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此是本刊的特约稿,王运熙先生是复旦大学中系博导,曾任中国语言学研究所所长,是我国名的从事古典学研究的名家。此是先生55年来研究古典学较为全面的总结。此主要由三个部份所组成:一是研究成果简介,二是主要作、论及其观点,三是关于研究方法的体会。此是了解王运熙先生的学术成果与学术思想的第一手资料,对古典学研究与古代学的硕士生、博士生如何从事专业研究亦具有指导与启发的意义。 相似文献
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Ehsan Yarshater 《Iranian studies》1993,26(1-2):141-142
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the Rev. W. G. Clark-Maxwell 《考古杂志》2013,170(1):175-179
The small plate or mount, engraved with two adorsed snakes, is described briefly. It is in Ringerike style of the late 10th or early 11th century. The implications of this discovery for the disputed interpretation of a late-Viking turf-walled hall are discussed in detail. An established Viking presence at Waltham is attested by the fact that Tovi the Staller held the estate under Cnut. Field names and the presence of sokemen in the Domesday record are mentioned. 相似文献
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Ceri Houlbrook 《Folklore》2020,131(3):329-330
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Azita H. Taleghani 《Iranian studies》2009,42(2):275-284
This article focuses on Persian linguistics with the emphasis on grammar and word formation in the twentieth century. After presenting a brief overview of the history of the study of grammar in Iran, I discuss the recent trends in linguistics from diachronic to synchronic aspects. In Persian diachronic linguistics, we will see that most works focus on the reading, and deciphering of the old texts. In synchronic studies, there are three main stages: 1) traditional linguistics, 2) structural linguistics, and 3) generative or formal linguistics. I show how each one of these stages affects Persian linguistics in the twentieth century. Finally, I conclude the article by looking at the current state of Persian linguistics and the future prospects for the field. 相似文献
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Fatemeh Shams 《Iranian studies》2018,51(3):455-477
This paper explores the ever-shifting symbiosis between the village motif, social justice and populist politics in Iran over the past three decades. The village has remained a recurring motif in Persian literature, employed by a variety of writers and state institutions for a range of means. As a symbol, it has been a conduit into which any ideology can be poured; the village allegory can be manipulated to both condemn and support the official policies of the state. A comparison of Iran’s pre- and post-revolutionary literature sheds light on the ways the state literati perpetuated an idealized picture of the village as an authentic, sacred space, increasingly associated with religious nationalism during the 1980s. The paper examines the key socio-political influences on the evolution of the pastoral motif, the work of state-sponsored official poets, and the impact of the village on the cultural doctrine of the Islamic Republic. 相似文献
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