The record of Araucariaceae macrofossils in New Zealand

Pole, M., December, 2008. The record of Araucariaceae macrofossils in New Zealand. Alcheringa 32, 405–426. ISSN 0311-5518.

The Araucariaceae have a long record in New Zealand, extending back to the Jurassic at least, and Araucaria extends back to at least the Late Cretaceous. This paper reviews the macrofossil record of the family and presents new information based largely on the leaf cuticle record. Agathis, which is the only genus of the family currently growing in New Zealand, has no record before the Cenozoic. All specimens previously identified from pre-Cenozoic strata clearly belong to other taxa or do not show characteristic features of the genus. Araucariaceae macrofossils are virtually ubiquitous in the Cretaceous assemblages of New Zealand but are conspicuous by their absence or rarity in Palaeocene deposits. Their demise may be an expression of events at the Cretaceous–Palaeogene boundary.     

Fruits and leaves with cuticle of Laurelia otagoensis sp. nov. (Atherospermataceae) from the early Miocene of Otago (New Zealand)

Conran, J.G., Bannister, J.M. & Lee, D.E., 2013. Fruits and leaves with cuticle of Laurelia otagoensis sp. nov. (Atherospermataceae) from the early Miocene of Otago (New Zealand). Alcheringa 37, 496–509. ISSN 0311-5518.

Laurelia otagoensis sp. nov. Conran, Bannister & D.E. Lee (Laurales: Atherospermataceae) is described from the earliest Miocene Foulden Maar diatomite deposit, Otago, New Zealand. The new species is represented by mummified fossil leaves with well-preserved cuticle and associated clusters of achenes bearing persistent, long plumose styles. This basal angiosperm family is of significance because of its classic southern disjunctions and ecological importance in extant Gondwana-type rainforests, but has a very sparse fossil record. The present study describes one of very few convincing leaf fossils for Atherospermataceae and the only definitive fossil fruits. The presence of fossil Laurelia in Oligo–Miocene New Zealand combined with fossil leaf impressions from the late Eocene, Miocene dispersed cuticle and pollen from the Oligocene to Holocene shows that the family has had a long history in Cenozoic New Zealand. These new fossils also support palaeoclimatic data suggesting warmer conditions in the earliest Miocene of New Zealand.

John G. Conran [john.conran@adelaide.edu.au], Australian Centre for Evolutionary Biology & Biodiversity and Sprigg Geobiology Centre, School of Earth and Environmental Sciences, Benham Bldg DX 650 312, The University of Adelaide, SA 5005 Australia; Jennifer M. Bannister [jennifer.bannister@xtra.co.nz], Department of Botany, University of Otago, PO Box 56, Dunedin, New Zealand; Daphne E. Lee [daphne.lee@otago.ac.nz], Department of Geology, University of Otago, PO Box 56, Dunedin, New Zealand. Received 17.12.2012; revised 9.4.2013; accepted 15.4.2013.     

Before September: A History of Counter-terrorism in New Zealand

The events of 11 September 2001 have prompted many states throughout the world to reinvigorate and strengthen their focus on countering terrorism. Surprisingly New Zealand, arguably a relatively unlikely target for terrorist action, already had in place a very comprehensive set of counter-measures both prior to this more recent event and even before the bombing of the Rainbow Warrior in the mid-1980s. This article investigates why and how a state as 'secure' as New Zealand has purposely created a comprehensive set of counter-terrorist measures over the years. Reasons of caution and prudence in the domestic arena are perhaps sufficient, but this article further asserts that various other 'international' elements have also been, and will continue to be, major factors in the development of legislative and substantive counter-terrorist measures in New Zealand.     

The Sinclairs of Pigeon Bay and the Romantic 'Prehistory' of the Robinsons of Ni'ihau

Francis and Elizabeth Sinclair and their six children migrated from Scotland to New Zealand in 1840. Francis died there in 1846 and in 1863 Elizabeth resettled her, by then expanded, family in Hawai'i. There they bought the island of Ni'ihau and prospered as ranchers and planters, especially after the 1880s under the family name of Robinson. The early history of the family, up to the 1860s, has been often told, but never completely and often inaccurately, and is contained in two distinct historiographic traditions. This essay attempts to set the record straight by providing an extensive body of detailed, accurate information about the Sinclairs, and to discuss these two traditions. The older and more reliable New Zealand one presents the Sinclairs as hard-working pioneer settlers. The Hawai'ian tradition, in contrast, deriving from an oral record passed on by Francis and Elizabeth's daughter Anne, was dominated by elements of 'family romance'. It presented Francis as an heroic naval captain in the Napoleonic campaigns, making him a mythical ancestor befitting a family that had risen in the world. A more matter-of-fact treatment, though, has prevailed since 1988.     

Documents and Sources I: Memoirs of Two Eighteenth-Century Framework Knitters

Abstract

Textile fibre aggregates can be extracted from the leaves of Phormium tenax (New Zealand flax), a plant endemic to New Zealand and Norfolk Island. This research note, which was developed from N. M. Cruthers' Masters thesis, aims to review early trade between Māori and western settlers to New Zealand, the industrial development of a mechanised extraction industry and to examine reported reasons for failure of the industry. Hand extraction by Māori produced low volumes of fibre but traditional end uses were for prized cultural items. In comparison, fibre produced industrially was produced in high volume and was intended for commonplace items such as rope and sacking.     

Cretaceous plant fossils of Pitt Island,the Chatham group,New Zealand

Pitt Island, a part of the Chathams Islands group, lies 700 km east of New Zealand. Its geology includes the Tupuangi Formation, dated as Motuan to Teratan (late Albian to Santonian) on the basis of palynology. Samples of Tupuangi Formation mudstone yielded leaf cuticle assemblages dominated by araucarian and podocarp conifers and locally by angiosperms. The 12 distinguishable conifer taxa include a new species of Araucaria, A. rangiauriaensis, and the extinct genera Eromangia, Kakahuia (both Podocarpaceae), Otwayia (Cheirolepidiaceae), Paahake (Taxodiaceae or Taxaceae) and possibly Katikia (Podocarpaceae). Ginkgo and two types of dicotyledonous angiosperm cuticle are present. Based on the absence of bennettitaleans and rarity of Ginkgo, a Turonian or slightly younger age is inferred, making the Pitt Island assemblage the first Turonian plant macrofossils documented from New Zealand. The fossils provide a window into southern high-latitude (polar) vegetation of the mid-Cretaceous. Conifer charcoal (probably of Podocarpaceae) is locally abundant and suggests that fire was an important part of the ecosystem. A broad analogy with modern boreal conifer-deciduous angiosperm forests is suggested although clearly with warmer temperatures.     

Nuclear free New Zealand and rogernomics: The survival of a labour government

New Zealand's fourth Labour government, elected to power in 1984, has become known most generally for two of its policies: a refusal to accept nuclear warships in New Zealand waters, and the vigour and consistency with which it has pursued market orientated economic policies. A post‐election near‐national survey of 1013 respondents is employed to measure the extent to which the two policies may have aided Labour's re‐election in 1987. Contrary to most interpretation hitherto, we find that defence and economic policy opinion were at least of equal importance. But there is further evidence to indicate that defence policy opinion was the more important It is concluded that the expression of “post‐materialist” values through anti‐nuclear politics may have perversely allowed a new materialism to conquer New Zealand politics.     

VICO'S NEW SCIENCE AND A NEW POETIC PSYCHOLOGICAL SCIENCE

This review essay discusses Giambattista Vico and the New Psychological Science, which contains seven essays that challenge traditional anthropological, epistemological, and methodological assumptions that define psychology as a social science and instead interpret it as an embodied understanding of human cultural activity. The authors use Vico's New Science to support this endeavor because, they suggest, it traces the creation of human existence from a prehuman animal state with the agency of poiesis, an embodied meta‐phoric language and social practices that are inseparable from that language. This effort is a potentially transformative reinterpretation of Vico, whose verum factum principle scholars interpret as challenging Cartesian epistemology. Identifying the true with the made, Vico's principle limits human knowing to what humans make—that is, their historical world. The authors rightly emphasize the embodied nature of making with poetic language and social practices. However, they undermine the significance of that embodiment by assuming that knowing what is made with poiesis is, like traditional understandings of knowledge, epistemic. Thus, they implicitly retain humanism's metaphysical assumption that grounds epistemology: humans know intelligible reality because they are dualistic beings who possess rational, subjective natures. By contrast, I claim that Vico's poetic humanism is a more radical move from traditional humanism's belief in epistemology toward a culturally active anthropology. For Vico, bodily skills of perception, memory, and imagination create a metaphoric language based on random perceptions, images, and sounds. This metaphoric language is inseparable from social practices and physical skills, creating a meaningful human world. The making achieved by embodied poetic language cannot lead to epistemic knowledge; it can only lead to the self‐referential hermeneutic understanding that humans are the creators of their human existence. Vico's verum factum is not an epistemological principle in the Cartesian tradition but an ontological unity of knowing and making through sociophysical skills that are inseparable from poetic language. Humans make their ontologically real, meaningful human world and know themselves as its creators.     

Harry Holland's ‘Samoan Complex’

ABSTRACT

‘Harry’ Holland, one of the early leaders of the parliamentary Labour Party in New Zealand, was an anomalous figure in early 20th-century New Zealand politics. In addition to a principled adoption of militant socialism, he stood apart from the rest of the House of Representatives due to his pronounced interest in Samoan affairs. This interest was so acute that one of his Labour colleagues, John A. Lee, remarked that he possessed a ‘Samoan complex’. This paper addresses the lack of critical attention paid to this facet of his career. Even though Holland's attitudes towards Samoa were sometimes couched in the same vocabulary as the coloniser, he always stood on the side of the colonised. His endorsement of Indigenous self-government was ahead of its time, and his campaigning played a key role in the Samoan struggle for independence. At a broader level, Holland was possibly the most significant of a cohort of colonial critics who questioned New Zealand's right to govern Pacific Islanders and who sought to rein in New Zealand's more overbearing Pacific Island administrations.     

China in Fiji: displacing traditional players?

A widely held perception in Oceania is that China has taken the opportunity of Western sanctions against Fiji's military-led regime to expand its influence in Fiji. Observers and media in the region were alarmed by the sudden increase of China's pledged aid to Fiji shortly after the 2006 military takeover. They are concerned that China has a well-calculated strategy of displacing traditional Western players in Fiji, most notably Australia and New Zealand. Such concern is not well founded. While China does have multiple interests, including strategic interests, in Fiji, there is no clear evidence to suggest that China aims to displace the traditional players there. China's growing influence in Fiji is part of China's global rise. Both Australia and New Zealand are committed to Fiji and the South Pacific as a whole. Given its substantial interests in Australia and New Zealand, it is not in China's interest to increase its influence in Fiji at the cost of its relations with these two traditional players.     

The Declaration of Independence: A Global History

Twenty years after the publication of John MacKenzie's Empire of Nature, his characterisation of sport hunting tourism as a symbol of elite and imperial privilege remains strong. Using the example of two white hunters from New Zealand and their trip to Northern Rhodesia (Zambia) in 1926, this article elaborates upon MacKenzie's brief mention of hunters in Africa from cultures other than Britain. In particular, the article argues that ‘home’ hunting cultures—in this case of New Zealand—need to be considered thoroughly when examining meanings of hunting tourism, and, second, that hunting trips could serve a range of purposes beyond the notion of reinforcing colonial rule.     

Ornamentalism,Empire and Race: Indigenous Leaders and Honours in Australia and New Zealand

The imperial honours system, David Cannadine has argued, was a means for binding together ‘the British proconsular elite’ and ‘indigenous colonial elites’ throughout the settler colonies and dominions of the British Empire (Cannadine, David. Ornamentalism: How the British Saw Their Empire. London: Penguin, 2002). Yet in settler colonies like Australia and New Zealand indigenous populations were marginalised and often disregarded, and it was local white elites who became knights of St Michael and St George, the Bath and the British Empire. Focusing on Australia and New Zealand, this article explores the complex relationships Aboriginal and Māori leaders have had with honours during the twentieth century. Building upon Cannadine's analysis, I examine the ways in which indigenous leaders navigated the political complexities involved in the offer of an honour, and how their acceptance of awards was received by others, shedding light on how honours systems intersected with post-war struggles for indigenous rights in the former dominions.     

‘The Epitheatrical Cartoonist’: Matthew Somerville Morgan and the World of Theatre,Art and Journalism in Victorian London

This article examines the vibrant cultural milieu inhabited by one of Victorian Britain's most famous cartoonists, Matthew Somerville Morgan. Morgan is well-known as the cartoonist who attacked Queen Victoria's withdrawal from public life (and her associations with John Brown), and the lifestyle of Albert, Prince of Wales, in the short-lived rival to Punch: the Tomahawk. Likewise, his post-1870 career in New York as cartoonist of the ‘Caricature War’ over the 1872 Presidential elections, and involvement with ‘Buffalo’ Bill Cody have been well-studied. However, his involvement with the world of the 1860s Victorian stage – and the social circles in which he moved – have not been given close attention. This broader social, cultural, and economic context is essential to understanding Morgan's role as a cartoonist-critic of politics, class, gender and art in Victorian Britain. Special attention is given to the ways in which Morgan's work as a theatrical scene-painter informed his other pursuits, including his political cartoons for Fun, the Comic News and the Tomahawk. So central was the theatre to Morgan's life story that he may be appropriately described as an ‘epitheatrical’ figure. Indeed he is one of the most spectacular exemplars of the interconnected worlds of journalism, high art and theatre in Victorian London. The theatre provided him with the artistic and journalistic connections needed to raise himself above his lower-class origins; to move in ‘clubland’ and fashionable bohemian society; and to win an influential place in the key political and cultural debates of his age.     

Success,swing and gender: The performance off women candidates for parliament in New Zealand, 1946–87

New Zealand was the first country in the world to give women the vote, and it has a higher proportion of women as Members of Parliament than any of the other Anglo‐American first‐past‐the‐post democracies. An examination of the vote‐pulling powers of women candidates for Parliament in all the general elections in New Zealand since the end of the Second World War finds that female candidates for the Labour Party have done statistically significantly better than their male counterparts, but for National Party candidates the reverse is the case — men perform better than women. Various reasons for these findings are canvassed, including the possibilities that Labour in New Zealand is benefitting from its initiatives with respect to women's affairs, and from the female equivalent of an ‘old boys’ network.     

The grotesque in the plays of Enda Walsh

This article attempts to outline the aesthetic of Enda Walsh's dramatic oeuvre, viewing it as fundamentally grotesque. Plays such as The New Electric Ballroom, The Walworth Farce, and Penelope have generally enjoyed a most enthusiastic reception; however, reviewers and critics have remained largely baffled as to where exactly these intoxicating pieces have left them. A plausible way of addressing the distinctive combination of citationality, the intermingling of genres, linguistic brilliance, circuitous structure, pathological interaction between characters, and the darkest humour, may consist in juxtaposing Walsh's technique with concepts of the grotesque as outlined, alternately, by Mikhail Bakhtin and Wolfgang Kayser. The consequent observations on the grotesque in Walsh's plays are followed by a query as regards the moral dimension of Walsh's aesthetic, focusing on their position in relation to Bakhtin's assertion of the liberating potential of the grotesque as opposed to Kayser's insistence on the grotesque coming across as essentially bleak and hopeless.     

George Egerton,James Joyce and the Irish Künstlerroman

George Egerton (Mary Chavelita Dunne, 1859–1945), from Co. Laois, was the New Woman author most closely associated with the Decadent movement. As such, she was also the New Woman writer most profoundly affected by the downfall of Oscar Wilde. After the Wilde trials of 1895, Egerton's connection to Decadence and New Womanhood would make her work anathema to much of the British public. This essay will argue that ongoing tendencies to situate her texts solely within the New Woman categorisation and an English cultural location have had the detrimental effect of obscuring their importance to a specifically Irish literary tradition. By examining Egerton's 1898 novel The Wheel of God, focusing on its status as an Irish Künstlerroman written from a position of exile, and drawing comparisons between it and the works of James Joyce, this essay will seek to redress this imbalance.     

Now You See It: Now You Don't! Issues of Secularity and Secularisation in Publicly Funded Elementary Schools in the Australian Colonies during the Middle Third of the Nineteenth Century

This article opens and ends with reference to two interlinked studies: Charles Taylor's 2007 A Secular Age, and his 2011 Dilemmas and Connections: Selected Essays. These are often magnificent but sometimes flawed works. This article aims to explore the implications and ramifications of Taylor's failure to discuss, in either study, nineteenth‐century provision for secular instruction by government elementary schools in Ireland, Great Britain, and the Australian colonies. What these did or did not mean should have been grist to Taylor's mill, especially since, in these places (and other English‐speaking countries, such as the United States, Canada, and New Zealand) “secular instruction” provisions soon attracted energetic imputations of infidelity and atheism, as well as support. “Secular Instruction” Acts in two Australian colonies (Victoria in 1872, South Australia in 1851 and 1875) are here considered in detail, for these, especially the Victorian, were interpreted by some then and more recently as emphatically secular (in the sense of “Godless”). My argument is that this emphatic secularity, for emphatic it often was, mostly should not be read as “Godless” but as an often Protestant‐inflected statutory expression — of the kind usefully defined — by reference to an ideal type — as “Civic Protestantism.”     

A Critique of the Metaphysics of Ontological Poesis : Responding to Theology and the Political

Abstract

A common set of metaphysical assumptions inform the theological proposals of many contributors to Theology and the Political: The New Debate. Those assumptions are orientated toward grounding the possibility of genuine ontological creativity (poesis) in a particular construal of nature's mediation of the supernatural. Applying the claims of Bernard Lonergan's early work on grace and freedom to those assumptions, the argument is made that this position repeats the most fundamental flaws of the Bañezian position in the de Auxiliis controversy: namely, a basic confusion of form with act, which gives rise to the misguided assumption that a "third" (i.e., physical premotion, causal influx, sophia) must be posited to mediate divine grace to the world and within it. It is argued that this confusion reveals that a competitive understanding of the God/world relation is presumed in this proposal, which itself is the result of a failure to affirm the absolute and immediate dependence implied by the doctrine of creatio ex nihilo.     

Better than an Ironclad: Leonard Isitt,Temperance and Greater Britain

The English-born New Zealand temperance activist, the Rev. Leonard M. Isitt, undertook a number of temperance ‘missions’ in Britain between 1895 and 1905, offering historians a deeper insight into the lived reality of the ‘British world’ and ‘Greater British’ identity. Addressing several areas of imperial historiography, the article uses newspapers from both New Zealand and Britain to acquire a truly ‘Greater British’ perspective of an imperially mobile individual, from which can be drawn lessons about imperial identities and ‘networks’. Isitt's participation in a self-consciously imperial temperance movement highlights the development of a New Zealand identity that depended upon both contrast and commonality with Britain, but it also points to a politics of imperial peregrination, with the temperance reformer's visits to the ‘Mother Country’ factoring in the highly divisive drink question in both New Zealand and Britain. The article concludes with reflections on the nature and limitations of a ‘Greater British’ politics.