The Saxons within Carolingian Christendom: post-conquest identity in the translationes of Vitus,Pusinna and Liborius

The Franks incorporated Saxony into the Carolingian empire through a long, brutal struggle coupled with forced conversion. When Saxons themselves began to write a few decades afterwards, they had to make sense of this history and of their role and identity in their contemporary Carolingian world. In contrast to the portrayal of Saxons in writers such as Einhard and Rudolf, three ninth-century Saxon accounts of relic translations — those of Vitus, Pusinna and Liborius — reinterpreted history to claim a place for the Saxons as a distinct group equal to the Franks within the populus Christianus under the Carolingian monarchs. As a key part of their literary strategies, these authors attempted to salvage from the story of their defeat and forced Christianisation an account of God's sovereignty, native agency and virtue (especially fidelity) as a foundational element of Saxon identity. These texts prefigure the debates about post-conquest Saxon identity which would underlay the later and better-known Ottonian triumphal self-conceptions. Moreover, the concerns of these authors led them to remarkable hagiographical innovations in grappling with paganism, conversion, miracles, social class and faith.     

Learning to sail the Duyfken replica

The rig of the Duyfken 'replica', a reconstruction Dutch jacht of c . 1600 is described. Sail-handling techniques and sailing performance including steering with a whipstaff are also described. Experiments to improve sailing efficiency, some prompted by analysis of contemporary iconography, are discussed.     

On the Geography of the Wars Between the Saxons of Northumberland and the Northern Britons,from the Battle of Menao to that of Kaltraez

Abstract

The techniques of spatial analysis are deployed to gain insights into the ways in which smaller churches of the 11th and 12th centuries were designed to be used. A range of plan types is discussed, including churches with one, two and three cells, linear and cross-shaped plans, and ‘round’ churches. The resulting analysis of the forms of buildings is then placed in the historical context of ecclesiastical reform, and it is argued that some of the changes in church layout were designed to separate the clergy from the laity, mirroring their increasing legal and social differentiation. It is also argued that the ways in which clergy used space were similar in all types of church examined, and that they show continuity from early Christian buildings to the late 12th and 13th centuries, when rising belief in the transubstantiation of the Host led to the evolution of new forms of clergy space     

Currents,visions and voyages: historical geographies of the sea

This paper offers a prospectus for a version of historical geography that puts the seas and oceans at the centre of its concerns. This is pursued in three ways. First, via a discussion of the epistemological and historiographic perspectives that might be taken on geographies of the sea, which argues that the view from the ocean can develop geographies of spaces beyond the local and the national, and can attend to the relationships between the human and natural worlds. Second, through a consideration of the imaginative, aesthetic and sensuous geographies of the sea that contends that maritime worlds open up new experiential dimensions and new forms of representation. Finally, in a survey of the material and social worlds of the oceans that suggests that new life can thereby be breathed into current concerns with global political economy, material geographies, the relationship between knowledge and located practice, and the intersections of social and spatial difference. The paper also provides an introduction to a special issue on the historical geography of the sea.     

Down by the sea: visual arts,artists and coastal regeneration

This paper takes a critical approach to the arts-led regeneration of Margate, south east England. It argues that regeneration policy has effectively utilised local characteristics to recreate Margate as an artful space, and has stimulated a local milieu of artistic and cultural activity. However, though the work of local artists is vital in producing Margate as a creative place, local artists are marginalised by policy interventions focussed on attracting new consumers and investors. Thus, this paper argues that a misplaced policy emphasis is failing to support the labour and social relations on which the interpretation of places as ‘creative’ is built, and arguably undermines the sustainability of an arts-based regeneration. This has implications for culture-led policy, calling for greater attention to be paid to the specific locations in which it is deployed, and to the networks of producers whose labour is critical to its success.     

Carl Schmitt on land and sea

Carl Schmitt (1888-1985), one of the leading conservative legal thinkers of the Weimar Republic and Nazi Germany, is best known today for his critique of liberalism. Between the late 1930s and mid-1950s, Schmitt wrote numerous articles and two books addressing the mythical and geopolitical significance of land and sea. In recent years, these texts have begun to attract attention from historians as well as theorists. This article reconstructs the origins of Schmitt's theories about land and sea, and shows how they developed in the context of his efforts to delegitimize the British Empire and justify the persecution of Jews. It also explains how Schmitt selectively misread the history of maritime law in order to critique the ‘freedom of the seas.’ Finally, it reveals that the meaning Schmitt ascribed to ‘the opposition of the elements of land and sea’ changed dramatically to suit his political needs. For all their evocative qualities and insights, Schmitt's texts on land and sea do not constitute a coherent theory, but rather a shifting field of polemical positions in search of theoretical support.     

大海之恋

<正>在避暑胜地北戴河海滨,常可见一种娇小玲珑、活泼可爱的小鸟,它的名字叫黑翅长脚鹬。2004年4月23日上午9时15分至19分,我用四分钟时间拍下了两只黑翅长脚鹬在海面嬉戏热