Public Archaeology as Renewer of the Historical Museum

Abstract

Working towards greater public interaction in the museum, and with archaeology reflecting on its contemporary context, traditional collection practices will inevitably be challenged. Archaeologies of the contemporary bring new kinds of artefacts to collections and raises ethical and political questions, since it must interact with the world of the living. Public archaeology, on the other hand, strives to involve people in the making of history, with an aim towards more inclusive, and even democratic, pasts and collections. Three recent research projects at the Swedish Museum of National Antiquities have dealt with these issues. The case studies future memories, archaeologist for a day and public contract archaeology question artefact categorizations, policies for storage and display, as well as database organization, design, and availability. It clearly turned out that the way museums work with collections structure and limit the ways in which audiences can engage with them. To deal more intensively with the public relations of archaeology, and to get more engaged in the contemporary, has definite consequences for the collections and collection practices of archaeological museums. A public-need focus will inevitably give opportunities for archaeologists and institutions to renew their perspectives and practices.     

Three-dimensional laser scanning: potential uses for museum conservation and scientific research

Recent technological advancements have made a tremendous impact in the fields of biological anthropology and archaeology. Although advancements in DNA analysis have overshadowed other areas of progress in the subfields of biological anthropology, bioarchaeologists are now utilizing many other new forms of technology in their work. In particular, three-dimensional (3D) laser scanning offers a sophisticated method of documenting and studying prehistoric human skeletons. In recent years, portable laser scanning devices capable of creating high resolution images have become available, enabling researchers to scan and archive skeletal collections from archaeological sites and museum collections around the world. 3D laser scanners are inexpensive, simple to operate, and completely non-destructive to human skeletal material. A major benefit is that they offer a cost-effective method of creating a digital record of skeletal collections for museum archives. Since published research using 3D methods typically focuses on sophisticated analyses used to analyze 3D data that are difficult for the novice user to follow, in this paper we provide a simple and straightforward overview of 3D scanning methods aimed at non-specialists. We discuss how these methods can be used to preserve and document osteological material in museums, develop research ideas in the subfields of biological anthropology, and increase the potential for scholarly collaboration.     

Museum salvage: A case study of Mesoamerican artifacts in museum collections and on the antiquities market

Abstract

Museum salvage refers to critical studies of museum collections with little or no provenience information that seek to glean useful archaeological information from these artifacts and examine the nature of their origins and possible connections to the illicit antiquities trade and the art market. Our case study focuses on artifacts from Mesoamerica and objects from the ancient capital of Teotihuacan in particular. We take a multi-scalar approach, including a quantitative analysis of Sotheby’s auction records for Mesoamerican items from 1966 to 2010, a survey of Teotihuacan attributed items in U.S. museums, and a more detailed examination of Teotihuacan-style artifacts in the Denver Museum of Nature & Science collections. The study tracks and attempts to explain diachronic patterns in the Mesoamerican antiquities trade, connections to museum collecting practices, and looting behavior. The study illustrates the potential benefits of museum salvage, while also revealing the clear limitations of research on poorly documented archaeological material.     

试论博物馆与公众关系的四种研究路径

近年来,公众之于博物馆的重要性持续攀升,甚至开始居于一种主导性的优先地位.博物馆学界相应地出现了 一系列暗含"公众转向"的话语.基于此,博物馆与公众关系成为一个重要的研究议题.博物馆与公众关系有四种路径:公众研究路径聚焦存在于博物馆内外的公众群体,以此分别发现公众之于博物馆和博物馆之于公众的价值;沟通关系路径侧重博物馆...     

Threads: Collecting Cloth in the North American French Colonies

Trade of European-produced cloth and clothing enabled indigenous and non-indigenous inhabitants of colonial New France to rethink the “hand-woven”, impacting how self could be presented through dress. At the same time, objects were being collected in New France for cabinets of curiosities and museums. These different collections resonated in different ways through history, subsequently influencing modern understandings of colonial cloth and clothing. This paper examines colonial experiences of cloth by looking at archaeological remnants of cloth and cloth production as compared to how indigenous and non-indigenous colonial peoples were and are being represented by cloth and clothing in museum collections.     

Virtual skeletons: using a structured light scanner to create a 3D faunal comparative collection

Appropriate comparative animal skeletons are not always available to faunal analysts for use in identifying archaeofaunal remains. This is especially pertinent when working in locations where no comparative collections are available locally, and the archaeological assemblage cannot be transported to another facility. In order to fill this gap, we are building a virtual comparative faunal collection using a structured light scanner to scan modern skeletal material in 3D. The resulting high resolution 3D color models are a valuable resource for identifying fossil specimens. Scan data can be converted into a variety of formats for viewing and can be transported on a portable digital device for use at field or laboratory localities. In addition, scans can be printed three dimensionally to produce a replica of the scanned skeletal part. A particular advantage of this digital technology is that we can eventually create a complete 3D representation of a taxon's skeleton from scans of several components of what are incomplete skeletons of one animal taxon in a museum collection. The results of our project thus far are available to other researchers and educators by means of the internet. A variety of interested parties could benefit from such a collection, including zooarchaeologists, paleontologists, biologists, teachers and museum curators.     

Review of Archaeological Research in Angola

This article examines the historical processes that shaped the development of archaeological practice in Angola during the Portuguese colonial period and the aftermath of political independence. Using published works, unpublished reports, and photographic records, we examine the research themes, actors, scholars, and institutions that influenced archaeological research in the country. We also used documents and museum collections in Angola and Portugal to create a GIS database of Angola’s archaeological findings. This study highlights the events, personalities, and priorities that motivated earlier investigations, and the geographical distribution of prehistoric sites. We hope this study will be a resource for guiding future archaeological research in Angola.

     

Participatory Augering: A Methodology for Challenging Perceptions of Archaeology and Landscape Change

Public engagement is a significant feature of twenty-first-century archaeological practice. While more diverse audiences are connecting with the discipline in a multitude of ways, public perceptions of archaeology are still marred by stereotypes. Community excavations of ‘sites’ to discover ‘treasures’ which tell us about the ‘past’ overshadow other forms of public research output and hinder the potential of the discipline to contribute to contemporary society more widely. This paper proposes participatory augering as an active public engagement method that challenges assumptions about the nature of archaeological practice by focusing on interpretation at a landscape-scale. Through exploration of recent participatory augering research by the REFIT Project and Environmental Archaeologist Mike Allen, this paper demonstrates how the public can contribute to active archaeological research by exploring narratives of landscape change. Evaluation of the existing case studies reflects the potential of the approach to engage audiences with new archaeological methods and narratives which have the potential to transform perceptions of the discipline and, through knowledge exchange, drive community-led contributions to contemporary landscape management.     

ARCHAEOMETRY AND MUSEUMS: FIFTY YEARS OF CURIOSITY AND WONDER*

Artefacts and works of art kept in museum collections originated in many cases from ancient private collections. In such cases, a partial or total absence of historical information may create additional problems concerning their authenticity. The study of museum collections and their preservation requires the use of analytical techniques but also combined examination techniques not commonly necessary for the study of archaeological objects. This paper gives an overview of the importance of museum items for the understanding of the past, the difficulties relating to their authentication and the significant advances brought about by science‐based techniques, in particular those cases discussed in Archaeometry during the past 50 years.     

Excavator Bias at the Site of Pech de l'Azé IV,France

Abstract

Existing archaeological collections hold great potential for archaeologists who seek to answer specific research questions with minimal investment of time and money. Unfortunately, biases introduced in the field and during curation require us to evaluate and reorganize collections before and during analysis. Biases are reflected in collections as a result of research design, recovery methods, interpersonal variability, and the storage of both objects and documentation. By comparing collections from two different excavations at the Middle Paleolithic site of Pech de l'Azé IV, France, a number of biases in the older collection were identified and corrected. While all older collections are not affected by the same problems, our experience serves as a useful example to others who work with them.     

Virtual Representation: the Production of 3D Digital Artifacts

As new digital technologies now pervade the discipline of archaeology, the practice of creating digital 3D representations of artifacts has become widespread. The rapid growth and acceptance of these technologies into the discipline leaves us in a position where we must engage with how these tools fit our epistemologies. I propose that we look to a much older technology, photography, to inform the way that these digital artifacts are dealt with as we move into an increasingly digital field. In doing so, I will argue that the creation of a 3D digital artifact is a productive process, just as any form of media used to document and interpret the archaeological record. Through this production, the digital form is decoupled from the original physical artifact. The creation of a new representation of the artifact (in the form of a photograph or digital model) provides a new dimension to our interactions with these artifacts. The result of the digital movement in archaeology is a more interactive experience with artifacts, allowing researchers and the public alike digital access to archaeological collections. If the current trend continues, digital artifact modeling will become as indispensable to archaeology as traditional photography. It is therefore necessary for archaeologists to be aware of the subjectivities and biases that exist during this productive act as we move into a more integrated field of digital, representational technologies.     

博物馆教育性格的养成——从《美国博物馆:创新者和先驱》一书谈起

与欧洲博物馆强调皇家收藏与民众教化的传统不同,美国的博物馆性格立足于社会教育与公众服务。自初创之日起,"教育至上"的性格一直贯穿美国博物馆发展的始终,由此养成的有关博物馆教育议题的思考成为国际博物学界的典范。爱德华·亚历山大在《美国博物馆:创新者和先驱》一书中系统考察了13位美国博物馆领军人物的超前理念和伟大事迹,他们无一例外地都在强调博物馆教育和公众娱乐的重要性,并在"教育至上"的博物馆性格上达成共识。这些先驱们在博物馆平台上发挥才智、创造典范的经验材料对于理解美国博物馆教育性格生成与演变的具体过程与整体图式具有举足轻重的作用。     

Some examples of Medieval Oxidized and Decorated earthenwares occurring in North-Eastern France

THIS PAPER concludes a programme of research into the medieval earthenwares of the littoral of N. and W. France.¹ (This particular research was done with the aid of a Colt Fund grant.) As in the earlier work, information was obtained by a study of suitable material held in museum collections; in this case located in the ME. of France.     

Developmental Defects in the Spine: Initial Findings in Archaeological Cases from Córdoba Highlands (Argentina)

Congenital disorders are pathologies rarely found in archaeological cases. In recent years, however, there has been an increase in the number of reported cases, and a growing interest in understanding their development and implication as genetic markers within certain collections. In the central region of Argentina, researchers have begun to focus on issues related to the health of prehispanic populations from a bioarchaeological perspective. Between 1999 and 2012 our research group recovered, by rescue archaeological activities, a total number of 62 individuals from different archaeological sites in the province of Córdoba, from which only three individuals with pathologies classified as congenital were recorded (4.83%). Radiocarbon and contextual information sets these individuals in the late Holocene (2156 ± 86 and 920 ± 20 ¹⁴C years BP). Hence, this work aims at presenting two pathological conditions deriving from congenital developmental abnormalities that arise during the first three months of pregnancy: (a) Klippel–Feil syndrome (type II) which was suffered by the individuals from the sites of Guasmara and El Vado, and (b) central sagittal fissure of the vertebral body or ‘butterfly vertebra’ as in the case of one individual from La Calera. We also analyse other lesions in these skeletons that may be associated with the conditions mentioned above, and we provide a thorough interpretation from an osteobiographical perspective. Copyright © 2015 John Wiley & Sons, Ltd.     

论发展博物馆文化产业的几个问题

随着对我国文化产业的飞速发展,博物馆作为以专业技术为社会提供文化服务的公益性事业单位,开始进入文化产业研究的视野,博物馆在文化产业发展中的重要性开始越来越多地显现出来。本文对博物馆在我国文化产业中的定位和博物馆文化产业的概念进行了分析与界定,对现阶段我国博物馆文化产业的现状进行了概括,并就如何促进博物馆文化产业发展提出了建议。     

网络虚拟现实技术在数字化博物馆中的应用

阐述了怎样将虚拟现实技术更有实践意义地应用到网络数字化博物馆的建设。本工作针对上海博物馆在网上虚拟场馆展示、藏品的立体全方位的数字化展示、古代绘画技法的内涵及意境表现所进行的实践 ,提供了解决目前构建网上虚拟博物馆存在的系统设计与实现中面临的困难的方法。说明了网络虚拟现实技术在数字化博物馆中应用的可行性和社会效果 ,为今后更深层次及更广泛的研究和应用工作拓展了思路 ,并提供了实践性的参考。     

Computational Reproducibility in Archaeological Research: Basic Principles and a Case Study of Their Implementation

The use of computers and complex software is pervasive in archaeology, yet their role in the analytical pipeline is rarely exposed for other researchers to inspect or reuse. This limits the progress of archaeology because researchers cannot easily reproduce each other’s work to verify or extend it. Four general principles of reproducible research that have emerged in other fields are presented. An archaeological case study is described that shows how each principle can be implemented using freely available software. The costs and benefits of implementing reproducible research are assessed. The primary benefit, of sharing data in particular, is increased impact via an increased number of citations. The primary cost is the additional time required to enhance reproducibility, although the exact amount is difficult to quantify.