Figuring space,marking time: Contested identities in Canada

Abstract

Conflicting concepts of identity have long exercised the Canadian imagination. The central focus of this paper is the role of institutionalised memory in promoting centralist patriotic sentiments. The association between the development of a consciousness and knowledge of the nation is illustrated by the founding of the Canadian Club, the Champlain Society and the Canadian Geographical Society. Attention is also directed to Canada's Historic Sites and Monuments Board, founded in 1919. Throughout its 75‐year history, the HSMB has commemorated events, places and people of historical significance for Canada in some 1600 sites. As may be expected, there have been shifts in emphasis in the national meta‐narratives over time, as is also demonstrated by the recent Charles Richard Bronfman Foundation's ‘Heritage Moments’. Taken together, these initiatives demonstrate a dynamic agenda of reconstituting national memory, national self‐knowledge, and national identity.     

Framing the past: time,space and the politics of heritage tourism in Ireland

Recent work has emphasised that heritage tourism is not just a set of commercial transactions, but the ideological framing of history and identity. While some commentators celebrate heritage as a complementary or alternative way of mediating the past to popular audiences, others regard it as little more than bogus history. Through an examination of a planning strategy devised by Bord Fáilte, the state's tourism board, this paper addresses the relationship between time and space in the development of heritage attractions in Ireland, and emphasises the mechanisms through which space is privileged over time in a manner that loses sight of the complexities of localised historical processes. This argument is illustrated through the example of an open-air museum which focuses on the display of material culture independent of the historical contingencies of its creation. By contrast, an examination of a stately home, opened to the public by an independent trust, demonstrates how the past can be provocatively explored to a mass audience by being anchored in local historical geography and eschewing an approach that reifies local events into national processes.     

Restaging Time: Photography,Performance and Anachronism in Shadi Ghadirian's Qajar Series

This paper looks at a group of photographs entitled Qajar Series (1998) by artist Shadi Ghadirian. Ghadirian recreates sets to look like those used in photographic portraits taken during the late nineteenth and early twentieth century of the Qajar dynasty period and dresses her female sitters in costumes reminiscent of clothes from the era. The artist also integrates contemporary objects that do not fit within the historical setting created for the camera. This essay examines how the artist uses performance to stage this anachronism and think critically about temporal discourses and their links to the categories of modernity and tradition.     

The Caspian Forests of Northern Iran during the Qajar and Pahlavi Periods: Deforestation,Regulation, and Reforestation

Uniquely among the world’s temperate forests, much of the vegetation of the Caspian forests is now endangered. But while deforestation has accelerated in Iran, these processes were actually underway in the nineteenth century. This article offers a brief introduction to the history of forest exploitation and concessions during the Qajar and Pahlavi periods, addressing actions taken by the Iranian state to protect and extend forest cover, but also the deficiencies of that legislation and the reasons for its failure. Though it is one of the most forested countries in the Middle East, Iran’s forests remain understudied. Existing scholarship mostly addresses the contemporary period; this paper extends the scope of our knowledge, offering a deeper history of forest exploitation in Iran.     

Mapping the past: Turkish Cypriot narratives of time and place in the Canbulat museum,northern Cyprus

The Canbulat museum is located within the Venetian Walls of the mediaeval city of Famagusta in northern Cyprus, and traditionally marks the spot where the Ottoman warrior Canbulat fell during the siege of Famagusta in 1571. The tomb of Canbulat, which is housed within the museum, has for centuries played an important part in the folk tradition of Turkish Cypriots. Its incorporation into a formal museum in 1968 marked a conscious reworking of the Canbulat legend into a narrative of the Turkish presence in Cyprus. This paper explores the relationship between history and memory which emerges from the shared space and diverging practices of shrine and museum and considers the alternative visions of past, present and future which it opens up.     

Stubborn identities and the construction of socio-spatial boundaries: ultra-orthodox Jews living in contemporary Britain

Despite ultra-Orthodoxy being the fastest growing component of the British Jewish community (and Jewry worldwide), it has received little academic coverage by geographers. This paper provides an in-depth examination of a community of ultra-Orthodox Jews in Broughton Park, Manchester. It maps out the residential concentration of these Jews and, using in-depth qualitative interviews, discusses the construction of socio-spatial boundaries that are used to define and mark out 'them' from 'us'. Through this the paper contributes to wider geographic discussions about identity, segregation and religion. It shows how the power of religion to define people's beliefs and everyday practices remains, for certain groups, extremely strong.     

Time protagonists: student migrants,practices of time and cultural construction of the Singapore-educated person

This paper analyses the cultural production of the ‘educated person’ through student migrants' engagement with ideas and practices of time. In particular, it pays attention to how these young people negotiate identities and develop unique strategies to achieve personal goals of education. Drawing on the works of Pierre Bourdieu and Michael Flaherty, I conceptualise time as both a discursive structure and cultural resource to forward two interrelated arguments. First, I argue that time is an important discourse in the ways that ideas about education and becoming educated are imagined, performed and negotiated. Second, I suggest more attention needs to be placed on time as a central facet of cultural (re)production. This study focuses on one particular student flow from Southeast Asia to Singapore as a case to illuminate the role of time in cultural production, based on research with thirty students conducted between 2010 and 2011 primarily through biographical interviews.     

Women in Praise of Women: Female Poets and Female Patrons in Qajar Iran

This study examines the poetry of two women of nineteenth-century Iran—one royal, one non-royal—and the women patrons for whom they composed praise poetry. Through the reconstruction of female-centered patronage networks and associated female-only performance venues, and via an examination of the active roles played by female patrons both in affairs of state and in the management of the immense royal harem, this study highlights the various ways in which members of several generations of women in Qajar Iran were involved in the production, dissemination and appreciation of poetry. It is argued here that these patronage and poetry production networks should be read as evidence of a female-centered literary tradition, one that was in dialogue with (and often intersected) the dominant male tradition; one that empowered the women actors within it to create a sisterhood of poets through which their art could be passed on from mother to daughter, and from daughter to granddaughter (and occasionally from mother to son).