The devil in disguise: action repertoire,visual performance and collective identity of the Autonomous Nationalists

Adopting protest tactics and visual performance of the far left, many neo‐Nazis in Europe, particularly in Germany, have developed a new style. Referencing their political opponents, the far‐left Autonomous Movement, they call themselves the Autonomous Nationalists. Though this new style caused intense conflicts in the beginning, Autonomous Nationalists have gained strong influence in the neo‐Nazi movement. What drives neo‐Nazis to adopt tactics such as ‘black blocs’ and certain symbols and dress of their political enemies? Based on movement's documents, semi‐structured interviews and observing demonstrations, this article uses empirical data to identify central dimensions of the Autonomous Nationalist's action repertoire and visual performance and their impact on the neo‐Nazi movement's collective identity. The analysis of external and internal effects reveals that the shift in public appearance strengthened the movement's mobilization potential, but otherwise decreased ideological internalisation and may increase the turnover of activists.     

Making time for national identity: theoretical concept and empirical glance on the temporal performance of national identity

Despite global, economic, technological and social transformations, nationality has remained an influential identity category. It still forms the basis for collective self‐determination, political sovereignty and sense of belonging. This article puts forward the concept of ‘Chrono‐Work’ to offer a critical approach to national identity. Employing temporal and performative perspectives, the concept addresses the conditions for establishing and constructing national identity. Drawing on Judith Butler's performance theory, it is suggested that performance of national acts loads national identity with meaning through the construction of a chronological narrative. To complete the theoretical picture, a case study of ‘Chrono‐Work’ among the Jewish settlers on the Golan Heights in Israel is offered. It is shown that national identity is constantly performed through temporal strategies that aim at achieving a chronological order. Therefore, it is suggested that national identity is not given, but rather is the result of continuous ‘Chrono‐Work’.     

The mobilisation of identities: a study on the relationship between elite rhetoric and public opinion on national identity in developed democracies

Over the last decade, the topic of national‐identity has gained considerable importance after various heads of states have made it an important political issue in the context of ongoing globalisation and European integration processes. There is also a large, mainly historical literature that has emphasised the role of the political elite in the formation of national‐identities. While this argument is widely discussed in both public and academic debates, there is, surprisingly, hardly any empirical research on this issue. We do not know whether elite positions resonate with how the masses think about these issues. We therefore set out to test this relationship by combining the 2003 wave of the International Social Survey Programme and content analysis of elite mobilisation rhetoric from the Comparative Manifesto Project. Results indicate that an overlap exists between politicians' articulation of exclusive notions about the contours of national‐identity and heightened expressions of civic and ethnic national‐identity within public opinion. By contrast, elite mobilisation along more inclusive lines appears ineffective. From this, it appears that exclusionary arguments play a more important role, at least in terms of attitudes about national‐identity, than inclusionary ones.     

The uncertain state of islands: national identity and the discourse of islands in nineteenth-century Britain and Greece

This paper explores some of the ways in which the island was mapped into the British and Greek national imaginaries in the late nineteenth and early twentieth centuries. From at least the seventeenth century the island, like the body, served as a model for the organisation of knowledge. The island functioned as an ideal body politic, in which political and cultural boundaries were congruent and readily defensible from invasion. In politically and geographically fragmented states the island became an important topos for resolving the problematic relations between nation and state, and between local knowledge and national unity. During the nineteenth century, national cultures were increasingly construed as autonomous, self-sustaining island spaces set apart from other communities beyond. From the second half of the century attention was also paid to those authentic ‘islands’ located within the nation-state. In this expanded topographical definition, the ‘island’ came to signify an identifiably different, contained and stable habitat. A relationship was sustained between these distinct spaces within the nation-state and the island as it was represented in biogeographical and evolutionary writings as a site for observing preserved life forms and diversification. Regional studies, for example, celebrated the survival of an indigenous national culture in geographically confined pockets. Emerging disciplines, such as folklore, sought to protect these spaces from the onslaught of a cosmopolitan modernity that threatened to overwhelm them. The island in this sense was a space in which ‘native’ customs might be preserved and, at the same time, a space in which potentially destructive, atavistic forces might be controlled and ultimately domesticated. It is here that the island emerges as an ambivalent, problematic place: at once a refuge and a prison, a place of innocent childhood adventure and of beastly aggression. Focusing on Britain and Greece as comparative case studies, the paper explores how this concern for internal ‘islands’ fed into and was reciprocally influenced by colonial encounters with ‘exotic’ island cultures.     

Coming to terms with a difficult past: the trauma of the assassination of Hrant Dink and its repercussions on Turkish national identity

This paper takes as its subject the question of why some nations are less willing to acknowledge past atrocities. To answer that question, it focuses on the assassination of Hrant Dink – a Turkish‐Armenian journalist – and its repercussions on Turkish national identity. Scrutinising newspaper articles written before and after the assassination (2004–2007), it casts a detailed glance at the struggle between two carrier groups – pro‐ and anti‐acknowledgement groups – and argues that the assassination increased the likelihood of the acknowledgement of the mass killing of Armenians in 1915 by creating a cultural trauma informed by collective guilt. However, the relief generated by the funeral, combined with the strength of the master commemorative narrative regarding the mass killings, decreased that likelihood, and despite the huge public reaction created by the assassination there was no attempt at acknowledgement. As such, the paper contributes to our understanding of the trauma of perpetrators and claims that, in addition to other factors listed by earlier studies, cultural trauma is a necessary but not a sufficient condition for coming to terms with difficult pasts.     

‘We are the new Jews!’ and ‘The Jewish Lobby’ – antisemitism and the construction of a national identity by the Austrian Freedom Party

In this article I will analyse the role of antisemitism for the construction of a national identity and an exclusive national in‐group in the discourse of the Austrian Freedom Party (FPÖ). The analysis will show that this discourse of the FPÖ, one of the most successful extreme right‐wing parties in Europe, utilises various forms of Holocaust inversion and victim perpetrator reversal in order to delegitimise political opponents. The analysis of these incidents and of the legitimising strategies used by the FPÖ when criticised involves discussing the increasing abstraction of the codes characteristic of latent antisemitism and forms of post‐Nazi antisemitism. I will focus on how the FPÖ's use of the term Holocaust and other terms referring to Nazi atrocities against the Jews corresponds to a universalisation of the term Holocaust in social constellations that are permeated by the culture industry.     

‘Beer and Britannia’: public‐house culture and the construction of nineteenth‐century British‐Welsh industrial identity

Prior to industrialisation, there was a nebulous and fragmented Welsh national character or mass collective identity. Industrialisation engendered significant sociocultural upheaval and change, and for this ‘new’ society to function effectively a cohesive Welsh identity had to emerge. Because the impetus behind industrialisation had occurred primarily in a British context, any newly formed Welsh identity would ultimately have to be reconciled to the nation's industrial import within a ‘United Kingdom’. Mass cultural commonalities and the role played by leisure in this procedure is a core element in the establishment of industrial modernist nation‐states. Therefore, this article argues that public‐house culture played a central role in the construction of a new industrial Welsh national ideology that was ultimately allied to, and a constituent of, a British imperial agenda designed to exploit both the natural resources and workforce of the area to its maximum extent.     

Handcraft as Cultural Diplomacy: The 1968 Mexico Cultural Olympics and U.S. Participation in the International Exhibition of Popular Arts

Mexican post-revolutionary cultural institutions excelled at implementing Mexican art and popular arts as key elements in cultural diplomacy. However, while there is abundant research regarding these arts and their inclusion in international exhibitions during the first part of the twentieth century, there is little research on their role in international cultural diplomacy during the second half of that century. In the first part of this article I present a historiographical appraisal of the 1968 Mexican Cultural Olympiad and the resolutions of the “First Latin American Seminar on Popular Arts and Crafts” sponsored by UNESCO in Mexico City in 1965. In the second, I examine the case of U.S. participation in the “Exposición Internacional de Artesanías Populares” (International Exhibition of Popular Arts), which was part of the 1968 Cultural Olympiad’s programme – largely neglected by the historiography of the XIX Olympics – to explain how popular arts were made to perform as agents of cultural diplomacy in Mexico and the U.S. during the Cold War. In addition, I argue that U.S. participation in this exhibition also reveals negotiations and redefinitions of the concepts of handcraft and arte popular, and the economic and social situation of their makers in the United States.     

The Evolution of Theory, Method and Technique in Southern African Rock Art Research

Southern African rock art research has progressed from an essentially denigrating social and political milieu, through an empiricist period, to contemporary social and historical approaches. Empiricism, once thought to be the salvation of southern African rock art research, was a theoretically and methodologically flawed enterprise. Attempts to see the art through an emic perspective facilitated by copious nineteenth- and twentieth-century San ethnography is a more useful approach. It began briefly, but was then abandoned, in the nineteenth century. Today, diverse theoretical and methodological approaches are being constructed on an ethnographic foundation. The centrality of the San in South African national identity has been recognized.

The tyranny of transnational discourse: ‘authenticity’ and Irish diasporic identity in Ireland and England

Through the prism of current state discourses in Ireland on engagement with the Irish diaspora, this article examines the empirical merit of the related concepts of ‘diaspora’ and ‘transnationalism’. Drawing on recent research on how Irish identity is articulated and negotiated by Irish people in England, this study suggests a worked distinction between the concepts of ‘diaspora’ and ‘transnationalism’. Two separate discourses of authenticity are compared and contrasted: they rest on a conceptualisation of Irish identity as transnational and diasporic, respectively. I argue that knowledge of contemporary Ireland is constructed as sufficiently important that claims on diasporic Irishness are constrained by the discourse of authentic Irishness as transnational. I discuss how this affects the identity claims of second‐generation Irish people, the relationship between conceptualisations of Irishness as diasporic within Ireland and ‘lived’ diasporic Irish identities, and implications for state discourses of diaspora engagement.     

The politics of identity,recognition and multiculturalism: the Kurds in Turkey

The politics of identity and recognition regarding the Kurds in Turkey has gained momentum since 2002 but has never been implemented fully. The rightful critics emphasising the continuity of the State's authoritarian character, however, have not so far analysed if their own normative suggestions are theoretically consistent and sociologically grounded. Based on the Author's fieldwork and contemporary social surveys, this article shows that there are conflicting views within the Kurdish community about the forms that the politics of recognition could take. By exploring the conflicts of interest within the Kurdish community from a bottom‐up approach, the article concludes that the recognition of an authentic Kurdish identity is problematic sociologically. It is also more likely to harm than help the Kurds in the country from a normative perspective. The article explains how the quest for an authentic Kurdish political identity and attempts to generate it actually limit the individual autonomy and exacerbate the disparity between the Turks and the Kurds in the country.     

Language,geography and identity: The case of the Welsh in London

This paper explores the role of language in the construction of Welsh identities in London. It begins by mapping out some key theoretical connections between language, geography and identity, and argues that a reading of diaspora theory might be helpful in conceptualizing Welsh identities in the British capital. In particular, diaspora theory stresses that identities are made up of multiple social axes that need to be seen relationally. Diasporic identities make connections with more than one place challenging the notion of culture and language as delimited by the boundaries of particular national spaces. For many Welsh people in London, language is an important part of their attempts to meet others who share a common identity. London-Welsh societies facilitate this need, defining language in different ways, and interweaving the linguistic with other social axes to form powerful senses of belonging. Whilst London is a key migration destination, it is also a space of Welsh identities that draw centrally upon language, but make different geographical connections with Wales. The paper concludes by arguing that a diasporic reading of such processes allows a wider and more progressive understanding of the Welsh language, and highlights the importance of geography in doing so.     

Heroes and the renegotiation of national identity in American history textbooks: representations of George Washington and Abraham Lincoln, 1982–2003

ABSTRACT. American history textbooks for the USA's public schools act as quasi‐official loci for the renegotiation of national identity and are, as such, subject to much controversy. The choice of heroes and the way in which textbooks depict them display the interplay between competing visions of popular ethno‐history and scholarly historiography. This article examines contemporary renegotiation of the national narrative through an analysis of the evolving representation of the USA's two most prominent traditional national heroes – George Washington and Abraham Lincoln – in history textbooks for elementary‐school students published from the early 1980s to 2003. This period marks the development of the multiculturalist movement and its subsequent conservative backlash, with debates intensifying in the wake of the events of 11 September 2001.     

我国个体和私营经济法律地位的历史演变

党和国家对个体私营经济法律地位的认识及保护,有一个不断发展并逐渐深化的过程。在经历了1949～1954年有限发展、1956～1978年几乎绝迹的时期后,自改革开放以来,我国经济体制发生了很大变化,个体和私营经济相应地也迎来了1978～1992年大力发展的时期和1992～2003年蓬勃发展的时期,其法律地位也发生了巨大的变化。     

吕海寰与清末国防述略

吕海寰曾在甲午战争、日俄战争和英军侵藏等关键时刻,积极参与有关国防的各种活动,针对时局世变与各种具体问题,提出了一系列客观见解和切实可行的办法,体现出强烈的爱国情怀.这样一位在中国近代史上起过重要作用的历史人物一直未能得到学界的重视,这是不应该的.     

The 2010 independence jubilees: the politics and aesthetics of national commemoration in Africa

In 2010, as many as seventeen African states celebrated their independence jubilees. The debates surrounding the organisation of these celebrations, and the imagery and performances they employed, reflect the fault lines with which African nation‐building has to contend, such as competing political orientations as well as religious, regional and ethnic diversity. The celebrations represented constitutive and cathartic moments of nation‐building, aiming to enhance citizens' emotional attachments to the country and inviting to remember, re‐enact and re‐redefine national history. They became a forum of debate about what should constitute the norms and values that make‐up national identity and, in the interstices of official ceremonies, provided space for the articulation of new demands for public recognition. A study of the independence celebrations thus allows us to explore contested processes of nation‐building and images of nationhood and to study the role of ritual and performance in the (re)production of nations.     

‘The land and its people’: reflections on artistic identification in an age of nations and nationalism

From the late eighteenth century onwards, increasing numbers of visual artists came to identify with their nations and with the homeland and its people. This development was strongly influenced by growing national cultural support and regulation of the arts by academies, art schools, museums and art markets in Western Europe. On a subjective level, the Rousseauan movement of a ‘return to Nature’, Herder's espousal of vernacular cultural self‐expression and, above all, the widespread Romantic cult of authenticity, were potent influences on the inner self‐identification of visual artists after 1800, and were manifested in the novel importance accorded to landscape and rural genre painting in Western Europe. Here I consider the role of national sentiment, the ‘return to Nature’ and the cult of authenticity, first in landscape paintings by Paul Sandby, J. M. W. Turner and John Constable in early nineteenth‐century Britain, and then in the rural genre paintings of Jean‐Francois Millet and Jules Breton in nineteenth‐century France and Josef Israels, Anton Mauve and Vincent Van Gogh in the later nineteenth‐century Netherlands. Their work reveals how nineteenth‐century visual artists became inwardly identified with the ‘land and its people’, and how they in turn contributed, especially through prints and engravings, to the dissemination of national imagery and a cultural nationalism.     

从英国农业现代化的历程看中国入世后农村土地问题的走向

中国是一个农业大国,但农业却是中国的弱质产业。入世,犹如一把双刃剑,在给中国带来机遇的同时,也带来了严重的挑战。本从中英农业转型的比较入手,认为土地产权的完善是中国经济全球化以后农业面临的一项迫切任务,并提出了一些政策性建议。