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The author focuses her approach on the quite unknown actor’s figure, central in the theatrical activity of the jesuit colleges, at the end of the sixteenth and beginning of the seventeenth century. The author attempts to decipher the portrait of the christian actor, an antiactor invested by all the strenght of truth whose image is feigned by the comedian. But, more generally, the paper places the actor of Jesuit religious dramas, which were often written by the professors of the colleges, in the framework of those colleges, which constitutes the ultimate guarantee, since the actor is a student, and in no way a future actor, of the specificity of this theatre.  相似文献   

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This article examines the manner in which the Grosses vollständiges Universal-Lexikon published by Johann Heinrich Zedler from 1732 to 1750 and considered as the most important german language encyclopedia of its time, welcomes and restructures the classical doctrine of the reason of State. Contrary to the interpretation in which the concept of the State developed by the Lexikon would fit into a pure jusnaturalistic logic, it shows the permanence, parallel to wolffian natural law, of a prudential tradition of political thought. The Lexikon, a contemporary of the Anti-Machiavel of Frederic II, thus appears to be the faithful mirror of the heterogeneous tendencies which then illustrate the field of the problems in the reason of State.  相似文献   

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Despite the growing interest in the use of child images in humanitarian contexts in the last few years, there has been no transverse study of the iconography of famines in contemporary times. On the contrary, this iconography has been analysed in a scattered way, in disciplinary boundaries that prevent a more global understanding of the birth and use of these images. By comparing the approaches of the history of humanitarianism and childhood, as well as of social photography and media analysis, the purpose of this article is to show that visuals of starving children eventually find their roots at the end of the nineteenth century, at a time when charitable organisations are using photography as a tool to mobilise civil society and governments as well as to internationalise the humanitarian response. This analysis of Western visual strategies and media mobilisations throughout the twentieth century helps to put into perspective the so-called rupture between a first and a second age of humanitarianism. It shows first how young generations have become a privileged form of representation since the nineteenth century, using an aesthetic universe that is morally compelling; then, later, how the depoliticisation of the victim’s figure engages a political message.  相似文献   

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With the help of Luhmann’s theory, this essay tries to define the connection between the boom of autobiographical writing in the late 18th century and the rise of the middle classes. Central to this, is his definition of “career”, with which he describes the individuals’ behaviour in the new functional bourgeois society. Strictly speaking, the individual gains personal and social identity, through his or her spoken or written autobiography as can be seen clearly in Jung-Stilling’s autobiography, which was published bit by bit. The individual hereby improves its prospects of social advancement. On the other hand, K. P. Moritz in hisAnton Reiser describes his hero’s life as the “career” of a failure whose hyperactive imagination interferes with the formation of his identity. Thus autobiographical writing in the 18th century shows itself as the literary autopoiesis of the authors’ concrete individuality.  相似文献   

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Since the recent publication of a catalogue of the printed rituals in French dioceses, we can list seven ordines of seclusion of lepers existing in France around 1490–1550. In fact, for two of them, the most common, two distinct versions having the same incipit are found. Most of these ceremonies are parodies, some closer than others, of funerals and tell the sick: Sis mortuus mundo. As far as France is concerned, these rites were only followed in one diocese out of ten, but they represent a common liturgical habit in the northeast part of the country. They may have originated in 1400–1450 from the same inclination towards a grim mood as the Dances of Death. They probably exorcised other fears than that of the leper — then dying out-, and were only to disappear slowly and gradually at the time of the Counter-Reformation, after about 1560.  相似文献   

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At the beginning of the seventeenth century, the Jesuit province of Brazil is affected by tensions which reveal the complexity of its relation both with the colonial society and with the Roman center of the order. The paper is focused on an exceptional and original document about which nothing is clearly identified (author, date), theAdvertências para a província do Brasil. It allows a precise analysis of the missionary enterprise, as an economico-political experience (the Jesuits become one of the most important sugar producers of the country), and as a spiritual experience (through the salvation of the missionaries and the conversion of the Indians). This document is centered on thealdeia which is described as the main structure for the action of the Jesuits in Brazil. In that way, it reveals a global vision of the mission, geopolitical, economical and religious, which has systematically been overshadowed by the traditional historiography, whose approach of the missionary phenomenon was exclusively spiritual.  相似文献   

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Doubtless put together in Merovingian times, the temporal possessions of the archbishops of Rouen were enlarged in the twelfth century, thanks to restitutions and, above all, to royal donations. A rapid transformation took place in the thirteenth century: substantial growth and diversification — due to exchanges with the king, purchases of lordships, of houses, or of rents in direct ownership, and reclamations and other improvements — of a patrimony which had become an instrument of spiritual administration. Reaching their maximum revenue around 1330, these temporalities were scarcely modified thereafter as regards their composition, but difficulties in the first half of the fifteenth century, which halved the revenue, affected above all the rural elements, so that the proportion of urban revenues — especially dues on commerce — increased. At once vast and varied, these temporalities take on a somewhat original aspect by comparison with many other ecclesiastical temporalities based on the ownership of rural domains or urban properties.  相似文献   

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