SOURCING OBSIDIAN FROM NEOLITHIC ÇATALHÖYÜK (TURKEY) USING ENERGY DISPERSIVE X‐RAY FLUORESCENCE*

This paper details the chemical sourcing of 42 obsidian artefacts from a single Neolithic structure at Çatalhöyük (central Anatolia), using Energy Dispersive X‐Ray Fluorescence (EDXRF). The chemical signatures of the samples match those of two geological sources in southern Cappadocia: East Göllü Da? and Nenezi Da?. The data provide a counterpoint for previous analyses at the site, and suggest possible intra‐community distinctions with regard to shifts in raw material procurement and technical change.     

SPECTROSCOPIC INVESTIGATION OF RED STAINS AFFECTING THE CARRARA MARBLE FAÇADE OF THE CERTOSA OF PAVIA

The nature of the large red stains exhibited on the Carrara marble elements of the Certosa of Pavia façade was investigated by means of spectroscopic techniques and scanning electron microscopy. Although previous microbiological analysis has demonstrated the presence on the stone of a bacterial strain identified as Micrococcus roseus, that is capable of carotenoid production, it has been ascertained in the present study that an inorganic pigment, namely Pb₃O₄, is responsible for the observed coloration. On small green spots, the presence of photosynthetic micro-organisms has been demonstrated by microbiological analysis and confirmed by resonance Raman spectroscopy.     

中原地区史前陶窑发展演变研究

陶器是新石器时代的广域性文化遗存之一,明显改变了史前人类包括饮食结构在内的诸多生活方式,并促进了史前文化的繁荣与发展,因而制陶术也被视为史前人类的重大发明之一.以往对制陶技术的研究多集中在制坯成型工艺方面,陶窑结构虽也被纳入考察的范畴,却未能充分考虑烧制技术与陶窑结构之间的内在联系,似乎一直没有把握住陶窑形态结构演变的核心特征.中原地区(本文主要指河南及山西中南部)不仅是新石器时代文化发展的重要区域,也发现有裴李岗文化以来各个阶段的史前陶窑遗存,为探讨史前陶窑的结构演变及烧制技术提供了较系统的实物依据.本文在充分考虑烧制技术的基础上,通过陶窑形态结构分类,力求把握其结构演变的核心特征及演变规律.     

POST-COLLAPSE: THE RE-EMERGENCE OF POLITY IN IRON AGE BOĞAZKÖY, CENTRAL ANATOLIA

How communities reorganize after collapse is drawing increasing attention across a wide spectrum of disciplines. Iron Age Boğazköy provides an archaeological case study of urban and political regeneration after the widespread collapse of eastern Mediterranean Late Bronze Age empires in the early twelfth century BC. Recent work at Boğazköy has significantly expanded our understanding of long-term occupation in north central Anatolia. This work counters previous suggestions that Boğazköy was abandoned after the collapse of the Hittite Empire during the Early Iron Age. In this paper, we focus on the Iron Age occupations at the site to show how growth in the scale and complexity of ceramic production and trade during this period provides another line of evidence for economic and political re-emergence. Based on the increasing diversity of non-local ceramics and ceramic emulations during the Iron Age, we suggest that only in the Late Iron Age, 500–700 years after Hittite collapse, did Boğazköy re-emerge as a significant polity in central Anatolia.     

PROCESSION AND SYMBOLISM AT TARA: ANALYSIS OF TECH MIDCHÚARTA (THE 'BANQUETING HALL') IN THE CONTEXT OF THE SACRAL CAMPUS

Summary.   New analysis explores Tech Midchúarta (the 'Banqueting Hall') from the point of view of a sacral, processional approach to the summit of the Hill of Tara, the pre-eminent cult and inauguration site of prehistoric and early medieval Ireland. It is suggested that aspects of its architectural form symbolize the liminal boundary between the human world and the Otherworld of Tara, and that in so far as Tech Midchúarta is also designed to control and manipulate how the ceremonial complex is disclosed to the observer, it assembles the existing monuments into one, integrated ceremonial campus. It is argued that Tech Midchúarta is one of the later monuments on the Hill of Tara and that it may date from the early medieval period. Using the evidence of documentary sources and extant monuments, a possible processional route from Tech Midchúarta to Ráith na Ríg is described.

Immráidem fós Long na Láech
frisanabar Barc Ban mbáeth.
Tech na Fían, nirbo long lec,
co cethri doirsib deac.
Let us consider too the Hall of the Heroes
which is called the Palace of Vain Women;
the House of Warriors, it was no mean hall,
with fourteen doors.

( Gwynn 1903–35 , Metrical Dindshenchas III, 18)     

BLACK AND RED GRANITES IN THE EGYPTIAN ANTIQUITY MUSEUM OF TURIN: A MINERO‐PETROGRAPHIC AND PROVENANCE STUDY

A recent project to investigate the stone artefacts preserved in the Egyptian Antiquity Museum of Turin has been undertaken, with the aim of supplying their systematic classification and suggesting the provenance site of the original raw materials. This paper focuses on seven sculptures dating back to the New Kingdom (18th–19th Dynasties): the statue of Ramses II, three of the 21 sculptures of the goddess Sekhmet, the statue of the goddess Hathor, the Ram‐headed Sphinx and the sarcophagus lid of Nefertari. Petrographic observations have shown that all the sculptures are made of granitoid rocks, with variable composition from granite to granodiorite and tonalite. The observation of strong macroscopic analogies with the so‐called black and red granites outcropping in the Aswan area has suggested a common origin of all the raw materials used for their manufacture. In order to verify this provenance hypothesis, several samples were collected in the Aswan quarry districts. According to results of a minero‐petrographic and geochemical comparison between the statues and the Aswan quarry samples, it was possible to identify the source area of the stone sculptures and finally to highlight the importance of an archaeometric approach to the solution of archaeological problems.     

SINGING SUBJECTS AND SACRED OBJECTS: A PSYCHOLOGICAL INTERPRETATION OF THE ‘TRANSFORMATION OF SUBJECTS INTO OBJECTS’ IN CENTRAL AUSTRALIAN MYTH

In an earlier paper published in this journal Nancy Munn's ‘The Transformation of Subjects into Objects in Walbiri and Pitjantjatjara Myth’ was discussed and related to Aranda mythology. This paper commences where the earlier one finished and offers a psychological account of ‘the transformation of subjects into objects’. In particular, it discusses, within a psychoanalytic framework, the relationship between communication, the body and the environment inherent in Aranda myth and rite, suggesting that what Munn calls ‘the a priori grounds’ of the Aboriginal moral order can be understood as a set of dialectical shifts occurring within the life-cycle. These shifts involve the realisation and reconciliation of a number of oppositions, including male and female; earth and sky, death and life; conscious and unconscious; and, in particular, language and speech.     

LEAD ISOTOPE ANALYSES OF BRONZE AGE COPPER‐BASE ARTEFACTS FROM AL‐MIDAMMAN,YEMEN: TOWARDS THE IDENTIFICATION OF AN INDIGENOUS METAL PRODUCTION AND EXCHANGE SYSTEM IN THE SOUTHERN RED SEA REGION*

The results of the lead isotope analysis (LIA) of 15 copper‐base artefacts from the Bronze Age site of al‐Midamman, Yemen, are reported. The LIA data suggest the existence of an indigenous Bronze Age metal production and exchange system centred on the southern Red Sea region, distinct from those in neighbouring regions of Arabia and the Levant. These preliminary results are highly significant for the archaeology of the region, suggesting that local prehistoric copper extraction sites have thus far gone unrecorded, and highlighting the need for systematic archaeometallurgical fieldwork programmes in the countries surrounding the southern Red Sea.