SINGING SUBJECTS AND SACRED OBJECTS: MORE ON MUNN'S ‘TRANSFORMATION OF SUBJECTS INTO OBJECTS’ IN CENTRAL AUSTRALIAN MYTH

Nancy Munn's ‘The Transformation of Subjects into Objects in Walbiri and Pitjantjatjara Myth’ is a landmark in our understanding of the processes by which the Aboriginal world is created and sustained. Her paper is summarised and then related to similar concerns extant among the neighbouring Aranda. Munn's account of relationships between people and country is shown to be part of a wider reality encompassing all stages of the life-cycle and characterised by a triple dialectic between ‘surface’ and ‘depth‘, between male and female, and between life and death. The study is preliminary to a psychological account of these dialectical processes to be published at a later date.     

Nerven‐Saiten‐Stimmung. Zum Wandel einer Denkfigur zwischen Musik und Wissenschaft 1750–1850

‘Stimmung’. The Career of a Concept in Music and Science between 1750 and 1850. The German word ‘Stimmung’ originally refers to the musical praxis of tuning instruments. Whereas the English concepts of ‘tonus’ and ‘atunement’ used to describe the physical status of the body developed independently from the psychological ‘mood’, ‘Stimmung’ was used metaphorically in both physiology and psychology in the discussed period. This leads to various interrelations between the areas of knowledge involved. The paper investigates these on a synchronic and diachronic level. By concentrating a) on the analogy between musical strings and nerve fibres within the framework of a mechanistic conception of the body and b) on the metaphoric use of ‘Stimmung’ as a psychological concept describing the general mood of an individual, it becomes evident that the different metaphorical adaptations do not only have consequences within the specific area of knowledge, but also lead to distinct interpretations of musical effect. The second half of the paper concentrates on the diachronic development of ‘Stimmung’ in physiology and analyses the shifts within the semantic field of the metaphor occurring during the transformation from a mechanical to an organic conception of the body. On a theoretical level the emphasis lies on the conceptual potential of vague metaphors and the function of marginal metaphors in periods of theory change. In this context the results question Thomas Kuhns theory of an abrupt, gestaltlike change of theory by emphasizing the importance of continuous shifts within the semantic fields of vague metaphors.     

Between the South Sea and the mountainous ridges: biopolitical assemblages in the Spanish colonial Americas

SUMMARY: Although the historical archaeology of the Spanish colonial world is currently witnessing an explosion of research in the Americas, the accompanying political economic framework has tended to remain little interrogated. This paper argues that Spanish colonial contexts bring into particular relief the entanglements between ‘core’ capitalist processes like ‘antimarkets’, dispossession and the disciplining of labour with the specific biopolitical ecologies assembled through co-option, coercion and accumulation. This perspective is explored through two archaeological case studies from Peru and Guatemala, where competing concerns about altitude, climate, disease, violence and populations of differentiated labouring bodies (both human and non-human) came to the fore in unexpected ways. The resulting discussion challenges the reliance on abstract analytical totalities like ‘capitalism’ and ‘colonialism’, and shifts attention towards the diverse assemblages of actors that shaped and continue to shape the processes central to political economic analyses.     

For the Good of The Nation: ‘Strategic Egalitarianism’ in the Singapore Context

In this article, I introduce the concept of ‘strategic egalitarianism’ in relation to women's co‐optation into nationalist projects in Singapore. By strategic egalitarianism, I mean the granting of equality to women that is contingent upon meeting particular pragmatic nationalist objectives. For example, the granting of equal educational and employment opportunities by the government in the 1960s was necessitated by Singapore's economic survival as a newly emerging nation. By the 1980s, another pragmatic national concern dealing with rapid decline in population growth emerged, requiring that women prioritise the role of motherhood. A complicating factor in the procreationist discourse is the government's eugenic policy that favours the ‘right’ kind of women, in particular, to bear the ‘right’ kind of babies for the continued vitality of the nation. In the course of this article, I examine the problem with strategic egalitarianism, which shifts its ground depending on the nationalist goals of the day, and the implications this has for Singapore women.     

We are never alone: a conversation on bio art with Eduardo Kac

Brazilian-born artist Eduardo Kac’s (Rio de Janeiro, 1962) work has raised eyebrows especially for his ‘transgenic art’ projects, among others: Genesis, 1999; GFP Bunny, 2000; The Eight Day, 2001; Natural History of the Enigma, 2003/08. In all of these, Kac and his scientific collaborators realize genetic interventions into living organisms at the same time as they trigger audience reactions to these from playful kinds of interaction that is integrated into the works’ open and dynamic creative process. Yet whereas the ethical and political challenges Kac’s work poses have sparked lively debates within and beyond the realm of the arts – can and must art engage with the ‘creative’ potentials of biotechnology and genetics? Do these not in fact (as Vilém Flusser and others have suggested) hold the key to realizing the vanguardist dream of merging art and life? Or should the artist, from the vantage point of his own creative practice, not rather warn us against the ethical and political risks involved in genetic engineering? – much less attention has been paid to the way Kac’s art also continues and transforms a particular legacy of post-concretist, ambient and performance art in Latin America.

Kac himself has referred to Brazilian artists Flávio de Carvalho, Hélio Oiticica and Lygia Clark as informing his interest in open, participative forms, which characterize both his transgenic and his earlier ‘tele-presence’ art projects. Other Latin American artists of the late twentieth and early twenty-first century have been producing intriguing engagements with living materials, multispecies habitats and organic remains, including such diverse names as Luis Fernando Benedit, Nicola Constantino, Nuno Ramos, or Teresa Margolles. In a conversation with Jens Andermann and Gabriel Giorgi at the University of Zurich’s Center of Latin American Studies on March 12, 2015, Kac addressed the way in which his work might be seen as continuing or challenging long-standing representations of the New World as a repository of ‘nature’, from colonial chronicles of discovery to contemporary discourses of biodiversity and conservation. To what extent is bio art – and the questions it raises about the Anthropocene as a threshold of radical biopolitical convergence between ‘history’ and ‘nature’ – necessarily ‘transcultural’ and planetary in its extension?     

‘Anti–Mini Militants Meet Modern Misses’: Urban Style,Gender and the Politics of ‘National Culture’ in 1960s Dar es Salaam,Tanzania

This essay examines a 1968–9 campaign by Tanzania’s ruling party Youth League to outlaw mini–skirts and other ‘indecent’ fashions as ‘decadent’ affronts to Tanzanian ‘national culture’. It situates the intense, public debate on the campaign both in terms of the state’s contested national cultural project, and in relation to intersecting anxieties about shifts in women’s work and mobility in urban space, and the politics of sex in postcolonial Dar es Salaam. Arguing that ‘the city’ ndash; both as an imagined space and as the site of particular, gendered social struggles – is central to understanding the campaign, the essay charts attempts by the ban’s opponents to fashion viable personas and notes the limits of these attempts.     

THE PETRALONA HOMINID SITE: URANIUM-SERIES RE-ANALYSIS OF ‘LAYER 10’CALCITE AND ASSSOCIATED PALAEOMAGNETIC ANALYSES

Separate sublayers of the ‘layer 10’calcite from the Mausoleum of Petralona Cave, Greece, have been re-analysed by Uranium-series and palaeomagnetic methods. The results confirm earlier findings that the whole of layer 10 represents a long time span, from about 160 ka to more than 350 ka, the latter being the dating limit of the U-series method using alpha-spectrometry. The minimum age refers to the upper brown sublayer that is now believed to correspond directly to the brown calcite that cemented the hominid skull to the adjacent cave wall; there was too little of the skull calcite to date directly by alpha-spectrometry. The age shifts caused by making corrections for the amount of detritus in the sublayer are effectively insensitive to assumed initial values of the amount of common ²³⁰Th present. Consequently, the minimum age estimate for the skull is about 160 ka, in approximate agreement with several earlier estimates. Palaeomagnetic analyses of ‘layer 10’and underlying sedimentary layers showed that the magnetization is unstable and cannot be used as a basis for age control in the Mausoleum.     

European integration and the social science of EU studies: the disciplinary politics of a subfield

This article takes the 50th anniversary of the Treaty of Rome as an opportunity to reflect upon half a century of academic discourse about the EU and its antecedents. In particular, it illuminates the theoretical analysis of European integration that has developed within political science and international studies broadly defined. It asks whether it is appropriate to map, as might be tempting, the intellectual ‘progress’ of the field of study against the empirical evolution of its object (European integration/the EU). The argument to be presented here is that while we can, to some extent, comprehend the evolution of academic thinking about the EU as a reflex to critical shifts in the ‘real world’ of European integration (‘externalist’ drivers), it is also necessary to understand ‘internalist’ drivers of theoretical discourse on European integration/the EU. The article contemplates two such ‘internalist’ components that have shaped and continue to shape the course of EU studies: scholarly contingency (the fact that scholarship does not proceed with free agency, but is bound by various conditions) and disciplinary politics (the idea that the course of academic work is governed by power games and that there are likely significant disagreements about best practice and progress in a field). In terms of EU studies, the thrust of disciplinary politics tends towards an opposition between ‘mainstreaming’ and ‘pluralist versions’ of the political science of EU studies. The final section explores how, in the face of emerging monistic claims about propriety in the field, an effective pluralist political science of the EU might be enhanced.     

Changing scale as changing class relations: variety and contradiction in the politics of scale

This paper argues that changes of scale in political-economic processes are often associated with changes in class relations, articulated by particular class projects, and developed through class struggle. Such ‘jumping of scale’ may be not only an expression of class power but a constitutive element of it. But there is no simple one-to-one relation between scale change and class relations: a particular change in scale at a particular time may have multiple potential class implications. This argument is developed by considering two ‘stylised histories’ within Western Europe during the present long wave of stagnation: shifts of economic governance from the national to the local level, and shifts from the national to the EU level. I argue that in both cases changes in the scale of regulation have been associated with shifts in class relations. But both upward and downward rescaling have been associated with (at least) two class projects, the neoliberal and the social-democratic. Thus not only have the scale changes been contested but the lines of conflict have been complex. The two histories are used to reflect at a more abstract level on the interconnections of scale, class relations and contradictions in accumulation. Developing an argument of Neil Smith, I argue that shifts in scale have been underpinned by a number of fundamental contradictions of capitalist reproduction and the state which open up diverse political possibilities. Class agents intervened into these contradictions, with varied political projects, partly through shifting their scales.     

The polis and the res publica: two Arendtian models of violence

The influence of the ancient Greek world on Hannah Arendt’s thought is well documented, yet her interest in the politics of the Roman Republic is often considered less central to her work. This paper explores Arendt’s analysis of both these political worlds, with a particular emphasis on what this comparison can tells us about her understanding of the role of violence in politics. Arendt has generally been understood to structurally exclude violence from the political, in part due to the claims she makes in her later essay ‘On Violence.’ Yet in her portrayal of Roman politics, and her preference for this political system above the Greeks’ (in certain respects), a genuinely political engagement with violence can be discerned. The paper claims that this particular case study indicates the framework of the vita activa, set out by Arendt in The Human Condition, should be reinterpreted, particularly insofar as ‘fabrication’ or ‘work’ here appears as something that is legitimately part of the political, and incorporates within it some forms of violence. The claims that violence is structurally anti-political, this paper concludes, are temporally specific to a twentieth-century context, rather than constituting a foundational ‘rule’ of political practice for Arendt.     

The strange case of ‘John Black’ and ‘Mr Hyde’: constructing migrating Jamaicans as (un)worthy nationals

This paper examines how migrating Jamaicans were constructed as ‘worthy’ or ‘unworthy’ of Jamaican diasporic membership in the early years of statehood, to demonstrate the role of nationalist cultural repertoires in constructing particular diasporic imaginaries. I conduct a discourse analysis of Jamaica's national newspaper, The Daily Gleaner, between 1962 and 1966, a period encompassing crucial transitions in Jamaican migration movements and from colony to statehood. I argue that tropes of respectability present in Afro‐creole nationalist ideology form the cultural repertoires used to distinguish migrants' actions as worthy or unworthy of national membership. These distinctions specify who ‘counts’ as part of the diaspora and how migrants of different social positions may claim and articulate their membership.     

Beyond ‘State Ibuism’: Empowerment Effects in State‐led Development in Indonesia

This article examines the ways women's processes of self‐formation are indicative (or not) of new possibilities for women's gendered selves in the post‐Reformasi period in Indonesia. It focuses on the development arena to reveal how shifts in state rhetoric, from top‐down guidance based on a patriarchal familial model to bottom‐up, inclusive development based on empowerment, have transformed what is referred to as the ‘topography for self’. The article draws upon theories of personhood a) to show how gendered selves emerge and are contested within particular historical conditions; and b) to develop an alternative framework of ‘empowerment’ that focuses not on capabilities and choice, but on an expansion in the possibilities for self. It argues that models of community‐driven development have provided new opportunities for women to hold and enact socially recognizable subject positions. This constitutes a form of empowerment for individual women but does not necessarily reflect challenges to patriarchy in Indonesia.     

‘WORLDS AT WAR WITH THEMSELVES‘: NOTIONS OF THE ANTISOCIETY IN ANGANEN CEREMONIAL EXCHANGE

Exchange is the central arena for the articulation of the social structure of the Anganen, Southern Highlands Province, Papua New Guinea. Despite a vast array of potential occasions, there are two main categories of exchange, ‘mundane’ and ‘extraordinary’ (or ‘ceremonial’). These contrast strongly in incidence, the items used, structural logic and many other ways, each giving rise to a particular ‘vision’ of society. Mundane exchange is dominated by exchanges in lieu of individuals (at marriage, death etc.) and warfare related prestations. These are the most frequent exchanges in Anganen and lie at the heart of the process of social reproduction. By contrast, ceremonial exchange, yasolu, is rarely undertaken and is largely peripheral to this process. Ceremonial exchange can be seen as a response to some of the inherent deficiencies of mundane exchange. However, as is noted in approaches which posit a ‘dual nature’ to society, the extraordinary mode of ‘anti-society’ lacks sufficient functionality to permit social reproduction. This article explores the differences between the structures of these two exchange domains and the consequences this has for meaning (concepts of time, kinship and politics, the role of women, symbolism and so on).     

Public reason and private passion

Distinctions between ‘public’ and ‘private’ dimensions of human life have traditionally been associated with philosophical distinctions between Reason and other, supposedly lesser, mental traits, such as passions and desires. This paper examines the ways in which these associations have affected character ideals associated with citizenship and our understanding of sexual difference. It discusses, in particular, Hegel's idea, in The Phenomenology of Spirit, that female consciousness is constituted through the exclusion of women from the public domain, and relates it to earlier interconnections between the male‐female and public‐private distinctions in Rousseau, Hume and Kant.     

ARCHAEOMETRIC ANALYSES ON ‘CORINTHIAN B’ TRANSPORT AMPHORAE FOUND AT GELA (SICILY,ITALY)*

The aim of this work is to throw light on the archaic production of ‘Corinthian B’ amphorae, which are widely diffused in the Western Mediterranean basin and are also present in Greece, but whose geographical provenance is still under discussion. We analysed a group of 37 samples belonging to different ceramic classes dated to the sixth and fifth centuries bc . In particular, there were 19 sherds of trade amphorae of the so‐called archaic ‘Corinthian B’ type, from archaeological excavations in Gela (Sicily, Italy). As a comparison, we also investigated 18 samples of tiles and local coarse pottery from Sibari (Calabria, Italy). The samples were analysed using different techniques, such as optical analysis with a polarized‐light microscope (OM), X‐ray diffraction (XRD), Fourier transform–infrared absorption (FT–IR) and inductively coupled plasma–optical emission spectroscopy (ICP–OES). The combination of these complementary analytical methods allowed us to characterize the samples, determine their firing temperatures and identify the probable provenance. The study of thin sections of sherds by OM allowed us to divide the investigated amphorae into two main groups: the first was characterized by a composition that suggested a Western provenance, in particular from the Calabrian–Peloritan region; the second one was very similar to the ‘Corinthian B’ amphorae that come from Corinth and have been classified as ‘fabric class 1’ by Whitbread (1995 ). The XRD and FT–IR results permitted us to determine the mineral composition of the findings and to estimate their firing temperature. The ICP–OES technique was particularly useful in identifying the production centres. In fact, in the studied pottery, this analysis revealed Ni and Cr values that were noticeably different between Greek and southern Italian production.     

The Dancers Who Became Transformed into Wood: the mai masks of the Iatmul,Papua New Guinea

Borrowing, exchanging, and violent appropriation of ritual artefacts have been actions that have contributed to the development of cultural diversity within a particular frame of variations in the Middle Sepik region of Papua New Guinea. The mai masks of the Iatmul, already mentioned by Bateson, are the well‐documented result of a violent appropriation, as indigenous evidence shows. However, the ‘model’ which served for the mai were ritual dancers captured in the Alexander Mountains. These dancers displayed heavily painted faces (but no masks) and rich body decoration. In the process of making the powerful ‘model’ into one of their own, the Iatmul artists transformed the painted faces into carvings according to their preferred material of artistic expressions, wood, and their predilection for the interplay of elevated and deepened surfaces. As this article shows, the creation of mai as (enlivened) persons needs the establishment of socio‐cosmological relationships in which ancestral spirits and ‘natural’ substances are crucially involved. Thus, apart from sculpting as making, actions of growing are essential for turning the masks into beings endowed with ancestral power.     

The ‘Cultural Turn’ in Australian Regional Economic Development Discourse: Neoliberalising Creativity?

Regional economic policy‐makers are increasingly interested in the contribution of creativity to the economic performance of regions and, more generally, in its power to transform the images and identities of places. This has constituted a ‘cultural turn’, of sorts, away from an emphasis on macro‐scale projects and employment schemes, towards an interest in the creative industries, entrepreneurial culture and innovation. This paper discusses how recent discourses of the role of ‘creativity’ in regions have drawn upon, and contributed to, particular forms of neoliberalisation. Its focus is the recent application of a statistical measure — Richard Florida's (2002) ‘creativity index’— to quantify spatial variations in creativity between Australia's regions. Our critique is not of the creativity index per se, but of its role in subsuming creativity within a neoliberal regional economic development discourse. In this discourse, creativity is linked to the primacy of global markets, and is a factor in place competition, attracting footloose capital and ‘creative class’ migrants to struggling regions. Creativity is positioned as a central determinant of regional ‘success’ and forms a remedy for those places, and subjects, that currently ‘lack’ innovation. Our paper critiques these interpretations, and concludes by suggesting that neoliberal discourses ignore the varied ways in which ‘alternative creativities’ might underpin other articulations of the future of Australia's regions.     

Branded Axes,Thrown into a Pool? The Hoogeloon Hoard and the Shape‐Based Bronze Economy of the North‐West European Bronze Age

One of the biggest challenges for students of the European Bronze Age is to understand the reason behind the massive deposition of large amounts of recyclable metal in non‐metalliferous regions. Such depositions are particularly puzzling when material was buried in a manner which directly seems to denote trade itself, in so‐called ‘trade hoards’. Based on observations on a recent find of such a hoard, in Hoogeloon (NL), we move to an overview of Bronze Age metalwork economy in general and the deposition of trade stock in particular. We argue that Middle Bronze Age metalwork circulation in North‐west Europe may be understood as an aes formatum system, with the serially produced axes in hoards displaying a koiné having a particular social evaluation: a ‘brand’. We suggest that objects were selected by brands for their deposition in the landscape and that this ‘ritual’ act was integral to the ‘practical’ economy of circulation.     

Infective Economies: Empire,Panic and the Business of Disease

The Third Plague Pandemic in Asia during the 1890s, and the institutional stresses it produced, exposed inherent vulnerabilities within the global networks that sustained the British Empire. While commercial and informational routes meshed disparate imperial dominions, they also functioned as pathways for disease and conduits of panic, undermining imperial commerce and threatening social order. Focusing in particular on the 1894 outbreak of bubonic plague in Hong Kong, the paper suggests that an analysis of a ‘local’ epidemic episode and its wider reverberations provides a new perspective on the often heated debates during the turn of the nineteenth and twentieth centuries about the meaning and scope of empire in relation to new communication networks. The paper shows how expanding global networks were construed alternatively as sustaining and jeopardising imperial power. The bubonic plague in Hong Kong—a hub of ‘free trade’ in East Asia—and the panicked reactions elicited by the disease's diffusion westwards revealed the economic priorities that informed colonial public health concerns as well as the challenges posed to laissez-faire economic policy and ‘free trade’ by the expanding influence of capital in the ‘New Imperialism’. In so doing, the paper suggests that contemporary preoccupations with ‘globalisation’, ‘biosecurity’ and ‘emerging diseases’ have antecedents that lie beyond the Second World War and the interwar period in a late-nineteenth-century imperial biopolitics.     

Gendered struggles over land: shifting inheritance practices among the Serer in rural Senegal

Although women’s land rights are often affirmed unequivocally in constitutions and international human rights conventions in many African countries, customary practices usually prevail on the ground and often deny women’s land inheritance. Yet land inheritance often goes unnoticed in wider policy and development initiatives to promote women’s equal access to land. This article draws on feminist ethnographic research among the Serer ethnic group in two contrasting rural communities in Senegal. Through analysis of land governance, power relations and ‘technologies of the self’, this article shows how land inheritance rights are contingent on the specific effects of intersectionality in particular places. The contradictions of legal pluralism, greater adherence to Islam and decentralisation led to greater application of patrilineal inheritance practices. Gender, religion and ethnicity intersected with individuals’ marital position, status, generation and socio-ecological change to constrain land inheritance rights for women, particularly daughters, and widows who had been in polygamous unions and who remarried. Although some women were aware that they were legally entitled to inherit a share of the land, they tended not to ‘demand their rights’. In participatory workshops, micro-scale shifts in women’s and men’s positionings reveal a recognition of the gender discriminatory nature of customary and Islamic laws and a desire to ‘change with the times’. While the effects of ‘reverse’ discourses are ambiguous and potentially reinforce prevailing patriarchal power regimes, ‘counter’ discourses, which emerged in participatory spaces, may challenge customary practices and move closer to a rights-based approach to gender equality and women’s land inheritance.