The art of disputation: dialogue,dialectic and debate around 800

It has often been noted that argumentation in the early Middle Ages was mainly based on written authority, while dialectical modes of reasoning were held in suspicion. Towards the end of the eighth century, however, dialectic was back in vogue at the court of Charlemagne. Logical reasoning played a significant role in theological discussions initiated by the court. This article explores the ‘rules of engagement’ for conducting a debate, and addresses the question of whether public disputation and dialectical enquiry could (again) have a part in the proceedings of councils around 800, after their alleged demise in late antiquity.     

Symbolic recognition,multicultural citizens,and acknowledgement: Negotiating the Christmas Wars

In recent times, December has come to mark a new tradition—an annual public debate over the degree to which Christmas should be publicly recognised and celebrated in a multicultural society. Curiously, political theorists of multiculturalism have had little to say on this controversy. In this article, I argue that there is a genuine issue at stake in the so-called ‘December dilemma’, but that the public debate—which construes the matter in terms of offending non-Christians—fails to identify and address it. Differentiating three distinct areas of contention (public holiday, public square, and state schools), I suggest that the core issue is one of ‘acknowledging a “generalised other”’, and sketch what this might mean for each of these public aspects of Christmas celebration.     

Mobility and modernity in Luang Prabang,Laos: re-thinking heritage and tourism

Numerous studies of tourism in Luang Prabang World Heritage site in Lao Peoples’ Democratic Republic are critical of the perceived impacts on heritage values of the city. Criticisms relate to the incursion of new buildings into the historic core, the loss of older dwellings, increases in foreigners renting and restoring properties as guest houses and restaurants and the movement of locals out of the historic core. Other criticisms relate to the effects on community support for the monastic communities that create the sacred and ritual geography of the city, the loss of community diversity within the World Heritage boundaries and increasing uniformity as the development of tourism continues apace. While our research does not challenge these observations it raises questions about the type of analyses and conclusions reached. Too often ‘heritage’, ‘tourism’ and ‘community’ are considered self-evident and bounded entities, with tourism something faintly alien that causes disruption to the urban fabric of Luang Prabang and, consequently, to the values for which it was inscribed. We propose a different way of conceptualising the relationship between heritage, community and tourism by examining the interaction between global, regional and local mobilities in the context of globalisation and under the aegis of modernity.     

Stitching modernity: the textile work of Fortunato Depero

Fortunato Depero (1892–1960) was a Futurist artist who worked in a variety of artistic mediums, from painting and graphic design to furniture and textiles. His work in textiles, created and produced in close collaboration with his wife, Rosetta Amadori, can be considered the most important development in his artistic career, as it comprised a large portion of his creative production. Yet this work has been largely overlooked. Many reasons explain this oversight, including categorizing inconsistencies – for example, his textiles have been described as embroidery, needlework, tapestry, patchwork, and cloth mosaic – and the persistent relegation of textiles to the realm of crafts and domestic arts rather than art, which has meant that his work in textiles has not been a priority for scholars and conservators of Futurism. This paper places Depero's textiles within the context of early-twentieth-century modernist artistic activities, and demonstrates the centrality of his textile work to his artistic oeuvre.     

Between Galen, Geddes, and the Gael: Arthur Brock, modernity, and medical humanism in early-twentieth-century Scotland

Arthur Brock (1879-1947) is generally remembered as the physician who treated poet Wilfred Owen for shell shock and as the translator of Galen and other ancient physicians. He was also a key figure in the early-twentieth-century humanist revival within medicine. Brock's interest in humanism, I argue, was inspired by a broader concern about modernity and by a desire to return medicine and society to the more harmonious, organic existence that he believed was characteristic of ancient Greece and could still be found among "primitive" peoples, such as the Scottish Gaels. This article explores Brock's anxieties about modernity and its relations to his interests in ancient and "primitive" peoples; to his medical thought and practice; to his interests in history, sociology, language, and translation; and to his involvement in the social and political life of Edinburgh and North Queensferry, where he moved in 1925. Crucially, it shows how all these interests and activities were influenced by Brock's mentor, Edinburgh polymath Patrick Geddes. The article concludes with a discussion of Brock's place in early-twentieth-century medical humanism.     

Blood talks: Eugenic modernity and the creation of new Japanese

In fin-de-siècle Japan, the ideal of "eugenic modernity," or the application of scientific concepts and methods as a means to constitute both the nation and its constituent subjects (New Japanese), crystallized in the space of imperialism. Three of the main themes explored are the application of eugenic principles to make connections between biology, kinship, and the plasticity of the human body; to contemporize historical stigmas; and to promote "pure-bloodedness" and "ethnic-national endogamy" as cultural ideals.     

Running with the land: legal-historical imagination and the spaces of modernity

In the middle decades of the nineteenth century, rural upstate New York was the site of a series of sometimes violent tenant uprisings known as the «Anti-rent Wars». The objective of tenants was to dismantle massive landholdings, some of which, such as the Manor of Rensselaerwyck, dated from the 1620s. Though tenant opposition took many forms, one crucial component was litigation and the practice of legal argument. This paper uses ideas of the production of space associated with Henri Lefebvre in presenting a reinterpretation of these events. After giving a brief account of the genealogy of Rensselaerwyck as a legal space, the historical arguments expressed in and made possible by legal discourse in a series of legal cases are analysed. One of the central issues in these cases was whether Rensselaerwyck represented an illegitimate survival of feudal spatiality in New York or whether the legal foundation of social space here could be assimilated to more modern legal forms. Legal argument in these cases is a social practice by which partisans attempt to produce (or reproduce) social space through the strategic interpretation of lines of continuity (or discontinuity) of the legal meaning of space encoded in rival conceptions of property.     

Politicians, Parishes and Police: The Failure of the 1812 Night Watch Bill

The public outcry heard in the wake of the Ratcliffe Highway murders of December 1811 was muted by May 1812 when the 1812 Night Watch Bill died in the house of commons. Responding to the moral panic following the murder of two East End families, the home office gathered considerable information and input from the professional police magistrates and local authorities before proposing the reform of parochial night watch in much of metropolitan London. Nevertheless the bill ran into concerted opposition on grounds of practicality as well as of ideology. A close study of its trajectory through parliament illuminates the role of parliament as a broker for conflicting demands emanating from differing concepts of the public good. The failure of the Night Watch Bill adds significantly to our understanding of the genesis of legislative initiatives, calling into question whether it is possible to distinguish accurately whether particular bills originated from back- or front-bench activity as well as to our knowledge of the relationship between parliamentary activity, ministerial objectives and public opinion.     

Constructing a suburban identity: youth, femininity and modernity in late-Victorian Merseyside

Suburban growth was one of the main characteristics of late-nineteenth-century British towns, and a suburban lifestyle rapidly became the aspiration of a high proportion of urban dwellers. This paper explores the experience of one young woman growing up in a late-Victorian suburb, and assesses the ways in which she negotiated the structures of this emerging ‘modern’ environment, so as to construct her own identity and behaviour. Evidence is drawn from one very detailed diary covering the period 1884–1892, and attention is focused on three aspects of everyday life: public and social space; domestic routine; and friendships and relationships. The conventional view of middle-class suburban domesticity is challenged by evidence from this diary, which suggests that it was the public and social life of the suburb that was of particular importance to young women. While older married women's experiences were centred upon maintaining a respectable home, the provincial suburban environment offered to young single women considerable opportunities for independent mobility and action, which were restricted by relatively few familial constraints. The diarist did not fundamentally challenge the culture of middle-class suburbia, but instead was able to manipulate many social expectations to her own advantage. As a site of on-going development and malleable norms, late-nineteenth-century suburbia offered its young elite residents opportunities for a certain degree of social, cultural and spatial autonomy that was understood to be essential to the life of the nascent community.     

Colonial exhibitions,hybrid architecture,and the interpretation of modernity in the Dutch East Indies

To gain more economic profit and strengthen its colonial power, the Dutch brought Western technologies and products to their colonies and organized colonial exhibitions, modeled on the successful international exhibitions in Europe. This article analyzes colonial exhibitions in the Dutch East Indies and the ways that Dutch architects used various local architectural forms for those ephemeral events to attract visitors and to modernize the colony. The empirical case study discusses hybrid architecture in the Dutch East Indies at three events: Pasar Gambir of Batavia, Jaarmarkt of Surabaya, and the 1914 Semarang Colonial Exhibition. Through analysis of archival and historical documents, I argue that the use of local architectural forms in colonial exhibitions helped the colonies to adapt to modernity and created places where local people could practice a Dutch lifestyle and create their own idea of modernity.