Equal Rights and Individual Freedom: Enlightenment Intellectuals and the Lascasian Apology for Black African Slavery

Juan Antonio Llorente's edition of Bartolomé de Las Casas's writings, Colección de las obras del venerable Obispo de Chiapa, Don Bartolome de las Casas, defensor de la libertad de los Americanos, illustrates how Las Casas was perceived and condemned in the early decades of the nineteenth century. In this article, I seek to explain why and in what ways Bartolomé de Las Casas's early propositions on African slavery played a fundamental role in Juan Antonio Llorente's edition of Colección, an ambitious editorial work that involved much more than selection, editing, and publication. By approaching the Colección's production and reception from the perspective of book history, I explore how Llorente's Colección reflects the role that colonial affairs and race had in the challenges faced by European rule and white hegemony.     

Human sacrifice and natural law in Las Casas’s Apologia

This study examines how Bartolomé de las Casas argues that Spain is not justified in waging war in the Americas to save the innocent victims of human sacrifice. It focuses on his three main lines of reasoning in this area and on how they relate to one another structurally and logically. These arguments are: (1) that the wars of conquest were a worse evil than human sacrifice; (2) that the practice of human sacrifice was an excusable error that almost all societies had committed at some point in their history; and (3) that this practice did not violate natural law. It also considers Domingo de Soto's treatment of the subject in his De iustitia et iure (1556), as well as his summary of the Valladolid debate between Las Casas and Juan Ginés de Sepúlveda (1552), where Soto seems reluctant to convey the full scope of Las Casas's more radical assertions.     

Domestic destinies: colonial spatialities,Australian film and feminist cultural memory work

Elsa and Charles Chauvel's 1955 film Jedda was the first Australian feature film to cast Aboriginal actors in lead roles. The film was also unusual in the context of Australian film of the time for its rural domestic setting. Because the film explored the experiences of its lead character – Jedda – as an Aboriginal child adopted by a white woman, it is also one of the few films of the period to deal with colonial legacies in its attention to policies and practices of assimilation. The twin processes of racialisation and gendering of space in Jedda have been responded to by Tracey Moffatt in her surrealist short film Night Cries. This article uses the notion of intimate geographies to examine the production of relationships of power within domestic space that both films explore. The temporal and spatial practices deployed by the female figures within each film make visible a set of possible transformations of, as well as continuities within, enduring colonial power relations. Moffatt's retelling and respatialising of the Jedda narrative, however, is ultimately understood as a specifically feminist practice of cultural memory work, suggesting that struggles over memory are also struggles over place.     

‘The Colonial Children Cry’: Jo the Crossing-Sweep Goes to the Colonies

In this article I explore the affective power of Charles Dickens's character Jo, the crossing-sweep from his novel Bleak House, and his broader cultural significance. Contemporary audiences were deeply moved by Jo's tragic death, sparking a vast popular, and especially visual, culture around the homeless white child. Yet, by establishing an affective and moral opposition between white waif and black ‘heathen’, in a relationship Dickens termed ‘telescopic philanthropy’, audiences were directed to care about the white poor with the inference that black people were not a proper object of compassion. Jo's touching story circulated widely across the colonies of Australia and New Zealand, and was put to work in transmitting inherited British values and making sense of local political and social circumstances. By the late nineteenth century the emotional regime symbolized by Jo the crossing-sweep effectively consolidated racial exclusions.     

Lady Gregory's The Gaol Gate,Terence MacSwiney and the Abbey Theatre

In September 1920, a French translation of Lady Gregory's 1906 play The Gaol Gate was staged in a Parisian drawing room. The play's original setting outside the gate of Galway Gaol was transferred to Mountjoy Prison at a time of republican hunger strikes. The drama's central character of Denis Cahel – refusing to inform on his neighbours and hanged as a consequence – gained contemporary currency with Terence MacSwiney's hunger strike and impending death as both men had turned their bodies into a political tool. With a focus on the concept of the political body, this article illustrates the power of The Gaol Gate by tracing the play's provenance and production history, demonstrating its flexibility through performance in a particular historical context.     

Strange associations: Elizabeth Bowen and the language of exclusion

Since The Last September was first published in 1929, the novel's style has been a major source of controversy amongst Elizabeth Bowen's critics, many of whom align the work with reactionary feeling among the Anglo-Irish community in early 1920s Ireland. This longstanding view ignores, I think, a complex but critically overlooked aspect not only of The Last September but also of Bowen's many opinions about the novel form: the author's fascination with the language of exclusion. In this essay I argue that Bowen's use of literary devices in The Last September that rely on exclusion – including ellipses, euphemism, rumour, overheard conversation, narrative digression, and lying – dramatise the ways in which war disorients figurative language and, in so doing, subverts and transforms the apparently stable metaphors through which the Anglo-Irish sought to reconcile events occurring in September 1920, that fitful last September of the Republic's colonial ties to England, with their historical role as settler-colonialists in Ireland. Further, Bowen's experimental style disorients the reader, thereby undermining any confidence in the legitimacy of Ascendancy protocol, or the morality of British colonialism, or the militant expression of Irish nationalism, and leads instead to an emergent, though ultimately unfulfilled, cosmopolitan vision of late modernist Ireland.     

The Corporeal Empire: Physical Education and Politicising Children's Bodies in Late Colonial Bengal

This article deploys children's bodies as an analytical lens to examine the political significance of knowledge production and childhood in British colonial projects in late colonial India. Scholars have theorised the ‘body as method’ of history to argue that bodies are imbued with meanings, become stakes in power struggles and are sites of knowledge and power. I examine this theme by investigating a key locus of knowledge production for children – the colonial school and its curriculum, specifically physical education. To underline the multi‐stranded processes and loci of colonial knowledge production, I examine nationalist pedagogies of two Bengali children's magazines (Amaar Desh and Mouchak) as a form of informal schooling. I argue that the colonial state's engagement with physical education in schools stemmed from anxieties to both discipline native children's bodies, and to discourage students’ ‘seditious’ political activism. Second, I demonstrate that for Bengali educated elites, children embodied a political space for contestation and undertaking their projects of re‐masculinising the youth. These nation‐building projects placed a premium on masculinity, influenced boy cultures to imitate adult male cultures, and inscribed gender roles on the bodies of Bengali boys and girls. By doing so, these colonial encounters restructured and redefined childhood in crucial ways.     

(Sick) Love and the Older Woman in Marcel Prévost's L’Automne d’une femme

Marcel Prévost, a prolific novelist, journalist, and academician, is best known for works such as Les Demi-Vierges (1894), which demonstrates how Parisian society and education corrupt young women, and Les Vierges fortes (1900), which, according to Louise Lyle, “develop[s] the concept of the secular, self-perpetuating community of female educators only to explode it as an empty ideal” (60). In his 1893 novel, L’Automne d’une femme, Prévost focuses not on virgins but on the older woman, telling the story of forty-year-old Julie, who has languished for over twenty years in an arranged marriage to Antoine Surgère. Despite having the natural ability to ease the suffering of others, Julie shows no interest in nursing her husband when he falls ill, though she eagerly cares for the daughter of one of his colleagues, Claire Esquier, and the son of another associate, Maurice Artoy, who is all too eager to reciprocate when Julie's feelings for him become something more than maternal. Unbeknownst to Julie, however, Maurice and Claire once dabbled in a youthful romance that neither forgot. The glue that holds this tangled web of relationships together is illness, a theme so pervasive that the verb souffrir and its derivatives are employed no fewer than 137 times, along with myriad other terms related to pain. Prévost's creation of a veritable culture of illness in which love cannot possibly flourish for the woman in her “autumn” might be said, in fact, to feed into the Decadent vision of woman as dangerous and corrupting.     

Lucy Hutchinson,Lucretius and Soteriological Materialism

Abstract

This article examines Lucy Hutchinson's pervasive materialism, arguing that her use of corporeal imagery – in part shaped by her early translation of Lucretius – contributes to the soteriological purposes of her later works in multiple ways. Criticism on Hutchinson has tended to divorce the materialist imagery of her translation from the Calvinistic themes of her other writings. I argue, however, for the lasting presence of a materialism constructed from the vocabularies of Lucretian Epicureanism, Neoplatonism and John Owen. Focusing especially on the poem Order and Disorder and Hutchinson's theological tract to her daughter, I show how she uses materialism as a “means” to achieving assurance and grace. I suggest that these various responses to physical experience are part of Hutchinson's enduring investigation into the ontology of “Order” and “Disorder”, and her quest for stable spiritual being.     

The Declaration of Independence: A Global History

Twenty years after the publication of John MacKenzie's Empire of Nature, his characterisation of sport hunting tourism as a symbol of elite and imperial privilege remains strong. Using the example of two white hunters from New Zealand and their trip to Northern Rhodesia (Zambia) in 1926, this article elaborates upon MacKenzie's brief mention of hunters in Africa from cultures other than Britain. In particular, the article argues that ‘home’ hunting cultures—in this case of New Zealand—need to be considered thoroughly when examining meanings of hunting tourism, and, second, that hunting trips could serve a range of purposes beyond the notion of reinforcing colonial rule.     

Jean Lemaire de Belges's Rhetorical Masks in L’Amant Vert and “Les Regretz de la Dame Infortunée”

A prominent feature of the poetry of Franco-Burgundian poet and rhetorician Jean Lemaire de Belges (1473–1524) is his use of a rhetorical mask—a persona—through which to proffer his utterances and assert his identity. Because the early sixteenth-century court poet's financially and politically subservient position vis-à-vis powerful aristocratic patrons demands an encomiastic rhetoric that leaves little room for the poet's self-assertion within the body of the poetic text, Lemaire must employ the indirect means of a narrative mask to assert his own existence and concerns. This article examines first the narrative mask of the parrot-lover in the 1505 Epîtres de l’Amant Vert, through which Lemaire is able to voice concerns about his precarious position as a writer almost entirely at the mercy of his patron's good health and good will. A discussion of “Les Regretz de la Dame Infortunée” (1506) follows, in which Lemaire takes an intriguing narratological stance that unites his voice to that of his patroness, Margaret of Austria (1480–1530), ultimately forging an authorial je that speaks for both poet and patron. This nearly mystical union of narrative voices allows Lemaire to express his own concerns about the volatility of the patronage system while concomitantly giving voice to Margaret's mourning at the death of her brother, Philip the Handsome (1478–1506).     

VERNACULAR INTELLIGENCE: COLONIAL PEDAGOGY AND THE LANGUAGE QUESTION IN MINANGKABAU

In the late 1920s the Dutch colonial government resolved to use local languages instead of Malay as the medium of instruction in indigenous schools throughout the Netherlands East Indies. In West Sumatra, this programme was launched in the academic year 1931–1932, and the government required schools to use the first series of textbooks published in the Minangkabau language – Lakēh pandai [Learn quickly], Kini lah pandai [Now I have learnt] and Dangakanlah [Listen!] – written by the Dutch linguist M.G. Emeis. This essay traces Minangkabau resistance to Emeis' works, and examines the confrontation between Dutch colonial policy and local expectations regarding the language of instruction used in the school system of West Sumatra. It also documents the philological efforts of Dutch experts to render the spoken Minangkabau language in a written romanised form, and looks at the scholarly discourse on Minangkabau language in the colonial period.     

Sister-in-Law Marriage in the Empire: Religious Politics and Legislative Reform in the Australian Colonies 1850–1900

In 1835, a statute was passed in the parliament of the United Kingdom making it illegal for a widowed man to marry his sister-in-law. 1 Lord Lyndhurst's Act (1835) 5 & 6 Will VI c. 54. Marriage to a sister-in-law after a wife's death was common practice in nineteenth-century England and colonial Australia and aunts often took on the responsibility of raising children after a sibling's death. In the 1840s, a protracted parliamentary and social debate began over whether a widowed man's marriage to his sister-in-law should be made legal and this debate lasted over seven decades. In the Australian colonies, where English law had been inherited, 2 Those Australian colonies settled prior to the passing of Lord Lyndhurst's Act inherited the English position regarding deceased wife's sister marriage at the time, that such unions were voidable in the ecclesiastical courts during the lifetime of the parties, and in those colonies established afterwards, the 1835 statute applied and deceased wife's sister unions were illegal. In both cases colonial parliaments attempted to pass legislation to clarify the law. a similar debate occurred in the 1870s. The marriage was legalised in most of Australia in the 1870s while it remained illegal in England until the turn of the century. The parallel debates in each country provide a window into the comparative effect of religious culture on the development of marriage law. One of the primary reasons for the protracted nature of the struggle for marriage reform in England was its significance for the relationship between church and state. This article explores the implications of the relationship between church and state in Britain and the colonies for marriage legislation.     

Becoming Inca: Juan Bustamente Carlos Inca and the Roots of the Great Rebellion

Inca nobles were prominent colonial petitioners for royal mercedes. Their high visibility and persistent claims to a special place in the colonial order, based on their descent from sovereign Inca emperors and past service to the Crown, ensured that the question of political alternatives to normative colonial arrangements would remain alive in the public domain. This article explores the career of one Inca pretendiente, Juan de Bustamante Carlos Inca, the Crown's response to his petitioning, and the significance of his own quest for a better understanding of the ambitions and motives of José Gabriel Túpac Amaru on the eve of the 1780 rebellion. Politically, Bustamante's attempt to win succession to the Marquesado de Oropesa and its entail brought into public view a 1555 cédula of Charles V empowering the then leading Inca noble, Alonso Tito Atauchi—and all his successors—to raise an army on the king's behalf during any crisis within the Viceroyalty of Peru. Bustamante's quest thereby compelled the Crown to confront the potential for political destabilization of Inca succession at the precise moment that the Bourbon dynasty embarked upon an unpopular root-and-branch reform of its empire. The 1555 cédula was the prime source of Túpac Amaru's claim to be rightful heir to the Marquesado—in effect, the version of an Inkarrí that he adopted stemmed in the first instance from the Crown.     

Bede,Irish computistica and Annus Mundi

Bede's decision to diverge from the mainstream chronological tradition, based on the Septuagint, in favour of the Vulgate for chronology has generally been explained by his concerns about contemporary apocalypticism. This essay will argue that Bede's choice of Annus Mundi was also greatly influenced by Irish computistica. These texts incorporate a chronological framework – influenced by Victorius of Aquitaine's Easter Table – that was implicitly and explicitly apocalyptic and provided a date for the Passion that Bede objected to. Bede was greatly indebted to Irish computistica but adopting the Vulgate Annus Mundi allowed him to assert his own views on chronology.     

THE FRONTIER REMIX

In The Deaths of Hintsa: Postapartheid South Africa and the Shape of Recurring Pasts, Premesh Lalu claims to offer a critique of apartheid's colonial past. Emblematic of this colonial past is the 1835 killing and mutilation of the Xhosa king Hintsa. Lalu uses this violent event to argue against the evidence provided by the colonial archives. He argues that the killing of Hintsa was not an empirical fact but a product of the colonial imagination. The review argues that although the critique of apartheid's colonial past is timely, the book is not about Hintsa and does not therefore offer an alternative narrative of the death of the Xhosa king.     

Transcending Gender Roles,Crossing Racial and Political Boundaries: Agnes Hill’s Fight for her Inheritance in German Southwest Africa

ABSTRACT

Agnes Hill, the unmarried daughter of a British landowner and farmer and his mixed-race wife, was living a ‘white’ farmer’s life in the colony German South West Africa. In 1908, she was suddenly classified as ‘native’, due to the enforcement of radical racial legislation in the German colony degrading the offspring of mixed-race people as ‘bastards’. The new classification would have had dire consequences for the whole family, especially in respect to their landownership. However, Agnes fought for her family, with the support of solicitors and – as a daughter of a British father coming from the Cape Colony – with the help of the British consul residing in the German colony. She finally succeeded in securing the estate for the family, even if she was an unmarried woman in a predominantly patriarchal settler society. Using mainly material from the court cases, the article traces Agnes Hill’s fight for the Hill inheritance, thereby investigating various crucial issues of colonial societies. It points at the changing boundaries between ‘white’ and ‘non-white’ and the ambiguity of racial classifications. The article argues that women such as Agnes Hill could play a significant role in colonial settler societies and were able to transcend gender-role boundaries.     

Decolonisation and mysticism in William Butler Yeats's The Celtic Twilight and The Secret Rose

Yeats's responsibilities as one of Ireland's most prominent artists commenced with his aspiration to make Ireland a nation. His writings incorporate the three phases of development that Frantz Fanon posited for all new nations. Although Fanon described his three phases of decolonisation well after The Celtic Twilight and The Secret Rose were compiled, Fanon's framework elucidates Yeats's writings. Yeats's use of mystical elements embodies Fanon's idea of the colonial binary, the negritude binary, and transnational consciousness. Yeats discovered the answers to decolonisation in mysticism. His insights about folklore when coupled with imagination brought about many mystical revelations that linked Ireland to mysticism of global dimensions. Yeats's insights moved Ireland beyond binaries and solely nationalistic thinking to encourage Ireland to develop a transnational consciousness, transcending postcolonial binaries to achieve nationhood.     

The Ultimate "Other": Post-Colonialism and Alexander von Humboldt's Ecological Relationship with Nature

This article is a meditation on the overlaps between environmentalism, post‐colonial theory, and the practice of history. It takes as a case study the writings of the explorer‐scientist‐abolitionist Alexander von Humboldt (1769–1859), the founder of a humane, socially conscious ecology. The post‐colonial critique has provided a necessary corrective to the global environmental movement, by focusing it on enduring colonialist power dynamics, but at the same time it has crippled the field of environmental history, by dooming us to a model of the past in which all Euro‐American elites, devoid of personal agency, are always already in an exploitative relationship with the people and natural resources of the developing world. A close reading of Humboldt's work, however, suggests that it could provide the basis for a healthy post‐colonial environmentalism, if only post‐colonial critics were willing to see beyond Humboldt's complicity in colonial structures. In particular, this article attempts to rehabilitate Humboldt's reputation in the face of Mary Louise Pratt's canonical post‐colonial study, Imperial Eyes: Travel Writing and Transculturation. Humboldt's efforts to inspire communion with Nature while simultaneously recognizing Nature's “otherness” can be seen as radical both in his day and in ours. In addition his analysis of the link between the exploitation of natural resources and the exploitation of certain social groups anticipates the global environmental justice movement.