The environmental context of a prehistoric rock carving on the Bjäre Peninsula,Scania, southern Sweden

Palaeoecological analysis of peat deposits from a small bog at Lingården, southern Sweden, have been used to examine the nature and timing of vegetation changes and anthropogenic activity associated with a nearby rock carving located close to the edge of the wetland. This study is the first of its type to investigate the environmental context of rock carvings in southern Sweden. Debate has tended to focus on chronology and iconography, with little consideration of the environmental relationships of rock carvings and how vegetation may help construct a site within its surrounding landscape. The pollen evidence from Lingården demonstrates that the rock carving was located in an isolated semi-wooded setting during the late Bronze Age. This is in stark contrast to several other pollen studies from the Bjäre Peninsula that record widespread woodland clearance and agricultural activity from the late Neolithic–Bronze Age transition. The results of this study support hypotheses that suggest complex rock carvings, such as Lingården, were separated from settled areas. This sense of separation and isolation is reinforced by the vegetation surrounding the rock carving. This paper also discusses the relationship between charcoal in the pollen sequence and evidence that the decorated outcrop had been burnt.     

Strict solar alignment of Bronze Age rock carvings in SE Sweden? – Critical remarks on an archaeoastronomical case study

A recently published paper proposing a “strict solar alignment” of figurative rock carvings in southern Sweden requires some critical and cautionary remarks. Using the paper “Strict solar alignment of Bronze Age rock carvings in SE Sweden” by N.-A. Mörner as a case study, various pitfalls and challenges in archaeoastronomical investigations are highlighted. Substantiating the idea of a relationship between the orientation of archaeological features such as rock carvings and astronomical events such as sunrise at winter solstice requires accurate and precise determination of (i) the orientation of the archaeological features and (ii) the azimuth of the astronomical event at the time of creation of the rock carvings, taking into account all influencing factors such as changes in Earth orbit parameters, surrounding topography and vegetation. Furthermore, possible motivations or intentions of Bronze Age rock carvers have to be considered. When trying to support a causal link between the orientation of archaeological features and astronomical events, it is indispensable to discuss and exclude possible alternative explanations, related to, for example, rock carving practice and visibility. Taking into account the above issues, there is no evidence for a solar alignment of the Järrestad rock carvings. The issues discussed using the Järrestad rock carvings as a case study are relevant to archaeoastronomical investigations in general.     

PETROGLYPHS OF FOOTPRINTS IN THE BRAZILIAN STATE OF MATO GROSSO DO SUL: GENESIS AND STYLISTIC DIFFUSION

The article describes the occurrence of rock carvings in the shape of footprints in rock shelters and caves in the State of Mato Grosso do Sul placing this phenomenon within the archaeological context of the Brazilian Midwestern region as well as the entire continent of South America. Based on available archaeological data the paper reflects upon the possible areas of genesis and ways of diffusion of this distinct rock art style that is seemingly the most prevalent in Brazil.     

High‐resolution geospatial surveying techniques provide new insights into rock‐art landscapes at Shuwaymis,Saudi Arabia

Many parts of the Arabian Peninsula contain rock art that has received minimal archaeological attention or has not yet been thoroughly surveyed. In 2001 an extensive rock‐art complex called Shuwaymis, Ha'il Province, Saudi Arabia was brought to the attention of the Saudi General Commission for Tourism and Antiquities. This paper sets out the results of the first high‐resolution geospatial mapping and recording of rock art at this remote site. The research saw the innovative use of a differential GPS to record rock‐art panels to within 5 mm of accuracy at the site of Shuwaymis‐2, the first time that such technology has been used to record rock art in the Arabian Peninsula. With such technology it was possible to show which of eighty‐three late prehistoric rock‐art panels surveyed were in their original position and which had fallen, and to demonstrate that there was spatial homogeneity of rock‐art styles and composition across the site. The mapping recorded multiple panels of cattle, ibex, equid, large cat and other animals. The depictions of lions and cattle in particular indicate that the rock art must have been engraved no later than the early Holocene humid phase (c.10–6 ka BP).     

Death by Water: Boats and Footprints in the Rock Art of Western Sweden

This paper considers two of the key images in the Bronze Age rock carvings of Bohuslän in relation to the wider landscape. It compares the distribution of cairns on islands off the west coast of Sweden with that of similar monuments on low hills surrounded by drawings of boats. These are often in areas which had previously been occupied by the sea. Perhaps the drawings of boats evoked an expanse of water separating the world of the living from the burial places of the dead. If so, the lines of footprints leading between these two areas may also refer to the passage between life and death.     

Impact of Pollution at a Stone Age Rock Art Site in Oslo, Norway, Studied using Lead and Strontium Isotopes

Naturally occurring strontium and lead isotopes were used to study the impact of anthropogenic pollution on a c. 4500-year-old rock carving in Oslo, Norway. Strontium analyses have shown that road-salt from de-icing of a nearby road has accumulated in the soil surrounding the carving. Upon rainfall this salt is redissolved and drains over the rock carving. Analyses of the lead isotopic system have confirmed the impact of traffic from the nearby road on the rock carving site, but also indicate other sources of lead in the Oslo area and pollution in general. The rock carvings at Ekeberg are at high risk as, apart from natural weathering, they are exposed to the deposition of road salt, emissions from nearby traffic, local and long distance atmospheric pollution and meteorological inversion effects during the winter.     

A NARRATIVE TURN: HUMAN AGENCY IN ROCK CARVINGS AT NÄMFORSEN,NORTHERN SWEDEN

The idea to create pictorial narratives seems to have occurred long after humans learned to produce iconic images, that is, depictions based on visual similarity to external objects. In Scandinavia, e.g. in Gärde, Sweden or Stykket and Bøla, Norway, early Mesolithic images (e.g. rock carvings from before c.5000 BCE) often feature animals that are solitary or without suggestion of causal or narrative relations to other figures, although they sometimes are grouped by proximity or are superimposed on each other. Notable is also the almost complete absence of human figures. However, in subsequent Neolithic configurations (after c.5000 BCE), there are renderings of human agents involved in various forms of interaction with each other or with animals, often within distinguishable ‘scenes’ or compositions. In this paper we outline the emergence of pictorial narratives in Scandinavian rock carvings. In particular, we focus on some of the first depictions of human agency as displayed in Nämforsen, Sweden (c.5000–1800 BCE). Further, we present an analysis of occurring human-animal relationships, interpretable as early attempts to create narrativizing images.     

ROCK ART AND RITUAL LANDSCAPE IN CENTRAL SPAIN: THE ROCK CARVINGS OF LA HINOJOSA (CUENCA)

Summary. In this article the rock art carvings of La Hinojosa in central Spain are examined. Their connection to a major transit route recorded at least from the medieval period is explored, as well as their location in a valley located at the confluence of two primary river basins in the Iberian Peninsula separated by less than five kilometres. It is argued that this singularity of the landscape seems to have been perceived by the people who marked the stones. From the 17 decorated rocks recorded in La Hinojosa valley, three were exceptionally elaborately decorated. They were situated at regular intervals in the valley. The site with the greatest number of motifs, the large rock of San Bernardino, occupies a central location. This site is also exceptional because of the transformations which the rock shows throughout the day, pointing to a narrative in which cups and anthropomorphs seem to have a primary role. It is suggested that gender may have constituted one of the main guidelines of the narrative, given the apparent replacement of feminine by masculine human representations throughout the day.     

A discussion of rock carvings in Ra’s al Khaimah Emirate,UAE, and Musandam province,Sultanate of Oman,using local considerations

Conversations about various examples of rock carvings with interested local tribespeople across the study region revealed information about the different loci of carvings; subject matter and techniques; and the identities of possible carvers. It was possible to place sorts of rock carvings in specific cultural contexts and in long‐standing traditions across the peninsula. Rock carvers, in most cases, were either immature tribal members or male adults from outside Arab tribal society.     

Games on the seashore of Salalah: the discovery of mancala games in Dhofar,Sultanate of Oman

During the 2013 fieldwork of the French archaeological mission along the shores of the Arabian Sea, mancala games were discovered on the seashore of Salalah at the site of Ad‐Dahariz. They are cup‐hole carvings made directly into rock slabs and distributed in six distinct zones of the site. They usually consist of fourteen cup‐holes aligned in two lines of seven, two supplementary holes being sometimes present on each side. They are the first of their kind in South Arabia and can be compared to similar configurations of carved games elsewhere in Arabia, such as at Jebel al‐Jassasiya, Qatar. This paper presents the potential origins of this game in the region, as well as a plausible dating of their use.     

Places of Power: Control,Public Access and Authenticity at Rock Carvings in Tanum,Sweden and Val Camonica,Italy

Abstract

This article presents a critical and ethnographically directed discussion and comparison of how the World Heritage listed rock carvings at Tanum, Sweden and Val Camonica, Italy are managed and made accessible to the public. The article focuses on how the Swedish and Italian heritage management cultures view the rock carvings as an authentic (i.e. genuine) phenomenon firmly, and solely, belonging to the past and how this contemporary embedded and constructed narrative leads to specific ways of managing, constructing, organizing, presenting, and staging these places for the public. The article stresses that even if the rock carvings were produced in the past, their authenticity is also a product of their role in contemporary negotiations of interpretive supremacy, control, and power between the culture of heritage management and the public. An ethnographical approach, and ethnographical methods, are used. This approach has implications for archaeology and its public relations; in the light of it, activities and phenomena that seem to be completely normal are revealed as examples of the specific culture of contemporary archaeology and heritage management. It is stressed that this culture and its rituals need to be further examined from an ethnographic point of departure.     

Almulihiah: a rock art site in the Hail region,Saudi Arabia

This paper discusses the rock art site of Almulihiah in north Saudi Arabia. The site consists of many carved rock panels of human and animal figures. The drawings depict camels (22%), ibex (10%) and ostrich (8%), although other animals such as goats, lizards and oryx are also present. An attempt is made to date the site by comparing it with other petroglyph sites in the country. The paper concludes with a discussion of the drawing styles present.     

重庆地区元明清佛教摩崖龛像

据20世纪80年代的第二次全国文物普查显示,在重庆市范围内尚存有元、明、清时期佛教摩崖造像200余处,其中元代造像4处,明代造像60余处,清代造像180余处。这些晚期造像主要分布在重庆大足、潼南、合川、江津、荣昌、南岸等25个区县(图一),是研究唐宋之后石刻造像的珍贵材料。很久以来,由于晚期造像一直不被研究者和文物保护部门重视,许多造像     

Boats and meaning: A study of change and continuity in the Alta fjord,arctic Norway,from 4200 to 500 years B.C.

This paper is an analysis of socioeconomic and symbolic meaning associated with rock carvings of boats which were carved on rock surfaces between 4200 and 500 calendric years B.C. in the Alta fjord, arctic Norway. The carvings, which are divided into four diachronic phases, change in form and partly in content, approximately contemporaneous with the general archaeological record. The analysis of the human figures associated with the boats indicates that there were functional and possibly status differences, in the real as well as in the mythological world. There are also diachronic changes in the activities in which the boats are depicted. The changes in the carvings might be associated with other cultural transformations such as in material culture and socioeconomic and religious systems, among northern hunters and fishers. Some of the changes could be influenced by ideologies associated with Neolithic and Bronze Age socioeconomic systems further south in Scandinavia.     

Strict solar alignment of Bronze Age rock carvings in SE Sweden

The Järrestad rock carving site in SE Sweden from the Bronze Age is examined as to the orientation of the individual carvings. A very strict orientation with respect to the main stages in the annual rhythm of the Sun is recorded; 60 feet, 61 shoes and a leading dancer all face the sunrise at Winter solstice, 20 ships face the sunset at Winter solstice, 12 feet point to the sunset at Summer solstice, and one serpent wiggles towards the sunrise at Summer solstice. Obviously, the Bronze Age people kept a strict control of the Sun's annual motions. The sunrise at Winter solstice seems to have been especially important.     

宁波东钱湖石刻群微生物病害研究

宁波东钱湖石刻群为第五批全国重点文物保护单位,代表了南宋石刻和石雕的艺术成就。由于所处环境和气候条件的影响,石刻群微生物病害情况较严重。为了尝试筛选适宜的微生物去除方法和防止石刻表面生长微生物的材料,通过微生物种属鉴定、清除方法试验以及防止石刻表面生长微生物的材料筛选,确定了石刻上所生长的微生物种类,初步得出了东钱湖石刻群生物病害治理措施,为南方地区潮湿环境下石刻微生物防治提供了借鉴。     

Investigation and analysis of ancient brick carvings of the Liuhe Pagoda in Hangzhou

The Liuhe Pagoda in Hangzhou, China, has a large number of brick carvings from the Southern Song Dynasty (1152 ce ), covering an area of 464 m². However, the exquisite brick carvings in the Liuhe Pagoda have deteriorated due to natural weathering and a high-humidity environment. Through laboratory analysis and on-site nondestructive testing, the physical and chemical properties of the brick carvings of Liuhe Pagoda were investigated, and the weathering mechanism of the brick carvings was further analyzed. The brick carving of Liuhe Pagoda is composed of brick, white plastering and black coating. CaCO₃ is the main component in white plastering, and the black coating on the top surface contains Chinese lacquer. The weathering products of the brick were analyzed and a trace of CaSO₄.2H₂O was found. In addition, the brick carvings with high water content have low Leeb hardness and severe weathering. Therefore, water and soluble salt are the main factors in weathering of the brick carvings of the Liuhe Pagoda.