Beyond Tobler’s Hiking Function

Waldo Tobler introduced his hiking function in a little-known article in 1993, as a formal representation of the relationship between topographic gradient and the velocity of an average hiker, with parameters estimated from some previously collected data. Such functions are becoming more useful as apps for route guidance proliferate. Numerous practical issues are raised by any effort to validate these functions empirically. Hiking functions in general allow routes to be measured on various criteria, including travel time, travel distance, or energy consumption, yet, few efforts have been made to calibrate similar functions for other modes of travel, other traveler profiles, and other route criteria. Connected and autonomous vehicles raise the possibility that route choice may take on greater significance in the context of system-wide goals, rather than the current individual self-interest.     

Women’s Lives Beyond the Checkpoint in Palestine

This article brings women to the fore of a discussion of checkpoints in Palestine to understand better the ways that Palestinian women’s lives—even as they may not regularly cross checkpoints—are affected by Israeli security infrastructure. Drawing on fieldwork near Checkpoint 300 between Bethlehem and Jerusalem, we examine women’s lives in the context of a gendered system of permits and the nearby checkpoint that makes men’s days of labour both long and exhausting, a fact that has profound effects on the family home in terms of restricted mobilities and the division of domestic labour. The article thus builds an account of checkpoints that: (1) situates women’s everyday lives in Palestine in the context of Israel’s military occupation; (2) extends the temporality of checkpoints beyond the checkpoint itself; and, therefore, (3) enables an understanding of the effects of borders beyond the immediate space of the border.     

Playing with Fire: Children at Fort York’s Ordnance and Supply Yard

Though not plentiful, it is common to find toys on military sites. While such objects may at times be attributed to the recreation of soldiers, the documentary evidence for children at military installations makes it possible to link some of these objects to children’s play. Here, several toys and other child-related artifacts recovered from a former munitions depot are used to delve into a discussion of children within these military landscapes. In doing so, an alternative conceptualization of the landscape is proposed as a means to encourage development of an archaeology of childhood in military contexts.     

Sappho’s “Brothers Poem”: An Interpretation

This article explores the overall meaning of Sappho's “Brothers' Poem” by elucidating its web of interwoven verbal repetitions. “The gods”, Sappho seems to say, “reward those who have moderate wishes, think in longer time frames by trying to exploit all their resources and understand the law of natural alternation, regulated by Zeus, by bringing about an even more spectacular reversal of fortune”.     

From ‘Breathless Catalogue’ to ‘Beyond Text’: A Hundred Years of Children’s Folklore Collecting

This lecture draws attention to research into children’s folklore in Britain from the last century, stressing its potential to inform understandings of contemporary childhoods, particularly children’s play. The emphasis is on archival sources, such as the collections of Norman Douglas, James Ritchie, and Iona and Peter Opie. The changing nature of contemporary evidence, such as children’s self-produced films of their play shared on YouTube, is also illustrated, and the importance of a multimodal approach stressed. The author compares the historical sources with the collectors’ published work, and highlights the need for rigour in appraising these differing forms of evidence.     

Beyond Orientalism: When Marceline Desbordes-Valmore carried Saʿdi’s Roses to France

This article follows a thread of translation and intertextual dialogue, taking us from the thirteenth-century Persian poet Sa?di to the nineteenth-century French poet Marceline Desbordes-Valmore. It reads Desbordes-Valmore’s poem ‘Les roses de Saadi’ (1860) with the two passages from Sa?di’s Golestān from which it was inspired, shedding new light on the poem’s metapoetic subtext. The original Persian text is compared to two French translations that were circulating at the time when Desbordes-Valmore was writing. This analysis of the Golestān’s reception forms the basis for the argument that Desbordes-Valmore recast in secular terms Sa?di’s discourse on poetic language, emphasizing the continuity, rather than difference, between her concerns and Sa?di’s. The case of Desbordes-Valmore thus reveals a forgotten facet of nineteenth-century French engagements with Middle Eastern culture: one of identification and literary influence, which existed alongside the processes of “othering” for which the period is better known.     

A Platform for Art: Infrastructural Citizenship Beyond Monumentality in Toronto’s Transit Art

The flourishing of transit art globally reflects a widespread belief in the power of aesthetic practices to promote infrastructural and civic revitalisation. This article analyses how transit art engages spaces and practices of publicness and how art explores ideas of mobility in Toronto. It argues that while arts are frequently deployed to reproduce status quo relations of power and to bolster elite and exclusionary forms of urbanisation, they can also work to challenge these. Through the notion of infrastructural citizenship, I show how arts can unsettle grounds of public space and public life and illuminate the contentious relations that cohere in public transit space. Overall, I claim that transit networks are a key platform through which the politics of public art are staged and that despite existing constraints, there are many affordances for transit art to critically intervene into neoliberal urban processes.     

“Twitter Bodhisattva”: Ai Weiwei’s Media Politics

Abstract

This article investigates artist and activist Ai Weiwei’s media politics. In 1997 Ai Weiwei imagined a modernist movement that would practise a “non-compromising vigilance on society and power” and since 2005 he has embraced blogging and micro-blogging to enact such intent. We argue that his “communication activism” is part of a broader artistic and political program that long predates his online presence. The study examines how the artist has experimented with blogging and micro-blogging to spread his message of “awakening” in defiance of censorship and surveillance. It shows how Ai Weiwei’s communication strategy combines an international celebrity status, criticism, irony and a round-the-clock interaction with his netizen audience and the media. It also critiques the effectiveness and coherence of this mode of activism from two perspectives – namely, Jean Baudrillard’s analysis of “private telematics” and Jodi Dean’s “blog theory” – and finally assesses its impact. The study aims to enhance our understanding of the web-based communication strategies of Chinese activists, shedding light on cultural production and consumption in Chinese cyberspace as a socio-political barometer.     

‘Home is home be it never so homely’: Reading Mid-Victorian Slum Interiors

This article considers representations of the ‘slum interior’ as complex cultural narratives produced by urban investigators of the mid-Victorian period, including Henry Mayhew, Thomas Beames and George Godwin. Much existing scholarship on nineteenth-century slum narratives has tended to emphasize the use of sensationalism, hyperbole and tropes of colonialism to describe the dire living conditions of the very poor, a feature particularly apparent in the works of the 1880s. By focusing on writings from the period 1849–1865, this article pays attention to earlier conceptions and projections of slum interiors which were conceived as not altogether abject or ‘other’, but as ambivalent spaces that both defied, and invoked, Victorian forms of domesticity. Through close readings of their textual and visual form, I show how the paradoxical and ambivalent spaces of the slum interior reconfigure in meaningful ways the conventional relations of domestic architecture, inhabitants and their objects.     

Alice Munro’s Narrative Historicism: “Too Much Happiness”

Alice Munro’s “Too Much Happiness” relates the final years of its subject Sophia Kovalevsky (1850–1891), a nineteenth-century Russian mathematician, writer, and subsequent feminist icon. Munro’s narrative here does not always fit with her earlier fictional practice. By examining Munro’s earlier work, and glancing at a later sequence of narratives with regard to her uses of historical matters, this discussion outlines the generic implications of “Too Much Happiness” and their effect upon our estimation of the remainder of Munro’s fiction.     

Tradition as play: pilgrimage to “England’s Nazareth”

This article explores the “invention of tradition” thesis by examining the physical and ideological reconstruction, as well as the contemporary use, of the Christian pilgrimage site of Walsingham, in Norfolk, England. We argue that a focus on the actions and motivations of cultural élites encourages a one‐dimensional view of ritual and ignores how traditions may be transformed in the process of re‐enactment by other members of society.     

‘The Social’ and Beyond: Introducing Actor-Network Theory

In recent years, it has been suggested (e.g. TAG 2002, 2006; IKUWA3 2008) that it is necessary for the discipline to move beyond the study of ships and boats towards the ‘wider social contexts’ of seafaring and maritime activity. This paper investigates the contours of ‘social’ as an object of study. Two questions are asked: (1) how is this object defined within sociology, classical and contemporary social theory, and archaeology; and (2) what is the status of nonhumans, physical-material things, artefacts, plants, animals, etc.? After taking a look at several different theories, it is argued that it is not necessary for us to move beyond ships and boats. Instead, an alternative approach is offered, one that allows us to move beyond the restrictive ontology of the social.