Constructing contemporary artistic identities in Toronto neighbourhoods

This paper examines the role of the neighbourhood in the construction of artistic identities. Drawing upon in‐depth, semistructured interviews with Canadian visual artists from Toronto, I identify some of the common features of downtown Toronto neighbourhoods where artists congregate. I demonstrate that artists are drawn to neighbourhoods that have not been gentrified and do not directly reflect current dominant values in society. I focus, in particular, on the importance of marginal niches of improvisational space within the urban fabric. Marginal spaces, often neglected and overlooked, weakly classified and in a state of becoming, I argue, are essential to the development and sustenance of an artistic identity .     

Female artistic identity in place: the studio

In this paper I examine the role of the studio as a central site of artistic identity construction and maintenance. Using ten case studies drawn from interviews with contemporary women visual artists from Toronto, Canada, I argue that women artists value studio space because it powerfully reinforces their sense of commitment and belonging to a predominantly male‐dominated profession. I consider how women cope with the demands of artistic practice when they are unable to establish a spatially separate workspace by addressing the experiences of artists who are parents. I demonstrate how women artists who are primary care‐givers are rarely adequately protected from the interruptions of daily life and have grown accustomed to working in fragments of time and space. While these women may appear willing to concede space to others, when space is crucial to their artistic practice, they have a remarkably strong influence on the form of their creative environment. I maintain, then, that the studio as a fixed physical space continues to be a very real necessity for women artists in all stages of their careers.     

Valuing the Arts: Theorising and Realising Cultural Capital in an Australian City

For those who make and admire artistic works, there is no question of their value. However, for others interested in economic development, the value of the arts is often more tangential, contested and questionable. While the post‐modern world of consumption and spectacle suggests to some academics and governments that the arts and cultural industries are the way of the future, others remain sceptical about their social and economic value. This is a theoretical as well as a practical issue this paper explores by offering a reconceptualisation of Pierre Bourdieu's concept of cultural capital as a way of re‐assessing the value of the arts. The paper then applies this framework to quantify and qualify the value of the arts in one regional city in Australia – Geelong in Victoria – focusing on the work of two artists. The aim is to describe the interconnected processes by which the arts generate cultural capital in the form of confidence, image, individual well‐being, social cohesion and economic viability. The analysis also highlights the ongoing power relations which prescribe artistic production, circulation and valuation. The implications of such a rethinking and application go well beyond one city and region to other places grappling with the relationship between artistic production and urban well being. By focusing on the broad‐ranging process by which artistic value is created for individuals, groups, professionals, communities and governments, a model becomes available for other places to use in realising their cultural capital.     

Claiming and Controlling Space: Combining heterosexual fatherhood with artistic practice

This article is structured around nine short vignettes that explore the complex and embedded gendered relations of fatherhood for heterosexual male contemporary Canadian visual artists at different stages of life. In contributing to the geographical literature on work, gender, and identities, this article answers the questions: What form does hegemonic masculinity take in the visual arts? How do male artists organize and conceptualize work life and family life? What impact does fatherhood have on artistic identity construction? In formulating answers to these questions, I argue that dominant discourses of masculinity have left some men feeling illegitimate as both artists and fathers, and reliant on spatial control as a mechanism to ‘fix’ their artistic identities.     

The role of heritage conservation districts in achieving community economic development goals

Most jurisdictions have some kind of measures to protect physical fabric and manage change within historic neighbourhoods. In Ontario, Canada’s largest province, these are called Heritage Conservation Districts. While much has been written about such aspects as identifying such districts, the designation process and their role in the urban landscape, less exploration has been devoted to understanding their potential role in economic development. This study examined two heritage districts in the Town of Markham, a fast-growing exurban municipality north-east of Toronto. Both of these neighbourhoods and both designated heritage areas have in place an economic development mechanism called a Business Improvement Area. The research involved interviews, household questionnaires, observation and statistical analysis. It was found that overall the data indicated that the management of the heritage resources supported and enhanced economic development. It was also found that there were considerable differences between the two areas in spite of their close proximity. The reasons for those differences are outlined.     

Envisioning Seoul as a World City: The Cultural Politics of the Hong-dae Cultural District

This article explores how the vision of a world city influences local cultural politics, by looking at an attempt to construct a cultural quarter in Seoul, South Korea. The Hong-dae area of Seoul has a reputation as a vibrant place of urban amenities, emerging cultural forms, and neighbourhoods of cultural workers and artists. In 2003, the city government announced a policy to create a Cultural District in the area. Subsequently, local conflict over defining Hong-dae culture emerged, and the plan was later postponed. This study elucidates how the proposed policy, framed by a vision of Seoul as a world city, led local actors to territorialise, fossilise, ethnicise and capitalise Hong-dae culture. It argues that competition for world city status may politicise and territorialise urban cultural scenes, rather than enhancing the urban amenities of diversity, openness and tolerance.     

Art as a diagnostic: assessing social and political transformation through public art in Cairo,Egypt

Since January 2011, Egypt has undergone several waves of political upheaval in order to craft a new form of governance. Central to this process has been the role of art. This article argues that artistic interventions that engage with the idea of public space and that take place in the public space of the city engender interactions that illuminate the complexities and difficulties currently facing Egyptian society. More so than serving as documentation of what has taken place or as acts of protest, public art can serve as a diagnostic of issues that simmer underneath the surface of national politics. Based on interviews, focus groups, and observations conducted between 2011 and 2013 with Cairo-based artists and arts advocates, the paper explores the way in which public art has signaled tensions regarding class, gender and increasing political polarization. By exploring the relationship between art, artists and urban space, this paper extends analyses on political transitions to take account of the effects produced by forms of artistic expression within the public sphere.     

Toronto,an American city: Aspects of its postwar planning, 1940–1960

Toronto is conventionally considered quite unlike “American cities.” This article does not fundamentally challenge this convention, but does suggest that differences between Toronto and American cities may be overdrawn and that Toronto may have more American elements than is generally recognized. The evidence presented in this study comes from three episodes in Toronto’s postwar planning history: creation of an ambitious postwar master plan in 1943–44, formation of metropolitan government and planning in the mid-1950s, and the design and construction of the iconic suburban neighborhood of Don Mills also in the 1950s. All three show strong American planning connections. The article then offers some reasons why these American planning ideas did not produce an “American city,” and concludes by challenging the view that it is due to Canada having a fundamentally different urban culture.     

Visual artists: counter‐urbanites in the Canadian countryside?

Professional visual artists have always enjoyed considerable latitude in the selection of a place of work and residence. Recent decades have witnessed their growing presence within the Canadian countryside. This paper seeks to provide an interpretation of this phenomenon by exploring two sub-objectives. First is to determine whether artists who establish themselves in rural communities can be considered to be part of the counter‐urbanisation movement, involving the relocation of urban residents down the settlement hierarchy. Second is to identify what types of migration are occurring and why. Our surveys of visual artists residing in the southern Ontario communities of Elora and Parry Sound reveal that most participants are part of a movement involving the decision to take up both residence and employment in a rural locale. We further find that the relocation of visual artists is driven to some extent by a strong attachment to natural landscapes. By way of conclusions, we briefly speculate about the broader population of urban residents. We remind ourselves that artists often have been harbingers of new movements and that today there are growing numbers of workers outside the artistic community who also have increasing latitude in regards to choosing where to live and work. Overall, our findings suggest that there is ongoing blurring of geographic boundaries—between space and place, between place of work and place of residence and, of course, between rural and urban.     

ADMINISTRATIVE DEFINITIONS OF ARTISTS IN THE NORDIC MODEL OF STATE SUPPORT FOR ARTISTS

This article considers the role of public arts policy in producing societal definitions for “art” and “artists”. It examines administrative definitions generated and used by the Nordic system of state support for artists and reflected in its administrative categories and structures of decision‐making. Using the concepts of “artistic field” and “artistic classification system” as starting points, the article focuses on the regulated and institutionalized interaction of the state and artistic fields in decision making, and on the administrative categories emerging from this interaction. Through this interaction, professional and administrative definitions of “art” and “artist” are closely intertwined in the four countries discussed. The administrative categories examined show considerable variation between the countries related to differences in the nature of this interaction. The definition power involved in state support for artists is related to the nature of this interaction, as well as to such factors as the legitimating arguments, objectives and criteria for the support.     

The City as a Focus for Human Capital Migration: Towards a Dynamic Analysis of University Human Capital Contributions

Universities’ contributions to urban development frequently focus on their micro- or macro-scale effects, ignoring the meso-scale effects they have on inter-territorial relationships. Although universities are seen as an essential part of the recipe for successful urban development, there is a lacuna to understanding how they make places and shape urban hierarchies, and this article addresses this question. This article focuses on one university–urban development process, the creation and embedding of highly skilled graduates, to explore what the aggregate effects of universities on places are; it develops a set of indicators to measure graduate attraction and retention as well as the overall composite place effect. The article develops a typology based on these three indicator sets, and tests this using a data set developed from a Polish social media website. It finds that these indicators are a good way of measuring the effects of human capital creation and mobility at the urban scale. The article concludes by arguing that a greater focus is required in studying the roles that universities play in fostering through-flow in places, changing these places’ nature as nodes within wider urban systems and hierarchies, in the context of university–regional development.     

Artists in rural locales: market access, landscape appeal and economic exigency

The period 1971 to 1991 saw a significant increase in the proportion of Canadians employed in the 'arts'. While still concentrated to a large extent in urban Canada, artists do seek out rural locations to pursue their craft. This paper identifies, interprets and classifies communities in rural Canada that specialize in the production of visual, performing and literary art. Location quotients are calculated from a custom-tabulated run of 1991 census data on employment in the arts in all Canadian census subdivisions. We propose several factors that may account for high concentrations of artists in some rural places. Cluster analysis is used to develop a classification of Canadian rural arts communities. We identify 371 small arts centres in Canada, ranging from Cape Dorset in the Northwest Territories to Elora in southwestern Ontario. Market access, landscape appeal and economic exigency are among the location determinants isolated. Further analysis reveals that five types of arts communities exist in rural Canada. Future research on a localized scale is now necessary to uncover specific factors responsible for the prevalence of artists in the rural ecumene.     

Urban spatial politics and collective action in revolutionary Cairo: Counter spaces and paradoxes of mobilisation

This article centres the role of Cairo's popular forces in the 2011 revolutionary Uprising in Egypt. It does so by bringing to focus the relationship between these forces' everyday spatial practices and forms of contention, on one hand, and revolutionary activism and protests in central places like Tahrir Square, on the other. It demonstrates that everyday life in popular neighbourhoods of Cairo is constitutive of a political domain in which ordinary citizens cultivate resources, dispositions and capacities for collective action and mobilisation of the kind witnessed in the January Uprising. It also shows how the lived experiences of ordinary citizens in the city's popular neighbourhoods are formative of the oppositional subjectivities enacted in the context of this revolutionary mobilisation.The article identifies and illuminates two primary paradoxes of revolutionary mobilisation. The two paradoxes arise out of a disjuncture between modalities of action pursued by Tahrir-oriented revolutionary activists (al-thuwwar) on one hand, and popular forces' tactics, strategies and conception of the Revolution, on the other. Tracing the engagement of popular forces in the context of the Uprising, this contribution reveals that in enacting their oppositional subjectivities popular forces articulated their own conception of the Revolution. More specifically, the article expounds on how they did so by shifting the locale of revolutionary action from Tahrir Square to Cairo's streets and popular neighbourhoods, and by widening acts of urban insurgency to advance rights claims to the city.     

BETWEEN PLACES AND FLOWS: TOWARDS A NEW AGENDA FOR NEIGHBOURHOOD RESEARCH IN AN AGE OF MOBILITY

This article discusses the role of the neighbourhood in an era of increased mobility. It explores the consequences of the “new mobilities paradigm”, which argues that the growing importance of flows – of people, goods and information – results in a deterritorialization of social practices. Rows thus gain prominence in comparison to places like regions and neighbourhoods. At the same time, however, neighbourhoods continue to play a role in the actions and imaginations of people, neighbourhood organizations, and government policies. People still live in neighbourhoods, and governments still try to solve often severe social problems through neighbourhood policies. We argue that the neighbourhood has to be re‐imagined as a collection of hybrid nodes connecting a multiplicity of flows that bind actors and objects in order to understand the potential effectiveness of these policies. From this new mobilities perspective, we make suggestions for future neighbourhood research.     

Creating a life: the role of symbolic and economic structures in the gender dynamics of Swedish artists

This article examines the prevalence of parenthood among professionally practising artists in Sweden. The overall aim of the article is to employ feministic and sociological perspectives to provide a theoretically-based understanding of the problems of balancing work and family life in the arts. Data are presented that reveals that female artists are more frequently childless compared to their male counterparts and women in the overall population. Male artists, however, are less frequently childless than men in general. The article develops a theoretical explanation focused on the effect of economic resource structures, which leave women artists to cope with lower incomes with which to pursue careers in the arts, and symbolic structures, which present creative work as difficult to combine with everyday domestic work. Given that motherhood continues to be associated with more comprehensive caring responsibilities than fatherhood, women are more frequently confronted with a choice between starting a family and pursuing their artistic calling.     

Why are artists getting poorer? About the reproduction of low income among artists

In the period 2006 to 2013, Norway has experienced a substantial increase in public subsidies to culture as well as a substantial increase in real income growth in general. This paper discusses different explanations for why Norwegian artists’ real artistic income has declined between 2006 and 2013, despite the positive economic development in Norway. We have based the study in particular on two comparable studies on the income and work situation of Norwegian artists in 2006 and 2013. We analyse and discuss why the artists’ real artistic income has declined during this period. We do not find a single, general, explanation for this, but the income decline does not primarily seem to be due to either an increasing number of artists or a decline in public scholarships to artists. Our two most striking findings are: (i) A substantial decline in most artists’ artistic working hours and a corresponding increase in artistically related and non-artistic working hours, and (ii) a tendency for artists to derive less of their income from the market, together with an apparent decrease in cultural consumption (spending) among Norwegians. These two factors – especially the latter – seem to be the major factors behind the decline in artistic income.     

All aboard? Women working the spaces of gentrification in Toronto's Junction

Despite early attention being paid to the connections amongst ‘gender, work and gentrification’ in the urban geography literature, there have been few attempts to examine the experiences of women as workers in gentrifying neighbourhoods. This gap leaves open critical questions about the nature of the links between the production of gendered work practices and the production of gentrified urban landscapes. In this article, I explore how women working in a variety of differently precarious situations – as struggling small business owners, self-employed workers and part-time workers – manage the tensions and contradictions of struggling for economic survival while attempting to support community-building efforts and social reproduction needs in a gentrifying area. Using data drawn from interviews and urban ethnographic methods in Toronto's ‘Junction’ neighbourhood, I argue that precarious conditions of work in the context of gentrification engender a variety of diverse economic and social practices – developed through immaterial and affective labour – that, in turn, produce particular, and often contradictory, social and economic landscapes of gentrification. I will explore the ways in which gendered vulnerabilities and insecurities are ironically produced, in part, by the feminized consumption landscape, which primes neighbourhoods for widespread gentrification. Through examining these dynamics, we can begin to theorize the structural production of precarity, and in particular, gendered precarity, through urban processes such as gentrification.     

Community gardens as third places

As the world population becomes increasingly urbanised and mobile, “third places” take on greater importance for incorporating new residents into their neighbourhood and reducing social isolation. The third place concept has been applied to a range of public space research and embraces informal public meeting places outside of home (first place) and work (second place). This article critically investigates the connection between community gardens and third place, applying a framework based on the characteristics of third places to qualitative case studies of three Australian community gardens. The article highlights the role community gardens can play as third places in alleviating some of the challenges associated with population mobility. The findings show that two of the case study community gardens exhibit all characteristics of third places facilitating informal interactions between people of the neighbourhood while one does not for reasons considered. Findings also suggest that third place community gardens act as dynamic sites of placemaking, helping to connect people to the place. Community gardens can function as third places with a communal purpose inclusive across socially diverse neighbourhoods, within and beyond the garden boundaries. The article suggests appropriate design and location features for community gardens that best facilitate third place interactions.     

Down by the sea: visual arts,artists and coastal regeneration

This paper takes a critical approach to the arts-led regeneration of Margate, south east England. It argues that regeneration policy has effectively utilised local characteristics to recreate Margate as an artful space, and has stimulated a local milieu of artistic and cultural activity. However, though the work of local artists is vital in producing Margate as a creative place, local artists are marginalised by policy interventions focussed on attracting new consumers and investors. Thus, this paper argues that a misplaced policy emphasis is failing to support the labour and social relations on which the interpretation of places as ‘creative’ is built, and arguably undermines the sustainability of an arts-based regeneration. This has implications for culture-led policy, calling for greater attention to be paid to the specific locations in which it is deployed, and to the networks of producers whose labour is critical to its success.     

The boundaries of suburban discontent? Urban definitions and neighbourhood political effects

Residents of city and suburban neighbourhoods have diverged in the way they vote, with inner-city dwellers preferring political parties on the left while suburbanites increasingly vote for parties on the right. Yet it is not clear whether such a division is more evident between residents of central and suburban municipalities (the jurisdictional hypothesis), or between residents of neighbourhoods differentiated by urban form and, by assumption, lifestyle (the morphological hypothesis). While there are clear reasons for the predominant reliance on municipal differences in research based in the U.S. and other countries, it is not evident that these reasons apply in the Canadian context. This article examines how urban boundaries articulate electoral differences between metropolitan residents in Canada's three largest urban regions, using aggregate election data for federal elections between 1945 and 2000, survey data from the 2000 Canada election study and a series of indices developed by the author. It is found that while trends towards city–suburban polarization are similar regardless of the boundaries used to define the zones, in the Canadian case the results are stronger and more significant when boundaries based on urban form (between pre-and post-war development) are employed. The implications of these results for the relationship between urban space and political values in Canadian cities are then discussed.