旅游地理视角下记忆研究的进展与启示

记忆是当前西方人文社会科学的重要研究领域,同时也是一个跨学科的概念。记忆与时间和空间密不可分,随着20世纪90年代以来"旅游潮"和"记忆转向"的兴起,记忆研究日益成为中西方旅游地理研究者的关注领域。本文通过对人文地理学中旅游相关研究中的记忆议题和研究方法的梳理,从记忆、物质景观与地方意义的感知,记忆、仪式与身份认同,以及旅游者的情感体验与地方建构三个方面进行分析,以期展现充满文化、社会、政治乃至经济内涵的记忆地理问题发展脉络及独特意义,为国内旅游地理学开拓新的研究视野。     

从地理学视角看城市历史文化景观集体记忆的研究

通过对国内外文献的分析,总结了景观、记忆与地理学的研究进展,指出景观、记忆与地方认同联系密切,而且景观与记忆的研究大多与历史文化景观相关。由于集体记忆所体现出的社会性,通过物质的和象征性的城市历史文化景观,去探究其集体记忆的认知空间和情感空间更具有现实意义。文章探讨了GIS和认知地图方法在城市集体记忆研究中的应用,并对佛山城市历史文化景观的集体记忆进行了实证研究。认为在全球化、城市化趋势下,从地理学视角,透过对历史文化景观集体记忆的分析,将有助于城市历史文化遗产持续性地保护和塑造城市地方感。     

地理学视角下的集体记忆研究综述

集体记忆植根于人、空间(地方、景观)、时间,是地理学研究人地关系的重要视角与手段。本文从理论渊源、研究内容、方法等对国内外相关文献进行梳理,提出地理学视角下的集体记忆研究框架。研究立足于集体记忆主体、载体和机制三方面,以空间、地方、景观、仪式、旅游等为主要研究对象,关注现象背后的政治性、竞争-协商性以及利益主体,个案研究为主,案例类型较为丰富,方法上定性为主,鲜有定量研究及相关模型构建。相比国外研究热潮与成果,国内研究仍处于萌芽起步与概念引入阶段,未来可拓展集体记忆载体形式的研究,深化集体记忆机制即人地关系层面,加强实证与量化方法应用。     

地方感的多态与分异：不同人群对旧城街区的感知

地方感指人与地方的情感关联,是地理学特别是人文主义地理学的关键概念。快速城镇化使得“地方”剧变,地方感也变得复杂多样,多元主体的地方感形成机制值得探讨。本文基于人文主义地理学视角,选取江苏省如皋市东大街为典型案例,通过实地调研,运用半结构化访谈等方法,将不同主体的地方感归纳为三类：根植型、创造型和关怀型。老年原住民形成了根植型地方感,其重点在血缘联结、归属感、身份认同;沿街商户生成了创造型地方感,主要涉及美学、经验与私人空间等;虽从地方抽离但仍与地方保持着积极情感纽带的“乡邻”们则形成了关怀型地方感,主要涉及关注、社会互动、熟悉等。借助案例剖析和质性研究方法,本文对地方感多元类型和形成机制的深入探讨将有助于理解地方感的多态性和分异性。     

仪式活动视角下的集体记忆和象征空间的建构过程及其机制研究——以南京大学校庆典礼为例

仪式活动是集体记忆、象征空间与地方认同建构源头,因其研究有助于揭示城市各空间尺度内的公共生活竞争的内在机制,因此已成为西方文化地理学的重要研究命题;但此类以仪式活动为视角,揭示集体记忆、象征空间建构过程及其机制的研究,在国内极少。鉴于其研究重要意义,文章以南京大学校庆典礼为例,运用文献研究、田野考察、访谈等多种定性与定量方法,探讨了自上而下的仪式活动,即校庆建构集体记忆、象征空间、地方认同的过程及其机制,为校园特别是新校园或扩建校园的纪念物建设与规划提供科学依据。     

地方与认同:欧美人文地理学对地方的再认识

地方是现代人文地理学研究的重要视角之一。以人本主义地理学为代表,现代欧美人文地理学界对地方性意义以及地方在建构个人与社会的文化身份认同的作用进行了深入的探讨与研究。地方对于个人与社会来说,不啻是一个意义的中心,同时也是构建社会关系与权力关系的媒介。因此,地方意义在身份认同的建构过程中有着十分重要的作用。本文从地方-空间的关系、地方认同的多样性与动态性、地方认同与权力的关系以及全球化背景下的地方认同四个方面对欧美人文地理学关于地方与认同之间辩证关系的研究进行系统的述评。     

文化记忆视角下乡村旅游地的文化研究进展及框架构建

乡村旅游地的文化研究一直是旅游地理学关注的重点领域,而乡村文化的恢复与重构更是亟需解决的科学问题。本文从乡村旅游的概念内涵、文化表达与测度、文化保护利用、地方认同、乡村记忆及文化重构等方面对相关文献进行梳理,提出文化记忆理论和旅游人地关系理论视角下乡村旅游地文化的研究框架、内涵和内容。针对已有研究的不足,本文将乡村文化记忆作为分析乡村旅游地文化时空过程的逻辑起点,立足于文化记忆理论关注的文化记忆识别、地方身份认同和文化连续性等核心内容,构建了“时间维度、空间维度、社会维度”的三维研究框架,并据此提出了乡村文化记忆在时间、空间和社会维度的研究内容。为今后进一步丰富文化记忆与旅游地理学的融合,深化乡村旅游地文化研究的理论构建和方法创新,寻求乡村旅游地的文化研究新视角、新方向和新方法提供指导。     

基于集体记忆的震后北川老县城空间重构

汶川地震重灾区北川老县城为案例地,以地震受灾群体老县城居民为研究样本,通过问卷调查与访谈挖掘灾后遗址唤起居民的集体记忆和空间,通过认知地图和GIS空间分析对比遗址官方记忆空间、居民集体认知-情感空间、行为空间的差异,揭示现实空间与居民集体记忆空间互动影响机制。灾后日常记忆、灾难记忆夹杂在一起,产生怀旧、创伤等情感,构成居民复杂的集体记忆。尽管具体空间引发的情感以负面为主,但居民对老县城整体还是充满了积极的地方依恋和认同。     

体育文化的地理学解析

本文以体育和地理共同关注的空间和地方作为切入点,介绍和分析了体育与地理的联系、体育地理的兴起和发展状况,继而提出了体育文化地理解析的概念框架,并在此框架下,讨论了体育地理学研究的主要领域和核心内容。最后文章扼要指出了我国体育地理学研究的潜力和优势,认为体育地理研究将在我国大有可为。     

基于区域联系和IPA的节事游客地方认同空间特征——以2011西安世界园艺博览会为例

本研究选取地方理论的地方认同维度,将其与节事研究领域相结合,以西安世界园艺博览会为案例,运用区域综合联系强度、IPA以及Taylor的距离衰减模型,探究参与该节事的游客对举办地西安的地方认同的空间特征。研究发现:世园会游客的地方认同在总体上表现为等级递减和跳跃式增长两种空间特征,且仅在国内各省(市、区)这个较大尺度上体现出明显的距离衰减效应。文章最后通过讨论提出了值得进一步研究的节事游客地方认同空间特征与空间极化、介入机会及空间扩散的关系问题。     

The Past under the Shadow of the Present: The Case of the National Museum of Korean Contemporary History

The National Museum of Korean Contemporary History, which opened in 2012, has been the focus of a heated controversy between the progressive and conservative camps over the “proper” ways to represent South Korea’s turbulent history. I build on the relationship between heritage, collective memory and national identity, and argue that the division that typifies South Korean society has implications that extend beyond socio-political issues. Anchored within a broader discursive context, the museum became an important memory carrier involved in the process of debating the issue of national identity. Although no agreement has been reached regarding the “proper” historical narrative the site should exhibit, the museum has nevertheless offered an opportunity to shape a form of national identity that can embrace a more complex perspective on the country’s contemporary history. At present, though, this contentious site has demonstrated the extent to which the legacy of the conservative–progressive divide remains deep. I offer a discursive context that is useful for the study of current debates over heritage sites in South Korea, while the overall analysis illuminates the idea that the “present-centred” management of heritage in national museums can, potentially, play a part in the process of forming more intricate notions of national identity.     

Adopting ‘things of the little’: intangible cultural heritage and experiential authenticity of place in the Jewellery Quarter,Birmingham

The paper discusses notions and experiences of authenticity of place in relation to intangible cultural heritage. Drawing on qualitative informant interviews with representatives of traditional and new businesses in the Jewellery Quarter in Birmingham (UK), it analyses authenticity of place with regard to three key dimensions: the experience of origins, the experience of continuity and the experience of potentiality and actuality. Findings suggest that intangible cultural heritage activates and facilitates experiences of authenticity, often related to people’s individual identity constructs and associated benefits or detriments. Some heritage concepts have evolved from their narrowly defined historic context and inform experiences of authenticity in the present.     

地方理论在城市休闲中的应用

地方理论认为,人与地之间的情感连接,使地方成为一个充满意义的空间。以休闲为导向发展的城市正是一个这样的充满意义的空间。在国内外相关研究的基础上,从人本主义的微观认知方法论角度,以地方理论为基本研究视角,阐释了城市休闲与地方性、地方意义、地方依恋感的联系,探讨了休闲主体与城市之间的"人与地"关系,提出了城市休闲的地方依恋研究框架,分析了地方观应用于城市休闲研究的必要性,最后构建了城市休闲的地方观研究概念框架。以期为休闲领域的理论和实践提供一个新的研究视角。     

Musical memory,heritage and local identity: remembering the popular music past in a European Capital of Culture

This paper explores the relationship between rock music, collective memory and local identity, by focusing on events connected to Liverpool's status as European Capital of Culture 2008. The first part of the paper describes these events and how memories of local rock music were attached to heritage and local identity and mobilised to validate Liverpool as a capital of culture, whilst in turn the city's Capital of Culture status served to validate particular ways of remembering the local musical past. The second part of the paper considers the broader significance of these events by relating them to three pan-European trends in cultural policy: the development of the cultural and heritage industries; the protection and promotion of local culture and identity; and the fostering of cultural diversity and integration. It highlights the general significance of the popular music past for cultural policy in Europe, but also the politics of popular music memory and how it involves a complex and dynamic process of negotiation that relates to cultural policy in particular ways. The paper concludes by arguing that popular music offers a specific and productive focus for research on cultural policy, heritage and local identity in Europe.     

Heritage and ethnic identity: preserving Chinese cemeteries in the United States

This paper critically examines the role of ethnic community in the process of heritage management and preservation. Drawing on two heritage projects dedicated to historic Chinese American cemeteries – the nineteenth-century Chinese Memorial Shrine in Los Angeles, California and Concordia Chinese Cemetery located in El Paso, Texas – this study examines how heritage serves as a central referent in constructing a collective identity that gives continuity and political unity to an ethnic community. Heritage preservation, as a practice connecting the past and present, provides us with insight not only into the historic meanings attached to heritage, but also the contemporary values and ideologies of communities with regard to their efforts in interpreting the past. This paper highlights the relationship between identity politics and heritage, suggesting that heritage becomes a vital means of identity formation which helps articulate cultural traditions in the face of a dominant national culture that essentialises ethnic pasts.     

‘I Felt Connected to a Past World’: A Survey of Visitors to Colonial Archaeological Sites Conserved In Situ in Australia and New Zealand

Abstract

While there is extensive international literature on the technology and techniques of archaeological conservation and preservation in situ, there has been only limited discussion of the meanings of the places created and the responses they evoke in visitors. Experience in Australia and New Zealand over the past decade suggests that the conservation of colonial archaeological remains is today seen as a far more desirable option, whereas previously many would have suggested that this kind of conservation was only appropriate in ‘old world’ places like Greece and Italy; and that the archaeology of the colonial period was not old enough to be of value. This paper discusses a recent survey of visitors to colonial archaeological sites which reveals some of the ways in which these archaeological remains are experienced, valued, and understood, and gives some clues as to why conservation in situ is an expanding genre of heritage in this region. The visitors surveyed value colonial archaeological sites conserved in situ for the link they provide to place, locality, and memory; for the feeling of connection with the past they evoke; and for the experience they provide of intimacy with material relics from the past. This emphasis on the affective qualities of archaeological remains raises some issues in the post-colonial context, as it tends to reinforce received narratives of identity and history, and relies on the ‘European’ antiquarian appreciation of ruins — making the urban environment more like Europe by creating evidence of similar historical layering.     

Mosaic art in modern Israel and the construction of a sense of place

The article deals with the construction of a narrative and sense of place among the Jewish immigrant‐settler society in 20th century Israel in the context of its efforts to establish a national collective identity on indigenous (i.e. authentic) foundations and with the symbolic struggle with the Palestinian national movement as its backdrop. The case study under discussion is the instalment in public spaces of mosaic decorations inspired by ancient Jewish mosaics unearthed in archaeological excavations. I argue that intentionally or unintentionally, these decorations functioned as agents in the construction of an authentic narrative and a sense of place by producing a link between the current and the ancient Jewish presence in the place. This practice went hand‐in‐hand with the hegemonic national dogma about the link between an ancient, allegedly glorious era of the Jewish people in Palestine, and the modern Zionist project.