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This article presents one of the theological contexts for early feminist thought in England in the late seventeenth century. It argues that an emerging universalist soteriology in Platonist and radical thought had a positive impact on discourses about sexual equality, and shows how two female writers (the Quaker Elizabeth Bathurst and the visionary M. Marsin) combined their critique of the doctrine of limited atonement – in other words, the idea of an exclusive elect – with a confident assertion of women's calling to preach and teach in the Church.  相似文献   

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Over the past twenty years, patriarchy has become a vitally important analytical concept for historians of women, gender and masculinity. By contrast, misogyny has been under‐explored, despite being an equally prevalent historical phenomenon. This article offers a cultural history of seventeenth‐century masculinity based on an analysis of the humorous jokes and stories found in jest‐books, a genre that appealed in particular to male adolescents and young men in their twenties. It argues that patriarchy and misogyny should be treated as separate analytical concepts and cultural phenomena that appealed to different sorts of men. While patriarchy offered a code of manly behaviour for middling‐sort married males to aspire to, misogynistic humour appealed predominantly to youthful single males, who were as antagonistic towards patriarchs as they were towards women. In articulating such an argument, this article engages with debates about manhood, misogyny and the reception and creation of everyday culture in early modern society.  相似文献   

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Western society appears inordinately keen on outdated and stereotypical tropes of Islamic architecture, talking of a ‘hidden world’ of Islam in which women are seen and not heard as they live their lives incarcerated in the harem. This trope of Western Orientalism has become entrenched in our culture through travel accounts, the writings of historical voyeurs such as Sir Richard Burton and the romantic/erotic imagery of nineteenth‐century Orientalist painters. This paper aims to dispel many of the preconceptions that are held regarding the Iranian harem and the role of women in Safavid society by addressing the status of elite Iranian women, but also placing them in the wider context and considering the evidence for lower‐class women who could simply not afford to live a cloistered life. There is also the case of non‐Muslim women whose religions forbade polygamy and who were therefore immediately placed outside the harem and, although Safavid Iran included significant numbers of Zoroastrians and Jews as well a handful of Hindus, this paper will concentrate on one particular religious minority; the Caucasian Christians who were such an integral part of Abbas’ great project that they were awarded a particular status in the city of Isfahan.  相似文献   

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The present essay focuses on the figure of Maurice Bucaille and on his contribution to the discourse on Islam and science. Its purpose is twofold. First of all, it aims to provide the reader with a concise map of the ideas of the French author, reconstructing their core and their interrelations. Furthermore, it aims to question what I define as “the apparent naivety” of Bucaille's work, a reason why he can sometimes be too easily dismissed, by pinpointing a number of original features of his intellectual activity. My argument is that Bucaille deserves more attention for two good reasons: firstly, because of the influence that he de facto exerts on Muslim societies, secondly, because of some highly specific characteristics of his discourse. Such features not only distinguish his contribution from analogous ones, but also give rise to interpretative questions, which have as yet been either overlooked or unsatisfactorily addressed. Closely connected to this thesis is the idea that Bucaille's work constitutes a good starting point for a discussion amongst scholars of different disciplines and from different cultural backgrounds. The first section reconstructs Bucaille's life and works. The second section focuses on his method and ideas regarding science. The third section is devoted to Bucaille's conclusions following his study of the Bible and the Qur'an, and therefore deals more closely with the core of his ideas. The fourth section covers Bucaille's complementary criticism of the theory of evolution. In the fifth section I examine the possible reasons behind the scant scholarly attention concerning Bucaille. In the final section I propose an interpretative model of Bucaille's figure conceived as a system of concentric spheres and I raise, for each one of them, several questions, which have so far been, in my view, insufficiently investigated, thus setting an agenda for further scholarly work.  相似文献   

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In early seventeenth‐century Lima, Peru, female visionaries composed texts of their bodies, and texts composed their bodies. This fact can be explained, in part, by the belief that an individual could gain access to and appropriate the language of God (His spiritus) in distinct ways. Mystical narratives, stigmata, as well as the spoken words of enraptured visionaries communicating with absent souls were considered readable texts because the object to be read could be a book, a painting, or the body itself. Thus the reading of, and listening to, texts was parallel to Lima's visionaries entering a state of spiritual ecstasy (arrobamiento), and “reading” their bodies as living books, which perforce became a readable space.  相似文献   

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This article analyses seventeenth–century pornographic literature and popular ballads to explore alternative representations, and hence interpretations, of female same–sex desire than those presented by either early modern legal, medical and religious discourse in which the image of the tribade predominates, or the homoerotic prose and poetry of female writers. It argues that early modern culture was not limited to interpreting sexual acts between women as the result of either a physical abnormality (clitoral hypertrophy) or the desire to live as a man, and thence to take on his sexual as well as social role.  相似文献   

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From 1860 to the 1920s, Muslim merchants and workers from across British India and Afghanistan travelled to Australian shores to work in the extensive camel transportation network that underpinned the growth of capitalism in the Australian interior. Through marriage, South Asian women in addition to white women and Aboriginal women became part of families spanning the Indian Ocean. Yet, the life‐worlds of these women are absent from Australian historiography and the field of Indian Ocean studies alike. When women do appear in Australian histories of Muslim communities, the orientalist accounts work to condemn Muslim men rather than shed light on women's lives. Leading scholars of Indian Ocean mobilities on the other hand, have tended to equate masculinity with motion and femininity with stasis, omitting analyses of women's life‐trajectories across the Indian Ocean arena. In this article, I rethink the definitions of ‘motion’ that underpin Indian Ocean histories by reading marriage records as an archive of women's motion. Using family archives spanning from Australia to South Asia, this article examines five women's marriages to South Asian men in Australia. Challenging the racist accounts of gender relations that currently structure histories of Muslims in Australia, I turn to the intellectual traditions of colonised peoples in search of alternatives to orientalist narratives. Redeploying the Muslim narrative tradition of Kitab al‐Nikah (Book of Marriage) to write feminist history, this article proposes a new framework to house histories of Muslim women.  相似文献   

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This article examines the poetry and prose meditations in the anonymous 1652 volume Eliza’s Babes: or The Virgins–offering. The article begins by reconsidering Liam Semler’s recent assertion that Eliza was a Parliamentarian and religiously radical, arguing instead that she was a centrist, loyalist Protestant. The article then examines the handbooks to devotion and meditation from this loyalist tradition that helped define Eliza’s understanding of public and private and how these concepts were gendered. In keeping with writers such as Joseph Hall and Daniel Featly, Eliza views her private devotion as on a continuum which leads to public worship, or ‘thanks’ as she terms it. Eliza uses this paradigm of public and private to justify both the printing of her poems and her very unusual theology of marriage, in which she considers Christ her only true husband. The final section of the article considers whether Eliza’s understanding of public and private offers her more ‘freedom’ than other women writers, and concludes that any judgement of her freedom must be carefully calibrated to the religious and political contexts of her book.  相似文献   

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