagined or physical border, expressed through the illustrations on the back. This paper addresses the latter and examines the case of the State of Israel. The analysis of sites and landscapes that appear on national banknotes can decipher the construction process of a ‘territorial identity’ which, along with struggles for maintaining identity, provides the basis of the nation‐state. Using Williams's typology of selective tradition, we argue that Israeli banknotes demonstrate a mixture of residual and new cultural content.     

HMQS Mosquito: the rediscovery and identification of Queensland's first warship

In 2009, the remnants of Her Majesty's Queensland Ship Mosquito, a 2nd‐class torpedo‐boat built in 1883, were relocated. Purchased by the colonial government of Australia in response to heightened tensions between Great Britain and Imperial Russia, Mosquito was assigned to Queensland's capital, Brisbane, where it had a largely uneventful career. Following removal from active duty it was stripped and abandoned on the foreshore of a tributary of the Brisbane River. This paper discusses Mosquito's historical background, and chronicles the rediscovery of the vessel, and the archaeological investigation and identification of its remains. © 2010 The Author     

The politics of recognition: symbols,nation building and rival nationalisms

ABSTRACT. Ceremonial initiatives linked to nation‐building projects are highly visible in multiethnic states, where governments seem to have adopted a Durkheimian approach in which ceremonies contribute to the strengthening of communities. However, national ceremonies are not invented or exported to other nations easily, as seen when outlining the pattern of a successful national day. A unifying narrative (sometimes the historical genesis) is significant in the establishment of successful national days, as is the nature of the national day design. The celebrations of the constitution in Norway – and the 77 year struggle to get the Norwegian flag officially recognised – became part of resisting the enforced union with Sweden (1814–1905). Therefore, the growth of Norwegian nationalism must be understood in the context of rival nationalisms in Scandinavia. However, Constitution Day (17 May) has remained a powerful component of Norwegian nationalism long since the constitution ceased to be threatened because of its incorporation in primary and secondary school curricula and, more recently, within the debate on multiculturalism.     

Black or White: The Turbanization of Shi‘i Islam

The Turban has been worn by Muslims since the early period of Islamic history. This paper examines the significance of the turban in Twelver Shi‘ism. It argues that the turban and its color have been used to enhance the social and religious status of the descendants (sayyids) of the Prophet Muhammad. The paper also discusses the importance attached to the method of tying the turban and demonstrates how social pressure forced scholars to abandon a practice established by the Prophet and Imams. It will also argue that the method of trying the turban was used as an ideological tool among Shi‘i scholars.     

The historical dynamics of ethnic conflicts: confrontational nationalisms,democracy and the Basques in contemporary Spain*

ABSTRACT. All the historical moments in which the Basque debate reached political protagonism in contemporary Spain coincided with political contexts of institutional democratisation. The debate on patriotism in the Basque Country is connected with a uniform narrative regarding the Basques and their moral distance from the Spanish nation: the ‘Basque problem’. This narrative has fostered a confrontational discourse between Spanish and Basque nationalism. It has also promoted recourse to specific stereotypical images of the Basques, which bind ethnicity to collective identity. Such representations reveal that the invention of the Basque country as a uniform ethnic collective had much more to do with the internal contradictions of Spanish national identity – and later of Basque identity – than with the existence of a secular conflict between Basques and Spaniards. The Basque case shows that every ‘ethnic conflict’ requires adequate contextualisation in order to avoid simplifying its origins and past pathways to make it conform to present uses.     

‘The land and its people’: reflections on artistic identification in an age of nations and nationalism

From the late eighteenth century onwards, increasing numbers of visual artists came to identify with their nations and with the homeland and its people. This development was strongly influenced by growing national cultural support and regulation of the arts by academies, art schools, museums and art markets in Western Europe. On a subjective level, the Rousseauan movement of a ‘return to Nature’, Herder's espousal of vernacular cultural self‐expression and, above all, the widespread Romantic cult of authenticity, were potent influences on the inner self‐identification of visual artists after 1800, and were manifested in the novel importance accorded to landscape and rural genre painting in Western Europe. Here I consider the role of national sentiment, the ‘return to Nature’ and the cult of authenticity, first in landscape paintings by Paul Sandby, J. M. W. Turner and John Constable in early nineteenth‐century Britain, and then in the rural genre paintings of Jean‐Francois Millet and Jules Breton in nineteenth‐century France and Josef Israels, Anton Mauve and Vincent Van Gogh in the later nineteenth‐century Netherlands. Their work reveals how nineteenth‐century visual artists became inwardly identified with the ‘land and its people’, and how they in turn contributed, especially through prints and engravings, to the dissemination of national imagery and a cultural nationalism.     

Early pan‐Arabism in Egypt's July revolution: the Free Officers' political formation and policy‐making, 1946–54

Between 1952 and 1970, Gamal Abdel Nasser and Egypt's Free Officers Movement established the paradigmatic pan‐Arabist revolution from above. Yet it has become something of a cliché to maintain that the Free Officers had no blueprint of action before seizing power and that they later instrumentalised pan‐Arabism in their foreign policy, thinly veiling their actual commitments to Egyptian nationalism and imperialism. By contrast, this contribution underlines the impact of the British colonial context on the Free Officers' political formation and their early identification with pan‐Arabism in turn. Drawing on pamphlets, speeches, media output and memoirs, it shows that the Free Officers developed a distinctive form of anticolonial nationalism that emphasised social justice and invoked overlapping Egyptian and Arab identities. Their aspirations for liberation thus entailed a connected foreign policy and nation building programme in which pan‐Arabism was a prime – and early – component.     

A Space and Time for a Generation to React: The Gattjirrk Cultural Festival in Milingimbi

This article deals with the annually held Gattjirrk Cultural Festival organised in Milingimbi, a Yolngu community in Northeast Arnhem Land, and has the objective of analysing its socio‐cultural and political meaning. Although this event is considered an amusement (wakal), it nevertheless constitutes an arena to negotiate postcolonial realities in which Yolngu people are forced to live. Focusing on the organisers' overall frame of ‘sharing culture’ and youths' interpretations of hip‐hop dances as ‘performative tactics’, I suggest that the Milingimbi Festival creates a space in which generational perspectives within the community as well as the tension between Yolngu people and the non‐indigenous (balanda) world may be displayed and mediated. While the Festival has been mainly conceived as a space for encountering and ‘sharing culture’ with other groups and people both within the community and with the balanda world, it is also seized as an opportunity by young people to generate new ways to engage with and challenge others. By weaving together elements of Yolngu heritage and pop culture, I argue that fun or burlesque dances (wakal bunngul) are ‘tactics of cultural remix’ that through laughter and irony demand a witnessing: a mutual recognition, engagement, and responsibility to participate and to respond. It is thus in their own ways that these performances produce new connections and relationships bringing together old and young, Yolngu and balanda in an effective although fleeting encounter.     

Two bullocks,a ladder and a lamp: electoral symbols in Nehruvian India

There is a substantial body of literature on nation‐building that, from a variety of theoretical approaches, examines the role of symbolic constructs in the process of construction and consolidation of new nation‐states. Among these works, the dramatic and symbolic aspects of election and their function in the nation‐building project have been investigated by political scientists and anthropologists alike. However, analysis of electoral emblems as constitutive elements in the nation‐building process has been largely missing from most studies of nation‐building and official nationalism. A case study of postindependence India suggests how national belonging was also made to hinge upon on competent democratic participation of the masses in the political life of the country. Central to this process of identity work was the establishment of an independent Election Commission and of strict rules for the design, selection and allotment of election emblems. Conventional accounts have argued that these procedures were introduced primarily for the benefit of the uneducated masses who were suddenly invited to participate in India's democratic process. I argue against this simplistic interpretation. Far from being only tools for the simplification of electoral processes, India's election symbols were one of India's institutional mechanisms designed to nurture the development of a correct democratic conduct and therefore ultimately contributing to the Nehruvian national project.     

The ‘Dividual Androgyne’ and Me: a Personal Affair

In the 25 years since Marilyn Strathern published The Gender of the Gift (1988) its signature concepts of the ‘dividual androgyne’ and ‘sociality’ have received almost no criticism in the anthropological literature and are now widely accepted as true. The ‘dividual’ is considered to be ‘a new, non‐unitary model of embodiment and … one of the most important theoretical accomplishments to emerge from Melanesian ethnography in the latter part of the 20^th Century’ despite the fact that it erases affect, agency, identity and other essential features of human beings (Lipset 2008). The present critique of Strathern's concept of the androgynous ‘dividual’ challenges its legitimacy as a Melanesian or any other ‘premodern’ form of personhood and suggests that it expresses the wish of academic feminists in the 1970s and 1980s to locate an indigenous model for androgyny and to characterise patriarchy, misogyny and sexual segregation as peculiarly Western. The article explores aspects of Gimi myth, ritual and exchange which Strathern claims helped her to formulate the concept of the ‘dividual’ (especially those surrounding men's sacred bamboo flutes) and concludes that she mistook a virulently anti‐female ideology – including a fantasy in which men may subsume or incorporate certain aspects of female anatomy – for benign accommodation between the sexes. The ‘dividual’ does not correspond to social reality among the Gimi and paradoxically affirms Lévi‐Strauss' classic demonstration in the Elementary Structures of Kinship (1949) that ‘the gender of the gift’ is invariably female.     

Preliminary neutron diffraction study of two fenestrated axes from the ‘Enot Shuni' Bronze Age cemetery (Israel)

Neutron diffraction (ND) analyses of ancient metals show that this method is capable of detecting differences in the inner composition and microstructure of ancient metal objects. Here, ND measurements were conducted on two ‘eye shaped’ axes from the end of the 3rd-beginning of the 2nd millennium BC. The objects were excavated from the ancient cemetery of ‘Enot Shuni' Israel; one is made of bronze and the other of silver. Both artefacts are rare finds, with the silver axe unique in the archaeology of Israel, and therefore had to be analysed locally. For that purpose, a newly assembled diffractometer (KARL) at the IRR-1 of the Nuclear Research Centre (Soreq, Israel) was used. ND measurement on the bronze axe revealed the existence of an α-phase with a range of Cu/Sn ratios (Cu–Sn solid solutions) and some amount of a δ-phase (intermetallic compound of Cu and Sn). The silver axe ND pattern shows the existence of an α-phase (Ag–Cu solid solution) and some amount of copper metal. Our ND data are discussed in comparison with XRF surface measurements and thermal neutron radiography. The results are shedding more light on the in-depth material composition profile, as well as on the objects’ structural and compositional affinities, and help to better understand the production processes and assist in conservation decisions.