Student geographies and homemaking: personal belonging(s) and identities

Studies of the ‘geographies of students’ have become increasingly prevalent across the social sciences and are particularly concerned with the predilection for young UK University undergraduates to be mobile in their institutional choice. A more recent focus within this work has been upon student identities, with attention given to how the spaces to which students move and in which they settle can have both positive and negative consequences for the evolution of the student identity, and how such identities are often framed within the context of social activities; learning environments; friendship networks; or other sociocultural factors. This paper contributes to these discussions by considering the role of student accommodation – a site which often remains on the periphery of discussions of student identities – in offering students opportunities to construct, adapt and manage their student identities. This adds to the important contemporary geographies of student accommodation, which are currently debating, among others, purpose-built student accommodation and the broad housing ‘careers’ and strategies of students. In contrast, this paper explores the micro-geographies of student accommodation (and more specifically, the bedroom) to highlight its value in providing young, mobile students with an anchor within which they can draw together their learner, social and domestic dispositions into one geographical location.     

Family photographs and domestic spacings: a case study

This paper elaborates the argument that domestic space should be considered as the product of relations that extend beyond the home. It examines one common domestic object – family photographs – and explores how the particularity of this photography and the specificity of its display by white middle-class mothers with young children in South-east England produce just such an extended domestic space. The stretched space co-produced by these mothers and photographs is also a form of stretched time, and it is integrative in complex ways; it contains different kinds of absences which disturb but do not break its cohesion. The paper also discusses why the display of family photographs is done almost exclusively by women.     

Locating processes of identification: studying the precipitates of re-memory through artefacts in the British Asian home

Memory has been figured as an important process of placing and locating people and communities, both geographically and socially. Memory has also been significant in research on people who are not part of a formal record of history. This memory work includes a focus on black identity, especially in the work of Toni Morrison and Paul Gilroy. This paper seeks to examine the relevance of memory and re-memory for the social geographies of the South Asian population in Britain. In the first section I examine visual and material cultures as mechanisms for memory, especially their role in figuring diasporic positioning, and identity politics. These memories are in the form of testimonies and biographical narratives. In the paper I have argued for the relevance and value of re-memory in understanding the narratives of British Asian heritage in the everyday domestic environment. Re-memory is an alternative social narrative to memory as it is a form of memory that is not an individual linear, biographical narrative. Re-memory is a conceptualization of encounters with memories, stimulated through scents, sounds and textures in the everyday. 'Home possessions' constitute precipitates of re-memories and narrated histories. These are souvenirs from the traversed landscapes of the journey, signifiers of 'other' narrations of the past not directly experienced but which incorporate narrations of other's oral histories or social histories that are part of the diasporic community's re-memories. Collectively, visual and material cultures are identified as precipitates of these re-memories in the form of historical artefacts of heritage and tradition.     

Material Culture and the Magical Power of Dance Objects

ABSTRACT This paper takes up the call by scholars such as Alfred Gell to consider objects of material culture as objects, by examining them in the context of production, circulation and reception. Because they are unadorned and without visual interest, langarol, the hand‐held artefacts used in some New Ireland dance performances, do not lend themselves to modes of analysis that see cultural objects as surrogate texts, the hidden meanings of which can be ‘read’. This very ‘lack’ enables us more readily to discern their significance, which lies in their magical potency and in the performance of their creator, the shaman, in attracting, wielding and revealing his awesome power. The power sought is less power over others and more power to — the ability to realise projects that can elicit effects. If consciousness and body are one, such achievements are to be understood as embodiments of intentionality and agency. It is through the production and wielding of such objects that people make themselves.     

The stranger that is welcomed: female foreign students from Asia,the English language industry,and the ambivalence of ‘Asia rising’ in British Columbia,Canada

In 2002, attacks on six Asian women and girls temporarily living in the Greater Vancouver Area, Canada to study the English language garnered significant attention. Beginning with the attempted murder of Korean national Ji-Won Park, and ending with the murder of Chinese national Wei Amanda Zhao, the attacks on Asian females sparked a national debate about the vulnerability of foreign language students of Asian origin, and Canada's responsibility to protect them. Drawing on mainstream media accounts, this article examines how the intersection of race, gender and class produced the event as a story of national interest and as one of the province of British Columbia's most significant events of 2002. Highlighting the shifting positioning of Asian difference in contemporary western space, this research contributes to recent theorizing on how Asianness in the west no longer primarily signifies backward, underdeveloped nations and peoples best kept in their place, in another space. I argue that western discourse on Asian difference is defined by ambivalence. While the economics of the English language industry and the geopolitics of ‘Asia rising’ led to a heightened interest in these acts of violence, gender and processes of feminization simultaneously reduced concern over what is arguably an anxiety producing event in the west: Asia's economic ascendancy and the west's positioning in the ‘Asia Pacific century’.     

民俗资料学的建立与意义

民俗学是一门特别重视资料的学科,但民俗学者在传统上往往将民俗资料与文本类的民俗志和民俗文献互为等同。广义的民俗资料概念与此不同,意指一切能够为民俗学研究提供有效信息的文字与非文字资料,包括文本、图像、文物和影音资料等。民俗资料学借鉴史料学、文献学、文物与博物馆学、图书馆学、信息科学等的理论与方法,从民俗学的学科需求出发,着重研究民俗资料的搜集整理、分类属性、保存利用等问题。开拓这一学术研究方向的目的,在于坐实民俗学"资料之学"的名义,对内促进民俗学的学科发展,对外与历史学、文献学、人类学、计算机科学等形成对话,并为政府、社会团体与个人提供民俗资料方面的咨询服务。     

郑国青铜礼乐器祭祀坑相关问题讨论

新郑祭祀遗址出土青铜礼乐器作为祭祀重器,是春秋中期郑国特殊祭祀文化的具体表现.不同遗址出土器物组合的差异,从器物层面体现了当时郑国高等级贵族间的微妙关系,轮流执政的卿大夫已经掌控了包括土地所有权在内的多项国家权力,拥有和国君同等级的礼器、乐器使用权,仅在用鼎数量方面存在着差异.作为祭器的祭祀坑出土青铜礼乐器和同时期墓葬出土器物有着本质上的区别,表明当时祭祀礼仪仍然严格遵循着传统礼制,也正是由于这个原因,不能将遗址出土青铜乐器与"郑卫之声"简单地等同分析.     

古代钢铁制品中的浮凸组织初步研究

为研究钢铁制品中浮凸组织产生的原因,对14件取自不同地方、属于不同时期的具有浮凸组织的样品利用金相组织鉴定、扫描电镜能谱分析、化学分析和显微硬度测定等方法进行了研究。结果表明：金相组织观察发现浮凸组织与夹杂物和铁素体晶粒间界有一定的关系,并存在有不同的形貌,其显微硬度均比附近基体高;成分分析表明有浮凸组织的样品磷含量要比没有浮凸组织的样品磷含量高一个数量级。有浮凸组织样品内部磷含量的分布也不均匀。这些结果说明,浮凸组织的产生主要原因是矿石中的磷在冶炼过程中进入铁中,而在随后的脱碳退火、炒炼和冷、热加工过程中均不能有效地脱去;同时,固溶在铁中的磷与铁形成薄膜阻止晶粒间界长大、或在埋葬条件下长期时效引起的晶界移动而产生了浮凸组织。     

东阳金交椅山宋墓出土文物

2009年,在东阳市白云街道杨大坞村的金交椅山发现了一座宋代墓葬。墓中文物保存完整,共出土30余件珍贵文物,有金器、银器、玉器、青铜器等,尤以金银器式样为多。根据墓葬形制及出土文物特征,推测此墓年代为南宋时期。     

Queering the family home: narratives from gay,lesbian and bisexual youth coming out in supportive family homes in Australia

Geographical literature has predominantly presented the heterosexual nuclear family home as an oppressive environment for gay, lesbian and bisexual (GLB) youth, reporting that homophobic abuse, violence and expulsion are not uncommon outcomes of coming out at home. While not denying the widespread reality of these experiences, little consideration has been given to GLB youth whose disclosure at home is affirmed by parents and siblings, nor the reasons for and consequences of this acceptance and support. This article begins to fill this gap, contributing to geographies of sexuality, home and family. Through a critical reading of autobiographical coming out narratives from Australia, I reconsider the experience of the nuclear family home for well-supported GLB youth, arguing against the normalization of the homophobic nuclear family home. Through the support of parents and siblings, family homes can become sites of resistance to wider practices of heterosexism, and support for GLB youth. Heterosexual identity does not ‘essentially’ generate heterosexist reactions and attitudes: some heterosexual parents and siblings welcome and nourish sexual difference, and this provides fissures in overarching structures of heteronormativity which allow for the generation of non-heterosexual subjectivities and desires. I contend that this actually ‘queers’ the family home, providing a space for the fluorescence of non-heterosexuality within an apparently heteronormative site.     

A feminist-phenomenology of women’s activism against hydropower plants in Turkey’s Eastern Black Sea region

Taking a feminist-phenomenological perspective of the body, this article provides an empirically grounded analysis of the embodied subjectivity of women in the movement against hydropower plants (HPPs) in the culturally and spatially specific context of the Eastern Black Sea region of Turkey. Informed by a feminist engagement with Merleau-Ponty’s concepts of ‘the body-subject’, ‘the flesh’ and Einfühlung, the article places subjectivity within a relational ontology of sentience and intelligence in which corporeal experiences, senses and affects condition cognitive and agential processes. Bodily senses and affects are thus treated as media of subjectivity. The relationship between water and identity, established through memory, heritage and history, is also produced and/or conserved by the embodied relation between women’s bodies and bodies of water, within the connective ‘flesh’ of the physical world. The case of the Eastern Black Sea demonstrates how political subjectivity of women in the movement against HPPs is conditioned by an intimate embodied relationship with river waters that is sustained by a series of sensory-affective experiences. Their statements emphasize, over and over again, an interconnectedness with the rivers, which makes the cause of anti-HPP struggle vital and urgent for them. This feeling of urgency is a source of women’s radicalism in opposing HPPs. The article maintains the female subject as embodied and transversal, and stresses the centrality of corporeal experience, sense and affect in formation of political subjectivity. By developing a body-centred feminist-phenomenological approach to political subjectivity, it introduces a novel way of analysing women’s activisms within and beyond environmental movements.     

文物保护与修复用硅酸盐质材料应用研究进展

硅酸盐质材料是无机质文物中最重要的一类保护与修复材料,也是古建筑、古遗址保护与修复必不可少的一类材料,具有强度高、耐久性好、适应性强等特点,在可移动文物和不可移动文物的保护与修复方面获得了广泛应用。本文通过介绍六种常见天然、合成及复合硅酸盐质材料在文物保护与修复中的应用,详细讨论了硅酸盐质文物保护与修复材料的应用技术及应用案例,分析了相应的保护与修复技术实施效果,并对硅酸盐质文物保护与修复材料的发展前景进行了展望。     

中国古代琥珀艺术——商至元

琥珀作为艺术载体在我国的出现,至少可以追溯到距今三千余年前的四川广汉三星堆遗址时期,其使用一直延绵不断。本文主要利用考古出土材料,并结合文献,对自商至元(不包括辽代)历代琥珀制品的题材、造型、工艺、使用及其文化内涵作全面的梳理和探讨。文章认为,琥珀在我国古代是作为与水晶、玛瑙、琉璃、犀、玳瑁、玉石、金等相当的贵重物品进入人们视野的。其使用多限于皇室、贵族和高官,是使用者地位、财富和奢华生活的象征。琥珀主要作为小件饰品使用,其次用作印章。至于琥珀用作杯、盅、盏、枕、碟、盒等实用器皿,虽有记载,但非常罕见。琥珀制品的造型,与同时代其他贵重材质器物的造型相同或相似,其制作以圆雕为主,少量片雕、镂雕,加刻简单的阴线表现细部特征。历代琥珀艺术呈现的面貌各不相同。