雷达在新世纪的散文创作

正雷达在文学评论之余,一直以极大的热情投入到散文的写作中。在一定意义上,散文创作也是他的文学评论的延续、补充和阐释。进入新世纪之后,雷达的散文创作依然保持着旺盛的活力,出版有散文集《皋兰夜语》(东方出版中心2014年版),其中许多篇什是2000年以后的新作。从2014年起,雷达在《作家》开辟"西北往事"专栏,不定期地推出他关于甘肃以及大西北的回忆或记游的散文。     

论归有光抒情散文的情感魅力

归有光是被誉为"明文第一"散文大家,他所提出的"匹夫匹妇以为当然,是天下之至情"的至情理念,对其散文创作有极大影响。正是由于对人间至情的珍视,使他创作出了大量感人至深的散文作品,其中以抒情散文最具特色,散发着强大的情感魅力,也感染着千千万万的读者。情感真挚动人是归有光抒情散文的最大特色,其真挚的情感建立在平等的基础上,并无等级之别。归有光抒情散文所表达的情感是丰富复杂的,他通过形象性方式用细腻的笔法来传达情感,其情感具有细腻性和形象化特点。     

“三味书屋”中的“三味”

鲁迅在他的散文名篇《从百草园到三味书屋》里面所提到的"三味书屋",在浙江绍兴城内鲁迅先生故居附近,是鲁迅少年时期读书的地方。那么,为何叫"三味书屋"呢?原来,"三味"取自"读经味如稻粱,读史味如肴馔,     

厚道厚重的雷达

正雷达先生曾对我说,就他自己的散文写作而言,他是真正意义上的西部作家。我十分理解先生对于西部文学的心绪,作为当代文坛著名的文学理论家,他站在全国文学的制高点评价和推介西部作家,为此付出了不少心血,同时,他又倾心散文写作,许多书写西部乡土的原乡散文已成为当代散文经典。我和丁帆老师主编的《中国西部新文学史》(《中     

做孩子的朋友

作家汪曾祺先生有一篇著名的散文《多年父子成兄弟》,文中写到"父亲是个很随和的人,很少见他发过脾气,对待子女,从无疾言厉色",而汪先生十七岁初恋时在家写情书,他的父亲也"在一旁瞎出主     

一片冰心在玉壶——论巴金散文的自然、素朴、平实

巴金的散文,最大的特点就是以赤子之真写赤子之爱。正如他自己所说:“文章的最高境界是无技巧。”和他的为人一样,他的散文不穿凿,不做作,不玄谈,文字平淡自然,结构平实巧妙,却充满真挚热烈的情感,是散文中的精品。巴金用他手中的笔,开拓了一条素朴、自然、平实的散文创作之路。     

从版税看鲁迅《两地书》的出版与热销

正在鲁迅的众多著述中,有一部显得相当别异。这就是他与许广平的往来通信集——《两地书》。不说身后,鲁迅生前,名气就极大。文章无论小说,散文,尤其杂文,出手便"剑气"逼人,引动知识界,甚至普通民众热捧。眼下,鲁迅要出通信集,与爱人的"两地书"——"名人"加"情书",对于大众读者,吸引力或许会大大超越其小说、散文甚至名萃一时的杂感。这一点,从选题开始,到出版之后的事实,均"不出所料"。这里,我们试     

论朱自清散文的语言艺术美

文学艺术是语言的艺术。散文大家朱自清先生是"五四"以来极少数能用白话文学语言写出脍炙人口名篇的语言艺术大师。他凭借对白话文学语言的深入研究和高超驾驭能力,结合多种语言表达效果的方法和技巧,以文作画,以文作诗,遣词炼句,妙手天成,其散文的语言艺术则更多的呈现出诗情画意之美,质朴含蓄之美,使读者获得多方位美的享受。     

从在黔散文成就看王阳明在明文学史的地位

王阳明在黔创作的《瘗旅文》等多篇散文,是明代散文的精品,他的散文有其独具的特点;王阳明不仅是明代思想家、教育家、也应是文学家,这在明清以来就有定论。     

浅议李白散文中的序

李白被誉为＂诗仙＂,他是我国文学史上杰出的诗人,同时也是盛唐散文大家,他的散文中有许多脍炙人口的名篇。本文选择李白文中的序文来分析其散文的特点。本文按文体特点将李白序文分为三类,并逐一分析每一类的特点。     

李观年谱及作品系年

李观是中唐时期古文家,以文驰声,知名当世。本文对李观的家世、生平作了粗略的考证,并对部分作品进行了系年,以便更深入的了解他的创作思想和背景。     

浅谈韩愈散文的艺术成就

韩愈是唐代古文运动的领导者之一,也是唐代著名的散文家。他的散文内容丰富,形式多样,语言鲜明简炼,新颖生动,为古文运动树立了典范。     

有己·有画·有诗——论朱自清散文的艺术特色

朱自清是我国现代的散文大家,他的散文艺术主要体现在三个方面:一是文从己出,感情深厚真挚;二是写景状物惟妙惟肖,比喻精妙绝伦;三是文中诗意浓厚,情景交融。朱自清正是凭着这样的艺术成就,奠定了他在中国文学史上的地位。     

试论汉赋对《史记》创作的影响

司马迁著成伟大的史学名著《史记》,不仅得益于西汉武帝时期政治、经济强盛的社会条件,承袭了先秦以来史学发展积累的成就,而且还从西汉大赋的精神气度、文章结构、创作手法获得启示与借鉴。大赋在西汉十分兴盛,备受统治者青睐,司马迁也极其推重大赋。《史记》的创作学习了大赋“控引天地,错综古今”和“包括宇宙,总览人物”的恢宏气势,借鉴了大赋有系统地归类式描述结构,也受到大赋夸饰、渲染写作文风的影响。这些都是史学界尚未探讨而应当引为注意的。     

S. Weir Mitchell’s Prose and Poetry on the American Civil War

The prose and poetry of S. Weir Mitchell (1829–1914) – related to the American Civil War – encompass a very significant portion of his non-medical writings. The Civil War, more than any other single event, shaped his future career as one of the founders of American neurology. Indeed, it should not be surprising how the war was also such a driving force in his non-medical writings. His novels, once widely read, now are scarcely noted. His accounts of the social, political and economic events of the Civil War are of historical interest to students of the period. Neuroscientists as a group, like others, are apt to be unfamiliar with these writings, with the possible exception of “The Case of George Dedlow.” A major purpose of this essay is to introduce readers, especially neuroscientists, to Weir Mitchell’s fictional works in which neurological cases so often appear. One appreciates more the medical aspects of his novels, written as they were by a first-hand observer. His non-medical writings, poetry and prose, are to a large extent timeless and can be appreciated by today’s readers.     

村上春树的散文创作论

日本作家村上春树的散文创作,有一个鲜明的内倾性特征,即“自我之歌”。这个“自我”在内容上呈现为“生活外貌上的自我”、“与他人相关的自我”和“与社会相关的自我”,在形式上则通过爵士语言和节奏、散文结构“二重奏”、图文并茂及列项说明来加以阐释。对这个“自我”的成因与意义进行探析,有助于我们全面了解村上春树的散文创作及其作品内涵,存在一定的理论价值。     

S. Weir Mitchell's prose and poetry on the American Civil War

The prose and poetry of S. Weir Mitchell (1829-1914)--related to the American Civil War--encompass a very significant portion of his non-medical writings. The Civil War, more than any other single event, shaped his future career as one of the founders of American neurology. Indeed, it should not be surprising how the war was also such a driving force in his non-medical writings. His novels, once widely read, now are scarcely noted. His accounts of the social, political and economic events of the Civil War are of historical interest to students of the period. Neuroscientists as a group, like others, are apt to be unfamiliar with these writings, with the possible exception of "The Case of George Dedlow." A major purpose of this essay is to introduce readers, especially neuroscientists, to Weir Mitchell's fictional works in which neurological cases so often appear. One appreciates more the medical aspects of his novels, written as they were by a first-hand observer. His non-medical writings, poetry and prose, are to a large extent timeless and can be appreciated by today's readers.     

Antiquarianism,archaeology, and aporetic immanence in Beckett’s prose

Beckett derides those antiquarians unaware of “the rupture of the lines of communication” between subject and object in his 1934 essay “Recent Irish Poetry”. However, Beckett will come to incorporate into the late prose specific terminology used by archaeologist, including those involved in the Ordnance Survey of Ireland, who were contemporaries of the same antiquarians he scorns so contemptuously in his early career. This paper traces and examines the Irish antiquarian elements in relation to megalithic archaeology in Beckett’s prose. The elements of antiquarian archaeology in Beckett function to present the existence of those populating the work as mediated by the aporia between ancient and modern epochs. Allusions to antiquarian and archeological terminology contribute to the issues of representation in Beckett’s work. Instances where historical material resides in Beckett’s prose will be analysed through the logic of reverberation. Based on the physics of sound, it will be argues that the fragments of historical material act like artefacts which do not represent historical discourse but reverberate within an aporia of chronological time.     

以精确之训诂 作古茂之文章——论《曾国藩家书》文论思想中的训诂观

《曾国藩家书》反映了曾国藩对子弟独特的文学教育方式,其中对训诂和辞章关系的探讨就很有价值。曾国藩学兼汉宋,不主一偏。闳通的学术胸怀使得他能客观地评定和借鉴汉宋学家的成果,并结合自己的创作经验,提出以"精确之训诂,作古茂之文章"的文学创作法,并将韩愈古文与汉魏辞赋文学传统相勾贯,以建立不囿于前期桐城派的审美观。     

以精确之训诂 作古茂之文章——论《曾国藩家书》文论思想中的训诂观

《曾国藩家书》反映了曾国藩对子弟独特的文学教育方式,其中对训诂和辞章关系的探讨就很有价值。曾国藩学兼汉宋,不主一偏。闳通的学术胸怀使得他能客观地评定和借鉴汉宋学家的成果,并结合自已的创作经验,提出以“精确之训诂,作古茂之文章”的文学创作法,并将韩愈古文与汉魏辞赋文学传统相勾贯,以建立不囿于前期桐城派的审美观。