Men Making Home: Masculinity and Domesticity in Eighteenth‐Century Britain

Eighteenth‐century England is, for many scholars, the time and place where modern domesticity was invented; the point at which ‘home’ became a key concept sustained by new literary imaginings and new social practices. But as gendered individuals, and certainly compared to women, men are notable for their absence in accounts of the eighteenth‐century domestic interior. In this essay, I examine the relationship between constructs of masculinity and meanings of home. During the eighteenth century, ‘home’ came to mean more than one's dwelling; it became a multi‐faceted state of being, encompassing the emotional, physical, moral and spatial. Masculinity intersected with domesticity at all levels and stages in its development. The nature of men's engagements with home were understood through a model of ‘oeconomy’, which brought together the home and the world, primarily through men's activities. Indeed, this essay proposes that attention to how this multi‐faceted eighteenth‐century ‘home’ was made in relation to masculinity shifts our understanding of home as a private and feminine space opposed to an ‘outside’ and public world.     

Huguenot Belief and Practice in Eighteenth‐Century Paris

Protestantism was illegal in eighteenth‐century France, yet many French Reformed Protestants, better known as Huguenots, managed to maintain their religion and identity until the French Revolution granted religious freedom. Several thousand of them lived in Paris, but remained a tiny minority in a very Catholic city. Given this context, and little access to pastors or collective worship, what kind of Protestantism did they observe? This article suggests that, like other minority groups, their religious practice and thinking were influenced both by the Catholic environment in which they lived and by the culture of the late eighteenth‐century city. By 1789 they had moved away from certain Calvinist traditions, and some of them had adopted a surprising ecumenism.     

A Case of Murderous Sensibility: James Hackman,Interiority and Masculine Agency in Late Eighteenth‐Century England

After murdering Martha Ray in April 1779, James Hackman enjoyed an improbable media celebrity that rested largely on his ability both to embody and complicate the performative conventions of the late eighteenth‐century discourse of sensibility, which tied virtue to its embodied visibility. Supporters who lauded Hackman, but wanted to conserve his and their own moral agency, disentangled his character from his crime by attributing to him an interior space in which that character resided. Thus, while spectators delighted in the way that Hackman's sensible body registered his anguish at Ray's death, they could also paradoxically insist that his true intentions were hidden inside that suffering body, uncoupled from his violent deed. Such attributions of interiority helped to conserve both Hackman's masculinity and his agency by distinguishing his body from feminine bodies whose lack of such interior space rendered them vulnerable to a disordered and hysterical sensibility. The rhetorical energy devoted to defending Hackman provides a valuable case study of the ways that reconciliation was sought in the late eighteenth century between masculinity and agency within the discourse of sensibility and suggests that the differential, gendered distribution of interiority helped assuage fears about feeling's feminising potential.     

Theological Innovation from Spiritual Experience: Henry Alline's Anti‐Calvinism in Late Eighteenth‐Century Nova Scotia and New England*

The strident anti‐Calvinism of Nova Scotian revivalist Henry Alline (1748–1784), who left a substantial mark on the religious landscape of Nova Scotia and parts of New England, has been noted but largely neglected by historians. This article investigates Alline's anti‐Calvinism and concludes that it is best explained as arising from his own interpretation of his vivid spiritual experiences, particularly his dramatic conversion. Rather than simply rejecting Calvinist theology in favour of an emotive, experiential religion, however, Alline drew on his experiences to formulate an alternative anti‐Calvinist theology. Alongside other examples from the period, Alline's case suggests that evangelical “democratization” of popular religion in the eighteenth‐century transatlantic revivals could result in theological innovation rather than the abandonment of theology.     

Maps,Mapping, Modernity: Art and Cartography in the Twentieth Century

While the history of cartography has freed itself from debilitating debates over the scientific and artistic status of maps, considerations of the relationship between art and cartography have continued to focus largely on pre‐modern maps, avoiding critical examination of twentieth‐century art and science in cartography and leaving intact the impression that these followed distinct paths in the modern period. In this paper, however, I have drawn on theoretical work in Science Studies and taken account of modern art's separation from aesthetics to suggest that an examination of art and cartography in the twentieth century should focus on mapping practices rather than on maps as such. A summary overview of modern‐art movements and selected works indicates a continued, if critical, engagement of avant‐garde artists with cartography, and the examination of more popular newspaper artwork produced in the context of the intensely modern visual culture of mid‐twentieth century Los Angeles indicates a similarly close connection between modernity, art and cartography.