Pétrarque: L’écriture Comme Philosophie

Petrarch is often considered as the founder of humanism and from then on classified in our division of knowledge on the side of literature, even though several times he claims to be in his writings on the side of philosophy. In retracing the thread of historiographic tradition to understand how Petrarch found himself to be placed outside of philosophy, we would like to examine thoroughly the interrogation on the relationship between literature and philosophy in the west of the xiv ^th century, and try to show how Petrarch tried to bring into existence a conception of philosophy as an art of living and writing, leaning on the social space of courses thus proposing an alternative to the learned constructions of the university world.     

Médecine et Discours sur L’Homme dans la Première Modernité

In the 16^th and 17^th centuries, medical knowledge was anthropological in so much as it produced a discourse on man whose ambition and legitimacy needed no justification. Underwritten by the belief that the body was an object of science, the epistemic horizons of a doctrina de homine emerged from the interaction of medical practice, particularly anatomy, with philosophy and theology in a specific framework - the reorganization of knowledge in Europe over the “long 16^th century”.     

Concepts of Necessity in Voltaire's Poème sur le Désastre de Lisbonne

The eleventh-century Chanson de Sainte Foy is a paradigmatic example of early Romance textuality. Composed in southwestern France and intimately tied to the saint's cult centered around the abbey at Conques, an important site on the French pilgrimage road to Santiago, the almost 600-line poem is among the earliest examples of an extended narrative poem in Romance. Nonetheless, the place of composition and the language of the text remain a controversy. Most editors and linguistic studies of the text have identified its language with the French department of the Aude, specifically around the vicinity of Narbonne, thus rejecting a more southerly Catalan locus of composition. While widely recognizing the poem's cultural matter, this article argues for a stronger Catalan presence in the language of the poem. Specifically, the author examines forms of the so-called Pyrenean definite article derived from Latin IPSE in light of contemporary dialect features of the Catalan of the Eastern Pyrenees.     

Réflexions Sur L’écriture Comme Lieu de Savoir Dans les Livres de Philosophie en France Au XVIIe Siècle

This article proposes a discussion on the sources of a history of knowledge by researching institutions, communities and the broader locations where this knowledge has developed. It shows that the textual nature of the sources of a possible knowledge of these places of learning of the past must be one of the objects of the analysis, with the risk of reproducing social fictions created in their own time to serve diverse political agendas. The case studied proposes an analysis of some of the focal points of the intellectual history of the XVII^th century (academies, salons, schools), and thus permits us to question the unequal social structure of these establishments, by reinserting the activity of writing and publication of a philosophical author into the canon of the numerous discourses on philosophy and those places which, during the era under consideration, turned it into something other than a discipline.     

Le modèle politique vénitien notes sur la constitution d’un mythe

From the sixteenth century on, the «mixed» government of Venice became a political model for the Europe of theAncien Régime. Harmoniously combining the principles of democracy (the Grand Council), aristocracy (the Senate) and monarchy (the Doge), guaranteeing social peace and the stability of the institutions, claiming to protect Venice from the hazards of history, this form of government gave birth to a veritable myth. An essential part of the reflection on the diversity of Italian republican traditions, the study of the Venitian political myth allows us to question also the disputable usages of the republican paradigm in recent historiography.     

Les cercles croissants de la désidentification psycho-et sociogenèse de la haine réflexions sur le Rwanda

Sans résumé Ce texte, rédigé en anglais en octobre 1997, a été traduit ici en fran?ais par Michèle Garlati, avec le soutien financier de l'Académie royale néerlandaise des sciences. Une version préliminaire est parue dansTheory, Culture and Society, vol. XIV, 2 mai 1997, p. 105–122.     

La réflexion Benthamienne sur les mathématiques

In 1814, Jeremy Bentham began to writeChrestomathia; this work is a presentation of what is useful to learn. However this text is, more generally, an entire organization of the knowledge of his time, through developing a «theory of fictions», which is a reflexion on concepts and a critics of nomenclatures. The following essay focuses on the fifty pages refering to mathematics in a work that considers the integrality of sciences at the beginning of the xix^th century and criticizes the FrenchEncyclopédie of Diderot and D’Alembert. A most singular idea expressed by the author, indirectly echoed by Gaston Bachelard through some books, is the conflict between concepts and their being designated by words. Signified, signifying entities and concepts are reciprocally adrift so that nobody, even the scholar, can keep control of these motions; what makes education unceasingly difficult.     

L'arrivée des premiers métallurgistes sur l'Ogooué, Gabon

Résumé Au Gabonca 2400–2300 BP, les dernières cultures néolithiques des savanes de la moyenne vallée de l'Ogooué, succombent face à une rapide expansion de populations porteuses de fer. Cet événement, identifié sur des critères céramologiques et des mesures radiométriques, paraît situer l'arrivée des premiers métallurgistes — probablement Bantu — sur les berges de l'Ogooué.

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In the savannas of the middle stretches of the Ogooué valley in Gabon,ca 2400–2300 bp, the last neolithic cultures succombed to the rapid expansion of ironworking populations. This event, identified on ceramic criteria and radiocarbon dates, may represent the arrival of the first Bantu ironworkers on the banks of the Ogooué.

     

Le crépuscule des Dieux: Regards sur le polythéisme hindou et l'athéisme bouddhique (XVIIe‐XIXe siècle)

From the Age of Classicism to the Age of the Enlightenment. Indian heathendom (that is to say, Hinduism as it was perceived in those times) provided Europe with the spectacle of an incomparable profusion of polytheism. But if India appeared as the living sanctuary of countless divinities, it had also been the cradle of Buddhism which disappeared from its native land to spread over an immense part of Asia. Buddhism was conceived of as an “absolute atheism”; whose fundamental doctrine — the famous nirvana — was considered to be a form of nihilism which had no equivalent in the history of the human mind. Thus, the historiographical discourse on religious matters in India fits into a triad‐like structure in which atheism plays a pivotal role between monotheism and polytheism. A long time after the scholarly discovery of Hinduism and Buddhism, the archaic aspect of this discourse constantly reveals itself in the residual nature of the myth of the double doctrine and the persistence of the theme of the Monster. For philologists and historians of religions until the beginning of the twentieth century, Indian excesses in the religious domain continue to constitute a violation of Reason and Nature.     

La scission et le développement dans la tradition de l’écriture féminine de Chen Ran

Le roman de Chen Ran陈染Siren shenghuo 私人生活(La vie privée) constitue la vie d’une jeune femme, Ni Niuniu, qui vivait dans une métropole chinoise dans une époque de grands changements. Chen Ran a dévoilé la propre expérience de sa vie intime pour concrétiser son image de soi et d’autrui,son style de narration de la vie avec sa volonté et sa logique, pourétablir les paroles féminines.Chen Ran est une écrivaine singulière et importante dans la littérature contemporaine, elle nous a fourni une ressource spirituelle riche pour le développement de la littérature féminine du XXesiècle par ses nombreuses écritures d’exploration des expériences psychologiques spécifiques, féminines, qui représentent le modernisme.Pendant ces dernières années, son oeuvre s’ est orientée de plus en plus vers le psychologique et le philosophique en explorant la solitude, l’amour sexuel et la vie humaine. Chen Ran exprime la solitude et la tristesse des personnages par son écriture parfaite qui rend toute la beauté de la tristesse profonde. La tristesse qu’elle a exprimée n’est pas de simples expériences ou émotions personnelles, mais de la recherche et de l’interrogation profonde vers l’identité du《je》 et de l’《autre》