INTERVIEW WITH THEODORE H. VON LAUE

Born in 1916, reared and educated in Germany until 2937, Von hue has been writing and teaching global history for almost three decades. He received his B.A. and Ph.D. degrees from Princeton University and wm certified by the Russian Institute at Columbia University. Von hue published well-received books on German historiography, late Imperial Russia, and the Soviet Union before his lesser-known global histories. From 1943 to 1983, he taught at Princeton, the University of Pennsylvania, Swarthmore College, Bryn Mawr College, the University of California at Riverside, Washington University at St. Louis, and Clark University. As Jacob and Frances Hiatt Professor of European History, Emeritus, at Clark, he has taught in China and held offices in the World History Association. Von hue has two daughters from his first marriage. He and his wife Angela live in Worcester, Massachusetts, where this interview was conducted in August 2995, by Roger Adelson.     

INTERVIEW WITH

Born in 1937, reared and educated mainly in Cambridge, Massachusetts, Demos is a leading social historian of early America. He has published a widely known account of early Plymouth, an anthology of primary sources on colonial culture, a co-edited collection of essays on family history, and numerous scholarly articles on social history and psychohistory, some of which he included in a volume on family history and public policy. He received the Frederic Bancroft Prize for his book on witchcraft. Since 1986, Demos has been Samuel Knight Professor of American History at Yale University, where he has recently completed a book on colonists and Indians. He and his wife, Virginia, were married in 1963, have two daughters, and live in Watertown, Massachusetts. This interview was conducted in Demos' office at Yale by Roger Adelson in October 1992.     

Dimensions of remapping: Heinrich Schiffers and his mental map of Africa

ABSTRACT

At the beginning of the 1960s, the Athenäum publishing house in Germany planned a revised and extended edition of Heinrich Schiffers’ (1901–1982) successful book Wilder Erdteil Afrika (English translation: The Quest for Africa). The bestselling author had published several monographs about Africa since the 1930s, and authored and edited numerous works after World War II. Nearly all of these works, whose substantial print runs are testament to their popularity, are characterized by an engaging combination of text, images, and cartographic material, creating narratives and mental maps about Africa, its history, and the colonial past. In his later writings, he stressed the importance of “relearning” with regard to Africa and struggled to remap the imaginative geography of Africa. In this paper, I examine the characteristics of Schiffers’ imaginative geography and the change in his writings and maps. I explore whether his concept of “relearning” was an epistemological decolonization or if there were any continuities found in his imaginative geography. In order to grasp the specifics of his thinking, his geography will be briefly compared with that of his contemporary, Frankfurt zoo director Bernhard Grzimek.     

Reconsidering John Sergeant's Attacks on Locke's Essay

The Catholic polemicist John Sergeant published three major works of philosophy towards the end of his literary career, The Method to Science (1696), Solid Philosophy (1697) and Metaphysics (1700). They were highly critical of what Sergeant saw as the idea‐grounded epistemology of the Cartesians and John Locke, whom he labelled ‘ideists’. Previous scholars have interpreted Sergeant's texts as manifestations of his lifelong obsession with certainty, as initially developed in his Restoration polemics against Anglican divines. Using a previously neglected autobiographical letter, it is demonstrated that Sergeant's intentions were very different. Like Edward Stillingfleet and other critics, Sergeant saw Locke's philosophy as inspiring contemporary heterodoxy. The article identifies the specific channels by which Sergeant saw Lockeanism seeping into irreligion. Moreover, unlike Locke's Anglican critics, Sergeant resorted not to polemical accusations, but to abstract philosophy. This must also be explained contextually: Sergeant wished his works to become textbooks at the universities, concerned as he was by the pedagogical impact of the Essay. A premise of this article is that reception history is less useful for elucidating on the meaning of the received text than for telling us something about the intentions of the receiver, and about the intellectual culture in which the process of reception occurs. With this in mind, the article finishes by recontextualizing Sergeant's works within a broader narrative: his was an attempt to reassert the place of philosophy as a propaedeutic to theology in an age when such a conception of philosophy's social role was coming under intense scrutiny.     

Virtual Forum: Archaeology and Decolonization

In this forum, patiently achieved through months of cyber-work, participants Nayanjot Lahiri (India), Nick Shepherd (South Africa), Joe Watkins (USA) and Larry Zimmerman (USA), plus the two editors of Arqueología Suramericana, Alejandro Haber (Argentina) and Cristóbal Gnecco (Colombia), discuss the topic of archaeology and decolonization. Nayanjot Lahiri teaches archaeology in her capacity as Professor at the Department of History, University of Delhi. Her books include Finding Forgotten Cities: How the Indus Civilization was Discovered (2005) and The Archaeology of Indian Trade Routes (1992). She has edited The Decline and Fall of the Indus Civilization (2000) and an issue of World Archaeology entitled The Archaeology of Hinduism (2004). Nick Shepherd is a senior lecturer in the Center for African Studies at the University of Cape Town, where he convenes the program in public culture in Africa. He sits on the executive committee of the World Archaeological Congress, and is co-editor of the journal Archaeologies: Journal of the World Archaeological Congress. In 2004 he was based at Harvard University as a Mandela Fellow. He has published widely on issues of archaeology and society in Africa, and on issues of public history and heritage. Joe Watkins is Choctaw Indian and archaeologist Joe Watkins is an Associate Professor of Anthropology at the University of New Mexico. He is 1/2 Choctaw Indian by blood, and has been involved in archaeology for more than thirty-five years. He received his Bachelor’s of Arts degree in Anthropology from the University of Oklahoma and his Master’s of Arts and Doctor of Philosophy degrees in Anthropology from Southern Methodist University, where his doctorate examined archaeologists’ responses to questionnaire scenarios concerning their perceptions of American Indian issues. His current study interests include the ethical practice of anthropology and the study of anthropology’s relationships with descendant communities and Aboriginal populations, and he has published numerous articles on these topics. His first book Indigenous Archaeology: American Indian Values and Scientific Practice (AltaMira Press, 2000) examined the relationships between American Indians and archaeologists and is in its second printing His latest book, Reclaiming Physical Heritage: Repatriation and Sacred Sites (Chelsea House Publishers 2005) is aimed toward creating an awareness of Native American issues among high school students. Larry J. Zimmerman is Professor of Anthropology and Museum Studies and Public Scholar of Native American Representation at Indiana University-Purdue University Indianapolis and the Eiteljorg Museum of American Indians and Western Art. He is Vice President of the World Archaeological Congress. He also has served WAC as its Executive Secretary and as the organizer of the first WAC Inter-Congress on Archaeological Ethics and the Treatment of the Dead. His research interests include the archaeology of the North American Plains, contemporary American Indian issues, and his current project examining the archaeology of homelessness. Originally published in Spanish in Arqueología Suramericana 3(1), 2007     

The A-Bomb Controversy at the National Air and Space Museum

Born in Boston, Massachusetts, in 1947, Linenthal earned his bachelor's degree in religious studies at Western Michigan University, his master's degree in divinity at the Pacific School of Religion, and his Ph.D. in religious studies at the University of California, Santa Barbara. He is Professor of Religion and American Culture at the University of Wisconsin, Oshkosh. His books include: Symbolic Defense: The Cultural Significance of the Strategic Defense Initiative (1989); Sacred Ground: Americans and their Battlefields (2nd edition, 1993); Preserving Memory: The Struggle to Create America's Holocaust Museum (1995); American Sacred Space (co-editor, 1995). He is writing a history of the A-Bomb controversy that will appear in a book to be published in 1996. Linenthal has often lectured about controversial historic sites for National Park Service staff. At the USS Arizona Memorial, Linenthal delivered a commemorative address on 7 December 1994, on the 53rd anniversary of the attack on Pearl Harbor. Linenthal and his wife, with their two sons, reside in Oshkosh, Wisconsin. Linenthal was the only historian to testify before the Senate Committee on Rules and Administration about the National Air and Space Museum's ill-fated exhibit, “The Last Act: The Atomic Bomb and the End of World War II.” What follows is Linenthal's Senate statement and comments he has written for The Historian.     

阿尤德吉·奥卢贡菊及其海洋史研究

阿尤德吉·奥卢贡菊是尼日利亚第三代历史学家的代表人物,是尼日利亚海洋史研究的重要学者。奥卢贡菊认为海洋史研究是对与海洋相关的一切人类活动的研究,主要围绕着港口、航运业和比较视野下的海洋史研究而展开"在海洋史研究方面,奥卢贡菊主张历史研究与社会发展需求之间的“相关性”;其海洋史研究是在经济民族主义思想的指导下进行的;在探究港口发展的原因时,他主张挖掘多种历史原因;奥卢贡菊借鉴了地理学家、经济学家的研究视角和概念,采用跨学科方法研究海洋史"     

INTERVIEW WITH ROGER ADELSON

Born in 1942 and reared in Kansas, Adelson received his B.A. degree from George Washington University, Washington, D.C.; his B.Litt. degree from Oxford University, Oxford, England; and his M.A. and Ph.D. degrees from Washington University, St. his, Missouri, where he was a Danforth Fellow. He held a post-doctoral research fellowship at St. Antony's College, Oxford, and taught briefly at Harvard before joining the history faculty at Arizona State University in 1974. Adelson's publications include Mark Sykes: Portrait of an Amateur and London and the Invention of the Middle East: Money, Power, and War, 1902–1922. While editing The Historian from 1990 to 1995, Adelson has interviewed numerous historians; many will be republished this fall in Speaking of History. As a consulting editor for The Historian, Adelson will continue doing interviews. This one was conducted by Peter Iverson, associate editor, and edited by Joy Margheim, editorial assistant, in December, 1995.     

江户时代的出版巨子茑屋重三郎

茑屋重三郎是日本江户时代中后期的著名出版商。他从书店经营开始逐渐涉足书籍出版,在激变的时代浪潮中虽几经大起大落,但凭借着高瞻远瞩的策划能力和敏捷的才思,终于成长为屈指可数的出版界巨子。既是商人,同时又有很好的文学修养,两相结合使之具备了卓越的识人辨才的能力。他一生中发掘并培养了诸多浮世绘画师和通俗文学作家,出版发行了数目众多的浮世绘作品和文学作品,在江户中后期的文学史、艺术史上留下了浓墨重彩的印迹。     

‘Resemblances to archaeological finds’: Guido Boggiani,Claude Lévi-Strauss and Caduveo body painting

In 1942, Claude Lévi-Strauss published an article on Caduveo body painting in the first number of the surrealist magazine VVV, with the editorial assistance of André Breton and cover by Max Ernst. In the article, Lévi-Strauss uses the photographs of the Caduveo women taken during his fieldtrip in 1935–36, together with drawings of facial designs collected to reflect on their ‘strong originality’, which ‘evokes a very ancient culture, and one full of preciosities’. Amongst these illustrations, there is an engraving taken from Guido Boggiani’s book, I Caduvei, published in 1895. Boggiani, an Italian landscape painter who visited South America in 1887–93, was captivated by the Caduveo graphic art, which he sketched in detail. In 1896 he returned, travelling to Paraguay, this time equipped with a new tool to help his ethnographic research: a photographic camera. Over a period of five years, Boggiani completed more than 400 photographs on glass gelatin plates of various sizes. For Lévi-Strauss, as for Boggiani, the originality of the Caduveo graphic art remained enigmatic, evoking a very ancient culture; it was a topic to which he would return in several of his most influential works. In this article, I focus on the visual images (engraved, drawn, photographed and filmed) that depict the body painting of the Caduveo people in central Brazil by Boggiani and Lévi-Strauss in order to explore the ways in which they enabled an ephemeral art – delicate arabesques painted on skin – to be studied as archaeological vestiges. In the process, I trace the aesthetic sensibility of Boggiani and Lévi-Strauss that provided them with the imaginative tools to do so.     

Secular history in twelfth-century Italy: Caffaro of Genoa

Caffaro of Genoa is distinguished among medieval writers of history in being the earliest urban chronicler and the earliest secular historian in western Europe. However, his works and career remain relatively unknown to a remarkable number of contemporary medievalists in the English-speaking world. Caffaro was the originator of the Genoese Annals and remained their sole author for more than half a century. In addition he wrote at least two other historical works of great value. Throughout his long life he played a prominent role in the affairs of his city. He served repeatedly as a consul, ambassador, and diplomat for the Genoese Republic, and he was as well a crusader and a successful military commander. In his writing and in his career Caffaro consistently displays that uniquely secular and urban temperament we too readily associate only with the historians of Antiquity and the Renaissance.     

The First Arab Expedition against Amorium

Abstract

The chronology of Byzantine history in the middle of the seventh century is obscure and confused. Among the unsettled problems is the date of the early Arab raids into Asia Minor after the Arabs completed their conquest of Palestine and Syria in 640. The scanty Greek and Oriental Christian sources need supplementation from the Arabic ones. Although Charles C. Torrey published his edition of the Futū Mir or History of the Conquest of Egypt, North Africa and Spain by Ibn ‘Abd al-akam more than fifty years ago, Byzantinists do not appear to have consulted the important section on Egypt which has not been fully translated into a western language. Yet Ibn ‘Abd al-akam, who was born c. 798–9 and who died in 871, is a significant and early historical authority. He provides a short reference to an Arab expedition against Amorium in the year A.H. 23 (A.D. 644): ‘ … according to Layth b. Sa‘d [and] he said 'Wahb b. ‘Umayr was commander of the forces of Egypt in the Amorium expedition [fī ghazwati ‘Ammūriyata] in the year twenty-three and the commander of the forces of Syria [was] Abu‘l-A‘war al-Sulamī’.’     

Institutions and Falsified Culture in the Novel Evening Act by Croatian Writer Pavao Pavličić

`In one area of his prose work, the Croatian writer Pavao Pavli?i? belongs to a group of writers in the 1970s who used a fantastic narrative model and thematized irrational parallel worlds as opposed to a realist model of narration. Pavli?i?’s novel Evening Act (published as Ve?ernji akt in 1981) has a realistic beginning, but it slips into fantastic narration when the main character, a young man called Mihovil, discovers his ability to falsify documents and works of art. At the same time, he is capable of recognizing falsified art works and documents that are accepted as an integral part of social, cultural, and historical memory. When this ability becomes dangerous, Mihovil falsifies his own body to escape from his unbearable reality. This paper will analyse the function of the fantastic model in Pavli?i?’s novel as a postmodern play with traditions of Croatian and world literature and culture. The ludic layer of the novel has a highly symbolic value: it draws attention to the relationship of cultural institutions and society to the authenticity of art works, the role of art, and ways of preserving (or destroying) cultural memory.     

Gianrinaldo Carli at the centre of the Milanese Enlightenment

Gianrinaldo Carli was a central figure in the origin of the Milanese Enlightenment of the late eighteenth century. Carli's political career as well as his works connected him both to the mid-century reforms by Pompeo Neri and to the times of Beccaria and the Verri brothers—the heyday of Lombard intellectual life in Europe. Not originally from Lombardy, but from the Venetian periphery, Carli became an erudite scholar of witchcraft and magic and an influential functionary of the Habsburg administration in Milan. He remains most famous for his works on money and his contributions to the journal Il Caffè. Most of his later political writings, which were widely circulated in Italy following the American Revolution, originated in debates with Pietro Verri over the nature of Natural Law, of the Social Contract, and the relationship between patriotism and cosmopolitanism. They illustrate key aspects of Lombard political culture of the 1780s: a culture that was critical of Rousseau, trustful of the reformist experience and supportive of Enlightened Absolutism. Within this context, Carli's works have traditionally been difficult to place.     

Kypros,Tourkia kai ellinismos

Gianrinaldo Carli was a central figure in the origin of the Milanese Enlightenment of the late eighteenth century. Carli's political career as well as his works connected him both to the mid-century reforms by Pompeo Neri and to the times of Beccaria and the Verri brothers—the heyday of Lombard intellectual life in Europe. Not originally from Lombardy, but from the Venetian periphery, Carli became an erudite scholar of witchcraft and magic and an influential functionary of the Habsburg administration in Milan. He remains most famous for his works on money and his contributions to the journal Il Caffè. Most of his later political writings, which were widely circulated in Italy following the American Revolution, originated in debates with Pietro Verri over the nature of Natural Law, of the Social Contract, and the relationship between patriotism and cosmopolitanism. They illustrate key aspects of Lombard political culture of the 1780s: a culture that was critical of Rousseau, trustful of the reformist experience and supportive of Enlightened Absolutism. Within this context, Carli's works have traditionally been difficult to place.     

Vincenzo Neri and His Legacy in Paris and Bologna

Italian neurologist Vincenzo Neri was able to discover cinematography at the beginning of his career, when in 1908 he went to Paris to learn and improve his clinical background by following neurological cases at La Pitié with Joseph Babinski, who became his teacher and friend. While in Paris, Neri photographed and filmed several patients of famous neurologists, such as Babinski and Pierre Marie. His stills were published in several important French neurological journals and medical texts. He also collaborated with Georges Mendel, who helped Doyen film the first known surgical operation in the history of cinema. In 1910, when he came back to Bologna, he continued in his clinical activities and, for 50 years, slowly developed a huge archive of films, images, and prints of neurological, psychiatric, and orthopedic cases. This archive was extremely helpful to Neri, who especially needed to analyze neurological disorders and to differentiate them from functional conditions in order to understand clinical signs, rules, and mechanisms.     

Interview with Paul Sweet

Paul R. Sweet is a retired Foreign Service Officer and professor emeritus of the Department of History at Michigan State University. Dr. Sweet received his B.A. degree from DePauw University in 1929 and his Ph.D. from the University of Wisconsin in 1934. He has taught at Birmingham-Southern College, Bates College, the University of Chicago, Colby College, and Michigan State University. From 1948 to 1959 he served with the U.S. Department of State and from 1953 to 1963 at the U.S. Embassy in Bonn; from 1963 to 1967 he was U.S. Consul General at Stuttgart. He co-authored The Tragedy of Austria (1948), and is the author of Friedrich von Gentz: Defender of the Old Order (1941), and Wilhelm von Humboldt: a Biography 1767–1808 (1978). He and his wife live in East Lansing, Michigan, where this interview was conducted by Linda Cooke Johnson in October 1996.     

Kirkham Abbey

Abstract

Tom French died on 18 February 2001 after a short illness. He will be remembered as a distinguished scholar and historian of English stained glass and particularly for his contribution to the study of York Minster and its windows. In 1947, after distinguished service in the Royal Artillery, he joined the Royal Commission on Historical Monuments as an architectural investigator. He contributed to the Dorset county inventories and then moved to York, working on the five city inventory volumes published between 1962 and 1981. In the early 1970s he contributed to the Royal Commission's investigation of the Minster and became especially interested in its stained glass. He was active in the academic life of York, serving as a council member of the Yorkshire Archaeological Society, a member of the York DAC and Minster FAC and a Trustee of York Glaziers Trust. After retirement in 1980, Tom continued to research and publish on the architectural history of York Minster and became a member of the Corpus Vitrearum Medii Aevi. In 1987 he published, jointly with David O'Connor, the first CVMA volume devoted to the Minster, The West Windows of the Nave. This was followed by his solo volumes on The Great East Window (1985) and The St William Window (2000). At the time of his death he was working on a volume devoted to the glazing of the western choir clerestory and it is from this research that the following paper was derived.     

陈抟生平事迹述论

陈抟是中国中古思想文化史上的重要人物,由于他的著述大多散佚,加上传记资料比较零散,过去的研究相对不足.本文在前人成果的基础上,从六个方面对陈抟的生平事迹加以探讨:一是陈抟的出生、里籍、姓名字号、童年生活、慕道原因、早期经历;二是陈抟隐居武当山的缘由和时间,在武当山的著述情况,出游时谒拜的两位重要老师何昌一和麻衣道者;三是陈抟迁居华山的时间和缘由,在华山与师友们的交游;四是陈抟在华山期间与周世宗、宋太祖、宋太宗的交往;五是陈抟在华山亲授的几位弟子;六是陈抟图书易、内丹学、睡功的成就和传承谱系,以及其诗、书、画成就.总体上认为,陈抟历经晚唐、五代、宋初之世,阅历丰富,思想深邃,胸怀博大,德行超群,不愧为独领风骚、别具一格的道门高隐和学术大师.     

Preaching and History: The Audience of Ranulf Higden’s Ars componendi sermones and Polychronicon

In his Ars praedicandi sermones, in traditional yet rich metaphoric language, Ranulf Higden compares Christ to a fountain, a shepherd, a rock, a lily, a rose, a violet, an elephant, a unicorn, and a youthful bridegroom wooing his beloved spouse. Ranulf encourages preachers to use such metaphors while using them himself, rendering his text a performed example of what he encourages. This text is clearly linked to two others: Ranulf’s Latin universal history, the Polychronicon, and John Trevisa’s English translation of it. In the Polychronicon, Ranulf relates the life of Christ, utilizing some of his own rhetorical suggestions from his preaching manual. He also depicts a cross-section of good and bad preachers, including Gregory, Wulfstan, Eustas, St Edmund, and one William Long-Beard and his kinsman, who exemplify (in different ways) the wisdom conveyed in Ranulf’s instruction in the Ars praedicandi. This essay suggests that the literary relationship between the preaching manual and the Polychronicon supplies additional support for the idea that the audience of the latter was not noblemen exclusively, but also clergymen who preached and had responsibility for the care of souls (cura animae).