A Study of The Sculptures of lwang （E-Warn）Temple and an Analysisof Their Art Style

I was fortunate enough to get hold of two archaeological reports about Iwang (E-Wam) Temple nearly at the same time in I992^1 One of them was written by Italian Tibetologist Robeter Vitali and the other by Tibetan Archaeological Team (also called Tibetan General Cultural Relics Survey Team). Although these two     

Tangka Painting Art of the Tibetan Race （Ⅰ）

Tibetan painting art is mainlyrevealed in mural paintings aswell as tangka.Tangka incar-nates not only the special character of Tibetan painting art but also thefeatures of Tibetan traditional crafts andmounting.     

Tangka Painting Art of the Tibetan Race （Ⅱ）

Tibetan painting art finds expression in two: murals and tangka paintings. The two vary in painting styles and materials used. Tangka paintings show the unique feature of Tibetan fine arts.However, in the face of refined tangka, how one should enjoy it? Do you know how to paint it? How to mount it? Anything special in this regard?Mounting MethodIn Tibet, when a tangka has been created, it would be mounted. The brocade for mounting, called Gyishamo in Tibetan, always has the same dimension: Gyishamo below the tangka amounts to half that of     

噶当派的万佛殿：甲玛擦擦探究

甲玛擦擦中的一部分,代表着十二三世纪“卫藏”地区擦擦制作工艺的最高水平,其艺术水准不亚于同时期的阿里擦擦。梳理其艺术风格,可以看出藏地擦擦在吸收外来造像元素后,开始逐渐摆脱早期单纯的模仿翻制,形成本土化和民族化的风格特征。     

Tonglha Zeweng： Master of the Garma Garze Painting School （Ⅱ）

The Garma Garze painting schoolis one of the three famous paint-ing schools in Tibetan-inhibitedareas(along with those ofMoinze and Qenze),and was formed inthe 15th century.In the 16th century,it began to exertgreater influence on the Tibetan-inhabitedareas,and.a number of painters flourished,including Dabo Goba,Garrna Sengzbe and     

Tonglha Zeweng： Master of the Garma GarzePainting School （1）

Garma Garze painting school is one of the three famous painting schools in the Tibetan-inhibited areas (along with Moinze and Qenze painting schools), and was formed in the 15th century. Major master painters of the school include Tonglha Zeweng, who is one of the most outstanding modem painters in the region.     

泉州市鑫华雕塑工艺有限公司

本公司系国内大型宗教艺术造像专业生产厂家,具有上百年民间传统制作工艺。继承和发展了中国民间脱胎漆器造像、泥塑、木雕、漆线雕等传统艺术．及古建筑装饰、神佛龛雕刻。     

彭兴孝与彭百虎：两代缘

年逾八旬的彭兴孝(右页老者)是淮阳研究泥泥狗数一数二的专家。小时家住项城县西关的他,记得县里有一条马路直通淮阳。每每到庙会的时候,他就会与小伙伴们守在那条马路边,跟进香归来的香客讨要泥泥狗。“过去逛庙会的老人都会买很多泥泥狗送亲朋好友,回家的路上遇到小孩子在路口唱儿歌‘老斋公,你别走,给个泥泥狗,活到九十九’,他们就毫不吝啬     

匠心不眠的抚顺琥珀雕刻

<正>抚顺琥珀在能工巧匠手中有化矿珀为神奇的潜质,这些包含千万年美好记忆的大自然馈赠之物,有"五千万年地质精华"的美誉。琥珀光鲜的背后是一代代雕工匠心永不眠的艺术追求。抚顺是世界著名的琥珀重要产区,它主要产于新生代早期第三纪含琥珀的煤层中,距今5000多万年。抚顺琥珀雕刻制作工艺有着100多年的历史。鉴于抚顺琥珀原料的珍稀、工艺的独特以及技艺的濒危情况,2009年该制作工艺被列入辽宁省非物质文化遗产名录。光鲜琥珀背后是朴实的匠心     

新奇工艺 志存高远 开拓创新

西宁新之奇文化艺术有限公司集特色工艺包装、大型文艺演出策划、景观雕塑设计制作、青藏文化艺术礼品、文化交流传媒于一体的综合性实业公司,公司先后获得国家文化产业示范基地、